Дисертації з теми "Amazonie (Brésil) – 20e siècle"
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Vaz, Vania. "Les différentes trajectoires des migrants dans la colonisation de l'Amazonie brésilienne de la seconde moitié du 20e siècle : le rôle des politiques publiques." Electronic Thesis or Diss., Rennes 2, 2023. http://www.theses.fr/2023REN20012.
Повний текст джерелаOur thesis concerns the colonization of the Brazilian Amazon from the second half of the 20th century, especially the differentiation between settlers, according to their geographical origin. One hypothesis is the existence of a socio-cultural permanence built over time, which would last once the migrants settled on their new plots. The other hypothesis is the major role of public policies in migration and this differentiation. Four groups of migrants were identified according to their regions of origin: Nordestins, Paulists, Mineiros, Southerners or Gauchos. Each group having built its own set of characteristics throughout its history, the first part of the thesis analyzes in the history of Brazil and diverse explanatory elements of these specificities. The second part of the thesis describes the migration trajectories for each group/its specificities and the comparative analysis of the migration trajectories as well as the public policies that have induced a differentiation in the migration trajectories and therefore influenced the permanence of the specificities. It shows that throughout Brazil's history, public policies have favored both migration and differences between groups of migrants, thus confirming this hypothesis. On the other hand, if the socio- cultural permanence of migrant groups persists during migration and then during the first years of settlement, it diminishes in a few years, in connection with the convergence of the lifestyles of settlers from different groups, in particular in connection with schooling and having built its own set of characteristics throughout its history, the first part of the thesis analyzes in the history of Brazil and diverse explanatory elements of these specificities
Nascimento, Lucelma Aparecida. "Stockage du carbone dans les sols et dynamique des paysages en Amazonie : l’exemple du Nord-Ouest de l’État de Mato Grosso – Brésil dans le cadre du REDD (Réduction des Émissions par Déforestation et Dégradation)." Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20028/document.
Повний текст джерелаThe land use changes altered the carbon storage potential in the soil. The deforestation and agricultural techniques have a significant impact on the global carbon cycle and contribute to greenhouse gases. The main objective of this thesis is to highlight the links between carbon storage, land use and the dynamics. For this study, we used satellite images over the period 1987 – 2011, to classify types of land occupations. In fact, not only to determine the amount of carbon in the soil, but also to check the connection between the amount of carbon and land management in different properties. Farms operate in the northwestern part of the state of Mato Grosso were chosen for their different operating modes: the Fazenda São Nicolau, in the Cotriguaçu community, where a reforestation policy was designed, the Fazenda Preciosa (representing the traditional agricultural model) and the Assentamento Vale do Amanhecer (recent deployment system based on the division of land among smallholders, with each having an operating strategy) in the of Juruena community. Therefore, detailed studies were developed through a regional soil mapping at scale 1: 100,000 in association with relief, hydrographic network, the geological substratum, climate changes, the vegetation and soils, and following the methodology and the techniques based on established organizational charts for these jobs. All this, in addition to mapping data about the physical partitions of these areas by remote sensing. Thus were carried out some analysis: the physical and chemical analysis, of the fluorescence spectrometry X-rays, the diffraction of X-rays, the geochemical environments - statistical analyzes as well as calculate the densities of the sampled soils in a geochemical context for Determination of the elements are associated with the carbon and organic matter. Studies on land use were also conducted. The Results show a range of carbon stock values between 0.01 and 8.89 kg / m2 distributed among diverse class of soil and selected for placement. Mappings of carbon stock classes allowed confront them with the land and the textural classes. The best correlations between carbon storage classes and certain types of high forest and carbon stock between the classes and the clayey textures were possible to find out that were found. Thus no way to land use seems to have a radical impact on carbon stocks; the cultural and historical practices of each farm better explain the results. This physicochemical approach primarily aimed at identifying the regions studied the soil types in their compositions that have higher levels of organic matter and nutrients where carbon storage is more assured. The results that were obtained in this research, lead us to propose a new model of studies to put into practice new ideas about REDD, as well as the organization's data of carbon storage in these different areas studied, which can be applied in other regions and objective interpretations that will of course be obtained in this body of work
Cavagnal, Thierion Brigitte. "Regards sur l'Amazonie : fiction, histoire, identité dans l’oeuvre de Márcio Souza." Rennes 2, 2010. http://www.bu.univ-rennes2.fr/system/files/theses/TheseThieron.pdf.
