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1
Stauskas, Vladas. "KAI KURIE ŠIUOLAIKINĖS ARCHITEKTŪROLOGIJOS ASPEKTAI." JOURNAL OF ARCHITECTURE AND URBANISM 33, Supplement (December 31, 2009): 270–78. http://dx.doi.org/10.3846/1392-1630.2009.33.270-278.
Повний текст джерелаАнотація:
The paper presents and analyses in detail the content and significance of the new definition of architecture “as the art and science of designing the environment (space)” for contemporary architecturology and architectural practice. It discusses in greater detail the social and ecological tasks of architecture in contemporary society as well as the responsibility of the architect and new research trends in architecturology. The paper also focuses on the importance of regionality trend in the context of modern globalization and touches upon the questions of architects’ professional training specialization. Santrauka Straipsnyje plačiau pristatomas ir detalizuojamas naujojo architektūros apibrėžimo „Architektūra – tai menas ir mokslas formuoti aplinką (erdvę)“ – turinys ir reikšmė šiuolaikinei architektūrologijai ir architektūros praktikai. Detaliau aptariami socialiniai ir ekologiniai architektūros uždaviniai dabartinėje visuomenėje, architekto atsakomybė, naujos tyrimų kryptys architektūrologijoje. Atskirai aptarta regionalumo krypties svarba dabartinės globalizacijos fone. Paliesti architektų profesinio rengimo specializacijos klausimai.
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Stauskas, Vladas. "KAI KURIE ŠIUOLAIKINĖS ARCHITEKTŪROLOGIJOS ASPEKTAI." JOURNAL OF ARCHITECTURE AND URBANISM 33, Supplement (December 31, 2009): 270–78. http://dx.doi.org/10.3846/13921630.2009.33.270-278.
Повний текст джерелаАнотація:
The paper presents and analyses in detail the content and significance of the new definition of architecture “as the art and science of designing the environment (space)” for contemporary architecturology and architectural practice. It discusses in greater detail the social and ecological tasks of architecture in contemporary society as well as the responsibility of the architect and new research trends in architecturology. The paper also focuses on the importance of regionality trend in the context of modern globalization and touches upon the questions of architects’ professional training specialization. Santrauka Straipsnyje plačiau pristatomas ir detalizuojamas naujojo architektūros apibrėžimo „Architektūra – tai menas ir mokslas formuoti aplinką (erdvę)“ – turinys ir reikšmė šiuolaikinei architektūrologijai ir architektūros praktikai. Detaliau aptariami socialiniai ir ekologiniai architektūros uždaviniai dabartinėje visuomenėje, architekto atsakomybė, naujos tyrimų kryptys architektūrologijoje. Atskirai aptarta regionalumo krypties svarba dabartinės globalizacijos fone. Paliesti architektų profesinio rengimo specializacijos klausimai.
3
Alkan Bala, Havva. "Reading of the Architectural Identity via Cinema." CINEJ Cinema Journal 4, no. 1 (July 13, 2015): 79–109. http://dx.doi.org/10.5195/cinej.2014.118.
Повний текст джерелаАнотація:
This study focused on the identity and proficiency of the profession of architecture via characters of “architect”, “student of architecture” and “having ambition to become an architect” in various films. Conclusions have been drawn about the professional applications and architectural life from the cinematographic level regarding the architect characters and their jobs via the seven films and a total of eleven different architect characters studied. This study aims to revise, through the cinema, the questions of what does an architect do? How does an architect work? What are the tools that an architect uses? How does an architect create their works? What is the mental map of an architect like? In short, who is an architect? New conclusions have been drawn, via a total of eleven different characters of architects in seven films, about architects and architects’ job from the cinematographic level to Professional practiceand architectural life.
4
Salcedo Rahola, Tadeo Baldiri, and Ad Straub. "The role of the architect using integrated contracts for social housing renovation projects." Journal of Engineering, Design and Technology 14, no. 4 (October 3, 2016): 802–17. http://dx.doi.org/10.1108/jedt-02-2015-0008.
Повний текст джерелаАнотація:
Purpose This paper aims to gain more in-depth knowledge in the tendering procedures and organisational typologies of consortia working with integrated contracts for social housing renovation projects and especially in the inherent changes in the role of the architect and his or her relations with the client and consortium members. Design/methodology/approach In total, 21 Dutch social housing renovation projects using an integrated contract with the involvement of an architect were identified in the period 2005-2013. The study is based on interviews with 13 from 21 architects working in these projects. Findings The findings indicate that in the majority of these projects, the architect is contracted by the main contractor rather than by the client, the social housing organisation. The new contractual relationship has no significant effect on the relationship of the architect with the social housing organisation and improves the relationship of the architect with the main contractor, consultants, advisors and other consortium members, such as specialist contractors. The architect switches from the role of designer to that of technical and aesthetic advisor, compared to traditional design-bid-build projects. Research limitations/implications The findings are based on the first experiences of architects working with integrated contracts for social housing renovation projects. Results may be different for other types of projects. Practical implications Architects involved in integrated contracts for housing renovation projects can foresee the implications for their daily work. The study provides useful insights for educational reform to prepare students and practising architects to make the most of the new situation. Originality/value The few studies into integrated contracts that refer to the role of the architect have flagged up changes in this role relative to the traditional design-bid-build approach. This study provides in-depth knowledge of the role of the architect in integrated contracts.
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Devlin, Ann Sloan. "Architects: Gender-Role and Hiring Decisions." Psychological Reports 81, no. 2 (October 1997): 667–76. http://dx.doi.org/10.2466/pr0.1997.81.2.667.
Повний текст джерелаАнотація:
To examine architects' judgments of male and female applicants represented by the information in resumes, 204 architects, 156 men and 48 women, licensed in the state of Connecticut participated in a 2(job level) by 2(sex) between-subjects study. Architects were asked how they would rate applicants' potential (including the decision to hire) and gender-role characteristics judged on the basis of one-page resumes. Architects randomly assigned resumes for one of four evaluation conditions (intern or senior architect; male or female), rated the applicant on seven job-related characteristics, e.g., technical skill, potential for advancement, and completed the Bern Sex-role Inventory as they thought items applied to the applicant. Analysis indicated that male architect respondents were more likely to hire male applicants than female applicants as senior architects and that female applicants were judged to be as masculine-typed as were male applicants.
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Liu, Wei, and Bo Yang. "Comprehensive Competency Evaluation on the National Class1 Registered Architects." Applied Mechanics and Materials 584-586 (July 2014): 2730–34. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.2730.
Повний текст джерелаАнотація:
the National Registered Architect Qualification Exam has held a total of 18 times since the National Registered Architect Qualification System was established,which has a history of nearly 20 years since 1995. The test system played an important role in promoting the development of architectural design industry and improving the competency of architects. But for some reasons, there are still some deficiencies and problem in the system. The biggest problem is that how to determine whether the practicing ability of National Registered Architects can meet the requirements of architectural industry and market. This thesis analyzes the status of examinees and the quality of examination questions based on the exam data of the National Registered Architects Qualification. The comprehensive competency evaluation on the National Registered Architects has been obtained using AHP-fuzzy comprehensive evaluation model.
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Ahmad, Saya H., Lawen A. Karim, Binay O. Rahim, and Ashkan Azad. "An Inquiry About the Roles and Duties of Architects in the Public Sector: Sulaimani Governorate as the Study Field." Journal of Studies in Science and Engineering 1, no. 1 (August 25, 2021): 11–19. http://dx.doi.org/10.53898/josse2021112.
Повний текст джерелаАнотація:
Architects throughout the time being experienced many roles in different times, while there have always been unclear what architects underwent and practised was their actual duty. This research tries to find proper answers about architects' duties, roles, and struggles in the Iraqi Kurdistan region. For this reason, questionnaires were applied to ask both the architects and administrative managers in Sulaimani governorate/department of building construction. We find out that the main role of an architect in the Sulaimani governorate is mainly designing projects. However, they are involved in managerial roles as project supervisors destined by the governorate and also another role of the architect is checking the drawings of the projects designed outside of this administration office. Another finding was that the architects in the Sulaimani governorate or Iraqi Kurdistan region generally face the problem that their works are done by other specialists, which sometimes cause some domain faults in the works and do not have enough or proper area to work in.
