Добірка наукової літератури з теми "Antiquité Ruins"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Antiquité Ruins".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Antiquité Ruins"
1
Edwards, Catharine. "Antiquité et psychologie des ruines." Anabases, no. 9 (March 1, 2009): 267–70. http://dx.doi.org/10.4000/anabases.520.
Повний текст джерела
2
Campbell, Kermit E. "Rhetoric from the Ruins of African Antiquity." Rhetorica 24, no. 3 (2006): 255–74. http://dx.doi.org/10.1525/rh.2006.24.3.255.
Повний текст джерелаАнотація:
Abstract Recent studies in comparative rhetoric have brought much needed attention to traditions of rhetoric in non-Western cultures, including many in Africa. Yet the exclusive focus on contemporary African cultures limits understanding of the history of rhetoric in Africa. Although extensive data on African antiquity is lacking, we know that early Nubian and Ethiopian cultures were highly civilized, socially and politically. Literacy in the ancient cities of Napata, Meroe, and Axum, and in the medieval city of Timbuktu suggests that black Africa was not exclusively oral and not without recourse to a means of recording its uses of language. This essay adds a historical dimension to comparative studies of rhetoric in Africa, showing the depth and complexity of this little known aspect of African civilizations.
3
Kahane, Ahuvia. "Image, word and the antiquity of ruins." European Review of History: Revue europeenne d'histoire 18, no. 5-6 (2011): 829–50. http://dx.doi.org/10.1080/13507486.2011.618333.
Повний текст джерела
4
Kahane, Ahuvia. "Antiquity and the ruin: introduction." European Review of History: Revue europeenne d'histoire 18, no. 5-6 (2011): 631–44. http://dx.doi.org/10.1080/13507486.2011.618315.
Повний текст джерела
5
Dal Prete, Ivano. "The Ruins of the Earth." Nuncius 33, no. 3 (2018): 415–41. http://dx.doi.org/10.1163/18253911-03303002.
Повний текст джерелаАнотація:
Abstract The relation between visual depictions of rocks and mountains, and coeval notions on the origin and nature of the Earth, is one of the least studied aspects of Renaissance scientific culture. Yet, in the course of the 1400s a new kind of ruins made its appearance in drawings and paintings, alongside those of the classical antiquity: the vestiges of an ancient Earth, as shown in eroded crags, decomposing mountains and in the layered structure of their exposed bowels. In this essay I relate these representations to both the learned tradition of medieval “meteorology,” and to the empirical expertise of Renaissance artists/engineers. Finally, I place within this larger context some aspects of Leonardo da Vinci’s geological writings and drawings, with particular reference to his studies of layered rocks and his discussion of the Biblical flood.
6
Dagios, Mateus. "HAMILAKIS, Yannis. The Nation and its Ruins: Antiquity, Archaeology, and National Imagination in Greece, (Classical Presences). Oxford University Press, 2007. 352 pp. Reeditado em 2009." Em Tempo de Histórias, no. 20 (August 17, 2012): 183–88. http://dx.doi.org/10.26512/emtempos.v0i20.19868.
Повний текст джерела
7
Baker, David Weil. "Ruin and Utopia." Moreana 40 (Number 155), no. 3 (2003): 49–66. http://dx.doi.org/10.3366/more.2003.40.3.4.
Повний текст джерелаАнотація:
The author examines Utopia in the light of antiquarian exchanges between More and Jerome Busleyden. More visited Busleyden at his home in Mechlin during the weeks when enforced leisure allowed him to write Utopia. More praised Busleyden’s collection of ancient Roman coins in an epigram, and he celebrated the antiquities of the house in a letter to Erasmus. Busleyden in turn alludes to his and More’s shared antiquarian interests in his prefatory letter to Utopia. The two humanists’ ruminations on the ruins of past empires highlight the paradox of Utopia being an antiquity without ruins, and they provide an oblique commentary on the imperial aspirations of sixteenth-century monarchs.
8
Sakellariadi, Anastasia. "The Nation and its Ruins: Antiquity, Archaeology, and National Imagination in Greece." Public Archaeology 7, no. 2 (2008): 130–34. http://dx.doi.org/10.1179/175355308x330034.
Повний текст джерела
9
Boardman, J. "The Nation and Its Ruins: Antiquity, Archaeology, and National Imagination in Greece." Common Knowledge 15, no. 3 (2009): 503–4. http://dx.doi.org/10.1215/0961754x-2009-028.
Повний текст джерела
10
Shaw, Wendy. "How to View the Parthenon through the Camera Obscura of the Tortoise." Review of Middle East Studies 51, no. 2 (2017): 214–20. http://dx.doi.org/10.1017/rms.2017.109.
Повний текст джерелаАнотація:
Visiting ruins, I enjoy the texture of the weathered stones. The wide space, colored in spring by wildflowers. Open space and vistas, the heady smell of grasses drying in the hot sun. Birds sing as they have since Plato's cicadas. Once, alone near the ruins, I heard a strange rhythmic clicking in the grass: two tortoises making love. The ruins that I visit remind me of antiquity not because I picture Socrates walking through the Stoa, but because I picture him walking along the still undeveloped riverbank, smelling these grasses, listening to these birds. The simplicity that I long for, however, is not millennia away, but only centuries. It is almost at arms’ length, but just out of view. What I find there is nature in a frame of culture. Like most tourists, I cannot transform the stones into the imaginary film of antiquity that the European brain of the nineteenth century, steeped in a classical education, projected onto them. Yet their vision was no more authentic than mine: in order to project the past onto stones, they had to erase the present.
Дисертації з теми "Antiquité Ruins"
1
Houcke, Anne-violaine. "L'invention de l'antique dans le cinéma italien moderne : la poétique des ruines chez Federico Fellini et Pier Paolo Pasolini." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100170.
