Дисертації з теми "And cello"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 дисертацій для дослідження на тему "And cello".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Gagnon, Marie-Elaine. "Graduate cello recital." FIU Digital Commons, 2002. http://digitalcommons.fiu.edu/etd/3434.
Повний текст джерелаLudwig, Aaron B. "Lonely Cello: A Performer's Analysis of Leon Kirchner's "For Cello Solo"." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/533.
Повний текст джерелаFallowfield, Ellen. "Cello map : a handbook of Cello technique for performers and composers." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/960/.
Повний текст джерелаFan, Chia-Lin. "The solo cello music of Benjamin Britten : an analysis : First cello suite, op. 72, Second cello suite, op. 80, Third cello suite, op. 87, and Tema Sacher." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1378140.
Повний текст джерелаSchool of Music
Kaufman, Gabrielle. "Gaspar Cassado : a study of Catalan cello arrangements and cello performance style." Thesis, Birmingham City University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631677.
Повний текст джерелаLee, Sunhaeng. "The Legacy of Bach’s Cello Suites in Twentieth-Century Solo Cello Suites." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1584001275758751.
Повний текст джерелаYANG, HEEYOUNG. "GAME FOR FOUR CELLO." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1151383279.
Повний текст джерелаGagnon, Marie-Elaine. "The Influence of the French Cello School in North America." Scholarly Repository, 2006. http://scholarlyrepository.miami.edu/oa_dissertations/47.
Повний текст джерелаLojewski, Mee Na Manon. "Galant and grotesque aesthetics in the musical language of Haydn's cello concerti: cello concerto in C major (c1765), cello concerto in D major (c1783)." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/11947.
Повний текст джерелаClark, James. "Peter sculthorpe| Music for unaccompanied cello." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590072.
Повний текст джерелаAs a contemporary Australian composer, concerned with finding an "Australian sound," Peter Sculthorpe incorporated elements of Aboriginal music, Asian music, and other unique compositional devices in his music. This paper investigates Sculthorpe's compositional style through analysis of Requiem: for Cello Alone, Threnody, Into the Dreaming, For Justine, and Sonata for Cello Alone, in order to explore his incorporation of Australian characteristics within the context of idiomatic writing for the solo cello.
Nichols, Richard A. "Trio for horn, cello and piano /." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486546889382746.
Повний текст джерелаChen, Ru-Ping. "The Cello works of Hsiao Tyzen /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488187763848087.
Повний текст джерелаKo, Ching-Tzy. "Dynamic markings in Bach cello suites /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11427.
Повний текст джерелаZhou, Lejing 1986. "A Survey of Solo, Chamber Music and Orchestral Excerpts Selected and Organized Pedagogically for the Intermediate Cellist." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538786/.
Повний текст джерелаMoon, Debra A., and Debra A. Moon. "BENJAMIN BRITTEN'S THREE SUITES FOR UNACCOMPANIED CELLO." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/626521.
Повний текст джерелаCraford, Mary Elizabeth. "Inventory of modern American cello-keyboard literature /." Access Digital Full Text version, 1994. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11847815.
Повний текст джерелаIncludes tables. Typescript; issued also on microfilm. Sponsor: Harold F. Abeles. Dissertation Committee: Lenore M. Pogonowski. Includes bibliographical references (leaves 89-104).
Kotsoni-Brown, Stavria. "The solo cello concertos of Antonio Vivaldi." Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366973.
Повний текст джерелаAlmeida, Tania Regina Lisboa de. "Children's action and thought in cello playing." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369968.
Повний текст джерелаKleinmann, Johannes. "Polystylistic Features of Schnittke's Cello Sonata (1978)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30478/.
Повний текст джерелаShen, Shuo. "The Controlled Indeterminacy in Lutoslawski's Cello Concerto." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574713314501106.
Повний текст джерелаThumpston, Rebecca Mary. "Agency in twentieth-century British cello music." Thesis, Keele University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699672.
Повний текст джерелаMeyer, William Joseph. "THE CELLO WORKS OF ERNST VON DOHNÁNYI." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/99.
Повний текст джерелаDraiblate, Yoni. "HISTORY, EVOLUTION AND PEDAGOGY OF CELLO VIBRATO." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/555692.
Повний текст джерелаD.M.A.
