Дисертації: "Architecture and society Australia History"

1

White, Deborah. "Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.

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Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251) An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the continuing low numbers of women practitioners in Australia. Hypothesizes that contemporary Western architecture is imbued with a pervasive and dominant masculinity and that this is deeply imbedded in its discursive constructions: the body housed by architecture is assume to be male, the mind which produces architecture is assumed to be masculine. Given the cultural location of Australian architecture as a marginal participant in the wider arena of contemporary Western / international discourses, focuses on writing about two iconic figues in Western architecture; Le Corbusier, of international reknown; and, Glenn Murcutt, of predominantly local significance.

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2

Farrelly, Michael. "State, society and water management in late imperial Southeast China." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=123264.

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This thesis is a study of water management systems in the late imperial (1368-‐1912) Minnan region (southern Fujian), China. Based on stone inscriptions and local gazetteers, I present case histories of several well-‐documented water management systems. I explore trends in social organization and state-‐society issues relevant to water management systems, with particular emphasis placed upon the means by which lineages came to control water management structures. I then consider the causes and characteristics of water management-‐related conflict, as well as trends in government intervention in related disputes, and the principles upon which local officials adjudicated these disputes. I argue that property rights status was important to adjudication, particularly the concepts of "official," "communal" and "private" land and resources. Finally, I contextualize Minnan water management systems among systems in other parts of China.
Cette thèse étudie les systèmes de gestion de l'eau pendant les dernières années de la période impériale dans la région de Minnan (dans le sud du Fujian) en Chine. L'histoire de plusieurs systèmes bien documentés de gestion de l'eau est présentée, à partir de l'étude de pierres avec des inscriptions et de registres locaux. Les tendances dans l'organisation sociale liée aux systèmes de gestion de l'eau et les problèmes politico-‐sociaux associés sont analysés, avec une attention toute particulière sur les moyens employés par les groupes pour contrôler les organisations qui gèrent l'eau. Les causes et les caractéristiques des conflits relatifs à la gestion de l'eau sont étudiées, ainsi que l'intervention des gouvernements et les principes suivis par les instances locales dans la résolution de ces disputes. Les auteurs soutiennent que le statut de la propriété importe dans l'attribution des ressources, en particulier les concepts de ressources « gouvernementales », « communales » et « privées ». En dernière partie, les systèmes de gestion de l'eau dans la région de Minnan sont mis en perspective avec les systèmes d'autres régions de la Chine.

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3

Boulton, Alexander Ormond. "The architecture of slavery: Art, language, and society in early Virginia." W&M ScholarWorks, 1991. https://scholarworks.wm.edu/etd/1539623813.

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Inspired by the concept of culture as expressed in the work of Claude Levi-Strauss, this dissertation traces the roots of modern perceptions of slavery and race by analyzing three sites each of which is associated with a distinct cultural pattern and social ideology. The first, Penshurst in Kent England is described as feudal, organic, vernacular, and popular. The second, Westover in tidewater Virginia is classical, rational, and elite. Thomas Jefferson's Monticello in the Virginia piedmont, the third site, is described as romantic, liberal, and bourgeois. It is only at this third site, the locus for a distinctly modern family type, that concepts of race and slavery unique to our age are found. The new ideas about family structure, race and slavery, evident at Monticello, it is argued, have had a vast influence upon the course of American social and political development.

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4

Gauthier, Erin. "Architecture/Archaeology." This title; PDF viewer required Home page for entire collection, 2008. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Thesis (M.Arch.)--University of Detroit Mercy, 2008.
"28 April, 2008". P. 17-185 contain a reprint of three appendices from: Tales of Five Points : working-class life in nineteenth-century New York / edited by Rebecca Yamin. Includes bibliographical references (p. 218).

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5

Doyle, Ryan P. "Framing history through cinematic storytelling." This title; PDF viewer required. Home page for entire collection, 2006. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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6

Doherty, James Michael. "Being and architecture: an historical study." Thesis, Virginia Tech, 1988. http://hdl.handle.net/10919/43043.

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The establishment of a comprehensive world-view enables a person to orient himself both physically and metaphysically within his context. Since, the time of Plato, the development of these world-views has been increasingly determined by the physical sciences and their accompanying modes of thought. What have some of the major tenents of these world-views been and how have they been developed? How have they influenced the concept of being and how is that concept of being expressed in Architecture?
Master of Architecture

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7

Peters, Philip. "Historical cultural memory celebrated through architecture." This title; PDF viewer required. Home page for entire collection, 2006. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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8

See, Mark. "Transitions and architecture." This title; PDF viewer required Home page for entire colleciton, 2007. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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9

Wheaton, Pat. "High style and society : class, taste and modernity in British interwar decorating." Thesis, Kingston University, 2011. http://eprints.kingston.ac.uk/24563/.

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This thesis explores the way in which interior decorating developed as a practice during the interwar period in Britain and seeks to address broader contexts of gender, class, taste and styles. While traditional design histories have tracked the development of the interior design model through a direct sequence of movements and ideologies through the nineteenth and twentieth centuries, this thesis addresses issues which have been problematic within the context of art and design history. It acknowledges the more linear dimension of the original strand and seeks to offer a complementary appraisal which considers and appreciates the role of class, wealth and privilege and deconstructs boundaries which have marginalized gender and obscured certain important influences. The study examines the way in which decorators, many of whom were female, negotiated a design agenda which engaged with modernity without fully renouncing hard-fought signifiers of their class, taste and individuality. It argues that in the development of its practices, significant alliances were formed with fashion and that the vital role performed by media representation and social commentary underpinned its commercial profile and provided the public locus of its discourse. The nature of professional decorating is explored against a background of emerging practices in the first decades of the twentieth-century which included the antiques trade; grand scale establishments such as Lenygon & Morant, White Allom, Thornton-Smith and Keebles; department-store studios including those at Heal’s, Waring & Gillow and Fortnum & Mason; and individual practitioners and designers including Syrie Maugham, Sibyl Colefax, Dolly Mann and Ronald Fleming. In a period rife with social and political upheavals and conflicting ideologies as well as technological advancement and life-style changes, the study’s analysis aims to provide a broader understanding of the way in which decorators proactively negotiated such conditions and presented a cultural and aesthetic response to modernity through the diversity of their styles.

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10

Anbrine, Shama. "The Co-operative Model Town Society : history, planning, architecture and social character of an indigenous garden suburb in colonial Lahore." Thesis, University of Liverpool, 2014. http://livrepository.liverpool.ac.uk/2010879/.