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Erkan, ilker. "Early Design Stage Analysis with Brain Imaging Method." Interaction Design and Architecture(s), no. 44 (May 10, 2020): 53–70. http://dx.doi.org/10.55612/s-5002-044-003.
Повний текст джерелаАнотація:
This study focuses on the early design phase in architectural design and aims to examine how participants transform their knowledge to make the initial decisions regarding design. A total of 100 volunteers, 50 architects and 50 non-architects, participated in the study. Architect and non-architect participants were to make mobile phone designs, while brain activities were being monitored during the research. All designs were rated by an independent group of 12 people. Supporting architectural education methods relating to the study; the aim is to make conclusions that help explain the early design stage and the overall design process which effects how the design ideas begin to take form. The study reveals the contribution of the early stages of design regarding architectural education and also that architects versus non-architects begin to create more meaningful designs during/at this stage.
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Obralic, Ahmed, and Fuad Catovic. "The Impact of Personal Characteristics of Architects on Their Architectural Work." International Journal of Learning and Development 6, no. 1 (January 30, 2016): 42. http://dx.doi.org/10.5296/ijld.v6i1.8181.
Повний текст джерелаАнотація:
The aim of this paper is to show an influence of human personalities on their professions and to try to find the best model of an architect. By reviewing the literature related to human competences and project management, the research model is created to find the connection between the influence of human (an architect) characteristics on a profession and the characteristics and personalities that are required for design and architecture in general. The study was conducted among the fourteen architects already involved in the designing process. The findings of study point out that in order to reach high productivity, the personal traits have a very big impact on every segment of job performing. The management of the companies should encourage their employees in maintaining their obligations and provide them with appropriate environment in order to fulfill all challenges. We hope this research will help other researchers, architects in A-eling Company, management and students at International Burch University to be aware of the fact that the personalities (characteristics) influence architects in their architectural work. Keywords—Personal Characteristics, Architect, Architectural Work, Impact
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Indrosaptono, Djoko, Tri Susetyo Andadari, and Alfanadi Agung Setiyawan. "The Studies of Architectural Design Method." Journal of Architectural Design and Urbanism 3, no. 2 (April 24, 2021): 84–96. http://dx.doi.org/10.14710/jadu.v3i2.10711.
Повний текст джерелаАнотація:
The design processes and strategies applied to each architect in carrying out their design tasks are different. The stages in producing architectural work can be based on the theory of certain design methods, intuition or design experience from each architect. As an architect, it is mandatory to know the design process in accordance with existing methods. There are several variables in the design method according to Jones and Schmitt. And this study aims to find the variables most widely used by 8 architects in designing. Including the average of the variables it uses. The method used in this research is quantitative method with one way ANOVA (analysis of variant) as its statistical analysis, by examining the mean difference between the research objects. The literature study was used to obtain an analysis of the design process and the methods used by 4 well-known architects as their secondary empirical data source, while field observations in the form of direct interviews were carried out to obtain the reality of the design process for 4 local architects with various backgrounds and characteristics as well as different architectural works. The end result shows that the average level of architects in the use of research variables is not much different and the design process variables that are most often used by architects in carrying out architectural designs, are the clarity of the need for the design function, the use of the drawing system and the design results that are meaningful and logical.
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Butvilaitė, Rasa. "Architektas XVIII amžiaus Lietuvos Didžiosios Kunigaikštystės visuomenėje." Lietuvos Didžioji Kunigaikštystė Luomas. Pašaukimas. Užsiėmimas, T. 5 (January 1, 2021): 254–70. http://dx.doi.org/10.33918/23516968-005012.
Повний текст джерелаАнотація:
ARCHITECT IN THE SOCIETY OF THE 18TH CENTURY GRAND DUCHY OF LITHUANIA The article deals with the problem of professional field of activity of an architect, the place of his profession in the system of crafts, sciences and arts, architects’ position in the society of the eighteenth century. Before the education reform undertaken by the Education Commission, architecture had not been developed into a separate subject that provided professional training in the schools of the Grand Duchy of Lithuania. The course in architecture was only a part of general education in Vilnius Jesuit Academy, in nobility schools of a military type, and Jesuit and Piarist Collegium Nobilium. There was not enough focus on architectural studies in these most important educational institutions of the Grand Duchy of Lithuania: a short course of up to two years provided only general and technical basis of the theory of architecture based on classical orders, and it was not capable of training high ranked professionals-practitioners. Until the eighties of the 18th century, to become an independent professional architect one had to continue his studies abroad. It is argued that the Enlightenment concept of a creator serving to the state and society as well as representing them has provided an important impetus to the growth of the value of the architect’s profession and its social status. While many eighteenth-century artists were still very close to craftsmen in terms of social status (it was considered, that they used to do specific tasks and earn a living by employing manual / physical, not intellectual / mental powers), architects, due to the specifics of their education – studies at the university and military careers (they were mostly employed as engineers) were granted titles of nobility. In the eighteenth century, the social and material position of the architect-creator, who had been liberated from the crafts guild system, had evolved considerably and created conditions for privileges and for the establishment in the rank of nobility. The nobilitation of architects, who usually also had the rank of an officer and executed significant orders in large estates, intensified especially during the period of the partitions of the Polish–Lithuanian Commonwealth. Experienced architects were desired and welcome guests in the manors of the nobles. Successful architects used to invest accumulated funds in real estate and manors with land. The architect was no longer just a hired employee but became a patron himself – the one who was initiating and partly financing construction. Keywords: architect, engineer, social status of an architect, Enlightenment, nobilitation.
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Lidin, Konstantin, Elena Grigoryeva, Konstantin Antipin, Valentina Kazakova, Roman Malinovich, Anastasia Malko, Mark Rusanov, et al. "“With human happiness…” PB Discussion Club." проект байкал, no. 73 (October 21, 2022): 22–31. http://dx.doi.org/10.51461/pb.73.01.
Повний текст джерелаАнотація:
The connection between the work of the architect and the citizens’ happiness was discussed at a round table in the editorial office of the Project Baikal journal. Does the professional ethics of an architect and an urbanist include concern for the “amount of happiness” of the inhabitants of the city? What approaches and methods are used by architects to increase this amount? How can we be sure that we do not increase the amount of happiness of some groups of the population, while infringing on the “right to happiness” of other groups? Both young architects and experienced masters have expressed their opinion.
13
Hasan, Ramly, Noriah Othman, and Faridah Ismail. "Choosing Tree for Urban Fabric: Role of Landscape Architect." Environment-Behaviour Proceedings Journal 3, no. 7 (March 2, 2018): 199. http://dx.doi.org/10.21834/e-bpj.v3i7.1234.
Повний текст джерелаАнотація:
This study explored the role of landscape architect in choosing trees for urban fabric. Two objectives have been formulated (i) to examine the process in selecting tree species among landscape architects and (ii) to determine the relationship between process and environmental constraints in selecting tree species for urban fabric. The findings showed that certain criteria of the environmental constraints are positively correlated and have strong relationship with tree selection process. The role of landscape architect is pertinent in tree selection. The findings of this research will contribute to process improvement in selecting tree species by landscape architects in the future.
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Merrill, Elizabeth. "The Professione di Architetto in Renaissance Italy." Journal of the Society of Architectural Historians 76, no. 1 (March 1, 2017): 13–35. http://dx.doi.org/10.1525/jsah.2017.76.1.13.
Повний текст джерелаАнотація:
The Professione di Architetto in Renaissance Italy shows how Renaissance Italian architects used the concept of the professione di architetto as a way to affirm and delineate the character of their occupation. Drawing inspiration from antiquarian models and taking advantage of the humanist ethos, these architects equated “profession” with manual and theoretical expertise, social authority, and the fulfillment of artistic, civic, and moral ideals. Elizabeth Merrill places the origins of architectural professionalism in early modern Italy—rather than in the nineteenth-century movements frequently cited by social historians—and describes the theoretical context for the architect's professional rise. Positioning themselves alongside university-educated professors, architects of Renaissance Italy crafted didactic treatises about their work and created academies for its instruction, foreshadowing a long history of architectural discourse that continues to this day.
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Yaneva, Albena. "Modern Architecture as Inextensible." Joelho Revista de Cultura Arquitectonica, no. 9 (December 27, 2018): 82–89. http://dx.doi.org/10.14195/1647-8681_9_4.