Повний текст джерелаАнотація:
Le néoréalisme – et notamment le cinéma de Roberto Rossellini – a montré à quel point l’Italie sortait ruinée de la Seconde Guerre mondiale. À la théâtralité fasciste et à la rhétorique grandiloquente de la romanità succède une attention nouvelle portée à l’humilis et, corollaires de cet « amour pour la réalité » (expression de Pasolini, à propos de Rossellini et de Fellini), de nouvelles pratiques cinématographiques. Cette recherche a pour ambition de mettre en regard deux cinéastes généralement considérés comme antithétiques, avec pour fil directeur « l’invention de l’antique », afin de mettre en évidence l’existence d’un horizon commun, qui trouve son origine dans deux réalités historiques : d’un côté le rejet de l’Antiquité fasciste, de l’autre la résistance à la fuite en avant contemporaine. L’« antique », entendu conceptuellement comme matrice de résistance (donc non limité aux bornes historiques assignées à l’Antiquité), est ici pris dans un jeu dialectique et dynamique avec l’idée de modernité, puisqu’il s’agit de déterminer comment une modernité esthétique a pu s’inventer et s’expérimenter contre, ou tout contre, une autre modernité – sociale, économique, politique. Fellini plonge dans l’univers chaotique et placentaire de la création en studio. Pasolini, à l’inverse, se déplace toujours plus loin du centre, à la rencontre de nouveaux corps, et de nouvelles terres à arpenter. Dans les deux cas pourtant, il s’agit d’en passer, de manière poétique, par deux disciplines que l’après-guerre n’accepte pas plus que le fascisme – la psychanalyse et l’ethno-anthropologie – pour mettre au jour des survivances, pour porter à la lumière ce que la modernité refoule, et « fictionner » à partir de ces fragments. L’invention sera donc d’abord entendue au sens archéologique du terme (impliquant repérages, découverte, mise au jour). Elle sera aussi entendue au sens poétique de l’« œuvrement » à partir des fragments, mettant en évidence des affinités électives entre l’Antiquité et le cinéma<br>Neorealism in general, and Roberto Rossellini’s works in particular, portray post-WW2 Italy as a country in ruins, both literally and metaphorically. Fascist theatricality and the pompous rhetoric of the romanità are abandoned, and a new focus is given to humilis – “loving reality” in the words of Pasolini commenting on Rosselini’s and Fellini’s works – and the new film practices that stem from it. In this dissertation, I compare two film makers who are usually put in systematic opposition to each other, and show how their works actually have common characteristics when analysed from the perspective of what I call “the invention of Antiquity”. From two distinct points in history, they not only reject the fascist interpretation of Antiquity, but also resist modern Italy’s race to progress. Here the concept of “Antiquity” is defined as a form of resistance, which as such transcends its traditional historical boundaries. It is involved in a dynamic dialogue with the idea of modernity, so as to show how a form of aesthetic modernity gets invented and put into practice as a reaction against a different form of social, economic and political modernity. Fellini delves into the chaotic and womb-like world of film studios, while Pasolini moves further and further away from the centre, in search of new bodies to discover and new lands to walk. Yet they must both find a poetic way of dealing with disciplines that post-WW2 Italy rejects as much as fascism – psychoanalysis and ethno-anthropology. For both of them, the aim is to uncover relics of the past, to shed light on those elements repressed by modernity, and create fictions” out of these fragments. The term invention is thus first intended in its archaeological meaning (i.e. locating, discovering, uncovering). It is then used in a more poetic sense, as an act of “crafting” out of fragments, which highlights specific connexions between the world of antiquity and the world of films
2
Bousdroukis, Apostolos. "Recherches sur la toponymie, la topographie et l'histoire des fondations macédoniennes du Proche-Orient hélénistique." Paris, EPHE, 2004. http://www.theses.fr/2004EPHE4007.
Повний текст джерелаАнотація:
Parmi les villes fondées en Orient par les successeurs d'Alexandrie, celles portant le nom d'une localité de Macédoine ou du reste de la Grèce représentent u taux très important. Leur présence de façon presque exclusive en Syrie du Nord et en Mésopotamie, le centre politique et militaire des territoires asiatiques sous le règne d'Antigone le borgne, puis sous celui de Séleucos I, suggère que ces villes reçurent un peuplement d'origine macédonienne ou grecque, établi là selon un plan conçu et mis en place par les diadoques. La majorité de ces villes ont du avoir été fondées à la haute période hellénistique, surtout avec des soldats qu'Antigone avait à son service et qui sont plus tard passés à Séleucos. Pour certaines de ces villes leur nom doit refléter l'origine du peuplement qui y fut installé. Tel nous semble avoir été le cas de Cyrrhus, de Gindaros, de Larissa et de Chalcis. Les ressemblances topographiques entre tel site macédonien et un autre, syrien, choisi pour l'installation d'une colonie, ont joué un rôle aussi, sinon plus important, pour le choix du nom. Edesse, ressemblances, ressemblances et Mygdonie entrent dans cette dernière catégorie. Enfin, les dialogues se sont plu à multiplier les fondations d'après le nom de leur ville natale, Europos pour Séleucos et Beroia pour Antigone<br>Among the colonies founded in the east by the successors of Alexander, those bearing the name of a macedonian or Greek city represent a very high percentage. Their nearly exclusive presence in Antigonus's and Seleucus's political and military heatland in their Asiatic territories suggests that they actually received and carried out by the diadochs. The majority of these colonies were probably founded in the early Hellenistic period, especially with the soldiers in antigonus's service who later passed to Seleucus. In a number of cases, the origin of the settlers apparently determined the choice of the name given to the new colony. This is very likely for Cyrrhus, gindarus, Larissa and Chalcis. However, the resemblances in topographical features between the sites of certain Macedonian cities and those chosen for the establishement of the new colonies in the near-East played an even more important role in the choice of the name, Edessa, Arethusa, Anthemous and mygdonia owe their names to precise topographical characteristics they shared with their Macedonian homonyms. Finally, the diadochs founded a number of colonies which they named after their native city, like Europus or Beroia after the birthplaces of Seleucus and Antigonus respectively
3
Ghaddhab, Ridha. "Le fait urbain en Afrique du Nord : de la ville du Bas-empire à l'agglomération médiévale à travers des exemples tunisiens." Bordeaux 3, 2003. http://www.theses.fr/2003BOR30041.
