Дисертації з теми "André criticism and interpretation"
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Garneau, Véronique. "La problématique de la communication dans trois romans d'André Langevin /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60064.
Повний текст джерелаThis thesis sheds light on the different attempts by Langevin's characters to establish a relationship with those who surround them. The corpus is composed of Poussiere sur la ville (1953), Le temps des hommes (1956), L'Elan d'Amerique (1972), the latter belonging to the come back of the novelist after a silence of about twenty years. The dialogues and non verbal communications as they are established among the characters will successively be analyzed. The third novel, L'Elan d'Amerique, brings unique forms of this theme as it introduces a new style of the author, which has been compared to the "nouveau roman's".
From one novel to the other, the topic of incommunicability as developed by Langevin, takes new forms as the novelistic scope expands. But this research reveals that, in these three novels, a failure is always witnessed by the characters who never succeed in establishing satisfactory or lasting relationships with others.
Rey, Catherine. "La nouvelle Babel : langage, identite et morale dans les oevres de Emil Cioran, Milan Kundera et Andrei Makine." University of Western Australia. School of Humanities, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0051.
Повний текст джерелаKoopmann, Jean-Philippe. "Interprétation des lieux dans cinq oeuvres en prose d'André Breton." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26740.
Повний текст джерелаCrous, Matthys Lourens. "Presentations of masculinity in a selection of male-authored post-apartheid novels." Thesis, Link to the online version, 2005. http://hdl.handle.net/10019/1672.
Повний текст джерелаMilton, Laura. "Aspekte van die erotiek in enkele romans van André P Brink." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1002094.
Повний текст джерелаGardner, Corinna. "The just figure shape, harmony and proportion in a selection of Andrew Marvell's lyrics." Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002273.
Повний текст джерелаDu, Plessis W. I. "Die diskoers van kerst en andere liefdesverhalen deur Kristien Hemmerechts." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002185.
Повний текст джерелаFortier, Marie. "L'image de la femme dans les "grande proses" d'André Breton." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59881.
Повний текст джерелаCavendish-Jones, Colin. "Pavilioned on nothing : nihilism and its counterforces in the works of Oscar Wilde." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3515.
Повний текст джерелаGreen, Richard James. "Andrea Palladio's influence on Venetian church design, 1581-1751." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26755.
Повний текст джерелаApplied Science, Faculty of
Architecture and Landscape Architecture (SALA), School of
Graduate
Hauman, Suzaan. "Outobiografie en identiteit : ’n vergelykende beskouing van ’n Wonderlike geweld (2005) van Elsa Joubert en ’n Ander tongval (2005) van Antjie Krog." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4235.
Повний текст джерелаENGLISH ABSTRACT: Autobiography is a growing, but elusive literary genre. However, when texts are read as autobiographical – and thus as a form of self-representation – the theme of identity provides the reader with an interesting and useful method by which to approach it. In this study, two Afrikaans autobiographical texts are approached in a comparative manner, with the aim being to examine the writers’ representations of themselves. The texts studied are ’n Wonderlike geweld (2005) by Elsa Joubert, and ’n Ander tongval (2005) by Antjie Krog. Besides the autobiographical nature of these texts, the comparison is also based on: the writers’ status in the Afrikaans literary system, similarities beween them and their backgrounds, and the corresponding publication dates. The theoretical basis from where the concepts autobiography and identity are viewed is explained briefly. The emphasis falls on autobiography as a hybrid genre, that is defined mainly by how it is read. The use of identity as a reading strategy is suggested, with identity being understood as an unstable construction that changes constantly, depending on the context in which it is constructed. Consequently, the different identities according to which Joubert and Krog reveal themselves to the reader and the autobiographical forms through which they achieve this, are examined and discussed in separate chapters. Specific emphasis is placed on how they convey the spirit of the time and on the influence of the context in which the texts are published. Finally, the differences and similarities in the writers’ representation of themselves are summarised. In the end it emerges that the reading strategy focused on identity provides the reader with a useful approach to the study of texts in the autobiographical genre, since it is possible to successfully apply it to two texts with diverse autobiographical qualities. Furthermore, it becomes clear that the structure and style of these texts mirror the writer’s approach to identity to a great extent.