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This thesis investigates the Co-operative Model Town Society Lahore; a town covering an area of around 2000 acres developed in the 1920’s in the (then) suburbs of Lahore, capital of Punjab province in British India. The Town is a remarkable interpretation of Ebenezer Howard’s Garden City ideals and the co-operative principles. However, the real significance of the town is it being a unique example of a co-operative garden town built by the local Indian bourgeois, majority of whom were forced to migrate due to the disturbances that followed after the declaration of independence to India and Pakistan in 1947. Despite the admiration and significance of the Town in the realm of pre and post-Independence Lahore, very little has been documented about it. Its formal documented history is non-existent while its original built environment, an excellent example to illustrate late-colonial architecture in the region, is diminishing rapidly due to negligence and reconstructions. The aim of this research is the documentation of history, urban form, social character and architecture of the pre-independence Model Town. Consequently, through an analysis of its built environment this study intends to develop an insight into the colonizer-colonized cultural transfers, in particular, to the transformation of British town planning ideas in the colonies due to their interpretation by the local Indians under the influence of prevalent religious, cultural and social practices. The research was conducted by the process of historical construction, whereby evidences from the documents and the built environment have been used collectively to develop the historiography of the town. The selection of primary material has been based on its availability as the documentary evidences are scattered across Pakistan, India and the UK. The built environment has been documented using the official drawings as well as onsite surveys and measurements where the original drawings are unavailable. The Town has been analysed in a comparative setting with respect to contemporary urban, architectural and social trends and practices prevalent locally ( both by the colonial rulers and the colonized natives) as well as global movements, especially Western ideologies and perspectives and their retrospect local adaptations. The documentation and analysis were used as a ground for four interpretative conclusions. The first conclusion elaborates on the need of urban historiography in Pakistan. The second conclusion interprets the Model Town in the realm of twentieth century urban planning in the region. The third conclusion elaborates on the colonial architectural styles. The fourth conclusion gives an insight into the Model Town with reference to western styled ‘Indian’ nationalism.

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11

Munson, Jessica. "Temple Histories and Communities of Practice in Early Maya Society: Archaeological Investigations at Caobal, Petén, Guatemala." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/228136.

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The architectural remains of prehispanic Maya monumental buildings represent a series of actions, decisions, and repeated practices, which contribute to the long sequences of construction observed in the archaeological record. This dissertation examines the history of temple construction and architectural changes at Caobal, a small center located near Ceibal in the Pasión region of Guatemala, to address questions about related social and political transformations during the Preclassic and Classic periods. The current study outlines a multilayered diachronic approach to investigate the ways prehispanic Maya communities constructed and modified their social landscape over long periods of time by participating in the tradition of monumental building.This study views minor temples such as Caobal as local nodes of community and religious interaction for groups outside the core of major Maya centers. By focusing on the materiality and temporality of minor temple architecture beyond primary centers of power, we can examine how these buildings were comprised of daily practices, identity politics, and religious values in prehispanic Maya society. The durability and permanence of these features, as well as deviations and modifications to earlier forms, demonstrate how such religious principles and practices intersected with the production of local politics and institutions of centralized authority. This study also views the acts of monument construction itself as part of an ongoing ritual process in prehispanic Maya society. The materialization and proliferation of temple architecture during the Preclassic and Classic periods can be regarded as pervasive expressions of political power and religious ideology, yet these architectural practices were not comprised of fixed or timeless traditions. To understand how specific memory practices and historical narratives shaped prehispanic Maya architectural traditions, this study examines not only the material and social foundations of these declarations but also the processes by which people's actions shaped and transformed their relationship with those who came before them. Ultimately, these processes involve the negotiation of internal conflicts and social difference as well as external power struggles. Using the local history of monument construction at Caobal, this study demonstrates how prehispanic Maya communities actively constructed and transformed their social worlds by building on the past.

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12

Grilc, Brandon. "Stealing Home: How American Society Preserves Major League Baseball Stadiums, Ballparks, & Fields." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18547.

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This study focuses on a cultural phenomenon that is driven by the demolition of Major League Baseball stadiums, ballparks, and fields. Prompted by their inherent role in the evolution of the sport and the inadequacies of the existing historic preservation framework, this study examines how American society preserves this utilitarian form, after their demolition, through observations, data collection, and analysis. In doing so, this study exposes that Major League Baseball stadiums, ballparks, and fields are preserved through the use of nine overlapping preservation methods, which memorialize five significant features. However, though these preservation methods do not prevent Major League Baseball stadiums from being demolished, they do illustrate how our society alternatively preserves historically and culturally significant resources when the existing historic preservation framework is rendered incompatible.

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13

Jenkins, John Christopher. "Torre Abbey : locality, community, and society in medieval Devon." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:5605a4ce-68ba-4b66-919d-2fd60ae5f92f.

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Torre Abbey was a rural Premonstratensian monastery in south-east Devon. Although in many ways atypical of its order, not least in the quality and quantity of its surviving source material, Torre provides an excellent case study of how a medium-sized medieval monastery interacted with the world around it, and how the abbey itself was affected by that interaction. Divided into three broad sections, this thesis first examines the role of local landowners and others as patrons of the house in the most obvious sense, that of the bestowal of lands or other assets upon the house. Torre was relatively successful in this regard, and an examination of the architectural and archaeological record indicates a continuation of that relationship after the thirteenth century. The second section notes areas of conflict with the laity. Disputes could and did arise over both temporal and spiritual affairs, as well as through the involvement of a number of lay figures in the administration and patronage of the house. In both respects, notable incidents in the mid-fourteenth century highlight the complexities of the canons’ relationships with the secular world. These are further explored in an analysis of the abbey’s role during the Hundred Years’ War and the Wars of the Roses, two conflicts which greatly affected the locality, but required vastly differing approaches by the canons. Finally, the effect of society on the canons themselves is considered. It is possible to recover some picture of their origins, both social and geographic, as well as some idea of the size of the community in the fifteenth century, and discuss the repercussions for an understanding of monastic recruitment. Finally, the dynamic of the community over the entire history of the abbey is considered in terms of the scattered source material, utilising both architectural and documentary evidence.

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14

Onurlu, Sema. "Symbol Space And Meaning In Hittite Architecture." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12604911/index.pdf.

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The importance of the Hittites derives from the fact that they were an organized central power extending over a large territory within which a number of societies maintained their language, culture and traditions. The archaeological findings of Hattusha, the Hittite capital reveal that the city had reached its maximum limits during the Great Kingdom period and the most magnificient and monumental buildings of the city are dated to this period. Yazilikaya, the open air sanctuary which reached to its final form during the Great Kingdom period too, is an outstanding example of the many temples constructed in Hattusha that belong to different periods and the dimensions of which are quite dfferent from each other. Among the archaeological findings of Hattusha, the royal archives are other important material evidence as they transmit us the Hittites'
perception of the cosmos. However, understanding the antique world which is at a "
distance"
both historaiclly and conceptually is not an easy task. In this context, rethinking and reinterpreting the meaning attributed to Yazilikaya, th eopen air sanctuary, can only be achieved by considering the political, architectural and religious aspects together. This study is an attempt to reinterpret the material knowledge by drawing the appropriate limits of this knowledge with a contextual approach.

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15

KARSKENS, Grace. "THE ROCKS AND SYDNEY: SOCIETY, CULTURE AND MATERIAL LIFE 1788-C1830." University of Sydney, History, 1995. http://hdl.handle.net/2123/405.

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This study explores the early history of Sydney's Rocks area at two levels. First, it provides a much-needed history of the city's earliest, oldest-surviving and best-known precinct, one which allows an investigation of popular beliefs about the Rocks' convict origins, and which challenges and qualifies its reputation for lowlife, vice and squalor. Second, by examining fundamental aspects of everyday life - townscape, community and commonality, family life and work, human interaction and rites of passage - this study throws new light on the origins of Sydney from the perspective of the convict and ex-convict majority. Despite longstanding historical interest in Sydney's beginnings, the cultural identity, values, habits, beliefs of the convicts and ex-convicts remained largely hidden. The examination of such aspects reveals another Sydney altogether from that presented by governors, artists and mapmakers. Instead of an orderly oupost of empire, a gaol-town, or a 'gulag', the Sydney the Rocks represents was built and occupied largely according to the tastes, priorities and inclination of the people, with relatively little official regulation or interference. While the Rocks appeared 'disorderly' in the eyes of the elite, it nevertheless functioned according to cultural rules, those of the lower orders - the artisans, shopkeepers, publicans, labouring people, the majority of whom were convicts and ex-convicts.

