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Книги з теми "Analogue sensor"

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Автор: Grafiati

Опубліковано: 4 травня 2024

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1

Roermund, Arthur van. Analog Circuit Design:: Sensor and Actuator Interface Electronics, Integrated High-Voltage Electronics and Power Management, Low-Power and High-Resolution ADC's. U.S.: Springer, 2005.

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2

Veeder, Kenton T. Digital converters for image sensors. Bellingham, Washington USA: SPIE Press, 2015.

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3

Bakker, Anton. High-Accuracy CMOS Smart Temperature Sensors. Boston, MA: Springer US, 2000.

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4

C, Sansen Willy M., Huijsing Johan H. 1938-, and Plassche, Rudy J. van de., eds. Analog circuit design: Mixed A/D circuit design, sensor interface circuits and communication circuits. Boston: Kluwer Academic, 1994.

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5

Marien, Hagen. Analog Organic Electronics: Building Blocks for Organic Smart Sensor Systems on Foil. New York, NY: Springer New York, 2013.

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6

Workshop on Advances in Analogue Circuit Design (13th 2004 Montreux, Switzerland). Analog circuit design: Sensor and actuator interface electronics, integrated high-voltage electronics and power management, low-power and high-resolution ADC's. Boston: Kluwer Academic, 2004.

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7

Mahmoud, Kamal-Eldin Mohamed. Non-linear A/D converters for integrated silicon smart sensors =: Niet-lineaire A/D omzetters voor smart geïntegreerde silicium sensoren. Delft, Netherlands: Delft University Press, 1994.

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8

Bakker, Anton. High-accuracy CMOS smart temperature sensors. Boston, MA: Kluwer Academic Publishers, 2000.

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9

Casier, Herman. Analog Circuit Design: Sensors, Actuators and Power Drivers; Integrated Power Amplifiers from Wireline to RF; Very High Frequency Front Ends. Dordrecht: Springer Science + Business Media B.V, 2008.

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10

Jasink, Anna Margherita, and Giulia Dionisio, eds. MUSINT 2. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-396-4.

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Musint 2 si propone come un testo da ‘leggere’ che accompagna il nuovo sito-web MUSINT II, seguendo e innovando le linee generali del precedente MUSINT. Ma, come i due progetti on-line differiscono sia negli aspetti tecnici che nei contenuti, pur mantenendo principi e finalità analoghi, così anche il nuovo volume assume un ruolo che lo rende una novità più consona ai progressi che caratterizzano le discipline archeologiche sia sotto l’aspetto scientifico che quello didattico. Viene mantenuta la suddivisione in tre sezioni. La prima contiene una serie di lavori direttamente legati al sito MUSINT II. Si nota un aumento delle presentazioni relative agli aspetti tecnici e didattici, ritenuti una innovazione del nuovo sito, rispetto ai contributi scientifici intesi in senso più tradizionale. La seconda sezione presenta una esemplificazione di lavori significativi di musealizzazione virtuale, volutamente scelta negli ambiti più vari, sottolineandone il taglio didattico. La terza sezione si presenta sullo stesso piano di quella del volume precedente, anche se sono riscontrabili delle novità proprio nella scelta delle ricerche: vengono infatti presentate tematiche già proposte in fase sperimentale e nuove ricerche che si sono venute individuando nel corso di questi anni attraverso le conoscenze più ampie sulle possibilità di una museologia digitale e interattiva.

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11

Sunderland Evaluation and Development Centre. The M.E.P. analogue sensor manual. 2nd ed. MEP, 1986.

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12

Analog Organic Electronics Building Blocks For Organic Smart Sensor Systems On Foil. Springer-Verlag New York Inc., 2012.

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13

Press, Senior Analogue Design Engineer Book. Don't Panic! I'm a Professional Senior Analogue Design Engineer : Customized 100 Page Lined Notebook Journal Gift for a Busy Senior Analogue Design Engineer: Far Better Than a Throw Away Greeting Card. Independently Published, 2020.

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14

Wang, Bo. High-accuracy circuits for on-chip capacitor ratio testing and sensor readout. 1998.

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15

Wang, Bo. High-accuracy circuits for on-chip capacitor ratio testing and sensor readout. 1998.

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16

Nyquist Ad Converters Sensor Interfaces And Robustness. Springer, 2012.