AFRIKAANSE OPSOMMING: Outobiografie is ’n groeiende, maar onpeilbare literêre genre. Wanneer tekste as outobiografies – en dus as ’n vorm van self-representasie – benader word, bied die tema van identiteit egter ’n interessante en nuttige invalshoek. In hierdie studie word twee Afrikaanse outobiografiese tekste vergelykend benader, met die doel om die skrywers se voorstellings van hul identiteit daarin te ondersoek. Die twee tekste wat gebruik word, is ’n Wonderlike geweld (2005) van Elsa Joubert, en ’n Ander tongval (2005) van Antjie Krog. Benewens die outobiografiese aard van die tekste, sluit die basis vir vergelyking ook die skrywers se status binne die Afrikaanse literêre sisteem, ooreenkomste tussen hulle en hul agtergronde, en die ooreenstemmende publikasiedatums in. Die teoretiese basis vanwaar die begrippe outobiografie en identiteit beskou word, word kortliks uiteengesit. Die klem val op outobiografie as ’n hibridiese genre wat veral gedefinieer word op grond van hoe ’n mens dit lees. Die gebruik van identiteit word dan as ’n lees-strategie voorgestel, met identiteit wat verstaan word as ’n onstabiele konstruksie wat konstant verander op grond van die konteks waarbinne dit gekonstrueer word. Die verskillende identiteite waarvolgens Joubert en Krog hulself aan die leser openbaar en die outobiografiese vorme wat hulle hiervoor gebruik, word dan ondersoek en bespreek in twee afsonderlike hoofstukke. Spesifieke klem word gelê op die tydsgees wat vasgevang word en die invloed wat die konteks waarbinne die tekste gepubliseer word, het. Uiteindelik word die verskille en ooreenkomste in die skrywers se voorstellings van hulself saamgevat. Ten slotte blyk dit dat die lees-strategie wat fokus op identiteit ’n nuttige invalshoek bied vir die studie van tekste binne die outobiografiese genre, aangesien dit met vrug op twee tekste met uiteenlopende outobiografiese eienskappe toegepas kan word. Verder word dit ook duidelik dat die struktuur en styl van die tekste in ’n groot mate die skrywer daarvan se benadering tot identiteit weerspieël.
Symington, Cornelia Isabel. "Binêre opposisies en perspektiewe op die 'ander' in Pieternella van die Kaap deur Dalene Matthee." Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/53728.
Повний текст джерелаENGLISH ABSTRACT: This study investigates the binary oppositions in Dalene Matthee's historic novel, Pieternella van die Kaap, and the extent to which it correlates with the perspectives on "the other" and the influence of the spatial context on the two main characters, Eva-Krotoa and Pietemella. The study ascertains in which way Matthee's novel falls within the post-colonial framework; whether a tendency towards hybridity can be found and in which cases the binary opposition of "the self" versus "the other", is consequently suspended. Attention is also given to key concepts associated with this, like stereotyping and convention. After exploring the term post-colonial literature, a number of related elements are discussed, such as the post-colonial focus on identity. Via the focalisation of PietenelIa the novel firstly presents a general view of her experiences in the Cape, on Robben Island, on the ship the Boode, and on Mauritius. In the process it also foregrounds the life of her mother, Eva-Krotoa. Both of them are so much affected by the binary oppositions relating to their existence within different, contrasting spaces, that it is justified to call them "two-head" women. While Eva- Krotoa's life is torn apart by the binary oppositions, there are indications that Pietemella moves in the direction of a growing hybridity, that brings about a synthesis between the oppositions and allows her to reconcile herself with her own identity. This is even more pronounced in the case of her daughter, Maria. The study comes to the conclusion that stereotyping is based on convention and that time, place and circumstances determine whether and to what extent the binary opposition of "the self'/"the other" is suspended.