Повний текст джерелаThis research investigates the relation between Fiction, History and Identity in the literary universe of Márcio Souza, contemporary Brazilian writer born in the Amazonian region. The present thesis aims at shading light over the dialogue established between his work and the different points of view which “invented” Amazonia through time. The first part analyses the representations of Amazonia in travelers’ and explorers’ discourse and their critical incorporation into fiction. It contextualizes Márcio Souza’s fictional universe. The second part aims at characterizing the writer’s intellectual and literary profile, taking into consideration five novels which are the object of this research and which stage two key periods for the formation of Brazilian nation and for regional Amazonian history: the incorporation of the state of Acre and the Cabanagem Revolt. The literary analysis of the trilogy of novels Crônicas do Grão-Pará e Rio Negro emphasizes the role of the committed intellectual who calls into question the negative and biased representation of this rebellion which, in the 19th century, ravaged the Province of Grão-Pará and Rio Negro, in the Northern Region of Brazil. The analysis of this trilogy exposes the narrative strategies as well as the ideological posture of an author who revisits the onset of the Empire of Brazil and the history of the formation of Brazilian nation, integrating the point of view of a humiliated people, stricken by fierce repression. The desire to fight against oblivion constitutes a strong axis in the writer’s work of memory. This research stresses the importance of the reflection which emanates from Márcio Souza’s work to understand Amazonia’s history and its ascribed place in contemporary Brazil
Este trabalho de pesquisa analisa as relações entre Ficção, História e Identidade no universo literário de Márcio Souza, escritor brasileiro contemporâneo, originário da Amazônia. Esta tese procura esclarecer o diálogo estabelecido pela obra com os diferentes olhares que, no decorrer do tempo, têm “inventado” a Amazônia. A primeira parte analisa as representações da Amazônia dentro dos discursos de viajantes e exploradores e sua incorporação crítica dentro da ficção. Contextualiza o universo ficcional de Márcio Souza. A segunda parte procura caracterizar o perfil intelectual e literário do escritior, igualmente ensaista, dramaturgo e romancista. A terceira parte está centrada no estudo das relações entre Ficção e História, dentro de cinco romances estudados que dramatizam dois momentos emblemáticos da nação brasileira e da história regional : a anexação do Acre pelo Brasil e a Revolta da Cabanagem. A análise literária da trilogia romanesca Crônicas do Grão-Pará e Rio Negro salienta o papel do intelectual engajado que questiona a representação negativa e unívoca desta revolução que no século XIX assolou a Província do Grão-Pará e Rio Negro, ao Norte do Brasil. A análise desta trilogia romanesca evidencia as estratégias narrativas assim como o posicionamento ideológico do autor que revisita o advento do Império brasileiro e a história da formação da nação brasileira integrando o ponto de vista de um povo humiliado, vítima de uma repressão feroz. O desejo de lutar contra o esquecimento constitui um dos eixos fortes daquele trabalho de memória do escritor. A pesquisa sublinha a importância da reflexão que emana da obra do escritor Márcio Souza para compreender a história da Amazônia e o lugar que lhe é atribuído dentro do Brasil atual
Delahaye, Florian. "Analyse comparative des différents produits satellitaires d'estimation des précipitations en Amazonie brésilienne." Phd thesis, Université Rennes 2, 2013. http://tel.archives-ouvertes.fr/tel-00824885.
Повний текст джерелаGoldberg-Salinas, Anette. "Le dire et le faire féministes : une approche socioculturelle du Brésil contemporain." Paris 7, 1991. http://www.theses.fr/1991PA070133.
Повний текст джерелаFreire, Eliane Oliveira de Lima. "Mouvements de quartier et relations de pouvoir : le cas de Casa Amarela - (Recife - Brésil) - 1964-1985." Paris 1, 2002. http://www.theses.fr/2002PA010662.
Повний текст джерелаOliveira, Chaia Rômulo. "La réforme de l'État : administration et politique au Brésil." Bordeaux 4, 1999. http://www.theses.fr/1999BOR40027.
Повний текст джерелаThis thesis is a study about the political brazilian transition, from the passage of the autoritarian gouvernment to the democratic one (1974-1985). We consider the interests and the ideologies of the national private investors, wich are connected to foreign ones that follow the privatisation evangile, wich wants the liberalisation of the brazilian market. It means that we do not stay attached to one specifical gouvernement in particular,instead several gouvernements are studied in the mesure that the work requires in order to their context. In others words, it is a study of the contemporary brazil, when the state stops to finance the public investments, giving the place to an open market. The advent of an open market asks for a modernisation of the ancient structures of the country, in order to be able to receive the international investments and to enter in the new order era, in the era of the third industrial revolution. But we are also interested in the most obscur phase that political brazilian system had lived during a moment of its history : the military autoritarism. In this context, we take into consideration the movement of the political and financial elites in the interior of the state's machine, including the federation, mainly after 1930's years. These elites are seen as the principal actors ol the society in the process of political opening of the country to commercial liberalization. The theoretical reference analysed in this thesis corresponds to the ideas that are accorded the best to the proposition of a stale reform, and to the role of the national elites in this process. The explicative elements that turns around this question are adapted to the political, economical and institutional aspects of the country. We also consider the participation and the influency of these elites in the process of strategical decision of the slate and the liberalization of its internal market. All the analysis consider current difficulties of the country that are attached to its structural anachronism and its historical past
Rocha, Leandro Mendes. "La politique indigeniste au bresil (1930-1967)." Paris 3, 1996. http://www.theses.fr/1996PA030105.