Повний текст джерелаАнотація:
A partir d'exemples tirés de la Tunisie actuelle, ce travail voudrait examiner le destin de la ville pendant la période située entre la fin de l'Empire romain et le haut Moyen Age. Pour le Bas-Empire, les dirigeants ont voulu reprendre les traditions du Haut-Empire dans l'aspect matériel des villes. La période est caractérisée par l'intervention du pouvoir impérial dans ce que l'on peut considérer commes des villes moyennes ou petites. Chefs-lieux d'un terrtoire de faible étendue ; elles ne pouvaient plus se maintenir comme des centres urbains sans l'intervention impériale. Les grandes villes en revanche conservent par leurs propes moyens l'essentiel des équipements antérieurs : centre civique, édifices de spectacles, thermes, aqueducs. Pour l'époque vandale, et avec toutes les précautions d'usage, il semble que l'on assiste alors à la ruralisation des centre de faible et moyenne importance qui n'avaient plus le sotien du pouvoir pour se maintenir en tant que villes. Toutefois, la vie urbaine semble se maintenir dans les grands centres urbains classiques, mais la repartition est inégale suivant que l'on setrouve en Proconsulaire ou en Byzacène. L'époque byzantine marque un tournant fondamental dans l'histoire urbaine de l'Afrique du Nord. Les Byzantins en privilégiant certaines agglomérations pour des raisons politiques et économiques, ils ont pécipité ou achevé le déclin d'un grand nombre de centres urbains traditionnels. La rupture avec le système romain, déjà effective sous les Byzantins, est consommée au haut Moyen Age. La ville des deux premiers siècles de l'Hégire s'apparente tout à fait par ses structures à l'agglomération antérieure<br>The present research on the urban reality is based on cases studies, hence 52 cities in Zeugitenia and Byzancena are subjected to close an exhaustive examination. Following an uniform pattern, we examine for each of them all the written and archaeological data avaiblable in order to retrace for each examples its appropriate urban landscape for the considered period. Even thought the evolution of agglomerations is highly variable throught Late Empire and Late Antiquity, we can still notice hierarchies and series that reveal the policy of the authorities at time. For the Late Empire, the rulers wanted carry the traditions of Early Empire as regards the material aspect of cities. This period is characterised by the intervention of imperial authority and its representatives in what we may consider as small and medium-sized cities. They were head localities of territories of small extent , and not could no longer maintain their status of urban centres without helpd provided by imperial intervention. As to big cities, they kept by their own means the bulk of equipment they had taken over, such as civic centres, thermae and aqueducts. It is often very hard to understand what happened in urban centers during the Vandal period. It is commonly hed that the cities went living on the supposedly valuable legacy of the Late Empire, keeping up the bulk of municipal structures and Roman equipement. In fact, our claim in the present research runs against it, for what we put forth is that during the period under study one witnesses a "ruralization" of cities of little average importance, which lost the State's intervention necessary to their survival as cities
4
Ben, Hassen Habib. "Thignica (Ai͏̈n-Tounga) : son histoire et ses monuments." Paris 4, 2003. http://www.theses.fr/2003PA040013.
Повний текст джерелаАнотація:
Thignica, l'actuelle Ai͏̈n-Tounga est un site archéologique du nord-est dde la Tunisie. Il se trouvait dans l'Antiquité, sur la voie qui reliait Carthage à Theveste. C'était une ancienne agglomération imprégnée de culture punique. Cette étude essaie de retracer son histoire municipale; la ville passe de cité indigène (civitas) au statut de municipe à l'époque de Septime Sévère. Une découverte récente atteste qu'elle était dirigée à l'époque punique par des suffetes. L'étude essaie d'expliquer et d'interpréter l'expression qui mentionne les "deux parties de la ville" : "utraque pars civitatis thignicensis". Ensuite la thèse aborde l'étude des différents monuments de la ville, et ce à la lumière des nouvelles découvertes épigraphiques : mises au jour à l'occasion de fouilles pratiquées récemment. Une description détaillée (concernant ces monuments) accompagnée d'une analyse architecturale et de plans inédits, sont livrés ici au monde scientifique avec des essais de datation et d'interprétation<br>Thignica, actually Ain-Tounga, is an archeological site located in the north-west of Tunisia. In the Antiquity, we could find it on the way that connected Carthage to Theveste. It used to be an old Numid agglomeration marqued deeply with punic culture. This study tries to tell us about its local history. The city moves from native city (civitas) to the statute of "municipum" on the period of Septime Severe. A recent dicovery proves that it was led during the punic era by suffetes. The study tries to explain and interpret the expression that mentioned "the two sides of the town" : 'utraque pars civitatis thignicensis". The the thesis attempts to study the different monuments ofthe town through recent epigraphical discoveries, realised during excavations practiced on the site. A detailed description concerning these monuments is accompagned with architectural analysis and the unknown plans, all this isaddesses to the scientific community, with essays of datation and interpretation
5
Lingane, Zakaria. "Sites d'anciens villages et organisation de l'espace dans le Yatenga (Nord-Ouest du Burkina Faso)." Paris 1, 1995. http://www.theses.fr/1995PA010522.
