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Jaccaud, Sabine Jeanne. "The postmodern city : architecture and literature." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:90ac276d-030a-4a8f-8743-018c21c5f50f.
Повний текст джерелаАнотація:
This thesis explores Postmodern architecture and narrative representations of the city as an emblem for the presence of the past in a contemporary environment. The architectural theory of Aldo Rossi is a model for this perception of the city as a locus of memory. Berlin, London and Paris are the places I will consider. Part I presents examples of architectural practice of the 1980s. A project for a museum of German history in Berlin, the Sainsbury Wing of the National Gallery in London and the Place de Stalingrad in Paris re-work urban historical traces. Chapter 4 outlines the theories behind each project and how they develop notions of memory within the city. Part II pursues this thread by focusing on examples of narrative representations of cities. In relation to Germany and Berlin, Wim Wenders' film Per Himmel über Berlin, Walter Abish's novel How German Is It. Christa Wolf's Kindheitsmuster and Hugo Hamilton's Surrogate City are my main sources. I discuss London through Peter Ackroyd's novel Hawksmoor and Paris through examples of Patrick Modiano's writing. A fourth and more theoretical chapter outlines how Postmodern narrative represents history and problematises memory. Two images direct this discussion: the detective and the palimpsest. My sources rely on the model of urban inquests and portray the city as a space shaped by a lamination of traces from superimposed eras. Part III connects architecture and narrative through examples of recent developments in Postmodern museology, mainly the Holocaust Museum. They construe historical narratives by endowing building and contents with a communicative function. As a conclusion, I establish that Postmodern concerns with history focus on the importance of bearing witness to the past, however problematic its representation has become. As the city houses memory, it is a priviledged location for historical traces which define contemporary identity.
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Besserud, Keith Roland. "Architecture and narrative : an exploration." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23783.
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Andreasson, Karin. "To Write Architecture." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223225.
Повний текст джерелаАнотація:
Why does literature make me feel more than architecture does? Can the tools of a writer be used in creating architecture? How come stories of magical realism sometimes tell more about real life than realistic ones does? Through analysing literature I have found that surprise, repetition, contradiction and tempo are cornerstones for a good reading experience. By embodying these I have attempted to make spaces, sequences and details that are evoking. This proposal is a library of fiction, located in the magic meadows between the pillars of three intersecting bridges.
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Hussain, Sajjad. "Investigating Architecture Description Languages (ADLs) A Systematic Literature Review." Thesis, Linköpings universitet, Programvara och system, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-104856.
Повний текст джерелаАнотація:
Context: Over the last two decades, software architecture has introduced a new trend insoftware development. This new trend has completely changed the normal methods andpractices of software engineering. The focus has become the architectural elements ratherthan code and sub-routines. Architecture description languages (ADLs) have been proposedfor this kind of architecture based software development. There are a number of differentADLs both in academia and industry; they are not totally adopted by the software engineeringcommunity, but they are not avoided either. In this research work, an investigation has beenperformed based on the ADLs evaluation in practice. Objectives: The main aim of this study is to investigate evaluation of ADLs in academia andindustry. To explore the benefits and drawbacks of ADLs in practice. The study also exploresthe different quality factors improved by ADLs. Further different methods used to buildarchitecture with ADLs and then how to use architecture described with an ADL in softwaredevelopment and maintenance have also been reported. Methods: This research study has been carried out using the systematic literature reviewmethod. The systematic literature review follows the guidelines suggested by Kitchenham[21]. Results: This research review has resulted in total of 102 different ADLs. It has been foundthat out of the 102 different ADLs, 69 ADLs have been evaluated in academia and only 33ADLs have been evaluated in industry. ADLs have also been classified based on theirindustrial and academia evaluation. There are total 31 different benefits and 19 differentdrawbacks of ADLs have been identified. This review also extracted 20 different qualityfactors from literature that are improved by using ADLs in practice. Further 13 differentmethods used to build architecture with ADL have also been reported. Finally 9 differentmethods of ADLs used in software development and maintenance have been identified. Conclusions: The Large number of ADLs with little evaluation in industry suggests thatmore work needs to be done in order to improve ADLs evaluation in practice. ADLs providemore benefits compared to their drawbacks which suggests that ADLs can be very beneficial.Knowledge gained during this research study, suggests that ADLs are mostly unrecognized.More awareness about ADLs should be provided in education and practice.
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Sierra, Nicole Marquita. "Literature, architecture, and postmodernity : Donald Barthelme and J.G. Ballard." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:909bff3c-6eea-46a6-9c7f-72d52b9d43ee.
Повний текст джерелаАнотація:
Focusing on works between the 1960s and the early ’80s, this thesis sets the literature of Donald Barthelme (1931–1989) and J.G. Ballard (1930–2009) within the context of twentieth-century architectural theory and history (written), design (drawn), productions (built), professional practice (managed), and pedagogy (taught). The primary aim of this study is to explore the discursive exchange between literature and architecture, while probing the putative association between postmodernity and architecture. By introducing a broader set of social phenomena into debates about postmodernity, my thesis enables a revaluation of how the architectural idiom is interpreted in literature. Using textual and visual analysis, this thesis argues that Barthelme’s and Ballard’s literary works operate at an intersection of the visual arts and mass media. Responding to American and European twentieth-century visual avant-gardes and socio-cultural transformations, architecture participates in the formulation of avant-garde conceptual frameworks. Critically, architecture is not only an aesthetic discipline; it is also a social discourse. Through the discipline’s alignment with ‘new’ and ‘old’ avant-gardes, Barthelme and Ballard use architecture as a point of creative departure to undertake formal and thematic literary experiments. For both authors, contact with the architectural avant-garde has literary consequences. This thesis considers four interconnecting ways literature and architecture ‘speak’ to each other: representation, discourse, formal comparisons, and influence or inspiration. Within my study these topics are examined through critical meditations on architecture from geographical (Fredric Jameson, David Harvey), architectural (Robert Venturi, Charles Jencks) and visual cultural (W. J. T. Mitchell, Marshall McLuhan) sources. Also figuring prominently are epitextual materials, especially archival documentation from the Donald Barthelme Literary Papers at the University of Houston and the Papers of J. G. Ballard collection at the British Library. This thesis opens up new ways of understanding the interart pluralism that characterises the postmodern.
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Hawley, Brad Kendall. "The architecture of ethics in postmodern fiction /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9977904.
Повний текст джерелаАнотація:
Thesis (Ph. D.)--University of Oregon, 2000.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 308-319). Also available for download via the World Wide Web; free to University of Oregon users.
