Дисертації з теми "Art, European – 16th century"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 дисертацій для дослідження на тему "Art, European – 16th century".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Schneider, Leann G. "Capturing Otherness on Canvas: 16th - 18th century European Representation of Amerindians and Africans." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437430892.
Повний текст джерелаStrickrodt, Silke. "Afro-European trade relations on the western slave coast, 16th to 19th centuries." Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/2616.
Повний текст джерелаChase, Carol A. "The Reliability of 16th-Century European Claims about Pueblo Lifestyles: An Archaeological Test." University of Arizona, Department of Anthropology, 1993. http://hdl.handle.net/10150/112062.
Повний текст джерелаPanofré, Charlotte Anne. "Printing Protestant texts under Mary I : the Marian exiles' publishing strategies in their European context, 1553-58." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708245.
Повний текст джерелаTrue, Thomas-Leo Richard. "Power and place : the Marchigian Cardinals of Sixtus V." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.
Повний текст джерелаCarvalho, Guida Maria Gomes. "16th century images of Japanese garden art: analysis of the jesuit's texts published in Portugal." Master's thesis, ISA/UL, 2018. http://hdl.handle.net/10400.5/17814.
Повний текст джерелаThe dissertation theme focus on how the Portuguese Jesuit manuscripts describe Japanese gardens for the first time in Europe. This research belongs to a larger project led by Cristina Castel-Branco since 2012 and applied to cities and landscapes that have been described during the 16th century by the Portuguese Jesuits. The first Missionary group arrived in Japan in 1549 led by Saint Francis Xavier (1506-1552). During their stay (1549-1643), they wrote numerous letters to the remaining members of the Company of Jesus and a few books reporting the progression of the Japanese Mission. In these documents they described the country they saw and gave their opinion on the local daily practices. The data obtained for the research project was supplied by paragraphs of texts containing information on Japanese garden, cities and landscapes, found within these texts, which are the most relevant 16th century documents published in Portugal on the subject. The findings of the present work confirms that the Jesuits writings contain significant information on Japanese garden art and make it possible the comparison between the images found and the images of the 16th century Japanese garden produced in Japan. Garden art and theory was analysed to provide a background of how the gardens observed by the Jesuits were and had evolved trough time. The selected passages describe the gardens of the powerful personalities and institutions of the time. Some of these places have survived until the present day, and were visited for the sake of this project. They suggest that the defined programs that label the Japanese gardens of the sixteen century nowadays were more vast and flexible than what is generally acknowledge and may be a contribution for Japanese Garden Art
N/A
Tsang, Wing-yi. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B40040355.
Повний текст джерелаTsang, Wing-yi, and 曾穎怡. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B40040355.
Повний текст джерелаWong, Mei-kin Maggie, and 黃美堅. "Collecting and picturing the orient: China's impact on nineteenth-century European Art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2954452X.
Повний текст джерелаNorris, R. Mae. "Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600)." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.
Повний текст джерелаRobert-Nicoud, Vincent Corentin. "The world upside-down in sixteenth-century French literature and visual culture." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1c0536cf-ffcf-4324-a626-19075e1acca8.
Повний текст джерелаMannering, Hildegard Kirsten. "European stylistic influence on early twentieth century South African painters." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002207.
Повний текст джерелаHammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.
Повний текст джерелаCantu, Jennifer A. "Paolo Veronese’s Annunciations." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1524730134754678.
Повний текст джерелаPuodžiukienė, Dalė. "Evolution of wooden architecture of manor houses in Lithuania (from the middle of the 16th century till the middle of the 19th century)." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110808_093850-01870.