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17

Huijsing, Johan H., Rudy J. van de Plassche, and Willy M. C. Sansen. Analog circuit design: Mixed A/D circuit design, sensor interface circuits and communication circuits. 1994.

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18

Harpe, Pieter, Andrea Baschirotto, and Kofi A. A. Makinwa. Hybrid ADCs, Smart Sensors for the IoT, and Sub-1V & Advanced Node Analog Circuit Design: Advances in Analog Circuit Design 2017. Springer, 2018.

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19

Harpe, Pieter, Andrea Baschirotto, and Kofi A. A. Makinwa. Hybrid ADCs, Smart Sensors for the IoT, and Sub-1V & Advanced Node Analog Circuit Design: Advances in Analog Circuit Design 2017. Springer, 2017.

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20

Steyaert, Michiel, Hagen Marien, and Paul Heremans. Analog Organic Electronics: Building Blocks for Organic Smart Sensor Systems on Foil. Springer, 2014.

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21

Arthur H.M. van Roermund, Michiel Steyaert, and Andrea Baschirotto. Nyquist AD Converters, Sensor Interfaces, and Robustness: Advances in Analog Circuit Design, 2012. Springer, 2012.

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22

Willy M.C. Sansen (Editor), Johan H. Huijsing (Editor), and Rudy J. van de Plassche (Editor), eds. Analog Circuit Design: Mixed A/D Circuit Design, Sensor Interface Circuits and Communication Circuits (Kluwer International Series in Engineering and Computer Science). Springer, 1994.

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23

Chodat, Robert. Minds, Machines, and Giving a Damn. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682156.003.0002.

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Анотація:

The 1960s saw the triumph of cognitive science over behaviorism. This chapter examines three literary–philosophical objections to this shift: “West Coast” phenomenology, Richard Powers’s Galatea 2.2, and the writings of Walker Percy, the first of the postwar sages featured in this book. For “West Coast” philosophers, cognitive science ignores the way human action is structured by what we “give a damn” about—a sense of significance that orients our actions. Powers’s novel goes a step further: no more than machines do we know what to give a damn about. Percy’s essays and fiction challenge both these positions, asking us to see analogies between the significance we find in language and the significance we find in living a Christian life. Establishing such an analogy is the goal of Percy’s 1971 Love in the Ruins, which seeks to embody—with only partial success—what terms such as “faith” and “community” might mean.

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24

Graham, Gordon. Was Reid a Moral Realist? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198783909.003.0003.

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This chapter argues that, contrary to a very widely held view, Reid’s express disagreement with Hume on the matter of morality cannot satisfactorily be pressed into the “realism versus sentimentalism” dichotomy. Hume is certainly a sentimentalist, but there is good reason to interpret Reid’s use of the analogy between moral sense and sense perception in a way that does not imply the existence of “real” moral properties. Reid makes judgment central to the analogy, and this gives the exercise of an intellectual “power” primacy over passive sensual experience. The analogy thus allows him to apply the concepts “true” and “false” to moral judgments, without any quasi-realist appeal to moral facts.

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25

Dow, Bonnie J. Fixing the Meaning of the Movement. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038563.003.0005.

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This chapter focuses on the ABC documentary on the Ladies' Home Journal sit-in entitled “Women's Liberation,”, produced by reporter Marlene Sanders. The documentary is 1970's key example of a supportive reporter's self-conscious effort to represent the movement fairly. It also serves as the most developed example of network news' reliance on race–sex and feminism–civil rights analogies. In her memoir of her reporting career, Sanders makes clear that she saw the documentary as an intervention into poor media treatment of the movement, echoing the contention of many feminists that the movement's image problems resulted from reporting by men. Refuting negative stereotypes about women's liberation (including, importantly, man-hating) was among the program's central strategies, as was an analogy to the moderate civil rights movement. Sanders's effort to package feminism in comprehensible and commonsensical terms that would make sense to her imagined white male viewer resulted in an evolutionary liberal narrative that narrowed the meaning of the movement in crucial ways, diminishing rather than demonizing its radicalism and presenting the Equal Rights Amendment as the answer to what ailed women.

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26

Arthur H.M. van Roermund, Michiel Steyaert, and Herman Casier. Analog Circuit Design: Sensors, Actuators and Power Drivers; Integrated Power Amplifiers from Wireline to RF; Very High Frequency Front Ends. Springer, 2010.