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16

Fang, Zihan 1962. "Chinese city parks: Political, economic and social influences on design (1949-1994)." Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278614.

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This thesis is an attempt to understand the purposes of modern Chinese park design. The goal of this work was to identify the social, economic, and political factors influencing contemporary park design. The primary approach was analysis of case studies. By analyzing characteristics of parks constructed at different stages in urban park history and in the cultural history of China, the results provide strong support for important political, economic, and social influences on park design.

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17

Kenneally, Rhona Richman. "The tempered gaze : medieval church architecture, scripted tourism, and ecclesiology in early Victorian Britain." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19609.

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This dissertation explores how architecture is valorized by the cultural artifacts, both visual and text-based, which present and describe it. It examines aspects of the Gothic Revival in early Victorian Britain, to consider the assimilation of models of evolving architectural discourse by one organization with specialized interest in its promotion, and adaptations of that discourse in the realm of popular culture. The dissertation focuses on the ideology of the Cambridge Camden Society, from its inception in 1839 through to 1850. The Society advocated an appreciation of Gothic churches both for aesthetic, and for religious and moral reasons. A key dimension of its mandate, captured in the rhetoric of ecclesiology, was to prioritize an empirical investigation of extant medieval churches. Findings were to be recorded on specially-devised questionnaires, called "church schemes," using a text-based, specially-encoded taxonomy. Given the availability both of extensive documentation by the Society concerning these schemes, and of almost seven hundred completed forms, areas of conformity and divergence between the prescriptive, instructional material, and the descriptive material which indicates the actual reception of the architecture, may be discerned. "Church visiting" hence became the primary means of personal engagement with the architecture, enacted through the elaborate ritual of scripted tourism spelled out by the church schemes and attendant pedagogical documents. The importance, and the implications, of tourism to members of the Cambridge Camden Society are addressed through an evaluation of travel theories and methodologies, developed, especially, since the 1990s. An understanding of ecclesiology in terms of travel theory enables it to be evaluated in a wider context, namely as part of an emerging tourist ethos based on expanding opportunities and incentives to travel through Britain. From this perspective, the Cambridge Camden Society is to be perceived as part of a larger consortium of advocates of tourism to sights of medieval architecture, who employed similar inducements and terminology, and who created such markers of architectural authenticity as travel guides to mediate the traveller's reception of a given sight. As a result, the possibilities of the widespread dissemination of at least the architectural components of ecclesiological ideals, as part of the groundswell of promotional material devoted to all things Gothic, were enhanced.

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18

McGrail, M. Justin (Michael Justin). "The language of authority : the expression of status in the Scottish medieval castle." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20142.

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The visual appearances of twelfth and thirteenth century Scottish castles are interpreted through an iconographic and iconological analysis. in examining the symbolic possibilities evidenced in the castles's visual programs, an architectural language of authority, "castle style," is identified. The connections of this architectural language to twelfth and thirteenth century "new men" is considered through a review of historical and architectural evidence. Socio-political ambition and the representation of social stature are recognizable in "castle style."

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19

Smith, Charlotte H. F. "The house enshrined : great man and social history house museums in the United States and Australia /." Online version, 2002. http://bibpurl.oclc.org/web/24545.

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20

Schriwer, Charlotte. ""From water every living thing" : water mills, irrigation and agriculture in the Bilād al-Shām : perspectives on history, architecture, landscape and society, 1100-1850 AD." Thesis, University of St Andrews, 2006. http://hdl.handle.net/10023/7080.

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This work explores the role of the watermill in the history and society of Jordan, Syria and Cyprus from the 12th to the 19th century. Previous studies in this area have been limited, and have usually assumed the watermills in the Levant to date from the Ottoman period. This work aims to suggest that many of the mills still extant today in fact date from an earlier period. A review of the historical documentation and archaeological material is the main background of this study, while an examination of the watermills themselves aims to provide a permanent record of these before they disappear due to rural and urban development. A review of available reference material regarding the role of the mill in Levantine economy and society from the medieval to late Ottoman periods emphasises the importance of the watermill in rural and urban areas of the Levant in a historical period of fluctuating economic stability. The reference material consists mainly of historical accounts by travellers and chroniclers, legal documents such as treaties, charters and waqf documents, as well as archaeological, environmental and socioeconomic studies of the Levant from the medieval to the early modem period. The broad nature of this study aims to form a basis for future research with a more detailed focus in these disciplines.

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21

Grguric, Nicolas Grguric, and eqeta@yahoo com au. "Fortified Homesteads: The Architecture of Fear in Frontier South Australia and the Northern Territory, ca 1847-1885." Flinders University. Humanities, 2007. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20080225.161715.

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This thesis is an investigation into the use of defensive architectural techniques by civilian settlers in frontier South Australia and the Northern Territory between 1847 and 1885. By focussing specifically on the civilian use of defensive architecture, this study opens a new approach to the archaeological investigation and interpretation of Australian rural buildings, an approach that identifies defensive strategies as a feature of Australian frontier architecture. Four sites are analysed in this study area, three of which are located in South Australia and one in the Northern Territory. When first built, the structures investigated were not intended, or expected, to become what they did - their construction was simply the physical expression of the fear felt by some of the colonial settlers of Australia. Over time, however, the stories attached to these structures have come to play a significant part in Australias frontier mythology. These structures represent physical manifestations of settler fear and Aboriginal resistance. Essentially fortified homesteads, they comprise a body of material evidence previously overlooked and unacknowledged in Australian archaeology, yet they are highly significant in terms of what they can tell us about frontier conflict, in relation to the mindsets and experiences of the settlers who built them. This architecture also constitutes material evidence of a vanguard of Australian colonisation (or invasion) being carried out, not by the military or police, but by civilian settlers. v Apart from this, these structures play a part in the popular mythology of Australias colonial past. All of these structures have a myth associated with them, describing them as having been built for defence against Aboriginal attack. These myths are analysed in terms of why they came into existence, why they have survived, and what role they play in the construction of Australias national identity. Drawn from, and substantiated through, the material evidence of the homesteads, these myths are one component of a wider body of myths which serve the ideological needs of the settler society through justifying its presence by portraying the settlers as victims of Aboriginal aggression.

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22

Hewitt, Lucy Elizabeth. "Civic agenda : associations, networks and urban space in Britain, c1890-1960." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5721.