Повний текст джерелаАнотація:
La région du Yatenga, située dans le haut bassin de la Nakanbé (ex-volta blanche) au nord-ouest du Burkina Faso, est riche en sites archéologiques, témoins d'une importante civilisation villageoise stable sur plus de trois siècles. Les marques des peuplements anciens, qui se retrouvent dans tout l'espace régional du nord du Burkina, sont matérialisées par des groupements de buttes anthropiques en association avec des sols dénudés avec ou sans vestiges, des cimetières à jarres funéraires, des parcs à acacia albida, des ouvrages hydrauliques, des structures agraires, des témoins d'activités artisanales notamment céramique et métallurgique. La distribution des sites dans le modèle laisse apparaitre un schéma d'installation préférentielle dans les positions les plus favorables à une vie agricole sédentaire. Les enquêtes sur l’attribution culturelle ou ethnique des sites et des vestiges archéologiques issues des traditions historiques élaborées par les Kurumba et les Moose établissent souvent une relation entre les Kibse, dont les descendants seraient les Dogon de Bandiagara au Mali et les sites. Il faut insister sur la complexité de l'histoire du peuplement de cette région de la bouche du Niger. Une interprétation systématique de l'ensemble des données historiques et archéologiques rend partielle cette attribution des sites aux Kibsé-Dogon en raison des "empilements successifs" de strates de peuplements antérieurs à la conquête des Moose. Les matériaux présentés ici visent à déterminer la validité des inférences que l'on peut tirer de l'archéologie, des sources écrites, des traditions orales, de l'écologie pour élaborer une synthèse des occupations humaines dans le Yatenga et leurs conséquences sur l'environnement<br>The Yatenga region, located north-west of Burkina Faso alongside the Nakanbe river (former white volta river), is rich in archeological sites which are the evidence of former deserted villages with relativity dense seedlings. Traces of ancient populating which can be found in all the northern region of Burkina are materialised by anthropical knolls grouping associated with bare lands with or without traces, cemeteries covered with funeral large eathenware pots, acacia albida tree-parcs, agrarian structures, hydraulics works and traces of artcraft activities, particularly ceramic and metal work activities. The distribution of the sites in the mandscape shows a preference for settling areas with poliorcetic advantages and with a wide accessibility to ressources, necessary to a sedentary farming life. Enquiries on the cultural and ethnical attribution of the sites, the archeological relics through historical traditions of the Kurumbas and of the moose often let appear a relation with the Kibse whose descendants are said to be the present time Dogon of Bandiagara in Mali and the sites. The complexity of the populating process of this region of the Niger river sweep is to be emphasized. A systematical interpretation of the whole of the historical and archeological data makes partial this attribution of the sites to the Kibsedogon tribes, because of the "successive piling up" of population strate prior to the moose conquest, belonging to various stocks. This work is exemplary because it poses. .
6
Nicolle, Christophe. "L'urbanisation de la Palestine au bronze ancien : analyse morphologique de sites." Paris 1, 1992. http://www.theses.fr/1992PA010558.
Повний текст джерелаАнотація:
Au cours du bronze ancien, la Palestine connait un mouvement d'urbanisation. Comme dans d'autres régions du Proche-Orient, ce phénomène est étudié à l'aide de modèles qui proviennent de l'anthropologie culturelle. L'urbanisation y est considérée comme un progrès marquant le début d'une hiérarchisation sociale et elle est liée à l'étatisation d'une société dans un rapport suppose entre une certaine forme d'organisation sociale et un type de culture urbaine selon une argumentation fondée sur un empirisme néo-évolutionnisme. L'hypothèse développée est que cette liaison urbanisation étatisation doit être remise en cause, de même que doit l'être l'utilisation des modèles anthropologiques. Les raisons en sont d'une part la rupture qui existe entre le cadre théorique et les données archéologiques disponibles et d'autre part, une prédominance de l'interprétation subjective qui s'ajoute à une faible capacité interprétative des modèles. L'analyse des principaux sites palestiniens permet de voir les raisons à cette rupture. Les différents éléments urbains (fortifications, temples, palais, habitats) montrent que la société urbaine de cette époque était encore peu hiérarchisée et qu'elle ne connaissait pas une organisation étatique. L'analyse des théories utilisées pour expliquer l'urbanisation et l'étatisation montre qu'elles sont fondées sur une certaine vision de la société humaine et de son devenir, ce qui rend obligatoire le recours au paradigme évolutionniste tout cela explique les faibles capacités interprétatives. Ces différentes constatations justifient un rejet de ce type d'analyse<br>During the early bronze, there was a movement of urbanization in palestine. As for other regions of near-east, this movement is being studiing with models usually used by the cultural anthropology. The urbanization is considered as a progress indicating the beginning of a social hierarchilcasation. In fact, it appear to be associated with state formation in a pressupposed relation between a kind of social organization and an urban culture with an arguing justified by a neo-evolutionism impiricism. The as sumption is that this relation between urbanization and state formation must be criticize as the use of these anthropological models. The reasons are, first the rupture between the theorical framework and the archaeological data, secondly the preeminence or the subjective interpreting annd the low level of this interpreting capacity of the anthropological models. The analysis of the major palestinian sites point out the reasons of this rupture. The different urban units of a town (fortifications, tempels, palaces, houses) indicates that at this time, the urban society was not a very hierarchical one and it doesn't have a state organization. The analysis of the theory used in the explanation of the urbanization and state formation indicate that they are based upon a particular vision of the human society. It make obligatory theuse of an evolutionnary paradigm. For these different reasons, it is justified to reject this kind of analysis
7
Baudouin, Harry. "La céramique de Yagul, Oaxaca, Mexique : relecture d'un site "postclassique"." Paris 1, 2010. http://www.theses.fr/2010PA010660.