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die binêre opposrsres in Dalene Matthee se historiese roman Pieternella van die Kaap en die mate waarin die perspektiewe op 'die ander' en die invloed van die ruimtelike konteks op die twee vernaamste karakters, Eva-Krotoa en Pieternella, hiermee in verband gebring kan word. Daar word vasgestel in watter mate hierdie roman binne 'n postkoloniale raamwerk val, in watter opsigte sprake is van hibriditeit en in watter gevalle die binêre opposisie van 'die ek'teenoor 'die ander' gevolglik opgehef word. Aandag word ook bestee aan sleutelbegrippe wat hiermee saamhang, soos stereotipering en konvensie. Na 'n verkenning van die term postkoloniale literatuur word verskeie elemente wat hiermee verband hou bespreek, soos die postkoloniale fokus op identiteit. Die roman bied eerstens, via die fokalisasie van Pieternella, 'n oorsig oor haar lotgevalle aan die Kaap, op Robbeneiland, op die skip die Baade en op Mauritius, maar stel in die proses ook die lewe van haar moeder Eva-Krotoa voorop. Beide word in so 'n mate geaffekteer deur binêre opposisies van hulle bestaan binne verskillende, kontrasterende ruimtes, dat hulle tereg 'tweekopvroue' genoem kan word. Waar Eva-Krotoa ten onder gaan aan die binêre opposisies is daar met betrekking tot Pieternella aanduidings van 'n groeiende hibriditeit wat 'n sintese bring tussen die opposisies en haar met haar eie identiteit laat versoen. Dit is in In nog groter mate die geval met haar dogter Maria. Die studie kom tot die slotsom dat stereotipering berus op konvensie en dat tyd, plek en omstandighede bepaal of en in watter mate die binêre opposisie van ekl'ander' opgehef word.
Yoder, Rachel M. "Performance Practice of Interactive Music for Clarinet and Computer with an Examination of Five Works by American Composers." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33219/.
Повний текст джерелаMafé, Daniel. "Rephrasing voice : art, practice-led research and the limits and sites of articulacy." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/32131/1/Daniel_Maf%C3%A9_Thesis.pdf.
Повний текст джерелаKyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.
Повний текст джерелаTitle from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).
Hoyer, Steven. "Intention and interpretation." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68104.
Повний текст джерелаChapter two is about interpretation. I open the chapter with an examination of extreme conventionalist theses, arguing that their success depends on an unjustifiably strict demarcation between intentionality and textuality. Appropriating aspects of Donald Davidson's work in the philosophy of language, I argue for the recognition of linguistic communication as a form of intentional action. I then defend this thesis against more moderate conventionalist theories to offer a viable approach to the interpretation of literary works.
Ponelis, Karlien. "Die invloed van die Plautiniese klug op die moderne klug." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52206.
Повний текст джерелаENGLISH ABSTRACT: The present thesis deals with the impact of the ancient Greek farce on modem literature with specific reference to the play Kinkels innie Kabel (1971) by the contemporary Afrikaans author André P. Brink. This play is loosely based on Shakespeare's The Comedy of Errors, which in tum derives from Plautus' Menaechmi. Brink's play thus resonates with an entire European tradition. The relationship between the modem and the ancient farce is studied with reference to the concept of comedy. Comic effects, the difference between comedy and tragedy in respect of the handling of vital issues and the comic vision of the playwright are all taken into account. The analysis of the development of Athenian Old Comedy to the Roman Comedy refers to the contribution of Plautus and Terence to the continuation and revitalisation of Greek New Comedy. A comparison of these two playwrights reveals the characteristics of the farce and the difference between farce and comedy. The modem relevance of the farce is studied on the basis of Brink's text. For this purpose Plautus' original plot, the Shakespearian version and Brink's rendition are discussed and compared. On the basis of the similarities and differences in plot, caricaturisation, misidentifications, politics, fantasy, coincidence, irony, farcical violence, mechanical structure, temporal structure and linguistic register, the influence of the ancient farce on its modem counterpart is demonstrated. In addition to farce, Brink employs the classical devices of satire and parody to drive home his (political) message. Finally it is shown that the farcical in Plautus, Shakespeare and Brink serves a significant and serious thematic purpose.