Повний текст джерелаThis work covers brazilian indian politics from 1930 to 1967. In order to understand governmental action in this respect we place the subject in the context of the general evolution of the country. Thus, the changes that occured from 1930 onwards can be better understood if the beginning of the frontier movement towards the west is considered. This also enables to appreciate the end of the indian protection service and its replacement by a new institution, the indian's national foundation
Fléchet, Anaïs. "Aux rythmes du Brésil : exotisme, transferts culturels et appropriations : la musique populaire brésilienne en France au XXe siècle." Paris 1, 2007. http://www.theses.fr/2007PA010698.
Повний текст джерелаSchmidt, Arturi Carlos. "La sidérurgie dans la formation économique et sociale du Brésil." Paris, EHESS, 2000. http://www.theses.fr/2000EHES0117.
Повний текст джерелаZielinsky, Mônica. "La critique d'art contemporaine au Brésil : parcours, enjeux et perspectives." Paris 1, 1998. http://www.theses.fr/1998PA010672.
Повний текст джерелаThis research examines the logic underpinning the attitudes of some art critics in Brazil, as reflected in their writing in the 1980s in the rio de janeiro and sao paulo areas. Based on the observation that culture has tended to become homogenised, and individual identity and freedom blurred, this study looks at the absence of any foundation or justification for the opinions on art given by critics and the failure to question those opinions in the public domain, as well as critics' approach to their subject: the experience of works of art is seen here as the main source of assessing their value. The nature of their comments concerning aspects of communication is one of the central factors in this study. From a methodological viewpoint, some specific cases are examined to illustrate the various ways in which art criticism is expressed and forms part of Brazilian culture. Each occupies a specific place in revealing opinions on art and plays an essential role in establishing a geography of the field of criticism. The examination of these issues also calls for both an examination of the contents of documents collected during extensive research in the field in Brazil, and interviews granted by 15 Brazilian art professionals in 1997. On the basis of the data examined, some of the viewpoints offered to contemporary art criticism are sketched out, using a proposal based on the results of previous research. This paper ends with an evaluation of the possible practical applications of the research
Macedo, Maria Bernadete Ferreira de. "En tissant voiles et linceuls : le rapport travail/santé des ouvrières de Rio Tinto (Nordeste-Brésil) : une analyse en termes de rapports sociaux de classes et de sexes, 1924-1991." Paris 7, 1993. http://www.theses.fr/1993PA070092.
Повний текст джерелаMello, Cecilia Martins de. "Romantisme et actualité dans les oeuvres de Oswaldo Goeldi et Iberê Camargo." Paris 1, 1996. http://www.theses.fr/1996PA010596.
Повний текст джерелаThis study intends to establish a poetical link between the works of the Brazilian painters Oswaldo Goeldi and Iberê Camargo. The aesthetical experience of their works reveals immediately common traits, our considerations follow this experience and try to point to the singularity of the works of Goeldi and Iberê in the field of modern and contemporaneous art. Our study has no intention to exhaust the meaning of the link between the works of the artists. Above all, we try to find a new approach to these works and to articulate Goeldi and Iberê to the expressionist aesthetics. This dissertation is conceived of three main pieces : the first is involved with Oswaldo Goeldi, the second with Iberê Camargo and the third with the development of the link between their works
Barros, Daniele Cruz. "La flûte à bec au XXe siècle : l’exemple du Brésil." Paris 4, 2007. http://www.theses.fr/2007PA040133.
Повний текст джерелаIn the 20 th century there was a significant rediscovery of early music instruments. As part of this process, the recorder was returned to a position of importance, both in Brazil and in Europe, as a result of music teaching and performances of pre-classical music, but also in the context of contemporary composition. It is the latter which the present research explores. Based on an annotated catalogue of works or methods for the recorder by 48 Brazilian composers and 12 Brazilian authors respectively, it seeks to situate this corpus and its evolution in its geographical and artistic context. The study considers the organological, historical and pedagogical foundations of the above, presents a repertoire which spans three generations of composers, analysing its main features and musical characteristics, with reference to tendencies present in other music from the same decades
Roux, Richard. "Le théâtre Arena de São Paulo : Naissance d'un théâtre brésilien (1953-1975), du théâtre en rond au "théâtre populaire"." Aix-Marseille 1, 1989. http://www.theses.fr/1989AIX1A001.
Повний текст джерелаThe development of the theatre in brazil in the years 1953 to 1975, influenced by the social conditions and political life of the period and by the work of amateur companies, gave birth to the teatro de arena in sao paulo. This started out merely as an experiment with theatre-in-the-round and then became politicized, claiming the title of "teatro popular". This concept is examined in the light of the french tradition of "theatre populaire" and of other brazilian experiments and theoretical writings on the subject. The teatro de arena experiment ended in 1975 despite the struggle by luiz carlos arutim to keep it alive from 1970 onwards
Ramos, Everardo. "La gravure populaire au Brésil (XIXe-XXe siècle) : du marché au marchand." Paris 10, 2005. http://www.theses.fr/2005PA100017.