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27

Sykova, E. Ionic and Volume Changes in the Microenvironment of Nerve and Receptor Cells (Progress in Sensory Physiology). Springer-Verlag Berlin and Heidelberg GmbH & Co. KG, 1992.

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28

O'Callaghan, Casey. Perception and Multimodality. Edited by Eric Margolis, Richard Samuels, and Stephen P. Stich. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780195309799.013.0005.

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The article presents some findings concerning multimodality, and the philosophical implications of these findings. One of the findings is that crossmodal illusions show that perception involves interactions among processes associated with different modalities. Patterns of crossmodal bias and recalibration reveal the organization of multimodal perceptual processes. Multimodal interactions obey intelligible principles, they resolve conflicts, and they enhance the reliability of perception. Multimodal processes also demonstrate a concern across the senses for common features and individuals, for several reasons such as the intermodal biasing and recalibration responsible for crossmodal illusions requires that information from sensory stimulation associated with different senses be taken to be commensurable. The commensurable information from different senses shares, or traces to, a common source since conflict resolution requires a common subject matter. One important lesson of multimodal effects is that an analog of the correspondence problem within a modality holds between modalities. Spatio-temporal unity, objectual unity, and integration are tied to the capacity to detect constancies and solve correspondence problems across modalities. Solving crossmodal correspondence problems requires a common modal or multimodal code that is shared among modalities.

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29

Huijsing, Johan H., Michiel Steyaert, and Arthur van Roermund. Analog Circuit Design: Sensor and Actuator Interface Electronics, Integrated High-Voltage Electronics and Power Management, Low-Power and High-Resolution ADC's. Springer, 2010.

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30

Rea, Michael C. Visions and Voices. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826019.003.0006.

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This chapter, together with Chapter 7, presents a theory about encounters with God according to which God’s presence, as well as certain kinds of divine communication are, and always have been, experientially available to a much greater degree than is typically credited in the literature on divine hiddenness. The focus in this chapter is on sensory experiences of God—visions and voices, primarily. Chapter 7 then expands focus to consider any experience that might aptly be described as an encounter with God. Insofar as it implies that experiences of God’s presence and of communication from God are widely available, it undermines the reasons we might have for thinking that certain negatively valenced analogies—God as distant or neglectful lover, for example—are more apt than traditional positive analogies for characterizing divine love.

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31

Schedel, Margaret. Colour is the Keyboard. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.8.

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This chapter discusses the phenomenon of ‘synaesthesia’, the phenomenon in which a visual perception gives rise to a musical sense-impression, or vice-versa. The chapter covers over one hundred years of artists, composers, and inventors developing sculptures, instruments, and systems to transcode visual data into sonic material. This time frame encompasses mechanical, analogue, digital, and hybrid systems. Most of the algorithmic procedures in these case studies are not reversible; in other words, the visuals cannot be generated from the sound. In many cases the visual aspect is not even meant to be seen as part of the experience, while in others the visual aspect is an equal partner in a synaethestic experience.

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32

Pietroski, Paul M. Massively monadic, potentially plural. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812722.003.0007.

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This chapter offers evidence for the following hypothesis: the concepts fetched via lexical meanings are predicative (monadic) or minimally relational (dyadic), even though we often lexicalize concepts of other types. Denoting concepts are used to introduce predicative analogs, while “supradyadic” concepts are used to introduce predicative and/or dyadic analogs. Given a Fregean language, lexicalization could be a more transparent process in which concepts are simply labeled with words of matching types. In this sense, lexicalization effaces certain conceptual distinctions; and it is argued that mass/count/plural distinctions provide another illustration of this point. In this context, there is discussion of Boolos’s plural interpretation of second-order quantification, which also plays a role in chapter seven.

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33

Payne, Andrew. The Form of the Good I. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198799023.003.0008.

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This chapter discusses the premise that understanding the Form of the Good is the unintended end or purpose of philosophic inquiry in the sense of Plato’s functional teleology of action. It begins the presentation of this theme by introducing the three images that Socrates uses to convey his beliefs about the Form of the Good: the Sun, the Divided Line, and the Cave. A motif common to these images is the role of vision as an analogue to knowledge. Plato’s theory of vision in the Timaeus is examined in detail. The image of the Divided Line in particular conveys the thought that we exercise vision for the sake of directing our thought toward intelligible objects. The present chapter concludes with an overview of the comparison Plato frequently employs between vision and knowledge.