AFRIKAANSE OPSOMMING: Hierdie verhandeling handel oor die impak van 'n antieke Griekse komedievorm, die klug, op moderne werke en denke. A.P. Brink se verhoogstuk Kinkels innie Kabel (1971) is 'n vrye verwerking van William Shakespeare se The Comedy of Errors. Laasgenoemde werk is weer op sy beurt gebaseer op Plautus se Menaechmi. In sy verwerking van Plautus en Shakespeare laat A.P. Brink die hele Europese tradisie deurklink. Die verhouding tussen die moderne klug en die antieke klug word bestudeer deur te fokus op die term komedie: die verhouding daarvan met lag en hoe die komedie van die tragedie verskil ten opsigte van die hantering van lewensproblematiek en komiese visie van die komedieskrywer, maak deel uit van hierdie bespreking. Die komedie se herkoms en ontwikkeling vanaf die Ou Komedie tot die Romeinse Komedie, val ook onder die soeklig. In aansluiting hiermee word Plautus en Terentius bespreek as twee komedieskrywers wat 'n rol gespeel het in die oorlewering en verlewendiging van die Griekse Nuwe Komedie. Hierdie twee skrywers word ook met mekaar vergelyk sodat die eienskappe van die klug geïllustreer word, en hoe dit in wese verskil van komedie. Die relevansie van die klug in moderne denke word bestudeer aan die hand van Brink se teks. In hierdie verband word daar 'n uiteensetting gegee van die oorspronklike Plautiniese verhaal, die Shakespeariaanse weergawe en die Brinkiaanse teks. Aan die hand van die ooreenkomste en verskille in intrige, karikaturisering, identiteitsvergissings, politiek, die fantasie-element, toeval, ironie, klugtige geweld, die meganiese struktuur, die tydstruktuur en taalregister word die invloed van die antieke klug op die moderne klug geïllustreer. Benewens die klug word Brink se werk ook verder beïnvloed deur twee klassieke middele, met name satire en parodie. Hiermee bring Brink sy (politieke) boodskap tuis. Ten slotte word die dieperliggende temas in Plautus, Shakespeare en Brink se werk bespreek deur aan te toon dat die werk nie net om die klugtige gaan nie, maar ook die meer ernstige.
Anger, Suzy. "Victorian hermeneutics and literary interpretation /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/9374.
Повний текст джерелаDeval, Neto Antônio 1980. "Memória da violência em Le Dernier des Justes de André Schwarz-Bart." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270059.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-24T15:09:41Z (GMT). No. of bitstreams: 1 DevalNeto_Antonio_M.pdf: 2278101 bytes, checksum: 76b2216dc2c1df7e5c846af5c20f050d (MD5) Previous issue date: 2014
Resumo: O presente trabalho busca apresentar a obra de André Schwarz-Bart, o Último dos Justos, publicado em 1959, e as formas como a memória e a violência nela se inscrevem. Começamos por analisar quais são as formas de violência que o romance contempla, todas elas ligadas à história das comunidades judaicas da Europa e as perseguições por elas sofridas nos séculos que o romance pretende abordar. Além das perseguições, expulsões e massacres, outras formas de violência são abordadas, como as relações de trabalho. Também foram analisadas as formas como o romance constrói seus cenários e personagens e como eles se ligam à lenda dos Lamed-vav e à história dos judeus europeus desde a Idade Média até a Segunda Guerra Mundial. Os problemas da recepção do romance que se ligam ao período histórico conturbado pelo qual a França passava na década de 1950 também foram abordados, uma vez que, tanto o livro quanto seu autor estiveram no meio de acusações de plágio, falsificação histórica e desconhecimento do judaísmo ao mesmo tempo em que foi acolhido como um dos maiores romances franceses do século. Procuramos também demonstrar a atualidade do romance tendo em vista seu caráter universal que extrapola a questão judaica e da Shoah