Повний текст джерелаАнотація:
I will begin with this provocative, and quite unusual image, of an iconic building that we all know – the Eiffel Tower. Some of you might have heard about the media debates surrounding the “new design for the restructuring of the public spaces of the Eiffel Tower” announced by the French architect David Serero in March 2008. He suggested doubling the size of the tower’s highest observational platform. The architect claimed that “his firm’s proposal was accepted after an open call, and that the structure is expected to be assembled for the 120th anniversary of the tower construction.” But shortly after that, the government-contracted firm that manages the tower – la Société d’Exploitation de la Tour Eiffel – stated that the claims of the architect are a “hoax.” The communication chief denied that there was ever any call for architects regarding plans to redevelop the top of the monument and that Serero Architects never presented themselves as candidates for such a competition. The media outlets that ran with the story included: The Guardian, The New York Times, Architect, Bustler, The Daily Telegraph and Belfast Telegraph.
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Podubny, Bartosz. "Stanisław Majerski – autor projektów zakopiańskiej Księżówki." Artifex Novus, no. 5 (December 13, 2021): 136–47. http://dx.doi.org/10.21697/an.9375.
Повний текст джерелаАнотація:
Abstrakt:
Autor prezentuje nowe ustalenia dotyczące autorstwa budynku Księżówki w Zakopanem. W Żołyni, niewielkiej miejscowości w województwie podkarpackim, znajduje się Zbiór Dąbrowskich z Żołyni liczący kilka tysięcy projektów. Wśród nich autor odnalazł dzieła architekta Stanisława Majerskiego, m.in. projekty dla Księżówki w Zakopanem. Projekty dla tego obiektu, sygnowane także przez Majerskiego, odszukał również w Archiwum Narodowym w Krakowie. Analiza projektów wykazała, że wspomniany architekt był autorem murowanej części Księżówki. Jest to nowe ustalenie, ponieważ dotychczas budynek przypisywany był Eugeniuszowi Wesołowskiemu. Autor przedstawia także hipotezę, że powstała w okresie międzywojennym na miejscu dawnej Adasiówki drewniana część budynku również mogła zostać zrealizowana według projektu Stanisława Majerskiego.
Summary:
The Author presents new findings regarding the authorship of the ‘Księżówka’ building in Zakopane. Żołynia, a small town in the Subcarpathian Voivodeship, seats the Żołynia Dąbrowski Collection with several thousand projects, among which the author found the works of the architect Stanisław Majerski, including the projects of the ‘Księżówka’ in Zakopane. What is more, he found this object’s designs in the National Archives in Krakow, signed by Majerski as well. The analysis performed indicated the authorship of the above-mentioned architect pertaining to the brick part of the ‘Księżówka’, which is a new finding in this matter, because the building was previously attributed to Eugeniusz Wesołowski. The Author also presents a hypothesis stating that the wooden part of the building, erected during the interwar period on the site of the former ‘Adasiówka’, could also had been erected based on Stanisław Majerski’s design.
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Kupriyanova, Elena. "Architectural drawing as a method of graphic modeling that forms the professional mentality of a student-architect." E3S Web of Conferences 281 (2021): 02021. http://dx.doi.org/10.1051/e3sconf/202128102021.
Повний текст джерелаАнотація:
The article presents the results of such phenomena as the drawing of an architect and architectural drawing, theoretical approaches and methods of forming project mentality by a student - architect through drawing, analysis of the teaching drawing method to future architects of leading Russian universities, built on projective mentality and analytical drawing from nature and by representation. The examples of some tasks on architectural drawing that form the design mentality of the future architect and the skills of graphic modeling of the architectural space geometry are given.
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Adewunmi Oluwatayo, Adedapo, Eziyi Ibem, and Dolapo Amole. "Satisfaction of first-time residential clients with architectural services." Journal of Engineering, Design and Technology 12, no. 3 (July 1, 2014): 316–35. http://dx.doi.org/10.1108/jedt-03-2012-0012.
Повний текст джерелаАнотація:
Purpose – The aim of this study was to investigate the factors which define and predict the satisfaction of first-time residential clients of architects in Nigeria using Lagos as a case study. Design/methodology/approach – The study was based on the notion that satisfaction of first-time residential clients with architectural services is a combination of satisfaction with service, design and relationship qualities as well as reputation of the architect. A cross-sectional survey of randomly selected first-time residential clients of architects in the study area was conducted using pre-tested questionnaire as the principal data gathering instrument. Data were analyzed using descriptive statistics, factor and regression analyses. Findings – Of the seven factors identified, the factors which best define the satisfaction of the first-time residential clients were personalization of service, reliability of, confidence inspired by and personality of the architect. The best predictors of the satisfaction of the first-time residential clients of architects in Nigeria varied with the nature of service. However, it was observed that the experience of the architect cut across all service types as a significant predictor of client satisfaction. Research limitation/implication – Only residential clients were considered in the study. Other categories of clients may be considered in further studies. Practical implications – There is need for architects to consider the nature of services provided in their quest to satisfy their first-time residential clients. Originality/value – Previous studies have focused on experienced and mostly public sector clients. This study provides empirical data on the factors that influence the satisfaction of first-time private clients who engaged the services of architects for their personal homes.
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Consoli, Giustina. "The Architect's Dilemma: A Self Reflection in Understanding Prison Design and Construction in Private Prison Projects." Construction Economics and Building 6, no. 2 (November 22, 2012): 1–10. http://dx.doi.org/10.5130/ajceb.v6i2.2979.
Повний текст джерелаАнотація:
Australia embarked upon a number of private prison projects during the 1990's. These projects involved the competitive bidding for prison projects by consortia, which generally consisted of a correctional operator, contractor and architect. The architect's role in such projects was to satisfy the needs and desires of the operator, contractor and government assessors.As a result, the architect became acritical element in the successful delivery of the prison projects.Intensive interviews with such architects have shown that a number of issues were experienced as a result of their inclusion in the projects.These architects reported: (a) uncertainty in undertaking large specialist projects,(b) grappling with their own expectations and those of other participating parties as to the role of the prison architect, (c) a desire to acquire a working knowledge of the philosophies of incarceration and prison design and construction, and (d) difficulties in working within an environment where suspicions were raised in regards to conflicting and underlying objectives of the operators and contractors.
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Melnikova, Olga, and Svetlana Shuvalova. "Descriptive geometry as a tool for the development of future architects’ imaginative abilities." E3S Web of Conferences 110 (2019): 02104. http://dx.doi.org/10.1051/e3sconf/201911002104.
Повний текст джерелаАнотація:
The article gives a brief overview of the types of perspective. The importance of perspective’s construction from the real point of view is noted. An attempt to clarify the significance of spatial thinking and crea-tive imagination in teaching an architect’s profession is made in this paper. The methods of descriptive geometry affecting the accuracy of visual clari-ty are determined. The importance of creative and professional characteris-tics of a student-architect and a practicing architect are examined. Stu-dents-architects and practicing architects with different working experience were presented as the respondents. The similarity in the designation of high importance of imagination and creative thinking in all groups of respond-ents in professional work was revealed.
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Linzey, Kate. "John Sidney Swan: a genuine article." Architectural History Aotearoa 1 (December 5, 2004): 25–32. http://dx.doi.org/10.26686/aha.v1i0.7892.
Повний текст джерелаАнотація:
The architect John Sidney Swan (1874-1936) represents a little represented group in the history of New Zealand architecture. At the establishment of the New Zealand Institute of Architects in 1905, Swan was one of few architects present, along with William Gray Young (1895-1962), who had been trained in New Zealand through the article system. While training "on the job" was a common occurrence in the early development of the building industry in this country, few of these architects achieved great renown. Swan however, was a prominent architect in his day, designing Erskine Chapel in Island Bay (1906), Saint Gerard's Church in Mount Victoria (1908) and an unbuilt proposal for a Roman Catholic Basilica in Dufferin Street (1912).
This renown may have been due to Swan's mentor, Fredrick de Jersey Clere, the vocal English émigré architect. However, this mentorship does not wholly explain Swan's prolific, and sometimes eccentric practice. This paper is part of an ongoing project to document Swan's work, and develop an understanding of his particular style, which, on the one hand, reflects an awareness of the contemporary English fashions, and yet, on the other, rejoices in an almost theatrical excessiveness, quite contrary both to the evolving architectural austerity of modernism, and Clere's more restrained style.