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Sutherland, Helen Margaret. "The function of fantasy in Victorian literature, art and architecture." Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/5183/.
Повний текст джерелаАнотація:
In this thesis I examine the ways in which the Victorians used fantasy in literature, art, and architecture to explore the main areas of debate and key issues which were giving rise to anxiety in their society, in some cases upholding the status quo, but in others questioning accepted social mores. In particular, I consider the ways in which fantasy was used to examine what happens in a society when its traditional religious beliefs are challenged, either by commercialism as an economic creed, or by the acquisition of new knowledge, be this in the realm of science (theories of evolution) or the humanities (the new biblical criticism from Germany). Following on from this, I look at the possible alternatives to traditional religious belief which fantasy seemed able to offer to an age which appeared to need spirituality without dogma. I argue that one of the strategies most commonly adopted by the Victorians in the creation of fantasy is the disruption of time, and I consider the part played in literature and art by medievalism, and in architecture by the Gothic style and the Gothic Revival movement. This is followed by an examination of the role of Classicism in architecture, and ancient mythologies, such as Greek, Hebraic, or Babylonian, in literature and art. Finally, I consider the use of geological time as a point of departure in creating scientific fantasies. Given the very close links between the arts until the advent of aesthetic criticism at the end of the nineteenth century, I have drawn freely upon the visual and the literary arts. The main emphasis is, however, on literature and painting, with architecture playing a lesser, though still important, part in this thesis.
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Quinn, Caroline. "Dueling Dualities: The Power of Architecture in American Gothic Literature." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/897.
Повний текст джерелаАнотація:
This article seeks to establish the importance of gothic convention and architecture’s role in Poe’s “The Fall of the House of Usher” and Southworth’s The Hidden Hand. By examining these stories’ dualities this article analyzes Poe and Southworth’s projects behind setting up dual spaces. Specific to Poe, this article follows architecture’s effect on mental health. Specific to Southworth, this article investigates her criticism of binaries and convention and how she uses architecture to shape her analysis.
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Sullivan, Jennifer Ann. "A literary portrait of Brisbane : parallels between Brisbane's contemporaneous literature and architecture." Thesis, Queensland University of Technology, 1999.
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10
Thomas, Nigel Richard. "Discursive intersection : cinema, text, architecture." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/23463.
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Roberts-Hughes, Rebecca Louise. "Realms of eroticism and modes of transgression : Georges Bataille, literature, architecture." Thesis, King's College London (University of London), 2015. https://kclpure.kcl.ac.uk/portal/en/theses/realms-of-eroticism-and-modes-of-transgression(da3c7163-f44b-4de9-8793-4b9bdfaa344f).html.
Повний текст джерелаАнотація:
My project traces the interrelated discourses of eroticism, modernism and transgression in the twentieth century through a nexus of thinkers, writers and architects focused around the French theorist and pornographic writer Georges Bataille (1897-1962). My aim is to consider what it means to think of eroticism as a transgression, and what transgression might look like. The topics of eroticism and transgression demand an interdisciplinary approach, and my thesis responds to this need through analysis of cultural theories, literature and architecture. Bataille, D. H. Lawrence, Anaïs Nin and Le Corbusier were contemporaries who explored similar ideas through different disciplines and using different language. My thesis draws them together to explore these similarities and what they reveal about the different disciplines, their relationship to one another, and their relationship to eroticism and transgression. My method involves close theoretical readings of Bataille’s texts – chiefly Eroticism, but also The Accursed Share, History of Eroticism, Theory of Religion and selected essays and fiction – to develop a rigorous reading of Bataille’s notion of erotic transgression. This notion and related ideas of expenditure, sacrifice and poetry provide the basis for original analysis of the literary motifs and language used by Lawrence and Nin who, like Bataille, were concerned with writing eroticism. The importance of the sites of eroticism in fiction by all three writers and the structure of the language they use reveals a connection between their erotics, and between transgression and architecture. I explore this connection further by analysing the ideas and productions of architects who have openly engaged with Bataille’s thinking, focusing on Le Corbusier and Bernard Tschumi. I examine the possibility of transgression and poetry in architecture, and what the relationship between literary and architectural modes of transgression reveals about eroticism.
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Annunciação, Viviane Carvalho da. "Exile, home and city: the poetic architecture of Belfast." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-30102012-123412/.
Повний текст джерелаАнотація:
The present thesis is concerned with how the poetry written in Northern Ireland throughout the twentieth century reifies the city of Belfast through language, metaphor and imagery, compiling a concrete constellation of aesthetic experiments. It also examines how its poets have represented not only Belfasts concrete and architectural landmarks, but also its historical and spatial displacements. Due to the Anglo-Irish Treaty in 1922, through which Ulster remained a constitutive part of the British Isles, while the South started to build the foundations of what was going to become the Republic of Ireland, Northern Irish poets have built a poetic landscape that has been instead incessantly fragmented through the motifs of alienation and displacement of subjectivity. Through the analysis of the Belfast poems by the poets Louis MacNeice, John Hewitt, Padraic Fiacc, Michael Longley, Derek Mahon, Ciaran Carson, Paul Muldoon, Medbh McGuckian, Seamus Heaney, Sinéad Morrissey, Leontia Flynn, Allen Gillis and Miriam Gamble, the thesis shows the poetic architecture of Belfast points to wider sociological spaces. It is never alone, or even single, but always plural and globally referential. Through a space of confluence which brings together dissimilar discourses, the selected poems present a desire to possess Belfast artistically, a city where art, history and memories intermingle and interact in a dynamic manner. Images, styles and ideas are carried from generation to generation and create a constellation of fearful and hopeful dreams. It engages past and present in a fruitful reflection on identitarian and artistic belonging.A presente tese tem como objetivo compreender como a poesia escrita na Irlanda do Norte representa a cidade de Belfast durante o século vinte. A hipótese defendida pela tese é a de que o trabalho poético com a métrica, figuras de linguagem e imagens cria uma constelação de experimentos estéticos. O trabalho também compreende como os poetas recriaram não somente os pontos de referência arquitetônicos de Belfast, mas também os seus próprios deslocamentos históricos e geográficos. Devido à assinatura do tratado anglo-irlandês em 1922 através do qual o Ulster se manteve parte das Ilhas Britânicas e o sul começava a 7 construir as fundações do que seria chamada futuramente de República da Irlanda, os poetas pertencentes à Irlanda do Norte criaram uma paisagem poética que é incessantemente fragmentada por meio da alienação e do deslocamento subjetivo. A análise dos poemas de Belfast escritos por Louis MacNeice, John Hewitt, Padraic Fiacc, Michael Longley, Derek Mahon, Ciaran Carson, Paul Muldoon, Medbh McGuckian, Seamus Heaney, Sinéad Morrissey, Leontia Flynn, Allen Gillis e Miriam Gamble, demonstra que a arquitetura poética de Belfast aponta para espaços sociológicos mais abrangentes. A cidade não é retratada singularmente, mas em sua conexão com outras localidades globais. Por meio de um espaço de confluência, que agrupa discursos diversos, os poemas selecionados apresentam um desejo simbólico de possuir Belfast, uma cidade em que arte, história e memórias interagem de forma dinâmica. Imagens e estilos são passados de geração para geração, criando uma constelação de sonhos aterrorizantes e esperançosos, que engajam passado e presente em uma reflexão sobre pertencimento identitário e artístico.