Abstract: The present study aims to present the work of André Schwarz-Bart, Le dernier des Justes , published in 1959 , and the forms such as memory and violence appear in the novel. We start by analyzing what are the forms of violence included in the novel, all of them connected to the history of Jewish communities in Europe and the persecutions they suffered centuries. Beyond the persecutions, expulsions and massacres, other forms of violence are researched, such as labor relations. The ways in which the novel builds the sets and characters and how they relate to the legend of the Lamed-vav and the history of European Jews from the Middle Ages to World War II were also studied. The problems concerning the reception of the novel related to the troubled historical period by which France passed in the 1950s were also problematized, since, both, the book and the author were in the middle of accusations of plagiarism, falsification and historical ignorance of Judaism at the same time it was recognized as one of the greatest French novels of the century. Also sought to demonstrate the relevance of the novel given its universal character that goes beyond the Jewish and Holocaust issue
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Le, Roux Selene. "Poetry of revolution : the poetic representation of political conflict and transition in Milton’s Paradise Lost and Marvell’s Cromwell Poems." Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/2869.
Повний текст джерелаSeventeenth-century England witnessed a time of radical sociopolitical conflict and transition. This thesis aims to examine how two writers closely associated with this period and its controversies, John Milton and Andrew Marvell, represent events as they unfold. This thesis focuses specifically on Milton’s Paradise Lost and Marvell’s Cromwellian poems in order to show how these poets reinterpret established literary conventions and invoke traditional Puritan practices in order to explain and legitimise the precarious new dispensation of post-Civil War England. At the same time, their work produces ambiguities and tensions that threaten to undermine the very discourse that they attempt to endorse. Both poets’ work indicates an active involvement in the political embroilments of their time while retaining its aesthetic value. Therefore, these texts do not only function on an aesthetic level but also within the historical framework of political ideologies. The focus of this thesis is a discussion of the relationship between politics and poetry, with the emphasis on poetry of conflict and transition in civil society. In other words, it is not only considered how different poetic genres reflect social and political change in different ways but also how these genres in turn contribute to political rhetoric. During the English Revolution Milton and Marvell try to provide solutions for the political disturbance, even while remaining aware of the new conflicts produced in the attempt.
Rozié, Fabrice. "Poetique et reception d'andré fraigneau." Paris 10, 1997. http://www.theses.fr/1997PA100080.
Повний текст джерелаThis work of four hundred twenty seven pages consists of four parts divided in two books. These parts focus respectively on the questions of fraigneau's egotistic plan, his classical and baroque poetics, the ambiguity of his characters, his ideological digressions and the reception of his works. Insofar as this doctoral thesis is the first academic study on fraigneau, it introduces every single book by the author, it compiles a large register of unpublished documents and provides a general bibliography. This thesis also endeavors to interpret the works and the personality of andre fraigneau as a whole, with a particular focus on the treatment of homosexuality and the characterization of a reactionary discourse
Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.
Повний текст джерелаThe effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).
While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.
Turner, Seth. "Revelation 11:1-13 : history of interpretation." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:57efe3b3-7c61-412f-9001-5269860a896d.
Повний текст джерелаNicol, George Grey. "Studies in the interpretation of Genesis 26.1-33." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:8fff7ce7-9a50-4011-9f54-5776c84aa36a.
Повний текст джерелаBennett, Richard. "Variations : influence intertextuality, and Milan Kundera, Jean Rhys, and Tom Stoppard." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26254.
Повний текст джерелаChapter two deals with theories of intertextuality, principally those of Julia Kristeva and Michael Riffaterre. As alternatives to theories of influence, neither proves satisfactory. Both founder on the contradictory goal to explain all literature, at the expense of recognizing literary diversity.