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Humphris, Adrian, and Geoff Mew. "Carpenter, Artisan, Architect; Status In Late Nineteenth Century Wellington." Architectural History Aotearoa 4 (October 31, 2007): 28–33. http://dx.doi.org/10.26686/aha.v4i0.6737.
Повний текст джерелаАнотація:
The distinction between a minor professional architect and a leading builder in Wellington was considerably more blurred in the late nineteenth century than it would be today. However, busy architects could make a lot of money and the term "architect" carried status that might open more doors than would be available to a mere builder. Late nineteenth century Wellington is now apparently only represented by a handful of buildings by prominent architects. Most people automatically think of the CBD and names like Thomas Turnbull & Son, William Chatfield, Frederick de Jersey Clere, John Campbell and perhaps William Crichton. Clayton, Toxward and Tringham were dead or almost gone, and new generation architects were barely emerging. We contend, however, that this picture is an oversimplification and considerably more of 1890s Wellington remains, as does the evidence for a much longer roll-call of architects, some of whom practised on the fringes, both of the city and of their profession. The architects we discuss here did not generally design large, flamboyant buildings, nor did they cater for rich company clients. Many of the lesser-known architects were particularly susceptible to boom-bust cycles and were forced to seek other employment in lean times - hence their rapid arrivals and departures from the trade listings in the directories of these years
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Petrušonis, Vytautas. "SOCIALINIO SOLIDARUMO MOTYVAI ARCHITEKTO VYTAUTO LANDSBERGIO-ŽEMKALNIO KŪRYBOJE." JOURNAL OF ARCHITECTURE AND URBANISM 34, no. 3 (September 30, 2010): 128–37. http://dx.doi.org/10.3846/tpa.2010.13.
Повний текст джерелаАнотація:
In contemporary society marginalization, alienation of social groups is increasing. Among other things, it is related to changes in the phenomenon of social solidarity, which are influenced by the processes of individualization, diversification, globalization, segmentation. Architectural works of modern architects, that together with customers represent the attitudes of nowadays, often reflect the desire to dominate. While educating young architects it is important to provide them not only with technical and artistic skills, but also to make them understand how architecture can take part in the the actualization of harmonic social behaviour stereotypes, the psychological attitude to encourage the pursuit of social solidarity. It is therefore important to learn how architectural composition can ensure a harmonious social interaction. The related adequate experience is worth studying. It is particularly important to evaluate the works of different periods of our country’s famous architects. V. Landsbergis-Žemkalnis could be distinguished as one of such architects to whom responsibility to society was particularly significant. Analysis revealed that V. Landsbergis-Žemkalnis‘ works are characterized by predominance of an organic compositional type what means that the programming of social solidarity attitudes by architectural compositional measures is ensured. In particular, these properties are characteristic of V. Landsbergis-Žemkalnis‘ buildings realized in the heart of Kaunas city. These buildings are better harmonizing with adjacent buildings and the whole street space. Moving away from the center, in the buildings erected by V. Landsbergis-Žemkalnis design, the number of vertical elements increases, separate parts of a building have a more distinct height, the silhouette becomes more active, more dynamic. Typologically such a building could be assigned to the hierachical compositional type. In contrast to ’’buildings of the street”, ”of the city”, these buildings represent ’suburban” buildings, what claims to be a local compositional center. Altogether V. Landsbergis-Žemkalnis‘ works illiustrate his ability to ”read” the situation in an urban context and use properly selected compositional building parameters, especially properly chosen measures operating in a dense group of existing buildings where the solidarity phenomenon is of great importance. Santrauka Šiuolaikinėje visuomenėje didėja atskirtis, socialinių grupių nesusikalbėjimas, užsisklendimas, kuriant grupinius idealus, siekiant nereikšmingų tikslų. Greta kitų dalykų, tai susiję su socialinio solidarumo kaita, kuri veikiama tokių šiuolaikinės civilizacijos reiškinių kaip individualizacija, diversifikacija, globalizacijos procesas, segmentacija. Šiuolaikinės kartos architektų, kartu su užsakovais esančių savojo laikotarpio atstovais, darbai ypač dažnai atspindi siekį dominuoti, išsiskirti bet kokioje miesto dalyje, bet kokioje pastatų apsuptyje, todėl ugdant šiuolaikinius architektus svarbu perteikti jiems ne tik meninio komponavimo įgūdžius, bet suvokimą, kaip architektūra gali prisidėti prie harmoningos socialinės elgsenos stereotipų aktualizavimo, ypač skatinant socialinį solidarumą (nes tai susiję su visuomenės grupių santykių harmonizavimo užtikrinimu). Todėl svarbus kompozicinių priemonių, galinčių užtikrinti harmoningos socialinės sąveikos nuostatų aktualizavimą, socialinio solidarumo nuostatų įtvirtinimą, pažinimas, o tam ypač svarbu šiuo aspektu įvertinti mūsų šalies įvairių laikotarpių įžymių architektų kūrybą. Vienu iš tokių architektų yra V. Landsbergis-Žemkalnis, kuriam architekto atsakomybė visuomenei buvo ypač svarbi. Architekto V. Landsbergio-Žemkalnio darbų analizė parodė, kad jo kūrybai būdingas organiškojo kompozicinio tipo vyravimas, o kartu – socialinio solidarumo programavimą užtikrinančių architektūrinių kompozicinių priemonių dominavimas. Ypač šiomis programuojančiomis savybėmis pasižymi V. Landsbergio-Žemkalnio pastatai, esantys pačioje Kauno miesto širdyje – Naujamiestyje. Tai pasireiškia tuo, kad šie pastatai yra daugiau miestietiško tipo, aktyviai „bendradarbiauja“ su gretimais pastatais, su visa gatvės erdve. Tolstant nuo centro, pastatuose gausėja vertikalių elementų, daugiau skiriasi atskirų pastato dalių aukštis, siluetas darosi aktyvesnis, dinamiškesnis. Tipologiškai tai būdingi priemiesčių ar užmiesčio pastatų, kurie pretenduoja į lokalinio kompozicinio centro vaidmenį, bruožai. V. LandsbergioŽemkalnio kūryba liudija apie jo sugebėjimą suprasti urbanistinę situaciją ir joje deramai parinkti statinio kompozicinius parametrus, ypač – tankiai užstatytoje aplinkoje, kur solidarumo vaizdinis reprezentavimas yra itin aktualus.
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Zvaigzne, Māris, Alīda Zigmunde, and Ilze Gudro. "The family of Indriķis Blankenburgs (1887–1944) and architectural projects in the turn of the century." History of Engineering Sciences and Institutions of Higher Education 2 (November 1, 2018): 76–91. http://dx.doi.org/10.7250/hesihe.2018.006.
Повний текст джерелаАнотація:
The graduate of the Department of Architecture (1913) of the Riga Polytechnic Institute (RPI), architect Indriķis Blankenburgs (1887–1944) is one of the best-known architects of school buildings in Latvia during the interwar years. Most of his more than 30 projected schools and other buildings are still used for the original purpose of the architect. Using the documents of the Latvian State Historical Archives and library collections, the article follows the Blankenburgs family and outlines the contribution of I. Blankenburgs to school architecture and provides the list of schools designed by the architect.
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Angeloni, Antonio, Corrado De Vito, Antonella Farina, Daniela Terracciano, Michele Cennamo, Rita Passerini, Fabio Bottari, et al. "New Analytical Approach for the Alignment of Different HE4 Automated Immunometric Systems: An Italian Multicentric Study." Journal of Clinical Medicine 11, no. 7 (April 2, 2022): 1994. http://dx.doi.org/10.3390/jcm11071994.