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34

Näätänen, Risto, Teija Kujala, and Gregory Light. The Mismatch Negativity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198705079.001.0001.

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This book introduces the electrophysiological change-detection response of the brain called the mismatch negativity (MMN). MMN is elicited by any discriminable change in some repetitive aspect of ongoing auditory stimulation even in the absence of attention, causing an attentional shift to change, hence representing a response of vital significance to the organism. In addition, an analogous response is also elicited in the other sensory modalities and occurs in different species and in the different developmental stages from infancy to the old age. Importantly, MMN, reflecting the NMDA-receptor functioning, is affected in different cognitive brain disorders, providing an index of the severity of the disorder and effectiveness of remediating treatments.

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35

McDaniel, Kris. Being and Ground. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198719656.003.0009.

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This chapter focuses on grounding. In what sense might grounding be primitive? Perhaps conceptually or methodologically, but not metaphysically. Several ways of defining up a relation of grounding in terms of some kind of ontological superiority plus other connecting relations are explored. The chapter argues that the grounding pluralist, who accepts many metaphysically important grounding relations, and the grounding monist have reasons to believe in an additional relation of ontological superiority. The pluralist does because she needs to account for the unity of the generic relation of ground; it is not a mere disjunction, and so it is either a determinable or an analogous property. But these distinctions were accounted for in terms of naturalness, which is a kind of ontological superiority. The monist about grounding needs some way to defuse grounding variantism, a view analogous to quantifier variantism, and here again appealing to naturalness does the job.

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36

Mason, Peggy. Cerebellum. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190237493.003.0024.

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The cerebellum uses sensory feedback and information about intended actions to ensure coordinated and smooth movements despite changing conditions. An analogy between the cerebellum and an orchestral conductor is elaborated. The cerebellum’s involvement in forming and executing motor memories is presented. Cerebellar circuits through the cerebellar cortex and deep nuclei and the dependence of cerebellar learning on climbing fiber input to Purkinje cells are briefly described. Sensory reafference and motor efference copy are defined and their roles in coordinating movement introduced. Cerebellar symptoms including ataxia, dysmetria and dysdiadochokinesia, are discussed and a possible model for dysmetria is considered. The specific inputs to and outputs from the vermis, paravermis, and lateral lobes are detailed in a description of canonical cerebellar loops. Finally, evidence that the cerebellum is involved in modulating nonmotor functions such as language, affect, social cognition, and visceral control is presented for the reader’s consideration.

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37

Cornell, Agnes, Jørgen Møller, and Svend-Erik Skaaning. Democratic Stability in an Age of Crisis. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858249.001.0001.

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The interwar period has left a deep impression on later generations. This was an age of crises where representative democracy, itself a relatively recent political invention, seemed unable to cope with the challenges that confronted it. It has recently become popular to make present-day analogies to the political developments of the 1920s and 1930s. This book asks whether such historical analogies make sense and why some democracies were able to cope with the stress of interwar crises whereas others were not. Focusing on democratic stability in Europe, the former British settler colonies, and Latin America, the book emphasizes the importance of democratic legacies and the strength of the associational landscape (i.e., organized civil society and institutionalized political parties) for the chances of democratic survival. Moreover, the book shows that these factors where themselves associated with a set of deeper structural conditions, which on the eve of the interwar period had brought about different political pathways.

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38

Amos, Martyn, ed. Cellular Computing. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780195155396.001.0001.

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The completion of the first draft of the human genome has led to an explosion of interest in genetics and molecular biology. The view of the genome as a network of interacting computational components is well-established, but researchers are now trying to reverse the analogy, by using living organisms to construct logic circuits. The potential applications for such technologies is huge, ranging from bio-sensors, through industrial applications to drug delivery and diagnostics. This book would be the first to deal with the implementation of this technology, describing several working experimental demonstrations using cells as components of logic circuits, building toward computers incorporating biological components in their functioning.

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39

Glüer, Kathrin. Triangulation. Edited by Ernest Lepore and Barry C. Smith. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199552238.003.0039.

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As an analogy, triangulation was introduced into the philosophy of mind and language in Donald Davidson's 1982 paper ‘Rational animals’. The analogy is used to support the claim that linguistic communication not only suffices to show that a creature is a rational animal in the sense of having propositional thoughts, but that it is necessary as well: ‘rationality is a social trait. Only communicators have it’. The triangulation argument employs the premise that in order to have any propositional thought whatsoever, a creature needs to have the concept of objective truth. To have this concept, however, it must stand in certain relations of interaction not only with objects or events in the world but also with other creatures sufficiently like itself. The most simple such situation involves a ‘triangle’ of two creatures interacting with each other and an object or event in the world.