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Tham, Emelie. "Analyzing research communities in Enterprise Architecture : A Data-Driven Systematic Literature Review." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-301022.
Повний текст джерелаАнотація:
The field of Enterprise Architecture (EA) emerged as an answer to the increasing complexity in managing and aligning the business-IT relationship within enterprises. Both practitioners and academics have expressed interest in the field, with a growing number of publicized works related to EA. In an attempt to provide an outlook of the current research landscape of EA, a systematic literature review was conducted. Citation data from the Scopus (Elsevier) API were automatically extracted and analyzed. By applying the Louvain method on the collected data, 8 research communities and their topic were identified: (1) Enterprise Engineering (I & II), (2) Enterprise Architecture Management, (3) Enterprise Modelling, (4) IT Architecture, (5) Enterprise Integration, (6) Digital Transformation, and (7) Smart Cities. For each community, a summarized description with sub-community graphs as well as tables (describing the top authors, articles, and affiliation countries) are presented. Lastly, a comparison of the results and the EA trends identified by Gampfer et al. are presented.Fältet Enterprise Architecture (EA) framkom som ett svar på den ökande komplexiteten i att hantera och anpassa affärs-IT-relationen inom företag. Både utövare och akademiker har uttryckt intresse för området, då antal publicerade verk relaterade till EA fortsätter att växa. I ett försök att ge en syn på det aktuella forskningslandskapet inom EA genomfördes ett systematisk litteraturöversikt. Citeringsdata från Scopus (Elsevier) API extraherades och analyserades automatiskt. Genom att tillämpa Louvain-metoden på insamlade datan identifierades 8 forskarsamhällen och deras ämnen: (1) Enterprise Engineering (I & II), (2) Enterprise Architecture Management, (3) Enterprise Modelling, (4) IT Architecture, (5) Enterprise Integration, (6) Digital Transformation och (7) Smart Cities. För varje gemenskap gavs en sammanfattad beskrivning med undergruppsdiagram samt tabeller (över t.ex. de främsta författarna, artiklarna, och anslutningsländerna). Slutligen så gjordes en jämförelse av resultaten och de EA trender som identifierats av Gampfer et al.
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Barbieri, Cláudia. "Lisboa em cena : a personagem capital das páginas queirozianas /." Araraquara : [s.n.], 2012. http://hdl.handle.net/11449/106691.
Повний текст джерелаАнотація:
Orientador: Sidney BarbosaBanca: Renata Soares Junqueira
Banca: Márcia Zamboni Gobbi
Banca: Sandra Regina Mota Silva
Banca: Ozíris Borges Filho
Resumo: Em seus romances, Eça de Queiroz, com peculiar predileção, dirigiu seu olhar e sua atenção à capital de seu país, que lhe serviu de campo e assunto para muitas narrativas. Lisboa foi a sua preocupação de crítico, o seu mundo de escritor. Assim, o texto queiroziano trabalha notadamente a questão do espaço e, por extensão, está imerso em uma atmosfera cosmopolita, impregnada de urbanidade. Como corpus de análise foram selecionados três romances tributários ao projeto ideológico das Cenas Portuguesas: A tragédia da Rua das Flores, A Capital! (começos duma carreira) e O primo Basílio, todos escritos ao longo da década de 1870. O trabalho pretende desenvolver e explorar as possibilidades interpretativas do espaço urbano presente no texto literário, buscando relacionar os variados espaços e suas representações dentro de um contexto urbano e histórico. Esta reflexão mostra-se ainda mais interessante quando é percebida a relevância que adquirem os ambientes em que se movem as personagens queirozianas. Os lugares que frequentam, os prédios onde vivem, os objetos de que se rodeiam são extremamente significativos dentro da arquitetura narrativa. Ao mesmo tempo, as referências feitas aos nomes de ruas e às especificações de endereços brincam, a todo instante, com os limites entre realidade e ficção. Tecer as relações entre a cidade oitocentista de Lisboa, vivenciada e observada pelo escritor, e "as Lisboas literárias" de Eça, vivenciadas e observadas por suas personagens são os objetivos deste trabalho
Abstract: In his novels, Eça de Queiroz, with singular predilection, focused his view and attention over the capital of his country, which served him as field and subject to many of his narratives. Lisbon was his concern as a critic and also his writer's world. Besides his text develops remarkably the notion of space, hence, it is immerse in a cosmopolitan atmosphere, full of urbanity. Three novels were selected as corpus of analysis, all of them have in common the ideological project of Cenas Portugesas [Portuguese Scenes]: A tragédia da Rua das Flores, A Capital! (começos duma carreira) and O primo Basílio, all of them written during the decade of 1870. This work intends to develop and exploit the interpretative possibilities of the urban space present in the literary text, trying to relate different spaces and their representations within a urban and historical context. This reflection becomes even more interesting when one realizes how relevant the environments in which Eça de Queiroz's characters move are. The places they go to, the buildings they live, the objects surrounding them are extremely meaningful inside the architecture of the narrative. At the same time, the references to names of streets and the specifications of addresses play all the time within the boundaries between fiction and reality. Framing the relations between the 1800s city of Lisbon, experienced and observed by the writer, and the "literary Lisbons" of Eça, experienced and observed by his characters is the goal of this work
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Avcioğlu, Nebahat. "Peripatetics of style : travel literature and the political appropriation of Turkish architecture in Britain, 1737-1862." Thesis, University of Cambridge, 1997. https://www.repository.cam.ac.uk/handle/1810/251621.
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Davis, Mary McPherson. "Feminist Applepieville architecture as social reform in Charlotte Perkins Gilman's fiction /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5071.
Повний текст джерелаАнотація:
Thesis (M.A.)--University of Missouri-Columbia, 2007.The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on October 25, 2007) Includes bibliographical references.
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Ramsey, Rachel D. ""A mad intemperance ... of building" the literary construction of early modern London /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2059.