Повний текст джерелаАнотація:
Human epididymal secretory protein 4 (HE4) elevation has been studied as a crucial biomarker for malignant gynecological cancer, such us ovarian cancer (OC). However, there are conflicting reports regarding the optimal HE4 cut-off. Thus, the goal of this study was to develop an analytical approach to harmonize HE4 values obtained with different laboratory resources. To this regard, six highly qualified Italian laboratories, using different analytical platforms (Abbott Alinity I, Fujirebio Lumipulse G1200 and G600, Roche Cobas 601 and Abbott Architett), have joined this project. In the first step of our study, a common reference calibration curve (designed through progressive HE4 dilutions) was tested by all members attending the workshop. This first evaluation underlined the presence of analytical bias in different devices. Next, following bias correction, we started to analyze biomarkers values collected in a common database (1509 patients). A two-sided p-value < 0.05 was considered statistically significant. In post-menopausal women stratified between those with malignant gynecological diseases vs. non-malignant gynecological diseases and healthy women, dichotomous HE4 showed a significantly better accuracy than dichotomous Ca125 (AUC 0.81 vs. 0.74, p = 0.001 for age ≤ 60; AUC 0.78 vs. 0.72, p = 0.024 for age > 60). Still, in post-menopausal status, similar results were confirmed in patients with malignant gynecological diseases vs. patients with benign gynecological diseases, both under and over 60 years (AUC 0.79 vs. 0.73, p = 0.006; AUC 0.76 vs. 0.71, p = 0.036, respectively). Interestingly, in pre-menopausal status women over 40 years, HE4 showed a higher accuracy than Ca125 (AUC 0.73 vs. 0.66, p = 0.027), thus opening new perspective for the clinical management of fertile patients with malignant neoplasms, such as ovarian cancer. In summary, this model hinted at a new approach for identifying the optimal cut-off to align data detected with different HE4 diagnostic tools.
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Hallas-Murula, Karin. "Eugen Habermann (1884–1944) and Herbert Johanson (1884–1964) – from Studies at Riga Polytechnic Institute to the Top of Estonian Architecture." History of Engineering Sciences and Institutions of Higher Education 6 (September 27, 2022): 35–55. http://dx.doi.org/10.7250/hesihe.2022.003.
Повний текст джерелаАнотація:
Graduates of Riga Polytechnic Institute Eugen Habermann (1884–1944) and Herbert Johanson (1884–1964) became the most active architects in Estonia in the 1920s and 1930s. E. Habermann was the City Planning Architect of Tallinn (1914–1923), at the same time, he headed the Construction Board of the Ministry of the Interior (1919–1923). H. Johanson led the project bureau of the City Architect of Tallinn (1924–1944). From 1935, he also ran the Tallinn Municipal Architecture Office. Both architects were the founders of the Estonian Association of Architects (1921) and its chairmen, E. Habermann – from 1921 to 1936 and H. Johanson – in the 1930s. The extensive list of projects of E. Habermann and H. Johanson consists of around 200 projects, including buildings of nearly all types. The article aims to characterize E. Habermann and H. Johanson as personalities based on the memories of their fellows, it also reflects on the main features and stylistic development of their architecture.
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Mujahed, Layla. "The Visual Perception of Residential Buildings: Le Corbusier’s Modernism and Zaha Hadid’s Parametric Architecture." International Journal for Research in Applied Science and Engineering Technology 10, no. 10 (October 31, 2022): 1476–88. http://dx.doi.org/10.22214/ijraset.2022.47178.
Повний текст джерелаАнотація:
Abstract: This research paper studies visual perception by focusing on the material functionality of residential buildings in the different architectural style periods, which are the modernism and parametric styles periods. Two pioneer architects of these architectural style periods were selected to study and focus study on their works, Le Corbusier, a pioneer architect of the modernism architectural style period, and Zaha Hadid, a pioneer architect of the Parametric architectural style period. This research uses a mixed-methods approach including quantitative and qualitative approaches, represented by a survey directed at architects to study and analyze the visual perception of the selected architects’ building designs. Besides, this research studies the material functionality of each selected case study. The results showed that the residential buildings designed during the modernist architectural style period by Le Corbusier were characterized by simplicity, comfortability, and regularity. However, the residential buildings of the parametric design style period designed by Zaha Hadid were characterized by complexity, uncomfortability, and irregularity but meaningful.
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Funo, Shūji. "Portrait diffracté de l’« architecte » : artiste, archi-technocrate ou community architect ?" Ebisu, no. 57 (December 15, 2020): 23–81. http://dx.doi.org/10.4000/ebisu.4872.
Повний текст джерела
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Arora, Oorja, Shiba Das, Shruthi Siva E S, Saaral A S, and Shruti Nagdeve. "Client expectations in the purview of architecture." International Journal of Students' Research in Technology & Management 9, no. 4 (December 30, 2021): 40–53. http://dx.doi.org/10.18510/ijsrtm.2021.944.
Повний текст джерелаАнотація:
Purpose of the study: From the conceptualisation to the construction stage, clients have a wide range of expectations from architects, and sometimes not addressing or meeting these expectations can land both of them in conflicts of interest, which might affect the architect’s career. This study attempts to unfold the dynamics of the client-architect relationships, emphasizing clients’ expectations from architects.
Methodology: This research has been conceptualised to cover various aspects of the client-architecture relationships through an in-depth literature review, followed by undertaking a survey. The literature review has touched upon different factors that shape the client-architect relationships, various architects’ theories, and how clients feel. The survey was conducted online amongst 29 architects and 12 clients to get their perspectives on the issue, giving more detailed insights into the topic.
Main Findings: The findings have revealed that clients who’ll be personally occupying and using the space have the maximum expectations from the architects who’re designing that space, with these expectations spanning the entire process starting right from their initial interactions to post-occupancy. Most of these expectations and their consequent circumstances become complex where the budgets are strict and tight, as it is difficult for the clients and the architects to compensate for the losses.
Novelty/Originality of this study: Architectural practice is an ever-evolving profession, where relationships between architects and clients are not static, but dynamic as per the changing working styles. This study represents a fresh angle of current practicing architects and their views, which may prove beneficial for architects stepping out from colleges to working industry.
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Kelly, Madeleine Jane Swete, and Glenda Amayo Caldwell. "Responsible Reconstruction: The Architect’s Role." Open House International 39, no. 3 (September 1, 2014): 17–27. http://dx.doi.org/10.1108/ohi-03-2014-b0003.
Повний текст джерелаАнотація:
This paper investigates the role of the architect in post-disaster reconstruction and questions their ability to facilitate permanent building solutions. There is an ever-increasing population of refugees and internally displaced persons due to disasters and conflicts who have a basic need for shelter. To date, housing solutions for such people has tended to focus on short-term, temporary shelter solutions that have been largely unsuccessful. This increasing demand for shelter has led to an emerging group of architects skilled in post-disaster reconstruction. These architects acknowledge that shelter is critical to survival, but believe architects should focus on rebuilding in a manner that is quick, durable but permanent. They believe that an architect skilled in post-disaster reconstruction can produce solutions that meet the requirement of the emergency phase, through to semi-permanent and even permanent homes, without wasting time and money on interim shelters. Case Study Research was used to examine and evaluate the assistance provided by Emergency Architects Australia (EAA) to the Kei Gold community in the Solomon Islands after the 2007 earthquake and tsunami. The results indicate that an architect’s response to a disaster must go beyond providing temporary shelter; they must create permanent building solutions that respond to the site and the culture while servicing the needs of the community. The vernacular reconstruction methods implemented by EAA in Kei Gold Village have been successful in developing permanent housing solutions. Further research and development is required to gain a broader understanding of the role of the architect in disasters of varying scales and typologies.
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Wood, Peter. "One Man's Plan: The Story of Gerald Melling's Tenure as Editor of New Zealand Architect, and some Implications Thereof." Architectural History Aotearoa 6 (October 30, 2009): 78–85. http://dx.doi.org/10.26686/aha.v6i.6758.
