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Книги з теми "Archaeological artefect"

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Автор: Grafiati

Опубліковано: 14 березня 2023

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1

Hurcombe, L. M. Archaeological artefacts as material culture. London: Routledge, 2007.

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2

Martin, Kuna, Bintliff J. L, and Venclová Natalie, eds. The future of surface artefact survey in Europe. Sheffield: Sheffield Academic, 2000.

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3

Archer, John. Conservation of archaeological artefacts by thermal methods. Portsmouth: Portsmouth Polytechnic,Dept. of Chemistry, 1991.

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4

Cahn, R. W. Artifice and artefacts: 100 essays in materials science. Bristol, UK: Institute of Physics Pub., 1992.

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5

J, Schofield A., ed. Interpreting artefact scatters: Contributions to ploughzone archaeology. Oxford: Oxbow, 1991.

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6

Interpreting silent artefacts: Petrographic approaches to archaeological ceramics. Oxford: Archaeopress, 2009.

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7

Quinn, Patrick S. Interpreting silent artefacts: Petrographic approaches to archaeological ceramics. Oxford: Archaeopress, 2009.

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8

Susino, George J. Analysis of lithic artefact microdebitage for chronological determination of archaeological sites. Oxford: Archaeopress, 2007.

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9

Allen, Steven J. The illustration of wooden artefacts: An introduction and guide to the depiction of wooden objects from archaeological excavations. Oxford: Association of Archaeological Illustrators & Surveyors, 1994.

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10

Mygland, Sigrid Samset. Children in medieval Bergen: An archaeological analysis of child-related artefacts. Bergen: Fagbokforlaget, 2007.

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11

Art, artefacts, and chronology in classical archaeology. London: Routledge, 1992.

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12

Corrosion of Archaeological and Heritage Artefacts EFC 45: A Special Issue of Corrosion Engineering, Science and Technology. London: Taylor and Francis, 2017.

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13

Şevketoğlu, Müge. Archaeological field survey of the Neolithic and Chalcolithic settlement sites in Kyrenia District, North Cyprus: Systematic surface collection and the interpretation of artefact scatters. Oxford: J. and E. Hedges, 2000.

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14

Clive, Gamble, and Porr Martin, eds. The individual hominid in context: Archaeological investigations of lower and middle Palaeolithic landscapes, locales, and artefacts / edited by Clive Gamble and Martin Porr. Abingdon, Oxon: Routledge, 2005.

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15

Luik, Heidi. Luu-ja sarvesemed eesti arheoloogilises leiumaterjalis viikingiajast keskajani: Bone and antler artefacts among Estonian archaeological finds from the Viking age until the Middle Ages. [Tartu]: Tartu Ülikool Kirjastus, 2005.

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16

Final report on S.S. City of Launceston (1863-1865), an inter-colonial steamship wrecked Port Phillip, Victoria: Maritime archaeological survey, excavation, artefact analysis, corrosion survey, conservation and site management 1997-2009. Fremantle, Western Australia: Department of Maritime Archaeology, Western Australia Museum, 2010.

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17

Jasink, Anna Margherita, and Luca Bombardieri, eds. Le collezioni egee del Museo Archeologico Nazionale di Firenze. Florence: Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-8453-923-6.

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Анотація:

The collection of Aegean exhibits in the National Archaeological Museum of Florence is of the greatest significance in terms of its richness and variety. The richness is illustrated by the quantity and value of the objects conserved, and the variety by a provenance and chronology of the artefacts that embrace pre-classical Aegean history practically in its entirety. This complete edition is organised on the basis of four main areas of provenance and production of the materials (Crete, Continental Greece, the Cyclades and Rhodes). The formation of the Florentine Aegean collections dates largely to the early twentieth century, and was the felicitous result of a combination of different circumstances. The most important of these was the commitment of Luigi Adriano Milani, Director of the nascent Royal Museum, to whom we owe the initial stimulus for a museum collection that could assume exemplary importance and respond to educational requirements. On line Database: www.fupress.net/collezioniegee

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18

Cecilia, Braghin, ed. Chinese glass: Archaeological studies on the uses and social context of glass artefacts from the warring state to the northern song period : fifth century B. C. to twelfth A. D. Firenze: L. S. Olschki, 2002.