Повний текст джерелаDisertacijoje nagrinėjami Lietuvos bajorijos mediniai gyvenamieji pastatai, darbe vadinami ponų namais. Darbo tikslas – išaiškinti ir pateikti Lietuvos bajorų namų medinės architektūros raidą nuo Valakų reformos iki 1861 Valstiečių reformos. Darbe tirti esami bei neišlikę (žinomi dėka šaltinių) mediniai bajorijos namai, nustatyti vyravę pastatų tipai, priežastys, lėmusios tipų kaitą, atskleidžiami architektūros ypatumai, ponų namo santykis su etnine ir profesionaliąja architektūra. Tyrimai parodė, kad skirtingų bajorijos sluoksnių ponų namų architektūros raida vyko skirtingai. Stambių ir vidutinių bajorų namų raida buvo intensyvi, ją ypač veikė stilinės architektūros pokyčiai. Smulkių bajorų namai kito mažai, statyboje laikytasi etninių tradicijų. Pagal stambių ir vidutinių bajorų XVI a. vidurio– XIX a. vidurio pastatų planines ir tūrines –erdvines struktūras ir formas, išskirti trys architektūrinės raidos etapai: ankstyvasis- formavimosi (iki XVII a. vidurio), „barokinis“ (XVII a. vidurio – XVIII a. septinto dešimtmečio); „klasicistinis“ (XVIII a. pabaigos – XIX a. vidurio). Pirmajame etape iš esmės pakito gyvenamosios erdvės sankloda ir namo įvaizdis: vietoje kelių skirtingų funkcijų namų, skirtų bajoro šeimai ir jo svečiams (gyvenamojo, pokylių namo, ir kt.) susiformavo vienas daugiafunkcinis, parterinis, simetriškos kompozicijos ponų namas. Antrajame ir trečiajame etapuose daugiafunkcinis ponų namas buvo tobulinamas pagal etiketo (gyvenimo būdo) ir vyravusių stilių... [toliau žr. visą tekstą]
MacDonald, Deanna. "Acknowledging the "Lady of the house" : memory, authority and self-representation in the patronage of Margaret of Austria." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38227.
Повний текст джерелаMargaret of Austria was a highly conscientious patron and the art and architecture she commissioned intimately reflected her life. Chapter one introduces the historical facts of Margaret's life as well as issues affecting her patronage. Chapter two considers the monastery of Brou in Savoy as Margaret's architectural autobiography. Drawing on documentation and the building itself, it examines Margaret's involvement in Brou's creation. Chapter three looks at several of Margaret's other commissions such as her residence, the Palace of Savoy in Mechelen and the Convent of the Annunciate in Bruges. This chapter considers the potential goals of these projects, as ambitious as founding a capital city, embellishing her authority as a ruler, or attaining sainthood. Chapter four turns to Margaret's self-portraits, that is, images she commissioned of herself. Created in several mediums for a variety of audiences (including herself), Margaret's self-portraits portray her as everything from a widow to a goddess to a saint. Each image was designed for a specific audience and demonstrates Margaret's understanding of the function of images in negotiating a place in the contemporary world and history. Chapter five presents Margaret's view of herself as one of the rulers of a New World Empire with her pioneering collection of artefacts from the Americas. The conclusion considers the unique image of Margaret of Austria that emerges from her commissions.
Botelho, Lynn Ann. "English housewives in theory and practice, 1500-1640." PDXScholar, 1991. https://pdxscholar.library.pdx.edu/open_access_etds/4293.
Повний текст джерелаTyce, Spencer R. "German Conquistadors and Venture Capitalists: The Welser Company's Commercial Experiment in 16th Century Venezuela and the Caribbean World." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436218400.
Повний текст джерелаFitzpatrick, Devin Marie. "The interrelation of art and space an investigation of late nineteenth and early twentieth century European painting and interior space /." Online access for everyone, 2004. http://www.dissertations.wsu.edu/Thesis/Spring2004/d%5Ffitzpatrick%5F043004.pdf.
Повний текст джерелаZhu, Ying. "Evidence of existing knowledge of China and its influence on European art and architecture in the sixteenth and seventeenth centuries." Diss., Georgia Institute of Technology, 2009. http://hdl.handle.net/1853/37096.
Повний текст джерелаSchachnow, Ellionore. "Marten van Cleve - The Massacre of the Innocents : Comparative study of different versions of the subject and the function of drawings in flemish workshops during the 16th-century." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-193262.
Повний текст джерелаBarnes, Teresa L. "A nun's life : Barking Abbey in the late-medieval and early modern periods." PDXScholar, 2004. https://pdxscholar.library.pdx.edu/open_access_etds/948.
Повний текст джерелаNelson, Charmaine Andrea. "Narrating blackness : studies in femininity, sexuality and race in European and American art of the nineteenth-century." Thesis, University of Manchester, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540694.