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40

Levinson, Marjorie, and Marjorie Levinson. Parsing the Frost. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810315.003.0009.

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Анотація:

The reading of Coleridge’s “Frost at Midnight” at the center of this chapter opens up the cognitive and aesthetic stakes of seeing writing. It does so by analyzing the encounter with visible script, an experience that can be understood as a reworking of a previously unrecognized source, the scene of writing in David Hume’s A Treatise of Human Nature, Book 4. Just such an encounter is the activity in play with the figure of the window frost and with the entire poem. Broadly speaking, sentence formation is seen as analogous to frost formation. In this way, the discussion seeks to shift the sensory register of criticism of the poem from its traditional emphasis on the acoustic to a new appreciation of the visible.

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41

Harrell, D. Fox. Subjective Computing and Improvisation. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.003.

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Анотація:

Subjective computingis an approach to designing and understanding computational systems that serve improvisational, cultural, and critical aims typically exhibited in the arts. The termphantasmal mediadescribes media forms that evoke and reveal phantasms: blends of cultural knowledge and sensory imagination. Phantasmal media include subjective computing systems that deeply engage human culture, imagination, and aesthetics through computer programming (Harrell, 2009). Such subjective computing systems can powerfully useagency play(Harrell and Zhu, 2009), the interplay betweenuser agency(actions that users perform on systems) andsystem agency(experiences that the system enables for users), as a basis for creative expression. This chapter explores the relationship between user agency and system agency as analogous to the relationship between improvisation and composition. The result is a model articulating how subjective computing systems can embody an aesthetic approach grounded in improvisation.

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42

Fogelin, Robert J. Garrett on Hume’s Notion of a True Religion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190673505.003.0018.

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Анотація:

Don Garrett explains what Hume means by “true religion,” a doctrine, enunciated by Philo, that Hume regarded as true in an epistemic sense, not evaluative. Philo’s concluding assessment of the argument from design is transparently epistemic: “The cause or causes of order in the universe probably bear some remote analogy to human intelligence.” The level of probability may be low, the content ambiguous, but it is a genuine probabilistic assessment with some evidential and analogical support. We are left with an anemic deity no theist would find acceptable.

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43

Owens, David. Does Belief Have an Aim? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198713234.003.0003.

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Анотація:

The hypothesis that belief aims at the truth has been used to explain three features of belief: (1) the fact that correct beliefs are true beliefs; (2) the fact that rational beliefs are supported by the evidence; and (3) the fact that we cannot form beliefs ‘at will’. The chapter argues that the truth-aim hypothesis cannot explain any of these facts. In this respect, believing differs from guessing since the hypothesis that guessing aims at the truth can explain the three analogous features of guessing. It concludes that (unlike guessing) believing does not have an aim, at least in any theoretically interesting sense.

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44

McGuigan, Colin M., and Brad Kallenberg. Ecclesial Practices. Edited by William J. Abraham and Frederick D. Aquino. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199662241.013.35.

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Анотація:

This chapter uncovers a development of ideas extending from the thought of Alvin Plantinga through William Alston to Nicholas Wolterstorff. It highlights in this conceptual trajectory the crucial role that ‘practice’ plays in training cognizers for knowing in general, and religious knowing in particular. After illustrating the importance Alasdair MacIntyre’s notion of ‘practice’ has for tacit knowing in a non-religious domain, the chapter argues for the plausibility that ecclesial practices play an analogous role for training religious knowers to perceive truthfully. It concludes by showing the similarity of this position to what philosophical theologian Sarah Coakley and others have recently dubbed the ‘spiritual sense tradition’.

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45

Germana, Michael. A Deep Pocket for the Truth of the Times. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682088.003.0006.