Chapter three concerns literary variations. These are texts which are deliberately premised on pre-existing texts. I focus on three examples from this class of literary texts which is not satisfactorily dealt with by any of the theories I consider. I pursue a less wide-ranging approach in order to unearth important features of literary variations.
Kilian, Monica. "The exile's experience : an examination of the poetry of Hilde Domin and Waclaw Iwaniuk." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26855.
Повний текст джерелаArts, Faculty of
English, Department of
Graduate
Graham, Catherine (Catherine Elizabeth). "Standpoints : the dramaturgy of Margaretta D'Arcy and John Arden." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60621.
Повний текст джерелаPetersen, Jeffrey J. 1981. "Playful Conversations: A Study of Shared Dynamics Between the Plays of Paula Vogel and Sarah Ruhl." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10155.
Повний текст джерелаPulitzer Prize winning playwright Paula Vogel, playwright and educator, has blazed a trail in American theatre, opening new avenues for female playwrights. In 2005 Vogel's student Sarah Ruhl burst onto the scene with her play The Clean House. As one of the most produced playwrights of 2005, Ruhl has been celebrated as the new voice of American theatre. There are similarities, as might be expected between teacher and former student, but some of the similarities suggest something more: a dynamic shared between Vogel's and Ruhl's plays which suggests an ongoing theatrical conversation and may suggest directions for future American drama.
Committee in Charge: Dr. John Schmor, Chair; Dr. Jennifer Schlueter
Murray, Jessica. ""Notes for the Manual Assembly"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157616/.
Повний текст джерелаBailey, Catherine Diana Alison. "Mending the web : a thematic study of Xu Dishan’s fiction." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25343.
Повний текст джерелаArts, Faculty of
Asian Studies, Department of
Graduate
Loevlie, Elisabeth M. "Literary silences : saying the unsayable: an exploration of literary silence in the works of Pascal, Rousseau and Beckett." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365530.
Повний текст джерелаMarais, Susan Jacqueline. "(Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1016357.
Повний текст джерелаKing, Noel. "Anxieties of commentary : interpretation in recent literary, film and cultural criticism /." Title page, table of contents and abstact only, 1994. http://web4.library.adelaide.edu.au/theses/09PH/09phk532.pdf.
Повний текст джерелаHSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.
Повний текст джерелаWetzel, Rebecca L. "ADAPTATION AND INTERPRETATION: A STUDY OF THEATRICAL BANDE DESSINEE." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1563987098560659.
Повний текст джерелаGreenlee, Christine Lund Koch. "The Constantian orations : a contextual analysis of self-presentation in Libanius' 'Orr.' 59, 11, 61 and 31." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/15923.
Повний текст джерелаPhillips, Malcolm. "Experiment and representation : the domestic surreal in contemporary British and American poetry." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14707.
Повний текст джерелаPryor, Caitlin. "Vanishing Act." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801936/.
Повний текст джерелаIngham, David Keith. "Mediation and the indirect metafiction of Randolph Stow, M. K. Joseph, and Timothy Findley." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25819.
Повний текст джерелаArts, Faculty of
English, Department of
Graduate
Scowcroft, Ann. "Escaping the hegemony of the written word : Canadian women writers and the dislocation of narrative." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61803.
Повний текст джерелаLéger, Ariane. "Le maître à écrire selon Valéry, Pessoa et Jaccottet /." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115622.
Повний текст джерелаFor Valery, the desire to make Mallarme his master is best explained by his search for mastery. Even if he is eager to understand what makes Mallarme an exceptional creator, Valery's quest is hindered by Mallarme's refusal to explain his poetic. This resistance seems to encourage Valery to make the creative act a major concern of his work.
By coming up with a "non-existent coterie" made up of imaginary writers, and by recognizing one of them as his own master, Pessoa hopes to fill the gaps in his literary filiation. In the concert of voices that compose his work, it is yet the master himself which undermines the very legitimacy of the master, and that is why Pessoa finally gets rid of his invention.