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Over the course of the nineteenth century, while many towns and cities grew at a remarkable rate, interest in architectural design, planning, and the quality of urban landscapes also increased. By the close of the century a number of associations had been established that were concerned with promoting the care of ancient buildings, the protection of open spaces, or the quality of future urban growth. During the twentieth century associational activity concerned with the quality of urban space has proliferated. Many, if not most, towns and cities in Britain have an organized body dedicated to campaigning and acting for the interests of local identity, development and heritage. Sometimes these are called Preservation Trusts (as in St Andrews or Cambridge), sometimes they are simply named after the city to which they belong (The London Society or The Warwick Society), most commonly they are known as Civic Societies. Regardless of name, they share key objectives: the promotion of high standards in planning and architecture; the preservation of historically or aesthetically significant buildings; the education of the public in the history, geography, and architecture of the local environment. In the early twentieth century these organizations provided a focus for discussions about the nature of urban space and approaches to shaping the development of towns and cities. They brought together a range of individuals, including planners, architects, reformers, academics, artists and politicians, who shared a concern for the landscape of Britain’s cities. Through their discussions and activities emerged an approach to urban development that emphasised socio-scientific methods and ideas in combination with an argument about the affective bonds that connect individuals to a place. The approach was often called civics and the agenda pressed forward by civic associations and their members forms the focus for this study. This work explores the continuities between philanthropic experiment in the later nineteenth century and the civic movement of the twentieth century by demonstrating the connections between earlier and later activities, and emphasising the continued involvement of a number of key individuals and families. It makes a contribution to understanding professional development in the fields of planning, architecture and urban studies. Key figures in the history of British planning, such as Patrick Abercrombie, Raymond Unwin and George Pepler, formed their early professional networks through civic groups, while architects including Charles Reilly and Aston Webb developed their collaborations through their involvement with the civic movement. Furthermore, individuals whose role in British urban sociology, most notably Patrick Geddes, has influenced the ways in which we study our urban areas first promoted their ideas and methods through the network of civic associations that developed over the course of early twentieth century. Through the analysis this thesis draws in theoretically informed questions. Firstly these relate to the role of voluntary associations and networks in structuring the development of professions, circulating their bodies of specialist knowledge and securing wider participation in urban policy. Secondly, the thesis considers the manner in which spaces come to hold the meaning and memories of particular groups, the significance and power of representations of place and the emerging tradition of spatial history that privileges the micro-processes through which places are created and sustained.

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23

Showalter, Claire Marie. "Trapped in a Glass House: No Stones to Throw." Miami University Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1272042711.

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24

Sabatini, Gerald Andrew. "Graffiti Architecture: Alternative Methodologies for the Appropriation of Space." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216901954.

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25

MacLaury, Maria Isabel 1953. "La Placita: Vantages of urban change in historic Tucson." Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/292057.

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Cognition and social values prevail in urban evolution. Analysis of these values reconstruct an era that has largely vanished; the context is historic downtown Tucson, and the significance is the Mexican enclave that had La Placita as its social focus. The historical evolution and the urban character of La Placita and its surrounding barrio is documented with emphasis on the social meaning of its change. A newly developed cognitive theory of vantages and coordinates provides a model to depict the viewpoints that defined urban development in Tucson. The analysis of personal viewpoint provides a statement of the manner that social values and cognition shaped architecture and urban change throughout the years of growth in the center of Tucson.

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26

Roberts, David A. "The Changes in American Society from the 17^th to 20^th Century Reflected in the Language of City Planning Documents." Youngstown State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1410888727.

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27

Lawrence, Ranald Andrew Robert. "Cultural climates : the municipal art school and the reformulation of civic identity in Victorian Britain." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709252.

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28

Giguere, Joy M. ""The Dead Shall be Raised": The Egyptian Revival and 19th Century American Commemorative Culture." Fogler Library, University of Maine, 2009. http://www.library.umaine.edu/theses/pdf/GiguereJM2009.pdf.

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29

Orr, Kirsten School of Architecture UNSW. "A force for Federation: international exhibitions and the formation of Australian ethos (1851-1901)." Awarded by:University of New South Wales. School of Architecture, 2006. http://handle.unsw.edu.au/1959.4/23987.

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Анотація:

In 1879 the British Colony of New South Wales hosted the first international exhibition in the Southern Hemisphere. This was immediately followed by the Melbourne International Exhibition of 1880 in the colony of Victoria and the success of these exhibitions inspired the Melbourne Centennial Exhibition, which was held in 1888 to celebrate the centenary of white settlement in Australia. My thesis is that these international exhibitions had a profound impact on the development of our cities, the evolution of an Australian ethos and the gaining of nationhood. The immense popularity and comprehensive nature of the exhibitions made them the only major events in late nineteenth-century Australia that brought the people together in an almost universally shared experience. The exhibitions conveyed official ideologies from the organising elites to ordinary people and encouraged the dissemination of new cultural sentiments, political aspirations, and moral and educational ideals. Many exhibition commissioners, official observers and ideologues were also predominantly involved in the Federation movement and the wider cultural sphere. The international exhibitions assisted the development of an Australian urban ethos, which to a large extent replaced the older pastoral / frontier image. Many of the more enduring ideas emanating from the exhibitions were physically expressed in the consequent development of our cities ??? particularly Sydney and Melbourne, both of which had achieved metropolitan status and global significance by the end of the nineteenth century. The new urban ethos, dramatically triggered by Sydney 1879, combined with and strengthened the national aspirations and sentiments of the Federation movement. Thus the exhibitions created an immediate connection between colonial pride in urban development and European and American ideals of nation building. They also created an increasing cultural sophistication and a growing involvement in social movements and political associations at the national level. The international exhibitions, more than any other single event, convinced the colonials that they were all Australians together and that their destiny was to be united as one nation. At that time, Australians began to think about national objectives. The exhibitions not only promulgated national sentiment and a new ethos, but also provided opportunities for independent colonial initiatives, inter-colonial cooperation and a more equal position in the imperial alliance. Thus they became a powerful impetus, hitherto unrecognised, for the complex of social, political and economic developments that made Federation possible.

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30

Sedgwick, Enid. "Kulturelle Beziehungen : German-Australian literary links in Catherine Martin's An Australian girl and Henry Handel Richardson's Maurice Guest." University of Western Australia. European Languages and Studies Discipline Group. German Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0140.

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This thesis demonstrates the close links between Australian literature and German thought and culture in Catherine Martin's An Australian Girl (1890) and Henry Handel Richardson's Maurice Guest (1908), and thereby provides a fuller understanding of the sophisticated literary and intellectual purposes of these two works. In examining the German elements in each novel, and the contexts from which much of that material is drawn, this study seeks to supplement the scholarly explanations provided in the two Academy Editions of these works. While Maurice Guest has received serious scholarly attention, An Australian Girl has been accorded relatively little. Despite generally favourable reviews on publication, both appear to have been undervalued over time. The study begins with a brief historical survey of German migration to Australia and the contribution German migrants made to the intellectual life and culture of the evolving nation. The examination of Catherine Martin's work includes: biographical details, particularly concerning her contact with German culture; an analysis of the form of the novel and a comparison of An Australian Girl with Goethe's Bildungsroman Wilhelm Meister with regard to form, theme and characterisation; an analysis of German philosophical elements in the novel; and Martin's presentation of social conditions in Germany in 1888-90, and their role in the novel as a whole. The examination of Henry Handel Richardson's work encompasses: biographical details; the genesis of Maurice Guest; differences between the reception of the novel in England and Germany; the genre to which the novel belongs and parallels with Künstlerromane; an analysis of Richardson's description of the physical, historical and intellectual milieu of Leipzig, and its role in the novel; and finally her integration of German social customs and the German language into the text. Use has been made of five primary sources which have not been used before in any detail with regard to these aspects of either author: additional material from the Mount Gambier Border Watch; The Hatbox Letters, the family history of the Martin and Clarke families; the German translation of Maurice Guest; German reviews of Maurice Guest; and the correspondence between Richardson and her French translator Paul Solanges. The key argument of this thesis is that the German influence on both form and content, in the case of An Australian Girl, and on style and content, in the case of Maurice Guest, is deep and various, and that these German elements have proved to be an impediment to a full understanding and appreciation of these novels for many Anglo-Saxon readers and reviewers. In the two novels Martin and Richardson provide pointers to Australia's earlier interaction with the wider world and display a level of sophistication which makes these works worthy of greater recognition than they currently enjoy.