Повний текст джерела
8
Driaux, Delphine. "Les aménagements hydrauliques en contexte urbain dans l’Égypte ancienne." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040259.
Повний текст джерелаАнотація:
Essentielle au développement de la civilisation pharaonique, l’eau a surtout été étudiée au travers de la place qu’elle occupe dans la religion mais rarement au travers de ses usages dans la vie quotidienne. Ainsi les aménagements hydrauliques ne sont-ils généralement que très brièvement mentionnés dans la littérature égyptologique. À partir des données fournies par l’archéologie (matériaux, modes de construction, etc.), cette thèse a donc pour premier objectif d’étudier dans le détail ces installations en s’appuyant sur un corpus qui recense, pour toute la période pharaonique, près de 400 structures, classées en quatre grandes catégories : puits, canalisations, bassins et aménagements sanitaires. Dans un second temps, cette analyse approfondie complétée d’un travail de synthèse, qui replace chacune de ces installations dans son contexte tout en les confrontant simultanément aux sources écrites et iconographiques, permet plus largement de comprendre comment l’eau s’intégrait dans la vie des Égyptiens. La présence ou l’absence de ces structures dans les maisons et plus largement dans l’agglomération reflète ainsi les besoins des habitants et les difficultés auxquelles il fallait faire face. Les installations hydrauliques se révèlent donc être une source d’informations à ne pas négliger puisqu’elles permettent d’appréhender sous un jour nouveau la ville pharaonique et la façon dont on y vit tout en dévoilant certains aspects de la société égyptienne<br>Essential in the development of Pharaonic civilization, water was especially studied through the place it occupies in the religion but rarely through its everyday use. Generally, hydraulic layouts are thus only briefly mentioned in Egyptological literature. From the data supplied by archaeology (materials, construction methods, etc.), this thesis thus has for first objective to study these installations in detail by relying on a corpus which lists, for the whole Pharaonic period, more than 400 structures, classified in four categories: wells, pipes, ponds and sanitary layouts. In a second hand, this detailed analysis, completed by a synthesis work replacing each of these installations in its context while confronting them simultaneously with written and iconographic sources, allows more widely to understand how water became integrated into Egyptians life. The presence or absence of these structures in houses and more widely in town thus reflects the inhabitant’s needs and the difficulties they were facing. Hydraulic layouts therefore appear to be a source of information not to be neglected for they cast new light on the Pharaonic city and its way of life while revealing certain aspects of the Egyptian society
9
Gillot, Laurence. "La mise en valeur des sites archéologiques: un rapprochement entre archéologie, tourisme et développement :le cas de la Syrie." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210429.
Повний текст джерелаАнотація:
La thèse examine les rapports complexes entre Archéologie, Tourisme et Développement à travers l’analyse des enjeux et modalités de la mise en valeur des sites archéologiques en Syrie. Le contexte syrien offre à ces égards un terrain d’observation particulièrement riche puisque les sites archéologiques y ont été investis dès la fin du XIXème siècle de valeurs cognitives, identitaires et plus récemment économiques et touristiques dans le cadre des politiques de développement et d’aménagement du territoire « national ». Alors que les relations entre Archéologie, Tourisme et Développement sont stigmatisées par les archéologues, elles tendent à être conçues sous la forme d’une complémentarité « naturelle » par les gestionnaires et institutions patrimoniales et touristiques. Ces derniers voient dans le patrimoine (culturel) un levier potentiel de développement à la fois socio-économique et socio-culturel. Les discours archéologiques, managériaux et institutionnels se fondent néanmoins sur une conception limitative du site archéologique et de sa valorisation, terme connoté qui renverrait exclusivement à une exploitation marchande de la « ressource » archéologique. Or, il y a lieu de proposer une autre approche et d’adopter une voix médiane en soulignant que le rapprochement entre les trois dimensions évoquées ci-dessus est possible mais non obligé. Par conséquent, cette thèse propose une conception renouvelée des sites archéologiques et de leur mise en valeur. <p><p>The thesis examines the complex relationships between Archaeology, Tourism and Development through the analysis of the stakes and modalities of the development of archeological sites in Syria. The Syrian context offers a ground of particularly rich observation because archeological sites were invested from the end of the XIXth century of cognitive, identical values and more recently economic and touristic values in the framework of development policies. Within the framework of policies of development and "national" land settlement. While the relations between Archaeology, Tourism and Development are stigmatized by the archaeologists, they tend to be conceived under the shape of a "natural" complementarity by the administrators and the heritage and tourist institutions. These last ones see in the (cultural) heritage a potential lever of socio-economic and socio-cultural development. The archaeological, managerial and institutional rethorics base themselves nevertheless on a restrictive conception of the archeological site and its valuation (valorisation), a connoted term which would send back exclusively to a commercial exploitation of the archaeological "resource". Now, it seems important to propose another approach and to adopt a "median voice" by underlining that the link between three dimensions. Consequently, this thesis proposes a renewed conception of archeological sites and their development.<br>Doctorat en Sciences<br>info:eu-repo/semantics/nonPublished
10
Datouang, Djoussou Jean-Marie. "Patrimoine et patrimonialisation au Cameroun : les Diy-gid-biy des monts Mandara septentrionaux pour une étude de cas." Thesis, Université Laval, 2014. http://www.theses.ulaval.ca/2014/30415/30415.pdf.