Finally, Jaccottet creates his masters for the learning they could provide to him: in Jaccottet's unique story, the character of the master fails, allowing the poet to take his distance from assumptions related with the romantic vision of creation; then, a "good master" whose agony is described by poems becomes a model whose wisdom is inseparable from a kind of ignorance.
The presence of the master generates a story elaborated from the writings of these writers: the development of their poetic requires not only the creation of a master figure, but also its removal. Ultimately, the maitre a ecrire is not only one who induces writing in a unique way, but also the one which should be written in order to succeed.
Davies-Browne, Bankole P. "The significance of parallels between the 'Testament of Solomon' and Jewish literature of late antiquity (between the closing centuries BCE and the Talmudic era) and the New Testament." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/2685.
Повний текст джерелаHoedekie, Nelson G. U. (Nelson Gustaaf Urbain). "Naar analogie van schaduwen aan de wand : een wijsgerige interpretatie van 'de schaduw als kunstwerk' aan de hand van Plato's grotvergelijking." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53511.
Повний текст джерелаENGLISH ABSTRACT: In this thesis, 'shadow' is investigated as an object of thought and (analogically connected to this) of perception. This dialectical process is structured through means of a series of experiments and Plato's allegory of the cave, which is interpreted as a process directed towards selfconciousness. This process is further explained through thinkers such as, Blumenberg, Heidegger, Levinas en Voegelin. The purpose of this study is to break with the self-evident way in which 'shadow' is 'normally' treated and to bring back about a sense of astonishment for it.
AFRIKAANSE OPSOMMING: In hierdie tesis word die 'skaduwee' as waarnemingsobjek en (analogies verwant daaraan) as denkobjek ondersoek. Hierdie dialektiese proses word gestruktureerd met behulp van 'n aantal eksperimente en Plato se grotgelykenis, wat geinterpreteer word as programmaties van die proses van selfbewuswording. Hierdie proses word verder toegelig aan die hand van denkers soos Blumenberg, Heidegger, Levinas en Voegelin. Die doel van die ondersoek is om die vanselfsprekendheid waarmee daar met die fenomeen van die skaduwee omgegaan word te deurbreek en weer verwondering daarvoor op te roep.
NEDERLANDSTALIGE SAMENVATTING: In deze thesis wordt de 'schaduw' als waarnemingsobject en (analogisch verwant daaraan) als denkobject onderzocht. Dit dialectische proces wordt gestructureerd met behulp van een aantal experimenten en Plato's grotvergelijking, die geïnterpreteerd worden als een proces gericht op zeltbewustwording. Dit proces wordt verder toegelicht aan de hand van denkers zoals, Blumenberg, Heidegger, Levinas en Voegelin. Het doel van het onderzoek is om de vanzelfsprekendheid waarmee met het fenomeen van de 'schaduw' omgegaan wordt, te doorbreken en er opnieuw verwondering voor op te roepen.
Fisher, Susan Rosa. "A genre for our times: the Menippean satires of Russell Hoban and Murakami Haruki." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25047.pdf.
Повний текст джерелаVrba, Marya. "The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42396.
Повний текст джерелаSelby, Don. "Bridging the gap? : a critical reading of Bhabha, Said and Spivak's postcolonial positions." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43947.pdf.
Повний текст джерелаOcaña, Karen Isabel. "Synthetic authenticity : the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26748.
Повний текст джерелаBourgon, Julie. "Création, éthique et vérité : Broch et Blanchot ; suivi de, En trompe-l'oeil." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37193.pdf.
Повний текст джерелаLanthier, Lalita Bharvani. "Two outsiders in Indo-English literature : Ruth Prawer Jhabvala and Salman Rushdie." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56664.
Повний текст джерелаMiller, Dane Eric. "Micah and its literary environment: Rhetorical critical case studies." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185441.
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