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31

Ritchie, Samuel Gordon Gardiner. "'[T]he sound of the bell amidst the wilds' : evangelical perceptions of northern Aotearoa/New Zealand Māori and the aboriginal peoples of Port Phillip, Australia, c.1820s-1840s : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts History /." ResearchArchive@Victoria e-Thesis, 2009. http://researcharchive.vuw.ac.nz/handle/10063/928.

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32

Kim, Narae. "Architecture des Missions Étrangères de Paris en Corée (Père Coste 1847 – 1897)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP001.

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Cette recherche consacrée au Père Eugène Jean Coste suivra trois orientations. La première est historique : la diffusion du catholicisme en Extrême-Orient menée par les missionnaires occidentaux à la fin du XIXe siècle. Malgré deux grandes persécutions, grâce au traité de 1886 la situation a complétement changé. L’Eglise reprend vie, et la paroisse épiscopale de Myeongdong croît rapidement. Les activités architecturales des missionnaires qui ont commencé à cette période ont par ailleurs révélé la culture européenne aux coréens. La cathédrale de style européen a inspiré une esthétique nouvelle dans la paroisse. La seconde orientation est architecturale. Les études portant sur les réalisations architecturales qui, dès 1896, permirent la modernisation de l’architecture coréenne font considérablement défaut. Coste, qui était procureur des Missions étrangères de Paris, avait assimilé les principes de l’architecture néo-gothique et les a incorporés à de nombreux bâtiments religieux, notamment lorsqu’il a dirigé la construction de la plus grande église de Corée, la cathédrale de Myeongdong à Séoul. Cette recherche sur les églises conçues initialement par ce missionnaire français permet alors de déchiffrer l’architecture moderne coréenne. De plus, on peut y découvrir des variantes du style néo-gothique français dans un pays de mission. Ces mouvements ont été réalisés en relation intime entre la Corée, la Chine et le Japon. L’architecture des Missions étrangère de Paris témoigne donc de l’histoire des échanges avec la culture occidentale, en prenant en compte les factures économiques et pratiques. Les réalisations du Père Coste ont influencé la conception d’autres églises coréennes des Missions étrangères de Paris conçues en style européen. Avec l’archétype de l’architecture du Père Coste pour modèle, ses confrères, prêtres-constructeurs ont bâti des églises dans les différentes régions avec des résultats variables selon la compétence de chacun et les choix des communautés. En dernier lieu, nous étudions la conception du patrimoine religieux et la procédure de patrimonialisation de l’architecture des Missions étrangères de Paris pour valoriser leurs édifices. Concernant son authenticité, leur architecture en style européen est une reproduction ou une imitation des églises du XIXe siècle en France. Mais à cause du caractère de la maison coréenne et du style éclectique, cette architecture s’est transformée et a évolué. L’adaptation au contexte et l’emploi des matériaux régionaux, surtout les briques en couleur et diverses, révèle un caractère de l’architecture vernaculaire. Le problème patrimonial demeure entier, étant donné la faiblesse des connaissances historiques et les techniques limitées. Cependant, la restauration de l’église Saint-Joseph à Yakhyeon en 2000 s’est inspiré des idées et des techniques nouvelles. Elle est un premier pas vers les restaurations suivantes. A ce jour nous envisageons la mise en valeur des édifices des Missions étrangères de Paris en considérant que le patrimoine religieux doit être conservé dans sa globalité si l’on veut faire vivre des lieux symboliques
This research devoted to Father Eugene Jean Coste follows three orientations. The first aspect is associated to historical circumstance: the diffusion of Catholicism of the Far-East Asia, which was conducted by the western missionaries at the end of XIX century. In spite of two merciless persecutions, the treaty signed in 1886 completely changed the situation. The Catholic Church in Korea was re-established and the Catholic Parish of Myeongdong expanded its community rapidly. Missionaries’ architectural activities that commenced in this period, otherwise, introduced the European culture to Korea. The European-style cathedrals inspired a new aesthetic in the Parish. The second orientation is an architectural perspective: these studies considerably are related to their architectural realizations in the year of 1896 which drew the modernization of Korea. Coste, who was a prosecutor of Paris Foreign Missions Society, assimilated into the principles of the Neo-Gothic architectures and incorporated them in the religious buildings, especially when he supervised the construction of the biggest church in Korea, Seoul Myeongdong Cathedral. The research on the churches initially designed by this French catholic missionary, accordingly, tries to identify modern Korean architectures. In addition, the research could allow readers to discover the various French Neo-Gothic styles in the mission country. Such architectural movements were launched in the intimate relations among Korea, Japan and China. Therefore, Paris Foreign Missions Society’s architectures testify to the history of exchanges with the western culture, taking the economical and practical factors into consideration. The realizations of Father Coste have influenced the concepts of other Korean European-style churches designed by Paris Foreign Missions Society. With the archetype of Father Coste’s architectures, his colleagues, priest-constructors built the churches in the region with the various results of both individual competences and other church communities. In the end, the dissertation studies the conception of religious heritages and the procedure that the architectures of Paris Foreign Missions became heritages in Korea. The concern about heritages remains entirely showing the weakness of historical knowledge and technical limitation. But new idea and technology of the conservation were introduced. The first step was the restoration of Yakhyeon Saint-Joseph Church in 2000. Finally, we will contemplate the applications of Paris Foreign Missions Society’s edifices and the conservations of religious heritages in the same protection zone for the survival of these historical architectures

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33

Yorgancioglu, Derya. "Re-constructing The Political And Educational Contexts Of The Metu Project." Phd thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612665/index.pdf.

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This dissertation focuses on the roles played by the United Nations experts Charles Abrams and G. Holmes Perkins in the foundation of METU Faculty of Architecture. It aims to highlight the ideas and ideals that informed Abrams&rsquo
s and Perkins&rsquo
s METU projects, and to delineate an integrative and multifaceted picture of their political and educational contexts. This picture may serve as a basis for future researches on the institutional and educational histories of METU Faculty of Architecture. It may also help to better understand the contributions of other administrators and instructors -- including First Acting Dean Thomas B. A. Godfrey and Dean Abdullah Kuran -- who played important parts in the formation of the educational direction of the Faculty. Abrams, as a United Nations consultant, paved the way for the foundation of METU Faculty of Architecture by recommending a school of architecture and community planning in Ankara, for the education of professionals competent in responding to the problems caused by rapid industrial expansion and urbanization. Perkins contributed to the foundation process of METU Faculty of Architecture. As the head of the team of experts from the University of Pennsylvania School of Fine Arts, who were sent by the United Nations to Ankara in 1955, he advised the Government of Turkey on &ldquo
the creation of a Faculty of Architecture, a Faculty of City and Regional Planning&rdquo
and two research institutes, as a first step towards an institution of university rank, and with a view to promoting &ldquo
a newer, more practical and modern approach to architecture and urban planning&rdquo
in Turkey. In this dissertation, Abrams&rsquo
s and Perkins&rsquo
s METU projects constitute a starting point for exploring significant themes in the changing political and educational trajectories in America in the mid-twentieth century. The influence of different interpretations of the notions of democracy, individuality and society on technical assistance, urban development policies and architectural education is also investigated. Abrams&rsquo
s professional and academic position as a &ldquo
reflective practitioner&rdquo
is appraised in the light of John Dewey&rsquo
s concepts of democracy, democratic education and &ldquo
reflective thinking.&rdquo
The changing professional and societal roles of the architect and the changing demands upon architectural education in the 1950s framed the background of Perkins&rsquo
s educational approach. The reappraisal of liberal education as part of professional education of the architect, the rising significance of an interdisciplinary pedagogical approach, and the development of &ldquo
organized research&rdquo
in architecture were among the major themes shaping new orientations in the field of architectural education in America in those years. In the dissertation, the lasting validity of these themes for today is highlighted.