Повний текст джерелаFolhetos de cordel are small books sold on street markets throughout Brazilian Northeastern towns. From the 1950ś on, the most roughly carved type of woodprint used to illustrate folheto covers started being considered a privileged sort of 'primitive' art and therefore such engravings have also been collected , displayed and sold in museums and galleries in Brazil and abroad. A deep study has been carried out with over six hundred works dating from the 19th and 20th centuries which reveals that other kinds of engravings similarly developed by self-taught artists to illustrate printed materials with great circulation such as booklets, magazines and newspapers show very elaborate technical and stylistic features, which contrast with the rustic type of work most valued by scholar circles. The brazilian example thus allows us to review notions well settled in Brazil and in Europe and also to suggest new perspectives to approach the popular art piece
Trotignon, Jérôme. "Brésil : dette extérieure et politiques économiques,1981-1991." Paris 10, 1992. http://www.theses.fr/1992PA100024.
Повний текст джерелаSince 1982, debt payments by Brazil to foreign creditors have slowed investment and economic growth. Monetary and quasi-monetary financing through very short term public securities have resulted in brings inflationary pressure. From 1981 to 1991, Orthodox and semi-heterodox policies was unable to stop the increasing trend of inflation which shot up to 1500% in 1990. In addition to these external factors, a number of internal factors multiplied inflationary pressure. The wed concessions granted by creditors during the eighties and the lukewarm balance of the conversion of debt into risk-capital allow us to regard the use of moratorium as a method applying pressure on creditors. If we combine with a progressive buy back of part of the banking debt on the secondary market, a moratorium could be enable a significant reduction in external debt service payments and make them compatible with macro-economic equilibriums
Müller, Angélica. "La résistance du mouvement étudiant brésilien au régime dictatorial et le retour de l'UNE à la scène politique (1969-1979)." Paris 1, 2010. http://www.theses.fr/2010PA010626.
Повний текст джерелаGaspar, José Teixeira. "Le noir et la critique : une lecture de la place du noir dans le discours critique sur la littérature brésilienne." Paris 3, 2004. http://www.theses.fr/2004PA030103.
Повний текст джерелаThe objective of this study is to shed the light into the image of Black people of Brazil, in particular through the voices of the literary criticism. This thesis, dealing with the image of Afro-Brazilians through the literary criticism, relies on the hypothesis that the literary criticism is always subjective. We focus our analyses in two theoretical bases, the sociology of the literature and the post-colonials theories. We build a modelization that reflects the importance of these methods in the study of minorities in the literary field. The literary criticism bring a new light on the knowledge of Black Brazilian people, either character or author. The literary criticism had an important development during the twentieth century. Its evolution permit to understand the literary institutions as a system and also to analyse its speech concerning the ethnic questions. Our duty is to compare the literature and the Brazilian society, and so, to show how Black people appear in Brazil, we read constantly the texts of our body of texts to see the tension between the idea ant the image, between the center of an intellectual thought and the snare of the representation of the images
MEIRA, SILVIA MIRANDA. "L'art moderne au bresil dans les annees 50 et 60." Paris 4, 1993. http://www.theses.fr/1993PA040188.
Повний текст джерелаThe thesis' modern art in brazil in the 1950's and 1960's ' is the sum of a research on the history of sao paulo's biennial (1951-1991) and thereby places brazilian art within an international context. The sao paulo's biennials of the beginning of international representation of art movements, including both modern and contemporary tandances in latin america. The various biennials were occasions for cultural exchange and exposure of european and american artistic values. During the 1950's, the biennial represented an international exhibition place for modern art and whereby, in the 1960's it became not only international impressions, but a domestic expression of aesthetics as well, the biennial being an important event particularly in those years. A panoramic view of the most important artistics movements is presented by each biennial and also a specific study of brazilian artistes. The interpretations are based on the official delegates of the various countries participating in the biennial
De, Souza Paulo Henrique. "L'exercice de la participation populaire à travers le Conseil national de santé au Brésil dans les années 90." Master's thesis, Université Laval, 2006. http://hdl.handle.net/20.500.11794/18215.
Повний текст джерелаGageiro, Ana Maria. "L'histoire de la psychanalyse au Brésil et de la fondation de la société psychanalytique de Porto Alegre (1963)." Paris 7, 2001. http://www.theses.fr/2001PA070004.