On 9 April 1860, seventeen years before Thomas Edison invented the phonograph, a Parisian inventor named Leon Scott de Martinville invented the “phonautograph,” the first device capable of recording sound. In the demonstration recording produced by de Martinville, the listener hears the inventor singing a short section of the song “Au clair de la lune.” The recording lasts about ten seconds and is not of very good audio quality—it is full of interference and white noise, making it hard to decipher words. Technology has since evolved and improved to the point where we can examine the evolution of vibrato with relative ease, simply by listening to different recordings. When examining the question of cello vibrato prior to the second half of the 19th century with its technological innovations, however, we are left with a somewhat paradoxical question: “How did vibrato sound?“ This question is important for two reasons. First, through exploring the history of cello vibrato we may be able to make clearer inferences or, at the very least, establish more educated hypotheses, pertaining to general questions of sound and musical aesthetics throughout the centuries. Second, examining early cello technique and how it evolved can greatly help us understand the evolution of the left hand’s role in performance, particularly in the creation of vibrato. I am well aware that when it comes to historical performances prior to the introduction of quality recording technology, we can only deal with probabilities, never certainties, and we have no way of knowing what soloists and orchestral musicians sounded like, nor do we have a way to know what composers wished to hear. Since it is not possible to draw conclusions based on audio recordings prior to the end of the 19th century, I will explore the evolution of cello vibrato through close examination of early cello performance practice, as outlined in treatises and texts, as well as accounts by musicians who were key figures in developing and advancing playing techniques. While it will never be feasible to go back in time and hear this evolution for ourselves, it is possible to construct a better understanding of the use of vibrato prior to the second half of the 19th century. My aim in this paper is to better understand the evolution of cello vibrato, its origins, early techniques for producing it, and the influence of technique on vibrato over the years, mainly throughout Europe, in order to better answer this question: when did vibrato become an integral part of the cellist’s sound? Have cellists always used vibrato, and if so, did they use it continuously on all possible pitches? For the performing artist and teacher, it is highly beneficial to know the history and evolution of vibrato, and its role in the development of the cello sound over the years. Having this knowledge can have a direct effect on interpretation. By way of background, I will first discuss the origins of both the instrument and vibrato itself, in separate chapters.
Temple University--Theses
Löfberg, Anders. "Examensarbete : en studie i sväng och groove & En stilstudie av Torleiv H. Bjørgum." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2120.
Повний текст джерелаSchütt, Andreas [Verfasser]. "Ortsaufgelöste Charakterisierung in der Photovoltaik mit der CELLO-Technik (Solar Cell Local Characterization) / Andreas Schütt." Kiel : Universitätsbibliothek Kiel, 2015. http://d-nb.info/1067842004/34.
Повний текст джерелаBurkhardt, Rick. "Pipeline : for voice, bass flute, cello, and percussion /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236631.
Повний текст джерелаCrossen-Richardson, Phyllis Jane. "Neglected cello repertoire of twentieth century English composers." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/1382.
Повний текст джерелаTurnbull, Catherine. "Performing the Bach cello suites on the viola /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19293.pdf.
Повний текст джерелаCallner, Anna. "A recital of works for cello and piano." FIU Digital Commons, 2005. http://digitalcommons.fiu.edu/etd/1981.
Повний текст джерелаCarpinteyro, Eduardo. "Pedagogical aspects in David Popper's four cello concertos." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1195506444.
Повний текст джерелаAdvisor: Lee Fiser. Title from electronic thesis title page (viewed Feb. 5, 2008). Includes abstract. Includes bibliographical references.
Hong, Andrew C. (Andrew Choon-Ki). "Non-linear analysis of cello pitch and timbre." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/67119.
Повний текст джерелаRabelo, Paulo César Martins. "The cello and piano works of Camargo Guarnieri." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342108311.
Повний текст джерелаCARPINTEYRO, EDUARDO. "PEDAGOGICAL ASPECTS IN DAVID POPPER'S FOUR CELLO CONCERTOS." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195506444.
Повний текст джерелаLim, Yekyung. "Neglected cello repertoire of twentieth century English composers." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/9027.
Повний текст джерелаThesis research directed by: Music. Title from t.p. of PDF. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Audio available on compact disc;
Chuang, Hsiang-Chu. "The Use of Orchestral Excerpts in Cello Pedagogy and Daily Exercises." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157593/.
Повний текст джерелаPrice-Brenner, Kevin. "Pedagogical transcriptions for teaching two advanced works for cello : Beethoven’s Sonata for cello and piano no. 3 in A major, op. 69 and Haydn’s Cello concerto no. 1 in C major, Hob.VIIb.1." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2131.
Повний текст джерелаPersson, Erika. "Från okänd not till levande dans : En självstudie i tolkning av Bachs cellosviter." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-55324.
Повний текст джерелаThe study explores how I interpret Prelude in D minor from Johan Sebastian Bach’s second suite for solo cello. The purpose is to examine how the rehearsal process is done, from the unknown note to free interpretation with respect to the instrument to “sing”. Research questions concern a workable method of learning, how I influenced by my teacher’s musical interpretation, and the degree to which an audience experiencing my singing instrument. With the help of including a baroque cello, logbook writing and recording during the process, I have, from a hermeneutic perspective, interpreted the paragraph in my direction. The result highlights how I proceeded to study the piece, with the help of sight-reading. It also affects how susceptible I am to be influenced by my teacher’s interpretation of the piece, which has not proved to be as much as I initially thought. The result also describes how my interpretation process has processed and the patterns in the music that appeared over time. In the later part of the result is a compilation of responses that shows that my cello and I, according to the audience, brings a singing tone. Finally, the results are discussed in relation to previous literature and research in the field.