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19

Louise, Bacon, Knight Barry, and United Kingdom Institute for Conservation of Historic and Artistic Works., eds. From Pinheads to Hanging Bowls: The identification, deterioration and conservation of applied enamel and glass decoration on archaeological artefacts : the proceedings of a conference held by UKIC Archaeology Section, May 1984. London: United Kingdom Institute for Conservation of Historic & Artistic Works, 1987.

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20

Eleanor, Robson, Treadwell Luke, Gosden Chris 1955-, and St. Cross-All Souls Seminar Series and Workshop., eds. Who owns objects?: The ethics and politics of collecting cultural artefacts : proceedings of the first St. Cross-All Souls Seminar Series and Workshop, Oxford, October-December 2004. Oxford: Oxbow Books, 2006.

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21

Green, Christian. Archaeological Ceramics: Interpreting Artefacts. Murphy & Moore Publishing, 2021.

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22

Hurcombe, Linda. Archaeological Artefacts As Material Culture. Taylor & Francis Group, 2014.

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23

Hurcombe, Linda. Archaeological Artefacts as Material Culture. Routledge, 2014. http://dx.doi.org/10.4324/9780203068526.

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24

Hurcombe, Linda. Archaeological Artefacts as Material Culture. Routledge, 2014. http://dx.doi.org/10.4324/9780203827536.

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25

Hurcombe, Linda. Archaeological Artefacts and Material Culture. Routledge, 2007.

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26

Gerrard, Christopher. Archaeological Artefacts and Field Finds. HarperCollins Publishers Limited, 2017.

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27

Hurcombe, Linda. Archaeological Artefacts As Material Culture. Taylor & Francis Group, 2005.

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28

Archaeological Artefacts As Material Culture. Taylor & Francis Group, 2014.

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29

Archaeological Artefacts As Material Culture. Routledge, 2014.

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30

Interpreting Artefact Scatters (Oxbow Monographs, 4). 2nd ed. David Brown Book Company, 1997.

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31

(Editor), John Bintliff, Martin Kuna (Editor), and Natalie Venclova (Editor), eds. The Future of Surface Artefact Survey in Europe (Sheffield Archaeological Monographs). Sheffield Academic Press, 2001.

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32

Biers, William R. Art, Artefacts and Chronology in Classical Archaeology. Taylor & Francis Group, 2012.

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33

Biers, William R. Art, Artefacts and Chronology in Classical Archaeology. Taylor & Francis Group, 2016.

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34

Art, Artefacts and Chronology in Classical Archaeology. Routledge, 2012.

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35

Biers, William R. Art, Artefacts and Chronology in Classical Archaeology. Taylor & Francis Group, 2012.

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36

Dillmann, Philippe. Corrosion of Archaeological and Heritage Artefacts EFC 45. Routledge, 2017. http://dx.doi.org/10.4324/9781351192798.

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37

Quinn, Patrick Sean. Interpreting Silent Artefacts: Petrographic Approaches to Archaeological Ceramics. Archaeopress, 2010.

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38

Barford, Paul, and Nigel Swift. Britain's Portable Antiquity Heritage: Artefact Collecting and the Archaeological Record. Boydell & Brewer, Incorporated, 2018.

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39

Catalogue of Palaeolithic Artefacts from Egypt in the Pitt Rivers Museum. Archaeopress, 2003.

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40

Hazarika, Manjil. The Archaeological Record. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199474660.003.0005.