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34

Thomason, Emily C. "Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1596048028639872.

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35

Weiner, Eva. "Photography and Mourning: Excavating Memories of My Great-Grandmother." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1096.

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This paper explores how photographs have affected mourning processes in the past and how photo-technology may be able to change the way in which we mourn in the future. It includes an overview of the history of post-mortem photography and discusses the perspectives of well-known media theorists such as Roland Barthes and Susan Sontag. It engages with psychologists by including their perspectives on the effect that photographs have on the mourning process. A project was created to investigate how photo-technology can affect the bereaved. The project places photographs of a mother into pictures of her children taken after she had passed away. These photographs were later shown to her sons in order to explore how this impacts their memories and mourning processes.

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36

Dann, Christine R. "From earth's last islands: The global origins of Green politics." Lincoln University, 1999. http://hdl.handle.net/10182/1905.

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Since World War Two the world has undergone a profound economic and political transformation, from an international economy and internationalist politics to a global economy and globalist politics. The Bretton Woods international financial institutions have 'structurally adjusted' Third World countries, and similar structural reforms have occurred in First World countries. The environmental consequences of globalising economic activity have been severe and also global; the social consequences of the structural reform process are equally severe. National sovereignty has been radically compromised by globalisation, and previous nationally-based initiatives to manage the activities of capital in order to mitigate its negative impacts on society and the environment, such as social democrat/labour politics, have ceded their authority to globalism. Green parties have arisen to contest the negative environmental and social consequences of the global expansion of capital, and are replacing socialist parties as a global antisystemic political force. Green politics had its origins in the world-wide 'new politics' of the New Left and the new social movements of the 1960s, and the world's first two Green parties were formed in Australia and New Zealand in 1972. A general history of the global forces which gave rise to Green politics, and a specific history of the first two Green parties, demonstrate the interplay of global and local political forces and themes, and provide an opportunity to redefine the core elements of Green politics.

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37

Latimer, Carrie Grace. "The Plots of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/430.

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This paper explores Alexanderplatz during the Weimar Period in Berlin. It is looked at from three different perspectives: historical urban plans, Alfred Döblin's novel Berlin Alexanderplatz, and Rainer Werner Fassbinder's 1980's film adaptation of Berlin Alexanderplatz. Through these three mediums, an argument forms that Alexanderplatz functioned as both a major transit space for movement of transportation and pedestrians, but also the transit space for the movement of ideas and information.

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38

Boeggering, Andrea M. "Transition : observing the dynamic face of an industrial area." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1116354.

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Thoughts, memories or stories are stored as images in our minds. These images are a collection of realistic as well as unrealistic pictures. They help us to experience, to communicate, and to remember. A vehicle that implies a strongly visual image is architecture. With the new century, industrial architecture became an image for power, energy, and movement But today the once blooming manufacturing industry reached a stage of transition, it is dying out Our environment, our needs, and we are constantly changing. How does this transition affect our needs, or environment, and us? Does it mean, that our images change, too? And if so, will this change affect our experiences, memories, and our communication? This thesis explores the transition by observing and influencing a distinctive architectural setting. To talk, write, discuss about an image, we need to translate it into language. The metaphor for the connection of the industrial world and power, energy, and motion is the "Dynamic Face".
Department of Architecture

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39

Hackenberger, Benjamin C. "The San Antonio Wash: Addressing the Gap Between Claremont and Upland." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/pomona_theses/136.

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Access to water from San Antonio Creek was critical in Claremont’s growth from a small stop on the Santa Fe Railroad to an agricultural powerhouse and an elite college town. While Claremont has sought to distinguish itself from surrounding communities since its founding in 1882, the innovative Pomona Valley Protective Association (PVPA) aligned Claremont with the City of Pomona and its other neighbors in a scheme to conserve the Creek’s resources at the turn of the century. Organized around the discovery of local confined aquifers and the development of a strategy to recharge them with water from the San Antonio Creek, the Association was a contradictory moment of cooperation in an otherwise highly contentious zero-sum game of water rights politics. As conflicts wore on, the PVPA quietly orchestrated the purchase of large tracts of land in the San Antonio Creekbed, where the construction of diversion dams and spreading grounds served dual purposes of water conservation and flood control. As dam building in the Creekbed continued, large tracts of the previously undevelopable Wash were transferred to the aggregate mining institutions that gouged the area’s many gravel pits. This thesis uses the story of the PVPA and the contemporary example of the Claremont University Consortium Gravel Pit to explore the context of development in the San Antonio Creek Wash. Understanding the political and social contexts of the gravel quarry problem reveals possibilities for a more integrative, conscious, and sustainable approach to improving the former gravel quarries that currently occupy the Wash landscape.

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40

Wahlstrom, Christine M. "Vereinsleben in Indianapolis : the social culture of the liberal German-American population as reflected in the design of community buildings, 1851-1918." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1136710.

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Beginning in the middle of the nineteenth century, a thriving German immigrant community could be found in the city of Indianapolis. The more liberal members of the German community established organizations which catered to their athletic, intellectual, and social needs. This community life was called Vereinsleben, from the German words for club/association (Verein) and life (Leben). Fitting homes were needed for the clubs. Thus, several structures central to the Vereinsleben of the liberal German community were constructed. The buildings were built to be recognized as the homes of these clubs and to provide all the necessary facilities. This thesis examines the history of the community as well as the individual clubs and uses the buildings as documents in that process.
Department of Architecture

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41

Martins, Renata Maria de Almeida. "Tintas da terra tintas do reino: arquitetura e arte nas Missões Jesuíticas do Grão-Pará (1653-1759)." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-28042010-115311/.