Повний текст джерелаАнотація:
Portant le titre Patrimoine et patrimonialisation au Cameroun: les Diy-gid-biy des monts Mandara septentrionaux pour une étude de cas, notre thèse est un chainon d'éléments argumentatifs orientés vers l'élucidation du statut de bien patrimonial. Elle s'inscrit dans le champ des recherches considérant le patrimoine et la patrimonialisation comme un ensemble de codes discursifs dont l'intérêt pour l'anthropologue est la compréhension du sens et non de la caractéristique ontique. Il s'agit de l'intelligibilité des rapports aux éléments patrimoniaux qui passe par une mise en évidence de la patrimonialité, l'expression des changements et des conséquences sociaux patrimogènes. De ce fait, le travail met en discours les mises en patrimoine et les rapports sous-tendant le statut d'élément patrimonial. D'une manière générale, c'est un exposé sur le grand paysage patrimonial du Cameroun à travers un regard à la fois vertical et horizontal qui souligne les différentes formes de constructions patrimoniales ayant eu cours dans ledit pays. Il est donc question d’une mise en relief de l'alchimie de la construction patrimoniale, et donc, du comment les choses deviennent patrimoniales. Pour ce faire, notre thèse se penche sur l'analyse des processus de mise en patrimoine en les considérant dans deux échelles de temps focalisées respectivement sur leur genèse historique et leur construction procédurale actuelle. Ces deux niveaux de considération ont induit à constater que la patrimonialisation est un processus scellant l'alliance de divers acteurs et de contextes sociaux aussi bien sur le plan idéologique, politique que sur les plans social et religieux. Et avec l'exemple des Diy-gid-biy, notre thèse met en exergue certaines des caractéristiques qui permettent la détermination de l'appartenance d'une propriété à la sphère de biens portant des charges d'un attachement symbolique.<br>Entitled Patrimony and patrimonialization in Cameroon: the DGB sites of the northern Mandara Mountains as a case study, my thesis presents a linked series of arguments designed to clarify the concept of “patrimonial good”. It falls within a field of research that considers patrimony and patrimonialization as an ensemble of discursive codes, of which the interest to anthropologists lies in the understanding of meaning rather than in ontological characteristics. The thesis is concerned with the intelligibility of relationships to elements of patrimony arrived at by a process involving the identification of patrimoniality, the expression of changes and patrimogenic social consequences. Thus this work discusses the identification of patrimony and the relationships that underlie the concept of patrimonial element. In a general way, it is a presentation on the overall state of patrimony in Cameroon from a viewpoint that is both vertical and horizontal and which focuses on the different forms of construction of patrimony existing in that country. Identification of the alchemy of patrimonial construction is thus a subject of enquiry, as is the how of things becoming patrimonial. To achieve its results, the thesis relies on analysis of the processes of identification of patrimony, considering them in terms of two timescales, one focused on their historical genesis, the other on the construction procedures taking place in the present. These two levels of analysis lead to the finding that patrimonialization is a process embedded in the linkage of various actors and social contexts in the domains of ideology and politics as well as the social and religious. With the example of the DGB sites, the thesis brings out certain of the characteristics that allow determination of the attribution of a property to the sphere of goods laden with symbolic charges.
Книги з теми "Antiquité Ruins"
2
contributor, Conésa Héloïse, Latarget Bernard contributor, Schnapp Alain 1946 contributor, and Bibliothèque nationale de France, eds. Ruines. Éditions Xavier Barral, 2020.
Знайти повний текст джерела
3
Speaking ruins: Piranesi, architects and antiquity in eighteenth-century Rome. University of Michigan Press, 2012.
Знайти повний текст джерела
4
1955-, Lyons Claire L., and J. Paul Getty Museum, eds. Antiquity & photography: Early views of ancient Mediterranean sites. The J. Paul Getty Museum, 2005.
Знайти повний текст джерела
5
Claude, Aziza, ed. Pompei: Le rêve sous les ruines. Presses de la Cité, 1992.
Знайти повний текст джерела
6
The ruins of the most beautiful monuments of Greece. Getty Research Institute, 2004.
Знайти повний текст джерела
7
Gregori, Elisa. Un virtuose des ruines: Chateaubriand au pays des antiquités et de l'archeologie. CLEUP, 2010.
Знайти повний текст джерела
8
Un virtuose des ruines: Chateaubriand au pays des antiquités et de l'archeologie. CLEUP, 2010.
Знайти повний текст джерела
9
Lister, Robert Hill. Aztec Ruins on the Animas: Excavated, preserved, and interpreted. Southwest Parks and Monuments Association, 1996.
Знайти повний текст джерела
10
Cline, Lister Florence, ed. Aztec Ruins on the Animas: Excavated, preserved, and interpreted. University of New Mexico Press, 1987.
Знайти повний текст джерелаЧастини книг з теми "Antiquité Ruins"
1
Whiting, Marlena. "A River Runs Through It: The Role of the Tigris and Euphrates in Transport and Communication in Late Antiquity." In Studies in Byzantine History and Civilization. Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.sbhc-eb.5.113951.
Повний текст джерела
2
Paolo Tamburelli, Pier. "As a Snake Sheds its Skin." In Architekturen. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839461112-006.
Повний текст джерелаАнотація:
Among the ruins of ancient Rome Bramante found the pieces he needed to assemble a much more rigorous system of forms than the one known to him in Milan. His repertoire changed, the solutions typical of the Lombard period were abandoned. This change of style is perhaps the most striking aspect of Bramante's artistic production and has not failed to attract the attention of historians of architecture. To understand his work it is necessary to start from right here, from this glaring fact-and a fairly unusual one with respect to the kind of behavior that, after centuries of romantic idolizing of the self, we tend to expect from an artist. And yet these choices were fully conscious, as is evident from an unequivocal passage in a letter from Guglielmo della Porta to Bartolomeo Ammannati (circa 1560): »Bramante asserted that anyone who came to Rome to practise as an architect had to strip himself, as a snake sheds its skin, of everything he had learned elsewhere, and he proved this himself with his own example, saying that before he saw this city he used to think himself an excellent painter and architect, but that after practising for many years he became aware of his error, and this was the reason that, after having drawn a great number of the buildings of ancient Rome, of Tivoli, of Praeneste, and many other places, studying, noting and learning something new every day, he opened the way to the good and regulated architecture of antiquity.« It is precisely the shedding of skin that took place in the move from Milan to Rome which we need to take as the starting point in our observation of Bramante's work. Just what changed? And what did not change?