Повний текст джерелаАнотація:
In late 1983 Gerald Melling replaced Gordon Moller as editor of the New Zealand Institute of Architects' journal, New Zealand Architect. The appointment of Melling was not contentious, Moller was stepping aside after a lengthy term, and while Melling brought less architectural experience to the job he added weight as a noted writer and editor. Melling edited New Zealand Architect for 11 issues, from No.4, 1983, through to issue No.2, 1986, and, as the NZIA might have expected, the first issues under Melling's influence displayed a far greater degree of creative and editorial urgency than had been the case previously. Yet, the end, when it came, was sharp, with Melling stepping down from the role in the aftermath of legal threats, and there are still rumours that the Institute abandoned its editorial association to the journal as a direct result of Melling's editorial control. This is not true, and this paper traces the circumstances of that myth. During Melling's supervision New Zealand Architect entered into a brief period of critical commentary in which New Zealand's buildings were viewed as a responsible to a wider public, and accountable to that audience through criticism. In his first editorial Melling wrote of the need for openness where architects get things right, and an honest reflection on where they get them wrong. Unfortunately the principle audience for New Zealand Architect, New Zealand's architects, did not always feel quite so happy about discussing their failures. Indeed, in one key instance they felt compelled to defend their work through legal channels. In his 1985 end-of-year Wellington BLAND Awards (Blatantly Limpwristed Acceptance of Nondescript Design) Melling erroneously named the architects responsible for the "Gross, overbearing, cheap and nasty" Control Data Building as Williams Developments. The architects, understandably perhaps, reacted immediately to what they perceived as a harmful association and demanded a retraction. One was offered, in the next issue, but it must be added that the sceptical tone of Melling's withdrawal, which involved reiterating his condemnation of the Control Data Building, was not helped by another mistaken attribution. The next issue, in which authorship was finally resolved, was to be Melling's last. Behind the print of the BLAND Awards was a flurry of threats, legal and otherwise, which called into attention the financial responsibility held by the NZIA in the advent of legitimate claims of slander being upheld, soon after Melling stepped down. This paper reviews the editorial content of New Zealand Architect immediately prior to, during the period of, and subsequent to Gerald Melling's dismissal as editor. Attention is given to the circumstances of his departure from, and the NZIA's subsequent dissolution of any legal relationship with the journal. I suggest that after Melling the journal's intellectual attention focused on the successful activities of architects and has not since seriously discussed wider issues regarding the social and public responsibilities of buildings, or architects. As Gerald Melling wrote in his first editorial, architects are seldom held to public account for their failures. Sadly, the Institute's response to one editor's attempt to rectify this oversight set its own journal on a course of social disengagement from which it has never been able to recover.
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Ivanova, Alina, and Mikhail Bazilevich. "Nikitin's acquittal." проект байкал, no. 70 (December 17, 2021): 179–85. http://dx.doi.org/10.51461/projectbaikal.70.1911.
Повний текст джерелаАнотація:
The article reflects the results of the research carried out by the authors in the framework of the scientific project: "Architects and engineers of the eastern outskirts of Russia (second half of the XIX - early XX century)". The legacy of the city architect Nikitin (6 surviving buildings) is considered. Descriptions and stylistic analysis of objects are given, a conclusion is made about the broadest creative range of the provincial architect.
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Winata, Suwardana. "Praktik Arsitek dalam Pencarian Keseimbangan Baru." SMART: Seminar on Architecture Research and Technology 5, no. 1 (July 26, 2021): 3–12. http://dx.doi.org/10.21460/smart.v5i1.142.
Повний текст джерелаАнотація:
Title: Architect Practice in Search of Balance in New Norm
Epidemic Covid 19 enforce us to retrospect our everdayness living, including how architects do for living and for the architectural practice. These condition makes some re- adjustement in architectural program, in some level must renovate totally. The biggest problem in architect profession is the project coordination, because social distancing and large number of meeting member must reduced to minimal level. This condition pushs architects to review their working process in studio and on the projects field. Physical studio is no longer a good place to collaborate and must transform into the digital studio. Digital system become a bridge to connect between stakeholders and the architects. Digital tools and method becoming an extention tools for our eyes and sense. Digital methods and practices suddenly become a daily activities for every level in architecture firms, such as Big Data. The colabortive works in digital format become important, one of them is Building Information Modelling, works as collabortive tools in virtual digital studio. The coding and the scripting are the next language for architect must learn, beside the architecture itself. Within the epidemic, disruption of profession is not a discourse anymore, but a fact that must commenced. Creativity and colaborative is the survival tools in today harsh life .
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Kiyanenko, Konstantin V. "Project Briefing in Russian Architectural Practice." Scientific journal “ACADEMIA. ARCHITECTURE AND CONSTRUCTION”, no. 2 (June 28, 2018): 84–90. http://dx.doi.org/10.22337/2077-9038-2018-2-84-90.
Повний текст джерелаАнотація:
Today both international and national documents, regulating architectural design, impute the responsibility of the architect for the development of project briefs ("technical assignments" or "design assignments"). To what extent the status quo in Russian design institutions is in line with this prescription? How closely are our architects associated with "architectural programming", as this activity is called abroad, and how they estimate this job? In order to answer these questions, the author undertook a pilot questionnaire survey of Russian architects. Its' results are discussed in this paper. Almost all respondents are shown to participate in the development of project briefs - either by adjusting the initial data of the client, or by compiling a program "from scratch". Often this work is not paid. In half of situations, the customer does not submit even draft versions of the task to the architect, and in the rest - the format of one or two pages of text dominates. Methodically, "architectural programming" is very poorly supported, and the guidance materials available on this topic - are the latest, to which architects resort. Every second respondent agrees that "programming" is a duty of the architect and relies upon his contacts with the client and the accumulated experience in the development of project briefs. This procedure is a complex "study" rather than a technical "compilation" as it is used to be considered
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Farjami, Ghazal, and Guita Farivarsadri. "LATEST ATTEMPTS IN CONTEMPORARY IRANIAN ARCHITECTURE IN SEARCH FOR AUTHENTICITY." JOURNAL OF ARCHITECTURE AND URBANISM 44, no. 2 (November 27, 2020): 176–87. http://dx.doi.org/10.3846/jau.2020.12165.
Повний текст джерелаАнотація:
The conflictions between homogeneity and universal values suggested by Modernism and traditional values resulted in a variety of ideas generated as a search for authenticity all over the world. Iran is known as one of the countries which imported the modern ideas directly to a society, which was still living with and respecting the traditional values. This challenge between the two seemingly conflicting poles of tradition and modernism resulted in three periods in the history of contemporary Iranian architecture. Now, it seems that Iranian architecture has entered to a new period regarding the interpretation of authenticity. Since novelty and relation with the past are known as the main indicators of the concept of authenticity, in this research it is tried to explore the ideas of seven pioneers of the new generation of architects in Iran around these concepts. These architects are amongst the most well-known young architects of Iran who have won more than 3 prizes in Memar (Architect) competition which is the most prestigious architectural competition in the country. To find out the interpretation of these architects about the concept of authenticity, inclusive interviews have been realized with these architects. Then, using recursive abstraction method, it is tried to find out the main points in definition of the concept of authenticity by each architect. In addition, some of the completed projects of theses architects have been visited and analyzed to find out the reflection of their ideas related to authenticity in their projects.
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Findlay, Michael. "William Henry Dunning: The Quiet Man." Architectural History Aotearoa 1 (December 5, 2004): 7–15. http://dx.doi.org/10.26686/aha.v1i0.7889.
Повний текст джерелаАнотація:
Tasmanian-born architect William Henry Dunning (1872-1933) commenced his New Zealand practice in Timaru in 1907. Initially trained in Hobart, under the notable church designer Alexander North, Dunning's experience as a colonial architect was further extended in Cape Town. His association with fellow Tasmanians Alfred and Sidney Luttrell drew him to Dunedin where he supervised the construction of the New Zealand Express Company Building.
Dunning was an ambitious architect. His competition entries included designs for the New Zealand Parliament Buildings (1911) and the Auckland War Memorial Museum (1922). Despite the quality of his work, and efforts towards self-promotion, Dunning's most significant contribution to the city's architecture, the National Bank (1911) has been frequently attributed to another designer. The remainder of his work is also little known. This paper seeks to explore the ways in which architects asserted authorship during the period and will attempt to map the shifting responsibilities between architects and builders that allowed Dunning's contribution to the National Bank project to become obscured.
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Holmes, Mark J., James Mitchell, and Brian Silverstone. "Architects as Nowcasters of Housing Construction." National Institute Economic Review 210 (October 2009): 111–22. http://dx.doi.org/10.1177/0027950109354414.
Повний текст джерелаАнотація:
For more than four decades, the New Zealand Institute of Economic Research (NZIER) has conducted a two-question, quarterly survey of architect forecasts of public and private sector construction expenditure. This qualitative survey is published one week after the end of each quarter and nine weeks ahead of the official quantitative data thereby giving architect opinion nowcasting status. This paper covers selected aspects of this unexplored series with particular reference to residential housing construction and the value-added information from architects as nowcasters. Specifically, we consider several qualitative-to-quantitative conversion methods, in-sample and out-of-sample performance, cyclical features and respondent dynamics. Although our work relates to architects — a sub-sector of the service industry — our results have a wider application to business survey questions using ordered qualitative responses.