Повний текст джерелаThe paper aims at studying the conditions of freudian ideas implantation in Rio grande do Sul state (Brazil), as well as the psychoanalytical movement expansion since its first institutional experience with the psychoanalytical society of Porto Alegre (1963) up to now. The first freudian ideas reached Brazil rather early (1899). Psychoanalysis was quickly founded on hypnosis practice and named as a "special medecine system of neurosis and psychosis". During its implantation in Brazil, Psychoanalysis equally suffered the influence of Positivism. It is in the 1930s that this science knew a burst of development, combined with the idea of eugenic care of the "Brazilian race". The first psychiatric hospital of Rio grande do Sul dates from late 19th century and the psychoanalytical ideas were implanted based on the 1920s psychiatric and literary routes. It was through Argentina that the "gaucha" Psychoanalysis was developed. Back from Buenos Aires, the psychiatrists founded the Center of Psychoanalytical Studies of Porto Alegre in 1957. During the International Psychoanalytical Congress, held in Stockholm in 1963, the group is recognized as the Psychoanalytical Society of Porto Alegre. .
Domont, Ronaldo Reinehr. "Le surréalisme et le Brésil." Paris 1, 1989. http://www.theses.fr/1989PA010534.
Повний текст джерелаAfter the historic reconstitution of the diffusion of surrealism in Brazil, from early begining to today, and through a comparative analysis, we pretend to show the contribution of surrealism as an element of the belonging of art in Brazil to modernity. For this purpose we confront poetry effects, imaginary and formal effects : different space notions, erotic plethoras, parodic relations, correspondances of tropes in art and formalisation of an esthetic thinking. We particulary analysed the antecedents close to surrealism : a certain brazilian symbolism, the painting of Tarsila Do Amaral, Vicente do Rego Monteiro, Ismael Nery, Flavio de Carvalho, Cicero Dias, Antonio Bento, Wesley Duke Lee, Jef Golyscheff, Octavio Araujo, the collage of Serfio Lima et Tereza d'Amico and the sculpture of Maria Martins. We determine the relations between the effects of this art with essentialist poetry and the young surrealist poetry of the sixties in Sao Paulo
Sant'Anna, Denise Bernuzzi de. "La recherche de la beauté : une contribution à l'histoire des pratiques et des représentations de l'embellissement féminin au Brésil, 1900-1980." Paris 7, 1994. http://www.theses.fr/1994PA070073.
Повний текст джерелаStudy on practices and representation of feminine embellishment in brazil along a historical perspective. The developed reflectio follow a social history on appearance and behavior of women. These ones are influenced by a large spectrum of advice coming from the press and beauty books. This thesis is divide in four parts : the first one expose the theoritical and methodological approach chosen. The second gives an account of the methods and the beauty products prescript in brazil before 1950. In the third one is exposed the news methods created with the development of the cosmetology and by new values wich appears under the influence of american way of life and the development of the consumer society in brazil. The last part explain how the rignt to beauty becomes superfluous if it does not come from a preoccupation for the protection and the preservation of the body like an element of the environment
Lévy, Alain. "Topologie sociale d'une migration familiale (Egypte, Algérie, France, Grande-Bretagne, Brésil, 1922-1990)." Paris 7, 1994. http://www.theses.fr/1994PA070058.
Повний текст джерелаThis thesis is meant to suggest a reflection on the circumstances making for cultural pluralism. Starting with the monographic study of an extended family of alexandrian jews - whose story is recounted from the beginings of the xxth century to present day when it split u, some branches moving into england, brazil or france- this work proceeds to distinguish the values and trends or a "philosophy" avored the protagonists of that story in the course of their meandering journey. The descriptio - of the various backgrounds to their lives - the cosmopolitan and peaceful alexandri a of the first half of the xxth century, the colonial circles of southern egypt, the last days of colonial algeria enables to recpature both the economic, political and geopolitical, social and cross-cultural relationships underlying t the situations, and the experiences lived in those respectiv contexte, out of which is taking shape a way of benaving an d looking at things that paves the way for a soothed rapport with otherness
Arenz, Karl-Heinz. "De l'Alzette à l'Amazone : Jean-Philippe Bettendorff et les jésuites en Amazonie portugaise (1661-1693)." Paris 4, 2007. http://www.theses.fr/2007PA040146.
Повний текст джерелаThis thesis analyses the introduction and the consolidation of the missionary project of the Society of Jesus in the Portuguese Amazon region in the 17th century, specifically between 1661 and 1693. This period, which has been neglected for a long time by historiography, is characterised by a deep controversy concerning the juridical status of the Amerindians who were evangelized by the Jesuits in separated villages, the aldeamentos. Father António Vieira’s arrival, in 1653, at the strategically important colony of Maranhão and Grão-Pará only stirred up the quarrel because the settlers and the civil authorities claimed the Indians as servile labour force, specially as rowers and pickers of rain forest products. After a period of uncertainty, Father Jean-Philippe Bettendorff obtained, in 1686, the promulgation of a law that defined the working conditions of the Indian neophytes and gave a large autonomy to the aldeamentos. This missionary from Luxembourg was also an outstanding personality in the Amazon region as religious superior, chronicler, lawyer, economist and architect
Grando, Bezerra Angela Maria. "Cicero Dias : figuration imaginative et abstraction construite [1928-1958]." Paris 1, 2002. http://www.theses.fr/2002PA010508.