Moyer, Susan Elizabeth. "A Detailed Study of Selected Orchestral Excerpts for Cello." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/214.
Повний текст джерелаNeece, Brenda Sue. "The cello in Britain : a technical and social history." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395236.
Повний текст джерелаMoseley, Ivan. "Scena for cello and piano : a portfolio of compositions." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/00bb1cc8-3bcd-112c-b0f7-2c7d18a0937f/8/.
Повний текст джерелаGerber, Anzél. "Critical success factors in cello training : a comparative study." Thesis, Goldsmiths College (University of London), 2008. http://research.gold.ac.uk/8055/.
Повний текст джерелаTwillert, Hendrik Van. "Bach's cello suites transcription and interpretation for baritone saxophone." Doctoral thesis, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/12351.
Повний текст джерелаBach’s Suites for unaccompanied cello are a masterpiece of the Classical Western canon for their singularity and their creator’s mastery. A myriad of transcriptions were made throughout the centuries with bigger or lesser freedom. This thesis aims at revealing insights from the art of linear polyphony and its performance on a monophonic instrument such as the baritone saxophone. The study of the musical structure is supported by examples from the visual domain that help us to understand the notion of linear polyphony as a third-dimension object. The particularity of this study, in relation to the multiple existing literature about Bach’s music, is its focus on a wind player’s point of view, a saxophonist, which, given the restriction of the polyphonic possibilities of the instrument, reveals some discerning solutions on the performance, analysis and elaboration of the polyphonic thinking in Bach’s Suites. Similar to the relative novelty of the cello at Bach’s time, my work aims at giving as close as possible the same perspective of the music through a new vision and instrument. I analysed the art of linear polyphony and the techniques of elaboration of the melody in the Cello Suites, notably as a means to support the interpretation (e.g. articulation, phrasing, dynamics, vibrato, fingerings, etc.) and to devise a transcription of the Suites for the baritone saxophone. My choice felled on a transcription for baritone saxophone based on the manuscript from Anna Magdalena Bach, wishing to provide detailed guidelines for saxophonists who want to create a more informed interpretation. I hope to offer a better understanding of these works and to provide a reference to build and develop an individual interpretation, especially on the baritone saxophone.
As Suites para violoncelo solo são uma obra-prima do cânone musical ocidental pela sua singularidade e mestria do seu autor. Várias transcrições foram feitas ao longo dos séculos, com maior ou menor grau de liberdade desta obra. Esta tese foca-se na arte de polifonia linear e na sua interpretação num instrumento monofónico, como o saxofone barítono. O estudo da estrutura musical é suportado por exemplos no domínio visual que ajudam a compreender o conceito de polifonia linear como um objecto tridimensional. A particularidade deste estudo, em relação à vasta literatura existente sobre o assunto, é o ponto de vista de um saxofonista, que, devido à restrição das possibilidades polifónicas do seu instrumento, revela algumas soluções na interpretação, análise e elaboração do pensamento polifónico nas Suites de Bach. De forma análoga à relativa novidade do violoncelo no tempo de Bach, o meu trabalho visa dar a mesma perspectiva das Suites através da sua interpretação no saxofone barítono São apresentadas várias análises do ambiente da arte da polifonia linear e das técnicas de elaboração da melodia, como forma de desenvolver uma interpretação (por exemplo, articulação, fraseado, dinâmica, vibrato, dedilhações, etc.) e de apoiar a elaboração de uma transcrição das Suites para saxofone barítono. A minha contribuição foi realizar uma reedição do manuscrito de Anna Magdalena Bach, e fornecer orientações detalhadas para os saxofonistas que querem criar uma interpretação mais informada, oferecendo uma melhor compreensão dessas obras e fornecendo uma referência para construir e desenvolver uma interpretação.
Sowdon, Nancy, and Nancy Sowdon. "Mendelssohn's works for cello: a musical and technical analysis." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/624869.
Повний текст джерелаBecker, Karen Andrews. "Selected cello works of Ernest Bloch : a descriptive essay /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Повний текст джерелаVita. Discography: leaves 77-79. Includes bibliographical references (leaves 80-83). Available also in a digital version from Dissertation Abstracts.
Flesher, Eric. "Wandering rocks : for flute, clarinet, violin, cello and piano /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11331.
Повний текст джерелаWang, Ying-Tsui, and 王瑩翠. "Research of Teaching for Cello Beginner by Suzuki Cello School." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/v945h3.
Повний текст джерелаSeo, Jun. "Doctoral thesis recital (cello)." 2014. http://hdl.handle.net/2152/26545.
Повний текст джерелаKarakousoglou, Nora. "Doctoral thesis recital (cello)." 2014. http://hdl.handle.net/2152/26596.
Повний текст джерелаtext
Burch, James (Cellist). "Doctoral thesis recital (cello)." 2014. http://hdl.handle.net/2152/27668.
Повний текст джерелаXin, Yi. "Doctoral thesis recital (cello)." 2014. http://hdl.handle.net/2152/28459.
Повний текст джерелаtext