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A presente tese estuda a produção arquitetônica e artística nas Missões Jesuíticas situadas no território do antigo Estado do Maranhão e Grão-Pará (criado em 1621), com particular destaque à região da Capitania do Grão-Pará. O arco temporal compreende os anos de 1653 (estabelecimento da Companhia de Jesus em Belém) a 1759 (expulsão dos jesuítas das colônias portuguesas). A tese enfoca, em particular, o trabalho artístico de jesuítas e índios nas oficinas que funcionaram no Colégio Jesuítico de Santo Alexandre em Belém a partir do século XVIII; procurando identificar a irradiação de modelos criados nas mesmas em direção às igrejas e capelas implantadas pelos jesuítas ao longo do Rio Amazonas e seus afluentes; sobretudo, àquelas que estavam localizadas em vilas, aldeias ou fazendas jesuíticas mais próximas a Belém (Vila de Nossa Senhora de Nazaré da Vigia, Vila Souza do Caeté, Mortigura, Gibirié, Mamaiacú, Jaguarari, entre outras). É colocada a hipótese de que Belém, como um pólo criador de modelos (também pólo econômico e comercial), alimentou toda a produção artística dos jesuítas no Grão-Pará, ao difundir seus métodos de trabalho e suas experiências técnicas. O título Tintas da Terra, Tintas do Reino sintetiza a idéia central da tese, de que o legado dos jesuítas na arquitetura e na arte nas missões do Grão-Pará é resultado do trabalho de europeus e de índios, e do emprego de suas tradições culturais.
This thesis is a study of the artistic and architectural production of the Jesuit Missions in the former State of Maranhão and Grão Pará, which was established in 1621, with a special emphasis on the Captaincy of Grão Pará. The period under study spans the time from 1653, when the Society of Jesus settled in the city of Belém, to 1759, when the Jesuits were expelled from Portuguese colonies. This thesis focuses in particular on the artistic work of both jesuits and indians carried out in the workshops at the Jesuit School of Santo Alexandre in Belém in the 18th century. The thesis seeks to trace the dissemination of the models created in such workshops throughout the Jesuit churches and chapels that were built along the borders of the River Amazon and its tributaries, especially those located in the Jesuit aldeias, vilas and fazendas closer to Belém (Vila de Nossa Senhora de Nazaré da Vigia, Vila Souza do Caeté, Mortigura, Gibirié, Mamaiacú, Jaguarari, among others). The hypothesis under investigation in this study is that Belém, in addition to being an economic and commercial hub, was also an artistic center providing models, working methods and technical expertise for the entire Jesuit artistic community in the Grão Pará. The title Tintas da Terra, Tintas do Reino summarizes the core idea underlying this thesis, namely that the Jesuit legacy in the art and architecture of the Grão Pará missions is the result of the work of europeans and indians, who in doing so resorted to their respective cultural traditions.

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42

Carbonés, Amagat Anna. "Urbanisme i arquitectura a la Girona d'època moderna: XVI-XVIII." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/397679.

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Aquesta tesi és un estudi exhaustiu sobre la ciutat de Girona a partir de l'anàlisi dels diferents burgs o barris que la configuren. Aquestes unitats urbanístiques seran estudiades a partir de diferents vessants. En primer lloc la història serveix per contextualitzar la formació i evolució dels diferents burgs i de la seva relació amb els altres burgs en particular, i amb la ciutat en general. L'estudi de la demografia i el perfil humà ens ajudarà a entendre aquesta evolució. L'evolució dels carrers i places que ens aportarà les dades necessàries per ajudar-nos a comprendre la formació dels diferents burgs i com aquests, amb el pas del temps, arriben a l'època moderna. Posteriorment, i a partir de les dades extretes dels documents d'arxius i de la bibliografia, estudiarem les diferents intervencions que es portaran a terme en aquest moment tant a nivell d'alineacions, amb la construcció i millores de les façanes, com de pavimentació. També analitzarem els diferents elements arquitectònics que configuraran aquest paisatge urbà i estudiarem la interrelació i evolució entre aquests mateixos elements arquitectònics entre sí i amb els elements de defensa i fortificacions, part essencial dintre l'urbanisme d'època moderna a Girona. Analitzarem també les infraestructures i de la seva evolució, sobretot la creació i millora de la xarxa de clavegueram, el manteniment de passarel·les i ponts, la presència de serveis municipals... Aquesta anàlisi dels diferents vessants, ens ajuda a comprendre les peculiaritats de cada zona i del seu paper en la configuració general de la ciutat. Finalment, una taula dels carrers a l'època moderna i la seva relació amb els carrers actuals, ens situarà a la ciutat i permetrà tenir la visió des de l'època actual de l'evolució i els canvis produïts en l'entremat urbà des de l'època moderna. Per tant, l'estudi de la ciutat es farà a partir dels diferents burg, i dels seus elements configuradors, tant els més monumentals com els més simples, donant una visió de la història i evolució de la ciutat a partir del diàleg i de la complementació o interrelació que s'estableix entre aquesta arquitectura i urbanisme de perfil més espectacular, amb les intervencions arquitectòniques o urbanístiques més modestes.

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43

Frasson-Quenoz, Florent. "La construction de la communauté de sécurité africaine : une perspective africaine." Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30015.

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Анотація:

Les difficultés rencontrées pour assurer le maintien de la paix et de la sécurité internationale sur le continent africain constituent un réel obstacle au développement économique, un danger pour les populations et une menace sérieuse pour la survie des Etats.Les outils théoriques classiques de la sécurité internationale s’étant révélés insuffisants pour apporter une réponse à cette problématique, notre objectif est ici, en recourant à l’approche constructiviste, de déterminer si les États africains manifestent une réelle volonté et/ou capacité à construire une communauté de sécurité (CS) à même de palier ces difficultés.Pour ce faire nous nous interrogeons sur l’existence d’un lien entre la production d’actes de parole, la promotion et l’adoption de normes de régulation pacifiques des conflits et la manière qu’ont les États africains d’appréhender leurs relations avec les autres membres de la CS supposée.L’utilisation additionnelle du concept de région et l’adoption d’une perspective africaine nous permettent en outre de diviser l’objet d’étude « Afrique » en plusieurs sous-Ensembles plus propices à la réalisation d’une étude scientifique et d’évaluer d’une part la pertinence et d’autre part le sens même du concept de CS lorsqu’il est appliqué au terrain africain
The difficulties met to insure the preservation of the peace and the international security on the African continent constitute a real obstacle to the economic development, a danger for the populations and a serious threat for the survival of States.The classic theoretical tools of the international security having proved insufficient to provide an answer to this issue, our objective is to determine, on the basis of the constructivist approach, whether African States show a real willingness and\or a capacity to build a Security Community (SC) that would be able to overcome these difficulties.In order to do so we question whether a link exists between the production of “speech acts” on the one hand and the promotion and the adoption of pacific regulation norms for conflicts on the other, and we examine the way African States apprehend their relations with other members of the supposed SC.The additional use of the concept of “region” and the adoption of an African perspective allow us to divide the object of study "Africa" into several subsets more propitious to the achievement of a scientific study, and to evaluate the relevance and the meaning of the SC concept when applied to the African field of study

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44

Hood, David 1959. "Conservatism and change : the RSL and Australian society, 1916-1932 / David Hood." 1994. http://hdl.handle.net/2440/21500.

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Bibliography : leaves 397-413.
xi, 413 leaves ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, Dept. of History, 1994

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45

Grigorian, Stella. "Inch Ka Chka and other paradoxical clues into Soviet Armenian society." Thesis, 1995. http://hdl.handle.net/1911/19098.

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During the twentieth century, Soviet Armenian society has been witness to numerous situations in which national identity has become an expression of cultural paradox. From the 1940's to the 1990's, Armenia has been in a transitory state, oscillating between seemingly contradictory categories of East/West, capitalism/communism, traditional/modern, past/present and death/survival. Despite this state of flux, Armenian self-representations insistently point to a collective identity that defines itself as firmly rooted, fixed in space and enduring in understandings. This project explores stories and histories, especially anecdotes collected in the course of fieldwork in Soviet Armenia conducted over two extended periods from 1987 to 1992. What was sought were mechanisms that lend to culture the malleability to bend and twist without radical rupture, allowing culture to reinvent itself endlessly in the face of social pressures and to allow space for new cultural constructions of meaning. I chart the deeply contradictory symbolic structure of Soviet Armenian society as an instrument by which these reworkings are achieved. In so doing, it becomes clear that contradiction does not lead to cultural paralysis. On the contrary, the articulation of contradiction within a narrative mode allows for mediation of difference in a manner that is non-divisive. Further, I trace the modern history of Armenia to reveal the ways in which Armenians manage the affects of Sovietization, of the Diaspora and repatriation, and of Armenian independence and emergence into a new geo-political matrix. Special attention is given to the Soviet Nationality Policy of the 1920's and 1940's and to the disastrous earthquake of 1988, both of which have led to a renewed sense of nationalism and of peoplehood among the Armenians. In tracing symbolic repertoires, I reveal the transitory character of meanings and their implicational associations as culture repositions itself and renegotiates contradictions in new settings.