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Chapter 5 treats Ellison’s music criticism as an expression of his commitment to durational time and a critique of cultural forms like bebop that, in Ellison’s estimation, lend form to a discontinuous present. Rather than suggest, as many critics have, that Ellison was simply nostalgic for danceable swing music or hostile toward emerging musical forms, this chapter shows that Ellison’s primary criticism of bebop is that it formalizes a discontinuous sense of time and thereby affirms an historical view of the past structured by an analogous, sequentially static sense of time. Ellison’s problem with bebop, in other words, is neither musicological nor sociological, but temporal. Folk jazz and the blues, by contrast, affirm a durational view of time in the form of a “pocket” or groove entirely unlike the spatialized groove of history described in Invisible Man. In short, Ellison finds in musical grooves antidotes to the groove of history.

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46

Heinz, Marion. Anthropology and the Critique of Metaphysics in the Early Herder. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198779650.003.0003.

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The chapter presents a synthetic account of the young Herder’s metaphysics and epistemology, based on several short pieces from the 1760s, with the intention of bringing into relief their strikingly systematic and coherent nature. The objective is to give the reader a greater sense of the philosophical depth of Herder’s anthropology. The first section examines God’s relationship to the world he creates. The second turns to the analogous relationship, based on interaction, between the soul and the body it builds for itself. And in the third, we bring this all together in order to understand how the embodied soul, through engagement with the world, obtains knowledge, and acquires its identity as a historical-cultural being.

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47

Bacciagaluppi, Guido. Quantum Probability. Edited by Alan Hájek and Christopher Hitchcock. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199607617.013.25.

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The topic of probability in quantum mechanics is rather vast. In this chapter it is discussed from the perspective of whether and in what sense quantum mechanics requires a generalization of the usual (Kolmogorovian) concept of probability. The focus is on the case of finite-dimensional quantum mechanics (which is analogous to that of discrete probability spaces), partly for simplicity and partly for ease of generalization. While the main emphasis is on formal aspects of quantum probability (in particular the non-existence of joint distributions for incompatible observables), the discussion relates also to notorious issues in the interpretation of quantum mechanics. Indeed, whether quantum probability can or cannot be ultimately reduced to classical probability connects rather nicely to the question of 'hidden variables' in quantum mechanics.

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48

Tuozzo, Thomas M. ‘Appearing Equal’ at Phaedo 74 B 4 – C 6: an Epistemic Interpretation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198825128.003.0001.

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The argument at Phaedo 74 B 4‐C 6 that the equal itself is ‘something different from’ sets of physical equals depends on Leibniz's Law: there is a property that perceptible equals have that the equal itself does not have. What I call the ‘epistemic interpretation’ holds that the property is an epistemic one: having appeared unequal. The ‘ontological interpretation’ holds that the property is not epistemic, but simply the property of being unequal (that is: physical equals suffer the compresence of opposites, while the equal itself does not). The most natural reading of the text favours the epistemic interpretation; scholarly support for the ontological interpretation is based on the widely held view that on the epistemic interpretation the argument is manifestly invalid. But this view implicitly relies on an impoverished sense of ‘appearing’ as equivalent to ‘being thought’. Drawing on an analogy with colour perception, I elaborate an experiential sense of ‘appearing’ which makes Plato's argument on the epistemic interpretation philosophically defensible.

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49

Simmons, Keith. Semantic Paradox. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198791546.003.0001.

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Chapter 1 presents the aim of the book: to provide a solution to the semantic paradoxes. The solution makes two main claims. The first is that our semantic expressions ‘denotes’, ‘extension’, and ‘true’ are context-sensitive. The second, inspired by a brief, tantalizing remark of Gödel’s, is that these expressions are significant everywhere except for certain singularities, in analogy with division by zero. The chapter lays out two related desiderata for a solution. A solution should recognize that the proper setting of the semantic paradoxes is natural language, not regimented formal languages. And the solution should respect Tarski’s intuition that natural languages are universal, in the sense that they have the potential to say anything that can be said in any language.

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50

Williams, James. Darwin’s Theological Virtues. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737827.003.0010.

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This chapter considers the ethical dimensions of Darwin’s style under the headings of the theological virtues: faith, hope, and charity. It argues that style, as the manner in which prose conducts itself, is analogous to virtue in something like the sense that ‘virtue ethics’ has described the term, the shape or telos of a way of life or behaviour. This approach to Darwin both sheds light on the natural and instinctual forms of his thought and permits us to grapple with a traditional problem for both evolution and literary criticism: the question of design. While no claim is made for Darwin as a Christian or religious writer and the ‘theological virtues’ are redescribed in intellectual and secular terms, the chapter ends by discussing some of the traces in Darwin’s style of the ethical questions it inherited from Scripture and theology.

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