Повний текст джерелаSandoval, Elizabeth Marie. "A Material Sign of Self: The Book as Metaphor and Representation in Fifteenth-Century Northern European Art." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1531875789992912.
Повний текст джерелаMaxson, Brian Jeffrey, and Stefano U. Baldassarri. "Giannozzo Manetti's Oratio in Funere Iannotii Pandolfini: Art, Humanism and Politics in Fifteenth-Century Florence." Digital Commons @ East Tennessee State University, 2016. https://doi.org/10.1400/249098.
Повний текст джерелаIgnatidou, Artemis. "Four short (hi)stories of a 19th century Greek-European musical interaction, and the cultural outcomes thereof." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/16094.
Повний текст джерелаWheeler, Carol Ellen. "Every man crying out : Elizabethan anti-Catholic pamphlets and the birth of English anti-Papism." PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3959.
Повний текст джерелаLitzenberger, Caroline J. "The role of episcopal theology and administration in the implementation of the settlement of religion, 1559-c. 1575." PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3983.
Повний текст джерелаWrapson, Lucy Jane. "Patterns of production : a technical art historical study of East Anglia's late medieval screens." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.695227.
Повний текст джерелаSilva, Maria do Carmo Couto da. "Rodolfo Bernardelli, escultor moderno = análise da produção artítica e de sua atuação entre a Monarquia e a República." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280542.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-17T13:16:17Z (GMT). No. of bitstreams: 1 Silva_MariadoCarmoCoutoda_D.pdf: 88905634 bytes, checksum: 83b1638fc2dd25fabb53042dce9158cb (MD5) Previous issue date: 2011
Resumo: Nossa tese de doutorado tem por objetivo contribuir para 0 conhecimento acerca da historia da arte brasileira do final do século XIX e começo do XX, por meio da analise de obras e dos momentos que marcaram a trajetória do escultor Rodolfo Bernardelli (1852-1931). O jovem aluno da Academia Imperial de Belas Artes começa a ganhar destaque no cenário das artes nacionais a partir da sua participação nas Exposições Gerais de Belas Artes, na década de 1870. Apos um período de estudo na Europa, o artista retornou ao Brasil em 1885 e por seus trabalhos realizados no exterior, foi denominado pela critica como artista moderno, recebendo as principais encomendas monumentais da época. Bernardelli foi o principal escultor da primeira década republicana no Brasil e Primeira Republica e atuou como diretor da Escola Nacional de Belas Artes - ENBA, por cerca de 25 anos.
Abstract: Our aim in this thesis is to contribute to the knowledge of the history of Brazilian Art between the end of the 19th century and the beginning of the 20th century through the study of the works and the life moments of the sculptor Rodolfo Bernardelli (1852-1931). The young pupil of the Imperial Academy of Fine Arts begun to gain attention from the national art realm after his participations, along the 187 O's, at General Fine Arts Exhibitions. In 1885, after a period of studies in Europe, the artist returned to Brazil and was then acclaimed as a modern artist by the critics because of the pieces produced abroad. He then received the main monumental commissions of the period. Bernardelli was the main sculptor of Brazil during the first decade of the Republic and was the director of the National School of Fine Arts - ENBA, during almost 25 years.
Doutorado
Historia da Arte
Doutor em História
Fry, Cynthia Ann. "Diplomacy & deception : King James VI of Scotland's foreign relations with Europe (c.1584-1603)." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5902.
Повний текст джерелаKennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.
Повний текст джерелаMaxson, Brian. "Review of The Young Leonardo: Art and Life in Fifteenth-Century Florence by Larry J. Feinberg." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/6208.
Повний текст джерелаHolford, Stephen Charles John. "Cocteau in London: the Lady Chapel, Notre-Dame de France." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12327.
Повний текст джерелаHagglund, Sarah. "The Myth of Bologna? Women's Cultural Production during the Seventeenth Century." Kent State University Honors College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1620502410389001.
Повний текст джерелаFlynn, Jeremy Paul. "A consideration of the nature, methods and practices of fifteenth-century European warfare with particular reference to the Wars of the Roses." Thesis, University of Wales Trinity Saint David, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683280.
Повний текст джерелаTsoumis, Karine. "Giovanni Battista Cavalieri's Ecclesiae militantis triumphi : Jesuits, martyrs, print, and the counter-reformation." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83842.