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46

Smith, Avis Carol. "Changing fortunes: the history of China Painting in South Australia." 2009. http://hdl.handle.net/2440/59391.

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This thesis addresses a gap in research regarding South Australian china painting. Although china painting has been practised in Australia for the last 120 years and is held in major Australian collections, it has been little researched and then in a minor role associated with ceramics and studio potters, or as women’s art/craft. The china painters too, have been little researched. My research identifies the three ‘highs’ of the changing fortunes of china painting, and how the practice survived in between. I argue that it was first taught in the city’s School of Design, Painting and Technical Art in 1894 as a skill for possible industrial employment, due to the initiative of School Principal, Harry Pelling Gill. However china painting classes were discontinued by 1897 due to an economic depression and the fact that the anticipated industry did not eventuate. In 1906 china painting classes were reinstituted in the (re-named) Adelaide School of Art and teacher Laurence Howie was pivotal in that revival. China painting classes ceased during the First World War while Howie served overseas in the Australian Forces, but resumed in 1923 after his return and appointment as Principal of the (renamed) School of Arts and Crafts. The resulting change in the fortunes of china painting was the outcome of the School’s appropriate training in art and design, and I argue this enabled emerging professional female artists to confidently exhibit china painting alongside their fine art. I will devote a chapter to the important role of the South Australian Society of Arts in facilitating this important public exposure of china painting. The Second World War marked a decline in popularity of china painting. Chapter 5 traces its survival till it burst into popularity again in 1965. Further chapters describe china painting’s following meteoric rise in fortune and the role played by the South Australian teachers of the art/craft, few of whom had received formal art training. I argue that china painting became a conservative social craft, but nonetheless a serious hobby, pursued by married, middle-class women who strongly believed their work was art, not craft. I will point out how they were visited and influenced by entrepreneurial American teachers, politically active in the art/craft debate in the United States of America. Chapter 8 will chart the steps taken by Australian teachers in the 1980s to break from the American influence and regain an Australian identity in teachers’ organisations and iconography. I will describe the debates that ensued following experimental work exhibited by avant-garde Australian teachers to resolve the art/craft debate regarding china painting in Australia, and the difficulties of maintaining china painting momentum as the majority of practitioners became elderly women. This thesis identifies education of the practitioners as a key factor throughout South Australian china painting history as a way of better understanding the place of china painting within the decorative arts. China painting is currently in decline; nevertheless, as I will point out in my conclusion, there are several future pathways it could take. Only within recent decades have curators and writers shown an increased interest in women’s decorative arts, including china painting. It is timely to undertake research before existing documentation of china painting is lost.
http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1374281
Thesis (Ph.D.) -- University of Adelaide, School of History and Politics, 2009

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47

Lightner, Delta R. (Delta Ruth) 1953. "The American civic architecture of the Panama Canal Zone, 1910-1920." Thesis, 2004. http://hdl.handle.net/10125/12052.

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Thesis (Ph. D.)--University of Hawaii at Manoa, 2004.
Includes bibliographical references (leaves 529-547).
Also available by subscription via World Wide Web
xxvi, 547 leaves, bound in 2 v. ill., maps, plans 29 cm

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48

"City black-box." 2002. http://library.cuhk.edu.hk/record=b5891334.

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Yau Chun Sang.
"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2001-2002, design report."
Includes bibliographical references (leaves 77).
Chapter 01 --- ACKNOWLEDGEMENT
Chapter 02 --- SYNOPSIS
Chapter 03 --- RESEARCH
Chapter 04 --- SITE STUDY
Chapter 05 --- DESIGN INSPIRATION
Chapter 06 --- DESIGN DEVELOPMENT
Chapter 07 --- FINAL DESIGN
Chapter 08 --- SPECIAL STUDY
Chapter 09 --- APPENDICES
Chapter 10 --- BIBLIOGRAPHY

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49

Bollard, Robert. "The active chorus : the mass strike of 1917 in eastern Australia." 2007. http://eprints.vu.edu.au/1472/1/bollard.pdf.

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This thesis is a study of the Great Strike of 1917, arguably the biggest class conflict in Australian history. For over two months up to 100,000 workers confronted an enraged and belligerent combination of conservative state and federal governments, employers, the establishment press and a middle class which was organised against them on an unprecedented scale. The thesis assesses the strike from a ‘history from below’ perspective. In doing so, it challenges the existing historiographic consensus that the strike was doomed to defeat and that the consequences of that defeat were wholly negative. It argues that the leadership of the strike was primarily responsible for defeat and that the failure of leadership was a product of a conservatism inherent in the trade union bureaucracy. This conservatism was, moreover, underlined by the prevailing faith, predominant within official circles of the Australian labour movement at this time, in arbitration as an alternative to industrial confrontation. It analyses the connection between the defeat in 1917 and the revival of the movement in 1919, concluding that anger at the betrayal of the 1917 strike by its official leadership played a significant role in shifting the movement to the left, motivating key sectors of the working class to seek revenge in 1919.

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50

Rowen, Jonah. "Materials, Labor, and Apprehension: Building for the Threat of Fire across the Nineteenth-Century British Atlantic." Thesis, 2020. https://doi.org/10.7916/d8-1syq-8r06.

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With its destabilizing shifts away from mercantilism toward liberal economics, early nineteenth-century Britain generated an increasingly powerful class of technocrats, including architects and builders, in design and construction. This burgeoning professional group involved in architecture, planning, and building directed processes, products, and technologies of construction toward maintaining societal order. In doing so, they cemented their social hierarchical status. Following abolition of the slave trade in 1807 and emancipation from 1833-1838, architects and builders had to adapt their techniques of communication and labor management, and adjust their building practices to material and technological innovations. In contrast to heroic narratives of industrial progress and optimism that conventionally dominated histories of modern architecture, figures of apprehension, anxiety, and anticipation more appropriately encapsulate the consequential events of this period. Through empirical analyses of small-scale techniques of drawing and building, this dissertation renders the general transition from rigid, mercantilist arrangements aligned with economies of enslavement toward ideologies of free trade, increasingly widespread wage labor regimes, and liberalism more broadly, into legible, tangible forms. Using as heuristics architectural technologies for preempting, mitigating, and suppressing fires—planning, constructional assemblies, mechanisms, materials, regulations, financing, and legislation—I demonstrate that preventing undesirable occurrences governed a heterogeneous array of activities. These ranged from English architects' professionalization initiatives, to plans for evacuating people from and extinguishing fires in theaters, to labor management in West Indian military outposts, to fire insurance offices that spread their risk profiles by indemnifying Caribbean sugar plantations beginning in the late eighteenth century. Thus capital and uncertainty went hand in hand as elements in conveying wealth, as architects and others involved in building at once made risk both fungible and material.

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