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Анотація:

This chapter elaborates the data and results of the explorations conducted in the Garbhanga Reserve Forest. The area has been intensively surveyed for the location of potential archaeological sites and the collection of ethnographic data in order to draw direct historical analogies. An ‘area-approach’ study has been conducted in order to formulate a general model for archaeological site structure, locations, geomorphic situations, and site formation processes that can be used for archaeological study in the hilly landscape of Northeast India. Present-day agricultural implements have been analysed and compared with Neolithic implements in order to reconstruct ancient farming culture by way of undertaking systematic study of modern peasant ways of life in the study area. The ideological significance of stone artefacts as ‘thunderstone’ in Northeast India and among the Karbis has also been discussed.

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41

Deterioration of archaeological material in soil: Results on bronze artefacts. Stockholm: Riksantikvarieämbetet, 1996.

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42

Hurst, Henry. The Textual and Archaeological Evidence. Edited by Martin Millett, Louise Revell, and Alison Moore. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199697731.013.005.

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This chapter challenges the traditional view that we have little written documentation for Roman Britain by outlining the mass of written evidence found within Britain, much of it discovered or published since the 1980s, and it looks at examples relating to different sectors of society. Texts are seen as artefacts, and so their study should not just be about their content, but also about how they might have functioned in a society which was mainly illiterate. The integration of textual and archaeological information has sometimes been misjudged, but ultimately 'histories' and 'archaeologies' of Roman Britain have the same target. If different disciplinary requirements in analysis are respected, information can be synthesized to good effect. Histories and archaeologies of Roman Britain need to take more account of the body of writing we have now, rather than that which existed a generation or more ago.

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43

Swift, Ellen. Roman Artefacts and Society. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198785262.001.0001.

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Анотація:

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artifacts in a new way, making a significant contribution to both Roman social history and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behavior, and experience. The concept of "affordances"--features of an artefact that make possible, and incline users towards, particular uses for functional artifacts--is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use--wear, archaeological context, the end--products resulting from artifact use, and experimental reconstruction. Artifact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behavior and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artifact design. The relationship between production and users of artifacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

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44

Ceramic Petrography: The Interpretation of Archaeological Pottery and Related Artefacts in Thin Section. Archaeopress, 2013.

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45

Quinn, Patrick Sean. Ceramic Petrography: The Interpretation of Archaeological Pottery and Related Artefacts in Thin Section. Archaeopress, 2013.

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46

Joyce, Rosemary A., and Joshua Pollard. Archaeological Assemblages and Practices of Deposition. Edited by Dan Hicks and Mary C. Beaudry. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199218714.013.0012.

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Анотація:

Archaeologists routinely describe sites as composed of assemblages encountered in deposits. But what is actually meant by ‘assemblage’ and ‘deposition’? This article explores how these concepts have been developed and considers the implications of contemporary understandings of deposition and assemblage that depart significantly from conventional definitions, many still to be found in introductory text books. Conventionally, the term ‘assemblage’ is applied to a collection of artefacts or ecofacts recovered from a specific archaeological context — a site, an area within a site, a stratified deposit, or a specific feature such as a ditch, tomb, or house. This article further explains in details the histories of archaeological approaches followed by contemporary approaches. The conventional definitions of assemblage and deposition emerged from geological and processual models of archaeological ‘formation processes’ that developed from the nineteenth century through the mid-twentieth century. Analysis the contemporary approach towards archaeological assemblages finishes this article.

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47

Artefacts of Complexity: Tracking the Uruk in the Near East (Iraq Archaeological Reports, 5). Aris & Phillips, 2002.

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48

Stone Artefact Production and Exchange among the Lesser Antilles (Amsterdam University Press - Archaeological Studies Leiden University Press). Amsterdam University Press, 2007.

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49

Hominid Individual in Context: Archaeological Investigations of Lower and Middle Palaeolithic Landscapes, Locales and Artefacts. Routledge, 2005.

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50

Gamble, Clive, and Martin Porr. Hominid Individual in Context: Archaeological Investigations of Lower and Middle Palaeolithic Landscapes, Locales and Artefacts. Taylor & Francis Group, 2005.

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