3
Townshend, Dale. "‘Venerable Ruin’ or ‘Nurseries of Superstition’." In Gothic Antiquity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198845669.003.0005.
Повний текст джерелаАнотація:
Ranging across antiquarian studies, executed architectural projects, romances, letters, essays, and topographical writing, this chapter seeks to show how the Gothic fictional aesthetic, in both its pro-Catholic and anti-Catholic extremes, was merely one manifestation of the broader discourse on ecclesiastical Gothic architecture and architectural ruin in the long eighteenth century. While, for many antiquaries, ecclesiastical ruins were ‘venerable’ and deserving of respect, for other, more popular writers they were ‘nurseries of superstition’, painful remainders (and reminders) of England’s Catholic past. Having explored the ceaseless vacillation between the poles of ‘venerable ruin’ and ‘nurseries of superstition’ across a range of architectural theorists, essayists, and Gothic writers of the period, the argument shows how Gothic architecture, particularly the architecture of ecclesiastical ruin, prompted imaginative reconstructions of the nation’s Gothic past, an age not only characterized by Catholic ‘darkness’ and ‘superstition’, but one also felicitously inhabited by ‘enlightened’ English Catholics.
4
Hui, Andrew. "Introduction A Japanese Friend." In The Poetics of Ruins in Renaissance Literature. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823273355.003.0001.
Повний текст джерелаАнотація:
The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse that became an inspirational force in the poetic imagination, artistic expression, and historical inquiry of fifteenth- and sixteenth-century Europe. The ruin functions as a privileged cipher or master topos that marks the rupture between the world of the humanists and the world of antiquity. The Renaissance sees a new understanding of both ruins and poetics, made possible by sustained meditation on the crumbled monuments of antiquity. The book imagines fluid multiplicity rather than fixed monumentalization as a survival strategy in the classical tradition. Its method is avowedly a philological one. This approach is particularly appropriate to the subject matter, since both philology and the study of ruins are fundamentally concerned with the figure of synecdoche, about imagining the whole through their parts. To make its case, the book uses three words with particularly rich semantic reach and deep etymological roots: vestigium in Petrarch, cendre in Du Bellay, and moniment in Spenser. They form “word clouds” in their authors’ œuvres: verbal constellations of associations that provide different iterations of the materiality of memory.
5
Storey, Mark. "Among the Ruins." In Time and Antiquity in American Empire. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871507.003.0005.
Повний текст джерелаАнотація:
From the ancient past of Chapter 3, this chapter moves to the account of contemporary American travelers through the ruins and remnants of the ancient Roman world. Starting with Jhumpa Lahiri’s period living in Rome, and touching also on Thomas Jefferson’s account of antique ruins over two hundred years before, the chapter uses the potent image of the “ruin”—both as noun and as verb—to read American travelers in Europe as observers of empire’s recursive temporalities. Closer examinations of travel writing by William Dean Howells, Mark Twain, Eleanor Clark, and Margaret Fuller reveal the ways in which the contemporary moment for each of these writers ends up filtered through the liberal observing subject via their confrontation with the materiality of an ancient empire, collectively registering the analogical history that the ruins of empire inculcate within the landscape.
6
Marshall, Hallie. "Ruins and Fragments." In Tony Harrison and the Classics. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198861072.003.0004.
Повний текст джерелаАнотація:
Discussion of Tony Harrison’s translations and adaptations tends to focus on the texts; both Harrison’s and the classical texts with which he is engaging. This chapter, however, explores his engagement not with the literary remains of the ancient world, but rather its physical remains. The chapter examines the ways in which works such as The Trackers of Oxyrhynchus, The Labourers of Herakles, The Kaisers of Carnuntum, and The Gaze of the Gorgon engage with the material remains of antiquity, arguing that the physical remnants increasingly exert an influence on a par with the literary texts and that, while Harrison’s works from Trackers on remain deeply engaged with ancient texts, their engagement with antiquity and its legacy are far broader than that of the earlier writing.
7
Gjesdal, Kristin. "Ruins of Antiquity (Emperor and Galilean)." In The Drama of History. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190070762.003.0004.
Повний текст джерелаАнотація:
“The Ruins of Antiquity” focuses on Ibsen’s Emperor and Galilean, a play that is given the subtitle “A World Historical Drama.” Along Hegelian lines, Ibsen’s work displays the strengths, but also the price of the rising Christian mindset. In particular, it shows how early Christianity was prone to overlooking the earthly beauty and joy that characterized Ancient cultures. Yet in his presentation of Emperor Julian and his increasing existential anguish, Ibsen goes beyond the Hegelian framework and sets the stage for his turn, in his contemporary drama, to a full concentration on modern life.
8
"Mary Shelley’s ‘Desart Ruins’." In Kinaesthesia and Classical Antiquity 1750–1820. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350144057.ch-010.
Повний текст джерела
9
Hui, Andrew. "Du Bellay’s Cendre and the Formless Signifier." In The Poetics of Ruins in Renaissance Literature. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823273355.003.0006.