Повний текст джерелаMonteiro, Tania Penido. "La voix d'Itapuã : images du passé et vision du changement : ethnotextes d'un réseau de culture populaire dans l'Etat de Bahia, Brésil." Aix-Marseille 1, 1993. http://www.theses.fr/1993AIX10014.
Повний текст джерелаThe subject of this thesis is the memory of an ancient fishermen's village of the north-east of brazil. This village, called itapua, was incorporated to the city of salvador in the second half of our century, when the capital of bahia tripled its size becoming an important industrial center. It's a study of oral history : the interviws were recorde between 1987 and 1991. Old residents of theplace were interviwed, especially men and women who are members of traditional fishermen's families. For collecting and analysing oral material we followed the principles of the research based on the concept of ethnotexts. The most important themes that are constantly repeted by those who were interviwed gives us certains insights about the community and its collective memory. We have also analysed how the transformations of the city were felt by the people of itapua who in many ways keep alive the traditions of the popular culture of bahia
França, Barbara. "Le syndicalisme des fonctionnaires au Brésil." Paris 8, 1995. http://www.theses.fr/1995PA081027.
Повний текст джерелаThe syndicalism of the public workers in brazil is studied within the structural and histiric environment of this country. The political organization of such social category is analysed under it links to the process of the ongoing proletarianization, the literature that contributes to its caricatural representation, the government, the political parties and the syndicalism of the blue collar workers. The main issues of such syndicalism are the ones that express the current dilemma lived by all the brazilien workers
Amaral, Filho Do Jair. "Etat, dettes et politiques d'ajustement : le cas du Brésil." Paris 13, 1989. http://www.theses.fr/1989PA131004.
Повний текст джерелаThe objectif of this thesis is to make a study the specific case of the actual financial transfer problem and the adjustment policies in the under developments latino-americains countries. This is a theoritical and concrete analysis of the Brazilian case
De, Sousa Antonio Paulino. "Théorie et pratique de l'idéologie politique du développement : le cas de la surintendance du développement du Nord-Est (Sudène)." Paris 7, 2002. http://www.theses.fr/2002PA070003.
Повний текст джерелаThe context of this thesis is an analysis of the social conditions of production and practices of the political ideology of economic development in northeast Brazil. The political ideology of development is characterized by its considered obviousness which must be adhered to no questions asked. It thus carries out a social function via the proposition of unquestionable truths. The theoretical field of the sociology of economic knowledge provides the framework for this study of the social history of the political ideology of development using the example of the SUDENE. The social effects of economic knowledge and know-how which cannot be reduced to desinterested theoretical constructions but rather constitutes social forces at work in the social set-up, are studied. The Church has played a determining role in applying the economic politics of the northeast development. In this region of Brazil the State can be said to be absent and the northeast Church to have substituted itself for the State. The trajectory of Father Lebret is a good illustration of the success of this vulgarization of the polital ideology of development at work. The political ideology of development appears as a variant of enlightened conservatism while aiming at the pacification of social relations as in the case with hte social discourse of Father Lebret and also Dom Helder as inspired by the Church. .
Santos, Ariovaldo de Oliveira. "La crise syndicale au Brésil : les centrales face aux transformations du monde du travail." Paris 1, 1997. http://www.theses.fr/1997PA010666.
Повний текст джерелаThis study analyses the proces of improvement and decline of the Brazilian syndicalism in the last 20 years. This analysis takes as the principal reference the central unica dos trabalhadores (CUT), CGT-confederacao, CGT-central, forca sindical and the central autonoma dos trabalhadores (CAT). We e studied how the situation changed from an offensive struggle to a defensive one. Our study has as the title : the syndical crisis in Brazil: the central worskers and the transformations in the word's work. This study is divided in six chapitles. 1- The syndicalism between resistence and transformations ; 2 - The centrals in Brazil. An evolution with unification and ruptures ; 3- The syndical crisis and the centrals 4- The syndicalism inside the crisis : 5- The common bases for contempory Brazilian's syndicalism ; 6- The centrals usered in the crisis : the essays of answering. Our principal hypothesis is that the crisis by syndicalism is not only motived by a variety of syndical centrals. The principal reasons is concerned to the economic and political transformations that arrived after the end of 1980's. The most important caracteristics must be resumed by : the politic power took by neoliberal governements, or at least influenced by these idea ; an stronger insertion country in global economie ; and, at last, the difficulties faced by the centrals of having good solutions to the "new problems"
Jollant, Nataly. "L'Amazonie comme identité, géographie imaginaire et cartographie littéraire au Brésil du XIXe siècle. Le vécu au service de l'imaginaire." Thesis, Paris 3, 2019. http://bibnum.univ-paris3.fr/webclient/DeliveryManager?pid=323339.