Повний текст джерелаАнотація:
Thesis (Ph. D.)--West Virginia University, 2001.Title from document title page. Document formatted into pages; contains v, 265 p. Includes abstract. Includes bibliographical references (p. 244-265).
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Livesey, Graham. "Narrative, ephemerality and the architecture of the contemporary city." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60547.
Повний текст джерелаАнотація:
This thesis proposes the exploration of three architectural sources that are narrative in nature: the Renaissance Entry of a Monarch as a public event in the city, the Surrealist novel as a critical medium, and the Teatro del Mondo project by Aldo Rossi for the Venice Biennale of 1979-80, in order to address the making of architecture in the contemporary city. The royal entry and the modern novel are forms that provide for possible interpretation of the city and reflect the difference between the modern and the pre-modern eras. Aldo Rossi's Teatro del Mondo as a work of architecture that was both ephemeral and a place of narrative, was a project that addressed the difficult problems of the architecture of the city. Architecture no longer participates in the realization of ritualistic narrative, as when the festival gave permanence to urban institutions by revealing the order of the Cosmos. However, there remains the necessity for architecture to engage imagination and the narratives implicit in the world.
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Mizrahi, M. X. "Lyrical space : the construction of space in contemporary architecture, art and literature in Argentina." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1425681/.
Повний текст джерелаАнотація:
This thesis proposes that since 1990 a significant part of contemporary Argentine literature, art and architecture has been characterized by an identifiable quality: spatial lyricism. This new quality manifests in the spatial the aesthetic values that identify the lyric principle, normally related to sound and the verbal. The aim is to define ‘lyrical space’, and to show that space-making processes that validate introspective approaches in literature and visual arts can lead to the emergence of new form and content in architectural space, giving relevance to subjective experience and to the affective response induced in the user. Framed in neo-baroque aesthetics, the evidence puts experience, emotion, memory and identity as the critical material for the construction of space, inducing an ‘exceptional’ state of mind in the user/reader/spectator that recaptures the subjective dimension of seventeenth-century Baroque. A selection of short stories by Jorge Luis Borges and Julio Cortázar, several novellas by César Aira, and a lyrical essay by Alejandra Pizarnik, are read in relation to the visual work of Guillermo Kuitca, Fabián Marcaccio, Lucio Fontana, Leandro Erlich, Dino Bruzzone, Tomás Saraceno and my own. The investigation explores the literary principles on lyricism, linking Hegel’s Aesthetics to post-structuralist thinking, and the category of the figural. To support the analysis further, interviews conducted by myself and by others are also used. Several aspects are unique about the project. The literary is located in the spatial, while the material is located between the spatial and the self. This collision of reading literary work centred on the construction of space, with the reading of spatial qualities in the visual and the verbal in terms of their aesthetic affective response—the emotional effect it arouses—has not been attempted before. The aesthetic affinities that emerge from the interdisciplinary analysis are also new.
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Andrade, Hugo. "Software Product Line Architectures: Reviewing the Literature and Identifying Bad Smells." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-21678.
Повний текст джерелаАнотація:
The Software Product Line (SPL) paradigm has proven to be an effective way to achieve large scale reuse in different domains. It takes advantage of common aspects between different products, while also considering product specific features. The architecture plays an important role in SPL engineering, by providing means to better understand and maintain the product-derivation environment. However, it is difficult to evolve such architecture because it is not always clear where and how to refactor. The contribution of this thesis is twofold. First, the current state of the art of software Product Line Architectures (PLAs) is investigated through a systematic mapping study. It provides an overview of the field through the analysis, and categorization of evidence. The study identifies gaps, trends and provides future directions for research. Furthermore, this thesis addresses the phenomenon of architectural bad smells in the context of SPLs. A case study provides an investigation on the implications of such structural properties in a variability-based environment. Prior to the search for smells, the architecture of a sample SPL in the text editor domain is recovered from the source code.Software Product Line (SPL) paradigmet har bevisat sig vara ett effektivt sätt att uppnå storskalig återanvändning i olika domäner. Den drar nytta av gemensamma aspekter mellan olika produkter, och överväger samtidigt även produktspecifika egenskaper. Arkitekturen spelar en viktig roll i SPL tekniken, genom att tillhandahålla medel för att bättre förstå och underhålla "product-derivation" miljön. Det är dock svårt att vidareutveckla sådan arkitektur för att det inte alltid är tydligt var och hur den kan omstruktureras. Bidraget från denna avhandling är tvåfaldigt. För det första, den aktuella situationen för "software Product Line Architectures" (PLAs) undersöks genom en systematisk kartläggning. Den ger en översikt av fältet genom analys, och kategorisering av bevis. Studien identifierar luckor, trender och ger framtida riktlinjer för forskning. Vidare adresserar denna avhandling fenomenet arkitektoniska "bad smells" inom kontexten för SPLs. En fallstudie ger en utredning av implikationer av sådana strukturella egenskaper i en variabilitet-baserad miljö. Innan sökningen av "smells", är arkitekturen från en sampel SPL i textredigerar domänen återvunnen från källkoden.
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Greeley, Robin Adèle. "Image, text and the female body : René Magritte and the surrealist publications." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/74338.
Повний текст джерелаАнотація:
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1988.Includes bibliographical references (leaves 66-73).
In 1935, Andre Breton published his speech Qu'est-ce que le Surrealisme? with Rene Magritte's drawing, "Le Viol" (The Rape) on its cover. The image, a view of a woman's head in which her facial features have been replaced by her torso, was meant to shock the viewer out of complacent acceptance of present reality into "surreality," that liberated state of being which would foster revolutionary social change. Because "Le Viol" is such a violently charged image and because of the claims made for it by Magritte for its revolutionary potential, the drawing has been the subject of many arguments, both for and against its effectiveness. The feminist community has had a particular interest in this image (and in Magritte's work as a whole) not only because of the controversial treatment of the female subject in "Le Viol," but also because of the ways in which our culture has been so easily able to strip surrealist images of their political content and subsume them back into mainstream culture for use in those very categories of social practice which Surrealism wanted to eradicate. The reincorporation of surrealist works has been especially noticeable and damaging in the case of images of women, as feminists like Susan Gubar and Mary Ann Caws have pointed out Against those claims made against "Le Viol" as an image which affirms phallocentric language and discourse rather than disrupting them, I argue in this paper that the drawing in fact exposes the mechanisms by which female sexuality is formed and controlled within phallocentric language. In exposing these constructions, "Le Viol" forces the viewer to realize them as ideological positions which maintain women as Other, as unable to gain access to coherent meaning within that language. In performing this function, Magritte's picture undermines that process through which women are deprived of a coherent self-image and of the material power which comes with that image in the social realm. To substantiate my arguments, I trace the relationship between several of Magritte's images and the surrealist texts in which they were published, in order to provide a complex understanding of the interrelationships between word and image to which the artist directed much of his work. My use of the theoretical positions of deconstruction, feminism and psychoanalysis allows me to take the observations made onto the terrain of sexuality. These positions provide an understanding of how language and representation operate with respect to each other, and how the human subject (particularly the female) is formed through language.
by Robin Adèle Greeley.