Повний текст джерелаWhitehead, Eileen. "A Leap In The Dark: Identity, Culture And The Trauma Of War Mediated Thorough The Visual Arts Of North-East European Migrants And Émigrés To Australia After 1945." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1438.
Повний текст джерелаSilverman, Sarah Kelly. "The 1363 English Sumptuary Law: A comparison with Fabric Prices of the Late Fourteenth-Century." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1322596483.
Повний текст джерелаSilva, Maria do Carmo Couto da. "A obra Cristo e a mulher adultera e a formação italiana do escultor Rodolfo Bernardelli." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281531.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-04T03:41:43Z (GMT). No. of bitstreams: 1 Silva_MariadoCarmoCoutoda_M.pdf: 14705585 bytes, checksum: 9a33d39acb6de8040e84e55c5ed42dad (MD5) Previous issue date: 2005
Resumo: Esta pesquisa enfoca o grupo escultórico monumental Cristo e a mulher adúltera, de Rodolfo Bernardelli (Guadalajara, México, 1852 ¿ Rio de Janeiro RJ, 1931). Realizado em Roma entre 1881 e 1884, é considerado pela crítica como a sua obra-prima. Nosso projeto procurou estabelecer ligações entre essa escultura, outras obras do artista no mesmo período e a arte italiana e francesa contemporânea. Outro objetivo desse projeto foi a análise da importância do estágio italiano do escultor, enquanto pensionista da Academia Imperial de Belas Artes do Rio de Janeiro em Roma, entre 1877 e 1885, para melhor conhecimento acerca da vertente realista a qual o artista se filiou. Além de procurar inserir a produção de Rodolfo Bernardelli no contexto histórico e artístico em que foi realizada, nos últimos anos do Segundo Reinado, a pesquisa buscou a compreensão do papel desses trabalhos na constituição da cultura visual do Brasil daqueles anos
Abstract: This research deals with Rodolfo Bernardelli's (Guadalajara, Mexico, 1852 - Rio de Janeiro, Brazil, 1931) monumental group of sculptures called "Christ and the adulteress". Sculpted in Roma between 1881 and 1884 it is considered by the critics as his master piece. Our project intends to stablish links among this sculpture, some other works of the artist made in the same period and the contemporary French and Italian arts. Another aim of this project was to analize Bernardelli's Italian apprenticeship, sponsored by the Academia Imperial de Belas Artes do Rio de Janeiro in Rome between 1877 and 1885, in order to grasp better understanding of the realistic school to which the artist connected himself. Besides aiming to insert Rodolfo Bernardelli's work on the historical context of its production, that is the last years of the Second Reign, this research tried to understand the role played by his sculptures on the formation of Brazilian's visual culture during those years
Mestrado
Historia da Arte
Mestre em História
Baydova, Anna. "Le rôle des peintres dans l'illustration des livres imprimés à Paris, 1530-1580." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP047.
Повний текст джерелаParis presents a prefect example for the study of the book illustration as the main center of printing in the 16th century and where the prolific authors and the artistic forces of the Kingdom concentrated. From 1530 to 1580, Parisian typography integrated the influence of Italian humanist editions and the artistic particularities of the Fontainebleau school. The participation of painters in the preparation of illustrations is a well-known fact: we can sometimes find their names on the title pages and in the texts of books. However, the terms of their collaboration with other book printing trades are still to be clarified. Dependent on book publishers’ command, subjected to the authors’ control and limited by the book printing techniques, the illustrators had to adjust to this new medium. Besides, the massive diffusion of printed images profoundly changed artistic practices. Combining the study of artworks and archives, this research is at the junction of art history and book history. This complex approach highlights the place of painters in the world of the Parisian book printing and allows an analysis of their professional networks. The reconstruction of illustrations corpuses enables the study of the career of some Parisian artists who were particularly active in this field, such as Jean Cousin the Elder, Baptiste Pellerin, Geoffroy Ballain and Charles Jourdain
Watson, Róisín. "Lutheran piety and visual culture in the Duchy of Württemberg, 1534 – c. 1700." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7715.
Повний текст джерелаDewaël, Stéphanie. "Splendeur, décadence et rémission : la représentation du Fils Prodigue dans la peinture et les arts graphiques à Anvers (1520-1650)." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040109.