Повний текст джерелаForeign and national imaginaries of the Brazilian Amazon are the result of a long and incomplete historical and literary construction started by Europeans in the 16th century. The first texts about the region gave accounts of a faraway, exotic and wild place. These representations would be permanently associated to the Amazonian space, in particular during the 19th century, when Brazil initiated its process of political emancipation and identity formation. In the vast project of constructing a national identity, it is important to understand how foreign imaginaries shaped the local imaginaries. And the Amazonian writers had a remarkable participation in establishing a collective identity. Wanting to secure a place for the Amazon in the national architecture, they used the traditions of the indigenous people as well as the knowledge of the Europeans. Using the study of travel narratives, of the press, of regionalist literature, through the lens of scientific theories and literary currents, and at the intersection of various disciplines, we will analyze the formation of imaginaries of the Amazon, how they have consolidated throughout the centuries, and to what extent Amazonian writers appropriated them to create a regional literature
Os imaginários estrangeiros e nacionais sobre a Amazônia brasileira são frutos de um longo e imperfeito trabalho de construção histórica e literária, iniciado no século XVI pelos europeus. Os primeiros textos sobre a região dão conta de um lugar distante, exótico e selvagem. Representações que serão associadas para sempre ao espaço amazônico, notadamente no século XIX quando o Brasil inicia seu processo de emancipação política e de construção identitária. No vasto projeto de constituição da identidade nacional, importa compreender como os imaginários estrangeiros modelaram os imaginários locais. Outrossim, os escritores amazônicos tiveram notável participação no estabelecimento de uma identidade coletiva. Buscando assegurar um lugar para a Amazônia na arquitetura nacional, eles recorreram tanto às tradições dos povos autóctones quanto aos saberes dos europeus. Através da análise de narrativas de viagem, da imprensa, da literatura regionalista, à luz de teorias científicas e de correntes literárias, e na intersecção de várias disciplinas, são analisados a formação dos imaginários sobre a Amazônia, de que forma os mesmos se consolidaram ao longo dos séculos e em que medida os escritores amazônicos deles se apropriaram para criar uma literatura regionalista
Scheinowitz, Abraham Samuel. "Le rôle de l'état dans le développement de l'agglomération de Salvador et de sa région." Paris 4, 2000. http://www.theses.fr/2000PA040273.
Повний текст джерелаSantiago, de Freitas Antonio de Padua. "En quête de reconnaissance : stratégie d'insertion et culture urbaine l'exemple de la favela de Pirambu au nordeste du Brésil (1930-1970)." Paris 4, 1999. http://www.theses.fr/1999PA040001.
Повний текст джерелаDesbois, Laurent. "Un demi-siècle de cinéma au Brésil ou l’éternel retour : une incessante quête d’identités de l’Atlantide à la Cité de dieu : l’odysée du cinéma brésilien." Paris 10, 2007. http://www.theses.fr/2007PA100115.
Повний текст джерелаExcept for the cinema novo, brazilian cinema is almost unknown in foreign parts. Fascinated by Hollywood, italian neorealismo and french nouvelle vague, it’s a cyclothymic and labyrinthic cinema whose importance is in disproportion with this country of future gigantism. Its story is full of crisis, disappearance and resurrection episodes, always looking for national and esthetic identities. Why brazilian cinema is’nt successfull intra and extra muros ? In the forties the first big studio, Atlantida, and the first kind of typic comedy, the chanchada were created in Rio de Janeiro. In the fifties in Sao Paulo the studio Vera Cruz, organized by cosmopolitan Alberto Cavalcanti, imitated Cinecitta for 4 years: it was a spectacular failure but the nordestern O Cangaceiro was a huge success at Festival de Cannes. Then the whole world discovered brazilian movies. In the sixties the cinema novo’s leader was Glauber Rocha who looked after brasilidade in allegoric and epic pictures. After him no one was able to choose original language. Militar dictaturship, represented by Embrafilme, has imposed national cinema whose big success like erotic Dona Flor announced the wave of vulgar sex comedy called pornochanchada: their bad quality discredits brazilian movies for 20 years. In the beginning of nineties all the production are stopped by President Collor’s decree. Only TV-Globo seems seduce the audience. But Central Station (1998) and City of God (2002) impulse new blood in the brazilian cinema after their Oscar nominations. Are they ocean’s drops ? From Atlantida to City of God, cinema odyssey in Brazil always begins at zero hour
Suppo, Hugo Rogélio. "La politique culturelle française au Brésil entre les années 1920-1950." Paris 3, 1999. http://www.theses.fr/1999PA030055.