M.S.
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Lorenc, Jan. "Environment for storytelling : an expansion of Wren's nest utilizing universal design." Thesis, Georgia Institute of Technology, 1994. http://hdl.handle.net/1853/22406.
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Barbieri, Cláudia [UNESP]. "Lisboa em cena: a personagem capital das páginas queirozianas." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/106691.
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Em seus romances, Eça de Queiroz, com peculiar predileção, dirigiu seu olhar e sua atenção à capital de seu país, que lhe serviu de campo e assunto para muitas narrativas. Lisboa foi a sua preocupação de crítico, o seu mundo de escritor. Assim, o texto queiroziano trabalha notadamente a questão do espaço e, por extensão, está imerso em uma atmosfera cosmopolita, impregnada de urbanidade. Como corpus de análise foram selecionados três romances tributários ao projeto ideológico das Cenas Portuguesas: A tragédia da Rua das Flores, A Capital! (começos duma carreira) e O primo Basílio, todos escritos ao longo da década de 1870. O trabalho pretende desenvolver e explorar as possibilidades interpretativas do espaço urbano presente no texto literário, buscando relacionar os variados espaços e suas representações dentro de um contexto urbano e histórico. Esta reflexão mostra-se ainda mais interessante quando é percebida a relevância que adquirem os ambientes em que se movem as personagens queirozianas. Os lugares que frequentam, os prédios onde vivem, os objetos de que se rodeiam são extremamente significativos dentro da arquitetura narrativa. Ao mesmo tempo, as referências feitas aos nomes de ruas e às especificações de endereços brincam, a todo instante, com os limites entre realidade e ficção. Tecer as relações entre a cidade oitocentista de Lisboa, vivenciada e observada pelo escritor, e “as Lisboas literárias” de Eça, vivenciadas e observadas por suas personagens são os objetivos deste trabalho
In his novels, Eça de Queiroz, with singular predilection, focused his view and attention over the capital of his country, which served him as field and subject to many of his narratives. Lisbon was his concern as a critic and also his writer's world. Besides his text develops remarkably the notion of space, hence, it is immerse in a cosmopolitan atmosphere, full of urbanity. Three novels were selected as corpus of analysis, all of them have in common the ideological project of Cenas Portugesas [Portuguese Scenes]: A tragédia da Rua das Flores, A Capital! (começos duma carreira) and O primo Basílio, all of them written during the decade of 1870. This work intends to develop and exploit the interpretative possibilities of the urban space present in the literary text, trying to relate different spaces and their representations within a urban and historical context. This reflection becomes even more interesting when one realizes how relevant the environments in which Eça de Queiroz's characters move are. The places they go to, the buildings they live, the objects surrounding them are extremely meaningful inside the architecture of the narrative. At the same time, the references to names of streets and the specifications of addresses play all the time within the boundaries between fiction and reality. Framing the relations between the 1800s city of Lisbon, experienced and observed by the writer, and the “literary Lisbons” of Eça, experienced and observed by his characters is the goal of this work
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Slights, Jessica. "The moral architecture of the household in Shakespeare's comedies /." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35946.
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Critics have long neglected Shakespearean comedy's examination of the household's role in the formulation of community values by reading its references to domestic life allegorically as commentary on the ostensibly more important public realms of marketplace and state. This dissertation argues that representations of the household in the comedies are best understood as theatrical explorations of ethical inquiry as it pertains to everyday lived experience. Using contemporary sermons, political tracts, and conduct books to situate Shakespeare's plays within a larger cultural movement that was coming to understand the household as a foundation of the moral economy of early modern England, this study provides readings of The Comedy of Errors, The Merry Wives of Windsor, and The Tempest that emphasize each play's investigation of the household as a potential locus of the good life. The characters in these plays develop an awareness of themselves as members of broader communities by negotiating the particular details of household existence---by sharing meals, exchanging gifts, and falling in love. This awareness is in turn presented as a necessary component of personal happiness and a fundamental constituent of a just and merciful state. By developing an account of household life in the plays, this dissertation argues that recognizing the importance of affective domestic relations to constructions of the self as socially embedded moral agent is crucial to understanding the comedies' nuanced analysis of gender, class, and race relations.
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Kanzler, Katja. "Architecture, writing, and vulnerable signification in Hermann Melville's "I and My Chimney"." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-162997.
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The following essay discusses Herman Melville’s “I and My Chimney” (1856) as a text that engages architecture and writing as interrelated systems of signification. Fueled by a variety of historical developments, domestic architecture emerges as a powerful purveyor of meaning in the antebellum decades. Architecture, in this cultural context, is construed in analogy to writing (and, to some extent, vice versa), as creating houses-as-texts that tell stories about their inhabitants in terms of their individual, familial, and national identities. Thus conceived, domestic architecture is characteristically enlisted in the articulation and stabilization of hegemonic narratives of, e. g., gender and nationhood. Melville’s text invokes this cultural convention to cast the signifying function that architecture and writing perform as being vulnerable and in crisis.
This crisis is narrated by an idiosyncratic narrator for whom the semiotic instability documented by his narrative resonates with the social and cultural vulnerability that he experiences—his authority as master of his house and family is challenged in the course of the tale, along with the structural integrity of his chimney with which he wants to symbolically reinforce his authority.
I argue that this crisis of signification performs double work in the text. On the one hand, it serves to articulate the anxiety of mid-nineteenth-century cultural elites about what they perceive as a cultural decline. On the other hand, allegedly dysfunctional signification unfolds a critical potential, bringing to light things which ‘functional’ signification had worked to conceal and thereby unlocking hermetic narratives of self, family, and nation.
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Wilson, Christine Renee. ""Ever learning to dwell" habitability in nineteenth and twentieth century American literature /." Diss., Connect to online resource - MSU authorized users, 2008.
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Chen, Hao, and Luyang Xu. "Software Architecture and Framework for Programmable Automation Controller: A Systematic Literature Review and A Case Study." Thesis, Blekinge Tekniska Högskola, Institutionen för programvaruteknik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-16820.