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Popescu, Valentin. "Heinrich Schoenberg: Modernist Architect in Interwar Bucharest." Logos Universality Mentality Education Novelty: Philosophy & Humanistic Sciences 9, no. 1 (December 12, 2021): 26–44. http://dx.doi.org/10.18662/lumenphs/9.1/55.
Повний текст джерелаАнотація:
Bucharest multiculturalism was a feature of its cultural life throughout the 19th and 20th centuries. It contributed to the interwar architectural development and creative output of Bucharest. This development envolved some lesser known jewish architects such as: Emanuel Arnet, Leon Silion, Jean Krakauer, Iacob Rosinthal, Harry Schoenberg. The opinions expressed by interwar architects concerning modern architecture was facing the opposition of traditionalist architects. The modernisation of Bucharest was a matter of architecture and identity. Therefore the article also makes a hypothesis concerning the anonimity of a magazine report about the modern architecture of Bucharest published in “Romanian ilustration” of 24.08.1932. This magazine report was published in the antisemitic atmosphere in interwar Bucharest. Based on some clues the article attempts to identify the authors of the report, both the interviewed architect and the journalist. The article will give a general outline concerning the life and activity of the presumed author, the architect and artist Heinrich Schoenberg. The Sionist interests of Henry Shoenberg’s siblings and family will also be discussed.
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Novickas, Audrius. "THE MEANING OF ENTRANCE AND SCENERY SPACES IN THE LITHUANIAN ARCHITECTURE OF PUBLIC BUILDINGS OF 1960–1980S / ĮEIGŲ IR REGYKLŲ REIKŠMĖ LIETUVOS XX A. 7–9 DEŠIMTMEČIŲ VISUOMENINĖS PASKIRTIES PASTATŲ ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 36, no. 3 (October 9, 2012): 181–93. http://dx.doi.org/10.3846/20297955.2013.723883.
Повний текст джерелаАнотація:
The paper explores the meaning of bridges, stairways, ramps as well as terraces, balconies, glass facades as emphasized in most important examples of Lithuanian modern architecture of 1960–1980s. These architectural elements are looked at as constitutive in design of entrance and scenery spaces of the public buildings of the period. The assumption is made that analysis of entrance and scenery spaces is instrumental in interpreting the program aspects of Lithuanian architecture of Soviet period in the broader contexts of modern paradigms, aims of the political system and aspirations of individual architects. The research is aimed to reveal the entrance and scenery space formats as embodying the architecture of power effects, signifying the system to discipline and control as well as skills of individual architects to embody sublime environments of aesthetic experience. Santrauka Straipsnyje nagrinėjama tiltų, laiptų, rampų, atvirų terasų ir balkonų, įstiklintų fasadų reikšmė svarbiausių XX a. 7–9 dešimtmečių Lietuvos visuomeninės paskirties pastatų architektūroje. Šie elementai tiriami kaip formuojantys pastatų įeigas ir regyklas. Daroma prielaida, kad įeigų ir regyklų analizė teikia pagrindą interpretuoti Lietuvos sovietinių metų moderniosios architektūros programinius aspektus platesniame epochos paradigmų, sistemos politinių tikslų ir individualių architektų meninių aspiracijų kontekste. Siekiama atskleisti, kad įeigos ir regyklos rodo visuomeninius pastatus esant kokybinio pokyčio proceso ir galios efektų erdvėmis, įkūnijančiomis ne tik sistemos siekį disciplinuoti ir kontroliuoti, bet ir architekto gebėjimą formuoti mėgavimosi estetiniais architektūros aspektais aplinkas.
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Gerassis, Saki, Ángeles Saavedra, Julio F. García, Javier Taboada, and Santiago López. "Roofing tiles or slates? A network analysis of factors influencing architect choice." MATEC Web of Conferences 292 (2019): 01004. http://dx.doi.org/10.1051/matecconf/201929201004.
Повний текст джерелаАнотація:
Tiles and slates are the two most commonly used roofing materials worldwide, yet many customers and construction professionals are frequently unsure about which product to choose. In this article, a network analysis based on a Bayesian machine learning approach was used to identify which are the main factors and how they influence architect decision about roofing tiles or slates. For that, the information collected from a survey conducted to 429 architects working in the Spanish construction sector was used to create a Bayesian network model that represents the conditional dependencies of the variables considered when the decision is taken. The results obtained allow to unveil aesthetic as the main factor conditioning architect decision for roofing tiles. In turn, the decision is more complex when roofing slates, since architects apart from the price they strongly considered the ability of installers in the decision process.
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Umar, Muhammad Zakaria, and Arman Faslih. "THE VERNACULAR ARCHITECTURE PRINCIPLES IN MAKING MOUNTAIN ROCK FOUNDATION IN KENDARI CITY." SINERGI 22, no. 1 (February 28, 2018): 45. http://dx.doi.org/10.22441/sinergi.2018.1.008.
Повний текст джерелаАнотація:
Ordinary audiences who do not have formal education such as builders are called vernacular architects. In Kendari City, in general, public housing is built by a vernacular architect. The foundations made by vernacular architects do not use empty stones and sand dunes. The foundation is made partially in the hole and is made partially on the surface of the soil. This research is aimed to formulate the knowledge of vernacular architect on mountain rock foundation. This type of qualitative research with the descriptive approach used in this research. The resource is determined by the snowball method. Data collection was done by observation and in-depth discussion on three construction workers. Data were analyzed by the descriptive method. The research concludes that the vernacular architect in making the mountain rock foundation is rigid but also flexible, in order to respond to earthquake disaster. Rigid principles are found on mountain rock foundations, empty stone plates, nail terms on empty stones, chicken claw foundations, hierarchy on the floor, sloof and foundation relationships. Flexible principles are found in sand dunes, empty stones, anchor depth, and mortar for plaster.
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Denison, Edward, and Guang Yu Ren. "The Reluctant Architect: An Interview with Wang Shu of Amateur Architects Studio." Architectural Design 82, no. 6 (November 2012): 122–29. http://dx.doi.org/10.1002/ad.1506.
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Follprecht, Kamila. "Jan Drachny, „artysta sztuki budowniczej”, Inspektor Budownictwa (1802–1816) i Budowniczy Miejski Wolnego Miasta Krakowa (1816–1822)." Krakowski Rocznik Archiwalny 28 (January 20, 2023): 135–59. http://dx.doi.org/10.4467/12332135kra.22.008.16848.
Повний текст джерелаАнотація:
Jan Tomasz Drachny (1770–1822) pochodził z Cieszyna, był synem Józefa Drachny (zm. 1816), architekta i budowniczego. W 1797 r. zamieszkał w Krakowie i został przyjęty do krakowskiego cechu murarzy i kamieniarzy. W latach 1802–1816 był zatrudniony jako Inspektor Budownictwa w Urzędzie Budownictwa Miejskiego podlegającym krakowskiemu Magistratowi. W 1816 r. po objęciu stanowiska Budowniczego Miejskiego Wolnego Miasta Krakowa zajmował się m.in. zakupem specjalistycznych narzędzi niezbędnych w pracy urzędu, przygotował wykaz budynków opustoszałych, czyli w bardzo złym stanie technicznym w jedenastu gminach miejskich WMK. Jako budowniczy i architekt opracował szereg planów budowy czy przebudowy krakowskich kamienic, jako urzędnik wiele z nich nadzorował i zatwierdzał. Wykonał liczne plany i pomiary związane ze zmianami urbanistycznymi na obszarze aglomeracji krakowskiej. Jan Drachny, “artist of construction art”, Building Inspector (1802–1816) and Municipal Constructor of the Free Town of Krakow (1816–1822) Jan Tomasz Drachny (1770–1822) came from Cieszyn and was the son of Józef Drachny (dec. 1816), an architect and constructor. In 1797, he settled in Krakow and was accepted into the Krakow guild of builders and stonemasons. In the period of 1802– 1816, he was employed as a Building Inspector in the Municipal Building Office subject to the Krakow Town Council. In 1816, after becoming the Municipal Constructor of the Free 136 Kamila Follprecht Town of Krakow, he dealt with, among others, the purchase of specialised tools necessary for the work of the office, and prepared a list of abandoned buildings, in other words, those in very bad technical condition, in eleven municipal boroughs of Krakow. As a constructor and architect, he created a wide range of plans for building or extending Krakow’s townhouses, and as a clerk he supervised and authorised many of them. He created numerous plans and measurements connected with urban changes in the Krakow agglomeration.