Повний текст джерелаWhile the parable of the Prodigal Son was a support in the deep religious controversies which affected Antwerp during the 16th century, the artistic productions (paintings, prints and drawings) gave back a more consensual image of this history. Instead of representing the numerous contradictory theological exegeses about the message of Christ, the artists preferred to drawn their inspiration from profane culture (as plays) and to emphasize the scene of the waste with the courtesans or to insist on everyday and coarse details.This thesis studies the numerous reasons which led them to such choices (weight of censorship, search for a vast clientele, flattery of the spectator…) and analyses the choices of setting, episode by episode. It demonstrates how artist studios reproduced repetitive formulae and how the iconographic choices facilitated alternately the spiritual meditation, the visual enjoyment or the condescending thoughts to others
Doyle, Alice. ""The Essence of Greekness": The Parthenon Marbles and the Construction of Cultural Identity." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1209.
Повний текст джерелаBowles, Carol De Witte. "Women of the Tudor court, 1501-1568." PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3874.
Повний текст джерелаCucuzzella, Jean Moore. "The Destruction of the Imagery of Saint Thomas Becket." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278647/.
Повний текст джерелаGallian, Nastasia. "Les collections d’estampes en Europe (v. 1450-v. 1610)." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL144.
Повний текст джерелаThe origins of print collecting are ill documented and cannot be dated nor located with certainty. The early signs can be traced back to ca. 1450, when prints were collected to be pasted in manuscripts and printed books. From the 1470s-1480s onwards, these archaic practices tended to be replaced by modern collecting. It then spread throughout Europe and became a common practice at the dawn of the Baroque era. There are several types of print collectors at that time. Enthusiasts and connoisseurs such as Ferdinand Columbus, Willibald Imhoff and Abraham Ortelius created special methods for selecting, storing and classifying high quality engravings and woodcuts. Ferdinand of Tyrol, Philip II of Spain and others princes gathered prints in their encyclopedic collections and libraries. Other collectors were interested in using them as sources. Artists and craftsmen kept prints to train apprentices and use them as models and tools in the creative process. Scholars purchased them for their subject-matter and used them as historical, geographical, and scientific documents. This wide range of practices is maybe what define the most early print collecting
Fonseca, Raphael do Sacramento. "Francisco de Holanda = "Do tirar pelo natural" e a retratística." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278817.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Cências Humanas
Made available in DSpace on 2018-08-16T18:48:16Z (GMT). No. of bitstreams: 1 Fonseca_RaphaeldoSacramento_M.pdf: 14872320 bytes, checksum: f26d3e2cbc2fdb1b4f8ba5bc44226b62 (MD5) Previous issue date: 2010
Resumo: Esta pesquisa tem como ponto de partida o texto "Do tirar pelo natural", concluído em 1549 pelo artista e humanista português Francisco de Holanda (1517-1584). Tal texto é considerado o primeiro da história da arte dedicado integralmente ao retrato enquanto objeto artístico. Uma noiva edição deste texto, além de uma revisão historiográfica sobre a figura de Francisco de Holanda foram realizadas dentro desta dissertação. Além disso, dois ensaios sobre a retratística em Portugal durante o século XVI foram escritos levando em consideração não apenas "Do tirar pelo natural", mas também suas outras produções textuais e imagéticas
Abstract: This research has as first step the text "Do tirar pelo natural" ("To make from the natural"), concluded in 1549 by the Portuguese artist and humanist Francisco de Holanda (1517-1584). This text is considered the first in art history dedicated fully to the portrait while artistic object. A new edition of the text, besides a historiographic revision of Francisco de Holanda, was realized in this dissertation. Moreover, two essays about portraiture in Portugal during the XVIth century were written keeping in mind not only "Do tirar pelo natural" ("To make from natural"), but also Holanda's other texts and images
Mestrado
Historia da Arte
Mestre em História
Thomas, Leah. "Literary Landscapes: Mapping Emergent American Identity in Transatlantic Narratives of Women's Travel of the Long Eighteenth Century." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/589.
Повний текст джерелаAbel, Jonathan 1985. "Jacques-Antoine-Hippolyte, Comte De Guibert: Father of the Grande Armée." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700071/.
Повний текст джерела