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Background. PAC controller is a strengthened version of PLC controller. Its function is very similar, but its essence and construction are different. PLC and PAC have many successful applications in the field of industrial automation control. There is a lot of literature about the software architecture of PLC control system. However, there is almost no relevant literature on software architecture based on PAC control system. A well-performing and stable automatic control system is indispensable to the design and development of suitable software architecture. The quality and pattern of software architecture can even affect the stability and efficiency of the control system. Objectives. Based on these problems, we defined two primary objectives. The first is to investigate the architecture of some existing large industrial control systems, to analyze and summarize the scenarios and advantages and disadvantages of these architectural patterns. The second, based on the results of effort for the first objective, we want to propose and design a set of automated control solution architecture model based on PAC control system, which is implemented and applied in a printing house. In the process, we sum up the challenges and obstacles encountered in implementing the solution and provide some guidance or reference for those involved in the field. Methods. For the first objective, we used a systematic literature review to collect data about existing ICS architecture. Concerning the second objective, a case study was conducted in a printing house in Karlskrona Sweden, in the study, we proposed a software architecture model suitable for PAC automation control system. Then, we developed and tested the automation control system and summarized some challenges and obstacles in the process of the implementation. Results. The existing ICS (Industrial Control System) architecture models and critical problems and challenges in the implementation of ICS are identified. From the existing literature, we have summarized five commonly used large industrial control system architecture models, which are mainly using composite structures, that is, a combination of multiple architecture patterns. Also, some critical problems in the industrial control system, such as information security, production reliability, etc. are also identified. In the case study, we put forward an automatic control solution for Printing House based on SLR results. We designed the hardware deployment architecture of the system and the software control architecture. Generally speaking, this architecture is based on C/S architecture. In the development of client, we adopt the popular MVC architecture mode. In the longitudinal view of the whole system, an extended hierarchical architecture model is adopted. In the core control system, we adopt the modular architecture design idea. The whole control system is composed of 6 parts, four subsystems of PAC terminal, one server-side program and one client program. After a long time, development and test, our system finally goes online for the production, and its production efficiency is improved compared with the old system. Its expansion functions, such as Production Report and Tag Print, are deeply satisfying for the customers. Conclusions. In this research, we summarize and compare the advantages and disadvantages of several commonly used industrial control systems. Besides, we proposed a software architecture model and developed an automation control system based on PAC. We fill the gap that there is a lack of studies about the software architecture about the implementation of the automation control system based on PAC. Our result can help software engineers and developers in ICS fields to develop their own PAC based automation control system.
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Coutinho, Clara. "A Critical study of the Boroque mode in relation to the literature music art and architecture of the period." Thesis, University of North Bengal, 1997. http://hdl.handle.net/123456789/1134.
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Wickerson, Erica Harriett. "Towards an architecture of narrative time : telling subjective time in selected works by Thomas Mann and other writers." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708875.
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Kanzler, Katja. "Architecture, writing, and vulnerable signification in Hermann Melville's "I and My Chimney"." Universitätsverlag Winter, 2009. https://tud.qucosa.de/id/qucosa%3A28583.
Повний текст джерелаАнотація:
The following essay discusses Herman Melville’s “I and My Chimney” (1856) as a text that engages architecture and writing as interrelated systems of signification. Fueled by a variety of historical developments, domestic architecture emerges as a powerful purveyor of meaning in the antebellum decades. Architecture, in this cultural context, is construed in analogy to writing (and, to some extent, vice versa), as creating houses-as-texts that tell stories about their inhabitants in terms of their individual, familial, and national identities. Thus conceived, domestic architecture is characteristically enlisted in the articulation and stabilization of hegemonic narratives of, e. g., gender and nationhood. Melville’s text invokes this cultural convention to cast the signifying function that architecture and writing perform as being vulnerable and in crisis.
This crisis is narrated by an idiosyncratic narrator for whom the semiotic instability documented by his narrative resonates with the social and cultural vulnerability that he experiences—his authority as master of his house and family is challenged in the course of the tale, along with the structural integrity of his chimney with which he wants to symbolically reinforce his authority.
I argue that this crisis of signification performs double work in the text. On the one hand, it serves to articulate the anxiety of mid-nineteenth-century cultural elites about what they perceive as a cultural decline. On the other hand, allegedly dysfunctional signification unfolds a critical potential, bringing to light things which ‘functional’ signification had worked to conceal and thereby unlocking hermetic narratives of self, family, and nation.
31
Smith, Candice. ""Fine old castles" and "pull-me-down works" : architecture, politics, and gender in the Gothic novel of the 1790s." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203790.
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This thesis examines the way in which four women writers of the 1790s appropriated the architectural metaphors of the Revolution debate in their Gothic novels. By transforming the political metaphor of the Gothic building into a material environment in their writing, this thesis argues that Charlotte Smith, Ann Radcliffe, Mary Robinson, and Jane Austen staked their own variant positions in contemporary debates regarding revolution and reform. In the 1790s, the more general struggle for political and social improvement was linked by writers such as Mary Wollstonecraft to the need for reform of sexual inequality in society. By closely examining the Gothic building – typically a hostile environment for its female inhabitants – this thesis argues that the Gothic house or castle functions in these novels as a critique of domestic, as well as state, politics. Chapter one begins by exploring the synergies between architecture, politics, and the Gothic novel in the eighteenth century. In this way, this thesis contributes to a neglected yet emerging area of Gothic scholarship: the complex and symbiotic relationship between architecture and the Gothic novel. Chapter two considers the way in which Charlotte Smith exploits contemporary associations of Gothic architecture in The Old Manor House (1793) to subvert the political ideology embedded in the architectural metaphors of Edmund Burke's Reflections on the Revolution in France (1790). In chapters three and four, the architectural descriptions of Ann Radcliffe and Mary Robinson are read in dialogue with those of Edmund Burke, Hannah More, John Thelwall, and Mary Wollstonecraft: in Radcliffe and Robinson's novels, this thesis argues, the simple structure of revolutionary reform is favoured over the ancient castle of counter-revolutionary custom. Finally, chapter five challenges the critical conception of Jane Austen as a political reactionary by examining the way in which her depiction of architecture in Northanger Abbey (1817) destabilises the most perniciously gendered aspects of Burke's Reflections on the Revolution in France.
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Ryan, Nora. "The apartment question the avant-garde and the problem of the domestic interior in 1920s Russia /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1481673701&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
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Pasholok, Maria. "Imaginary interiors : representing domestic spaces in 1910s and 1920s Russian film and literature." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c9d47ca1-6164-48fb-99f1-67ef37c77c4a.