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Kohlrausch, Martin. "The Syrkus couple and the global cause of modernism." Journal of Modern European History 18, no. 4 (July 30, 2020): 494–508. http://dx.doi.org/10.1177/1611894420943797.
Повний текст джерелаАнотація:
This article discusses the role of modernist architects in Poland during the first half of the twentieth century. The article argues that against the background of economic catching-up processes and the establishment of a new nation state and capital, modernist architects could enter into a close relationship with the modernising state. This relationship could partially survive World War II, albeit under different auspices. By employing the example of Poland’s foremost modernist architect Szymon Syrkus and his wife Helena, and their extensive correspondence with other Congrès Internationaux d’Architecture Moderne architects, the article discusses, moreover, the impact of the deep breaks coming with the rise of authoritarian regimes in the 1930s, the coming World War and the Holocaust, and finally the establishment of communist regimes on modernist architects.
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Wijaksono, Sigit, Sasmoko ., Yasinta Indrianti, and Samuel Anindyo Wid. "Competencies of Indonesian Architects with Sosio Cultural Ecology: Anatomy based on Architect Background." International Journal of Engineering & Technology 7, no. 3.30 (August 24, 2018): 208. http://dx.doi.org/10.14419/ijet.v7i3.30.18230.
Повний текст джерелаАнотація:
The architect's background becomes a key factor determining its success which is reflected through the competence of the architect itself. And the diversity of architectural backgrounds provided the basis for this research. The study aims to see if there are differences in the competence of Indonesian architects if distinguished based on demographic background and architectural work, and what architect's background is the most powerful in determining its competence. A neuroresearch method is a method applied in this research. The results showed that there are differences in the competence of Indonesian architects if differentiated based on demographic background and architectural works. The second research result is the number of projects handled by Architects is a very decisive variable to realize the Indonesian architects become more competent.
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Rousseau-Houle, Thérèse. "Le droit de recours de l'entrepreneur contre l'ingénieur ou l'architecte à la lumière d'arrêts récents de la Cour suprême." Chronique de jurisprudence 20, no. 3 (April 12, 2005): 625–38. http://dx.doi.org/10.7202/042331ar.
Повний текст джерелаАнотація:
This paper surveys recent Supreme Court decisions dealing with the relationship between building contractors and architects or engineers participating in the same project. Normally, the agreement between the owner and the architect or the owner and the engineer vests no rights in the building contractor. The latter may only sue the architect or the engineer on an extra-contractual basis. Proceedings may then take the form of a recursory action, where the contractor, having been held jointly and severally liable towards the owner, attempts to have the architect or engineer take their share of liability. Alternatively, proceedings could be taken on the basis of a delict, in cases where negligence is alleged by the contractor against the architect or engineer. The Supreme Court seems inclined to view the problem from a contract perspective, and to restrict opportunities to sue on the basis of a delict.
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V, Proskuryakov. "IDEAS OF "PAPER ARCHITECTURE" IN THE EDUCATIONAL FUTURISTIC DESIGN BY THE LVIV ARCHITECTURAL SCHOOL." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, no. 2 (November 20, 2021): 58–68. http://dx.doi.org/10.23939/sa2021.02.058.
Повний текст джерелаАнотація:
В The article highlights the ideas of "paper architecture" of the twentieth century, which were developed in the educational futuristic design of the Lviv architectural school at the Department of Architectural Environment Design. Information considers the creators of such architecture – A. Brodsky, I. Utkin, I. Lezhava, Y. Avvakumov, M. Belov, O. Anisimov, O. Gutnov and others, from Moscow and Russia. Interesting ideas are represented in the projects of architects from Ukraine – V. Proskuryakov and G. Proskuryakov, O. Bodnar, Y. Dzhyhil and I. Gnes from Lviv and other cities – Poltava, Kyiv, Dnipro. Ideas of futuristic, experimental, and search projects in semester academic bachelor's and master's works, in project seminars, in international competitions, etc. are highlighted. The results of a new design at the department that develops the ideas of the world-famous architect-set designer F. Kiesler and set designer-architect Y. Lysyk are highlighted. This attracted not only practical architects, economists, environmentalists, investors from different regions and cities of Ukraine, but also specialists from abroad.
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YILDIZ KUYRUKÇU, Emine, and Tuğba ÖZDEMİR ERDOĞAN. "PERCEPTIONAL DIFFERENCES IN ARCHITECTURAL FACADE PERCEPTION DUE TO ARCHITECTURAL EDUCATION." INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, no. 23 (2021): 0. http://dx.doi.org/10.17365/tmd.2021.turkey.23.04.
Повний текст джерелаАнотація:
Aim: In this study, the façades of tourism buildings designed with different currents (universalism, regionalism, syncreticism, contextualism, neovernakularism) on the Antal-ya coastline, in terms of 'taste', 'chaos', 'affection', 'familiarity', by groups of architects and non-architects. It is aimed to examine how it is perceived. Method: For this purpo-se, the fronts of 20 tourism buildings from 5 different styles, designed with a modern and postmodern approach, were analyzed by 60 people through a questionnaire. In the survey, adjective pairs such as impressive / ordinary, original / imitation, coarse / elegant, modest / flamboyant, complex / plain, familiar / unfamiliar, modern / outdated, questio-ning the façade features for tourism buildings were evaluated with a five-digit semantic differentiation scale. The analysis of the data sets obtained through the questionnaire was performed with the IBM Statistical Package For The Social Sciences (SPSS) 23 For Windows statistical software package program. At the beginning of the study, it was thought that the subjects would have perception-behavioral performance differences depending on the architectural education. Results: Unlike the non-architect profession, the architect group liked the universalism, neo-natalism and regionalism movements, found it impressive and original; It was determined that he did not like the synchterism and contextualism movements as complex, rude and outdated. Conclusion: In the analysis, it was seen that the differences between architects and non-architects are statis-tically significant. As a result of the study, it was determined that there are significant differences between architects and non-architects in evaluating the adjectives of expres-siveness, complexity, familiarity and originality. İndividuals who do not have an archi-tectural education are familiar with the traditional inspired structures, and they find the-se structures impressive It is for the individuals who study architecture to find modern and regionalist structures impressive and original.
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Chatterjee, Jaideep. "Rethinking ‘architect’ and ‘architecture’." Architectural Research Quarterly 26, no. 1 (March 2022): 117–20. http://dx.doi.org/10.1017/s1359135522000318.
Повний текст джерелаАнотація:
My fellow architects, let me begin this piece with a provocative, even blasphemous, proposition: it is time to do away with the twin terms ‘architect’ and ‘architecture’ as signs that stand in for what we are, what we do or as a ‘thing’ in the world.
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McGinley, Tim Pat, Thomas Vestergaard, Cheol-Ho Jeong, and Finnur Pind. "An OpenBIM workflow to support collaboration between Acoustic Engineers and Architects." Journal of Physics: Conference Series 2069, no. 1 (November 1, 2021): 012164. http://dx.doi.org/10.1088/1742-6596/2069/1/012164.
Повний текст джерелаАнотація:
Abstract Architects require the insight of acoustic engineers to understand how to improve and/or optimize the acoustic performance of their buildings. Normally this is supported by the architect providing digital models of the design to the acoustic engineer for analysis in the acoustician’s disciplinary software, for instance Odeon. This current workflow suffers from the following challenges: (1) architects typically require feedback on architectural disciplinary models that have too much geometric information unnecessarily complicating the acoustic analysis process; (2) the acoustician then has to waste time simplifying that geometry, (3) finally, this extra work wastes money which could otherwise be spent on faster design iterations supported by frequent feedback between architects and acousticians early in the design process. This paper focuses on the architect / acoustician workflow, however similar challenges can be found in other disciplines. OpenBIM workflows provide opportunities to increase the standardization of processes and interfaces between disciplines by reducing the reliance on the proprietary discipline specific file formats and tools. This paper lays the foundation for an OpenBIM workflow to enable the acoustic engineer to provide near real time feedback on the acoustic performance of the architectural design. The proposed workflow investigates the use of the international standard IFC as a design format rather than simply an exchange format. The workflow is presented here with the intention that this will be further explored and developed by other researchers, architects and acousticians.