Повний текст джерелаАнотація:
La poudreuse cendre, “the dusty ashes,” is the lexical guide to this chapter. Signifying a persistent, formless materiality, this formulation is repeated like a mantra throughout Les Antiquitez. Cendre and poudre play an operative role in Du Bellay’s poetics, for the two words are used to describe the matter of literary tradition itself and to rethink the nature of poetic representation. We will first give a mini-history of the cendre topos in the literary and biblical tradition, which will help us think about the nature of signs and their signified vis-à-vis Rome. Then we will look at how Du Bellay uses repetition in order to evoke the innumerable permutations of Rome. And finally with architecture we go back to the exegi monumentum topos as it is played out in the afterlife of Du Bellay’s sonnets. Under the long shadow of a ruinous antiquity, Du Bellay crafts his monuments as fluid, mutable things.
10
Townshend, Dale. "Antiquarian Gothic Romance." In Gothic Antiquity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198845669.003.0006.
Повний текст джерелаАнотація:
Consolidating the themes explored in previous chapters, Chapter 6 turns to consider the ‘antiquarian Gothic romance’, an oxymoronic strain of Gothic writing that, even as it peddled its hyperbolic, highly fanciful tales, self-consciously aspired towards the rigour and facticity of the antiquarian topographical method. Having discussed these impulses in a selection of lesser-known Gothic romancers, as well as the curious antiquarian romances of writers such as Thomas Pownall and Joseph Strutt, the chapter focuses on two literary responses to the ruins of Kenilworth Castle, Warwickshire: Ann Radcliffe’s posthumously published Gaston De Blondeville (1826), and Walter Scott’s Kenilworth (1821). As in previous chapters, Gothic ruins are shown to call up vastly competing imaginative constructions of the Gothic past, each of which is politically inflected: the Tory ‘white Gothic’ of Scott, and the radicalism of Radcliffe.
Тези доповідей конференцій з теми "Antiquité Ruins"
1
Korichi, Amina, Zineeddine Guenadez, and Nicolas Faucherre. "La réutilisation du patrimoine défensif urbain en Algérie." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11367.
Повний текст джерелаАнотація:
Reuse of urban defensive heritage in AlgeriaThe growing interest in the heritage that contemporary society carries with it, and which is reflected in the extent of the debates and issues relating to its preservation and enhancement, runs up, most of the time, to the authentic memory / memory dichotomy. Dynamic. That being said, the reuse of built heritage in the process of renewing the image of our cities (use-value) becomes dependent on a global conception included in a sustainable urban development approach. The monumental heritage, subdivided, generally, into five categories namely; religious, hospitable and funeral, civil (public or private), agricultural and industrial and finally military, raises enormous problems as for its reuse. These are more pronounced towards the military-defensive architecture that is the subject of this contribution. In Algeria, defensive architecture occupies an important part in its heritage site. The typological diversity –the result of a long stratification from the early antiquity to the middle of the last century– as well as the dominant position occupied by this defensive heritage abandoned in the current urban landscape imposes a more urgent care. Therefore, we want, through this communication, to lay the first steps of a patrimonial approach to highlight this or these unknown military architectures and preserve our defensive heritage for which the collective memory is not attested and still painful. The reuse of the defensive heritage in Algeria must first and foremost go through its identification, inventory its various typologies, evaluate its current physical impact and finally explore the different urban alternatives that will result from its reintegration into the urban experience and for sustainable cities and citizens.
2
Chen, Franklin F. K., and B. Ronald Moncrief. "Canyon Building Ventilation System Dynamic Model Optimization Study." In ASME 1993 International Computers in Engineering Conference and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/cie1993-0052.
Повний текст джерелаАнотація:
Abstract A canyon building houses special nuclear material processing facilities in two canyon like structures, each with approximately a million cubic feet of air space and a hundred thousand hydraulic equivalent feet of ductwork of various cross sections. The canyon ventilation system is a “once through” design with separate supply and exhaust fans, utilizes two large sand filters to remove radionuclide particulate matter, and exhausts through a tall stack. The ventilation equipment is similar to most industrial ventilation systems. However, in a canyon building, nuclear contamination prohibits access to a large portion of the system and therefore limits the kind of plant data possible. The facility investigated is 40 years old and is operating with original or replacement equipment of comparable antiquity. These factors, access and aged equipment, present a challenge in gauging the performance of canyon ventilation, particularly under uncommon operating conditions. The ability to assess canyon ventilation system performance became critical with time, as the system took on additional exhaust loads and aging equipment approached design maximum. Many “What if?” questions, needed to address modernization/safety issues, are difficult to answer without a dynamic model. This paper describes the development, the validation and the utilization of a dynamic model to analyze the capacity of this ventilation system, under many unusual but likely conditions. The development of a ventilation model with volume and hydraulics of this scale is unique. The resultant model resolutions of better than 0.05″wg under normal plant conditions and approximately 0.2″wg under all plant conditions achievable with a desktop computer is a benchmark of the power of micro-computers. The detail planning and the persistent execution of large scale plant experiments under very restrictive conditions not only produced data to validate the model but lent credence to subsequent applications of the model to mission oriented analysis. Modelling methodology adopted a two parameter space approach, rational parameters and irrational parameters. Rational parameters, such as fan age-factors, idle parameters, infiltration areas and tunnel hydraulic parameters are deduced from plant data based on certain hydraulic models. Due to limited accessibility and therefore partial data availability, the identification of irrational model parameters, such as register positions and unidentifiable infiltrations, required unique treatment of the parameter space. These unique parameters were identified by a numerical search strategy to minimize a set of performance indices. With the large number of parameters, this further attests to our strategy in utilizing the computing power of modern micros. Nine irrational parameters at five levels and 12 sets of plant data, counting up to 540 runs, were completely searched over the time span of a long weekend. Some key results, in assessing emergency operation, in evaluating modernization options, are presented to illustrate the functions of the dynamic model.