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This thesis is an exploration of the ways in which a number of important Russian writers and filmmakers of the 1910s and 1920s appropriated domestic interiors as structural, visual and literary metaphors. My focus is on the artistic articulation of the closed space of the Russian domestic interior, in particular as it surfaced in the narratives of the modernist literature and cinema of the time and became an essential metaphor of its age. In my discussion I take issue with two standard ways of understanding domestic space in existing literature. I argue that representations of home spaces in early twentiethcentury Russian culture mount a challenge to the conventional view of the home as a place of safety and stability. I also argue that, at this point, the traditional approach to the room and the domestic space as a fixed closed structure is assailed by representations that see domestic space as kinetic. The importance of the 'room in motion' means that I address cinematic as well as literary representations of domestic space, and show that even literary representation borrow cinematic techniques. My different chapters constitute case studies of various separate, but complementary, aspects of the representation of home space. The first chapter shows how domestic space in reflected in the poetical language of Anna Akhmatova. The second chapter focuses on the parallel exploration of rooms and a child's consciousness in Kotik Letaev by Andrei Belyi. The third chapter discovers the philosophy of a room built by Sigizmund Krzhizhanovskii in his short stories of the 1920s. The next three chapters focus on interiors of three different cinematic genres. The fourth chapter looks closely at films created by Evgenii Bauer, showing the director's innovative techniques of framing and set-design. The fifth chapter explores the film Tret'ia Meshchanskaia by Abram Room, focusing on the director's employment of the room as a structural device of the film. The last chapter analyses two lyrical comedies by Boris Barnet to show the comic effect produced by the empty room and domestic objects in his films, and also focuses on the image of staircase. In conclusion, I speculate that the representation of interior spaces in the period in question goes beyond genre, medium, and narrative structure and becomes an important and culturally dynamic motif of the time.
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Klimasmith, Elizabeth. "At home in the city : urban domesticity in American literature and culture, 1850-1930 /." Durham : University of New Hampshire press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40052609r.
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Vidal, Teva. "Houses and domestic life in the Viking Age and medieval period : material perspectives from sagas and archaeology." Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/13634/.
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This thesis examines the representations of houses as physical structures in the Íslendingasögur with specific emphasis on the material aspect of housing culture in the Viking Age and medieval period, as well as the interactions between material culture and text. The Íslendingasögur were written in Iceland as of the thirteenth century, but look back onto the Viking Age (c. 800-1100 AD). Comparison with the archaeology of domestic space reveals that the house in the Íslendingasögur generally corresponds with medieval housing models, contemporary with the period of saga writing. However, there are also examples of structures which correspond to the models of the Viking Age. Descriptions of antiquated buildings are sometimes framed in statements that make explicit reference to the chronological separation between the Viking Age and the writer’s present time, suggesting a familiarity with the evolution of housing culture. Detailed analysis of buildings in the sagas reveals domestic space in its context of use, and demonstrates how the physical nature of the house and farm framed the productive and social activities that went on within. The materiality of domestic life has particular importance for the dispensing of hospitality. Demonstrations of domestic space in use also allow for a better understanding of the relationship between objects and language, and elucidate some difficulties in translation and academic usage both in archaeology and literary studies. Material culture can itself influence the processes of composition in oral/written narratives such as the sagas, by inspiring the formation of narrative episodes. The built environment can also provide a contextual framing for narratives, acting as a mnemonic device facilitating the preservation and transmission of saga narratives.
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Barrett, Melissa. "Symbols of Desire and Entrapment: Decoding Hardy’s Architectural Metaphor in Jude the Obscure." Wittenberg University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1246301927.
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Szuszkin, Marc. "L'espace dans les tragédies de Racine thèse de doctorat, Université de Paris IV Sorbonne, UFR de lettres modernes, septembre 1999 /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 2001. http://books.google.com/books?id=Av1cAAAAMAAJ.
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Hudgins, Caitlin. "Pioneering the Social Imagination: Literary Landscapes of the American West, 1872-1968." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/411896.
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EnglishPh.D.
This dissertation investigates why literary dreams of the West have been categorically dismissed as mythical. Western critics and authors, ranging from Thomas Jefferson to Owen Wister to Patricia Nelson Limerick, have sought to override dreams of the West by representing the western genre as, in Jane Tompkins’ words, a “craving for material reality.” This focus on authenticity betrays an antipathy to the imagination, which is often assumed to be fantastical, escapist, or utopian – groundless, and therefore useless. Such a prejudice, however, has blinded scholars to the value of the dreams of western literary characters. My project argues that the western imagination, far from constituting a withdrawal from reality, is worthy of critical attention because it is grounded in the land itself: the state of the land is directly correlated to a character’s ability to formulate a reliable vision of his setting, and this image can enable or disable agency in that space. By investigating changes in western land practices such as gold-mining, homesteading, and transportation, I show that the ways characters imagine western landscapes not only model historical interpretations of the West but also allow for literary explorations of potential responses to the land’s real social, political, and economic conditions. This act of imagining, premised on Louis Althusser’s explanation of ideology, follows Arjun Appadurai’s conception of the imagination as “social practice.” Ultimately, my dissertation explores geographical visions in western novels across the 20th century in order to demonstrate the imagination’s vital historical function in the creation of the West.
Temple University--Theses
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Klimasmith, Elizabeth. "At home in the city : networked space and urban domesticity in American literature, 1850-1920 /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9372.
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Álvarez, Carlos García. "Overcoming the Limitations of Agile Software Development and Software Architecture." Thesis, Blekinge Tekniska Högskola, Sektionen för datavetenskap och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-6120.
Повний текст джерелаАнотація:
Context. Agile Software Development has provided a new concept of Software Development based in adaptation to changes, quick decisions, low high-level design and frequent deliveries. However, this approach ignores the value that Software Architecture provides in the long term for increasing the speed in delivery working software, which may have catastrophic consequences in the long term. Objectives. In this study, the combination of these two philosophies of Software Development is investigated. Firstly, the concept of Software Architecture in Agile Projects; then, the major challenges faced concerning Software Architecture in Agile Projects, the practices and approaches that can be used to overcome these challenges and the effects that these practices may cause on the project. Methods. The research methodologies used in this study are Systematic Literature Review for gathering the highest amount possible of contributions available in the Literature at this respect, and also the conduction of Semi-Structured Interviews with Agile Practitioners, in order to obtain empirical knowledge on the problem and support or deny the SLR findings. Results. The results of the Thesis are a unified description of the concept of Software Architecture in Agile Projects, and a collection of challenges found in agile projects, practices that overcome them and a relation of effects observed. Considering the most frequent practices/approaches followed and the empirical support, it is enabled a discussion on how to combine Software Architecture and Agile Projects. Conclusions. The main conclusion is that there is not a definite solution to this question; this is due to the relevance of the context (team, project, customer, etc.) that recommends the evaluation of each situation before deciding the best way to proceed. However, there are common trends on the best-recommended practices to integrate these two concepts. Finally, it is required more empirical work on the issue, the conduction of controlled experiments that allows to quantify the success or failure of the practices implemented would be most helpful in order to create a body of knowledge that enables the application of certain practices under certain conditions.
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Malo, Roberta. "Saints' relics in medieval English literature." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1186329116.
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Tumino, Anna Maria. "La funzione simbolica dello spazio nella trilogia di Giorgio Bassani." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64203.pdf.
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Howard, Laura Lynn. "The nature of Thomas Hardy's walls." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/23067.
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Dionne, Caroline. "Running out of place : the language and architecture of Lewis Carroll." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85902.
Повний текст джерелаАнотація:
This study examines the links between architecture and literature through the work of English author/mathematician/geometrician Lewis Carroll/Charles L. Dodgson. The premise is that throughout Carroll's work, questions concerning the position of the body in relation to its surroundings---the possibility for one to forge a sense of place---are recurrent. Carroll stages a series of bodily movements in space: changes in scale, transformations, alterations, translations from bottom to top, from left to right, from the inside to the outside, and so on. Reading the work, one is constantly reminded that one's perception of space, as well as one's understanding of where one stands, are phenomena that take place in language, through utterances, through words. Approaching Carroll's work with particular attention to the space of bodily movements and to plays on language, one can access a subterranean architectural discourse. This discourse is oblique, suggested rather than explicit, but nonetheless raises pertinent questions concerning the formation of architectural meaning: the relationship of sense to its limits---to nonsense---in architecture.The following texts are studied: Carroll's two architectural pamphlets; the two Alice stories with their convoluted spaces; a long epic poem dealing with the space of discovery; a drama on geometry and a logical exposition on the paradoxes of movement. Throughout Carroll's multifaceted work, nonsense guides the construction of the texts. Working at the limits of language and literary genres, Carroll's parodies possess strong allegorical powers: sense travels obliquely and the work remains enigmatic. However, the reader somehow understands the work; the experience of the work produces a certain kind of knowledge.
In architecture, meaning is also tied to its outer limits---to the polysemy of nonsense. Through one's experience of space, a stable and orderly building becomes heterogeneous, loaded with qualities and symbols. A sense of place emerges and meaning momentarily appears along the sinuous paths that run between bodily movements, thoughts, dreams, desire and words.
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Patkar, Manjiri. "Virtual imagery in nineteenth century French travel narratives perception and description of architectural space /." Diss., University of Iowa, 2002. http://ir.uiowa.edu/etd/192.
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Griffith, Joann D. ""All Men are Builders": Architectural Structures in the Victorian Novel." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/316376.
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EnglishPh.D.
Nineteenth-century Britain experienced a confluence of a rapidly urbanizing physical environment, radical changes in the hierarchical relationships in society as well as in the natural sciences, and a nostalgic fascination with antiquities, especially gothic architecture. The realist novels of this period reflect this tension between dramatic social restructuring and a conservative impulse to remember and maintain the world as it has been. This dissertation focuses on the word structure to unpack the implications of these opposing forces, both for our understanding of the social structures that novels reflect, and the narrative structures that novels create. To address these issues, I examine the architectural structures described in Victorian realist novels, drawing parallels with their social and narrative structures. In Charles Dickens's Little Dorrit (1855), George Eliot's Adam Bede (1859), and Thomas Hardy's The Mayor of Casterbridge (1886) and Jude the Obscure (1895), descriptions of houses and barns, churches and cathedrals, shops and factories, and courthouses and schools are thematically important because they draw our attention to the novels' interest in the social structures that underlie the fictional worlds they represent. Buildings provide spaces where members of a community may work towards a shared purpose; they also embody that community's common knowledge, values, and ideals. These novels take up the thematic concern with structure through their own formal narrative structuring work. Much like an architect builds a physical structure, novels build a narrative structure by carefully arranging patterns, sequences, proportions, and perspectives. An examination of a novel's description of a building reveals moments of self-reflexive consideration of the narratives it constructs. These are moments that interrogate the building materials of narrative and how their arrangement becomes meaningful, that consider what the narrative structure can accommodate and what it excludes, and that invite us to attend to the ways in which the act of structuring a narrative situates it in time, in relation to the past, present, and future. The choices an architect makes about ornaments and materials, the way a building integrates the surrounding environment, and the way its proportions compare to a human scale, all constitute a kind of language; moreover, the way people interact with, in, and around these built spaces suggests it is a dynamic and evolving language. Preeminent Victorian art and social critic John Ruskin's architectural treatise, The Seven Lamps of Architecture (1849) serves as a master key to interpreting the Victorian understanding of architectural language in the novels under investigation. Because Ruskin's writings pervaded mid-century artistic discourse, and because he turned his critical gaze on such a wide range of the mid-nineteenth century's most important aesthetic, social, philosophical, and ethical concerns, his work provides an invaluable bridge between the physical, social, and narrative structures in these novels. Each of Ruskin's "lamps" represents a specific architectural principle; each chapter in this project pairs a novel with a lamp with thematic and formal resonance.
Temple University--Theses
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Guthrie, Elizabeth Rae. "The Work of Architecture in the Age of Its Technological Reproducibility." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2280.
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Dresden's historic reconstructions bring up questions that reach far beyond the city's new/old Neumarkt district. In this thesis, I would like to take a closer look at the current ideological discourse surrounding the reconstruction of destroyed historic buildings in Dresden and other cities in the former DDR. What seems at first to be a simple culture war between progressive and reactionary city planners is actually, I will argue, a unique historical moment that blurs the dogmatically held ideas of rationality and nostalgia, ornament and function, and high art and kitsch. From the uncanny shadow of a church recently raised from the dead, I will explore the aesthetic and ethical ramifications of the technologically reproduced building.
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Cohen, Matthew. "Framing the Woman Artist: Gender and Art in Howells and Sargent." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625942.
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Somers, Renee. "Gilded age spaces, actual and imagined : Edith Wharton as a spatial activist and analyst /." View online ; access limited to URI, 2003. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/.
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Sprinkle, Mark. "The Kids Are (All) Right: Baby-Boomers and the Rhetoric of Childhood in the Picture Books of Chris Van Allsburg." W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539625792.
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