Повний текст джерелаCultural policy is the basis of french politics in brazil. The cultural actions commanded, organised and guided by the french state between 1920 and 1950 were examined at three levels: a) the institutions (alliance francaise, group of french universities and grandes ecoles for relations with latin america, franco-brazilian institute, franca-brazilian licee, etc. ; b) the role of intellectuals and artists involved; c) cultural products (books, radio programmes and films). Three different periods were established: 1920-1940, 1940-1943, and 1944-1950. War is a key period, for it reveals how french cultural policy was above political and ideological interests, with the war gathering the nation around the defence of its interests. On the other hand, franco-brazilian relations follow a course that prior to 1940 revolves around a network built by university professor georges dumas, a man close to the radical party, towards the institutionalisation of relations with the signature, in 1948, of the first cultural agreement between the two countries. Thus, the perfect symbiosis between the university community and the diplomatic world is broken to the advantage of the latter. In the post-war, france had lost almost all positions and had to face, at the same time, the us cultural policy and changes in the brazilian situation. A profound reformulation of the cultural policy is required, but france lacks the material means and, above all, the possibility of offering other cultural products. The whole french strategy of "cultural colonization" is based on the creation of francophones/francophiles, being unable to offer the mass consumption goods that modern society demands
Dos, Santos Nilo Rosa. "Marché du travail, économie informelle et discrimination : le cas de Salvador." Paris 1, 2005. http://www.theses.fr/2005PA010553.
Повний текст джерелаTeixeira, Rubenilson Brazão. "De la ville de Dieu à la ville des hommes : la sécularisation de l'espace urbain dans le Rio Grande do Norte - Brésil." Paris, EHESS, 2002. http://www.theses.fr/2002EHESA107.
Повний текст джерелаThis research project aims at examining the relationship between the secularisation process and the evolution of some of the oldest cities in the state of Rio Grande do Norte, Brazil. 12 cities were selected according to predefined criteria. They make up two groups as regards their origin (from missionary and from non missionary-based activity). The study considers the period ranging from 1700 to 1964, divided into four distinct historical periods. Our objective is to demonstrate that the cities of our sample, born as cities of God, become the city of Men at the end of these evolutionary phases. In order to do that, we analyse the cities based on three key elements, which are the use, the form and the function of these urban centres. These aspects, resulting from the specificities which are particular to the State of Rio Grande do Norte, are revealed in terms of the periods mentioned, the three key elements selected, and the two groups of cities were established
Belleau, Jean-Philippe. "Sociologie du mouvement indien au Brésil : une approche à partir de la théorie du processus politique." Paris 3, 2007. http://www.theses.fr/2007PA030053.
Повний текст джерелаThis dissertation uses various concepts of political process theory (political opportunity structure, collective action frame, mobilizing structure, repertoire of collective action) to examine the factors of emergence and forms of the indigenous movement in Brazil. Since it was born in 1974, this movement has tried various mobilizing structures both to represent societies without tradition of political delegation and to “open” the Brazilian structure of political opportunities: assemblies of indigenous chiefs, raids of indigenous “warriors”, “emblematic leaders”, social movement organizations. The missionary “institutional host” and the critical overclass and communities mainly composed of academics played an essential role in turning disenfranchised social sectors into savvy political actors
Le, Lièvre Aurélie. "Communautés juives de São Paulo et intégration nationale brésilienne. Évolutions d’un paradigme." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030052.
Повний текст джерелаDuring the 20th century, nation building in Brazil has been thought through the prism of "racial democracy". This paradigm advocates a cultural and genetic population mix. It is accompanied by a projection into the future. Within this framework, the nation is never complete but eternally under construction. It is in this context that most of the Jewish population moved as immigrants to the city of São Paulo. In this thesis, we study the formation and transformation of the Jewish communities from São Paulo parallel to and in conjunction with the national integration process from their arrival to present day. A double dynamic is at play. We demonstrate that Jews make up the different communities whose modes of cohesion evolve: first organized according to criteria of inherited geographical and historical origins, now they coalesce around more objective and rational criteria such as religious practices and political points of view regarding national and international issues. These internal developments combine with a change in Brazilian national conception, which, as it gradually relinquishes the land of miscegenation, is progressing more and more clearly since the end of the military dictatorship towards recognition of minorities’ identities
Herrera, Sarmiento Enrique. "Multiculturalisme et ethnicité en Amazonie bolivienne : la gestion publique des différences ethniques et l'invention des indiens Tacana." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030119.
Повний текст джерелаThis thesis studies the rise of the Tacana, an indigenous group formed in Bolivian Amazonia two decades ago, when different State reforms aimed at constructing a citizenship model based on respect for ethnic diversity. The emergence of the Tacana is a contemporary phenomenon involving part of the descendants of those groups who arrived in the region during the late 19th Century coming from different parts of the country. These people formed the labor force for a forest extraction system which initially exploited rubber but later extended its activities to other forest resources. Against this background, the situation has been analyzed in this study interms of the interactions between the forest laborers and the business management that controls the local economy. The thesis explores how, in this ethnic conversion process, forest laborers have used the “Tacana” identity to achieve visibility as well as benefit from the ethnic State reforms. The study shows how these laborers sought to justify their differential existence formally through census registrations made by State institutions which were backed up by international institutions involved in the defense of Indigenous Rights. The particularity of this process is also examined from the point of view of collective action undertaken by the new ethnic group to become the legal owners of a collective indigenous land –the primary factor that explains why they chose to become ethnic subjects. Our investigation shows that State policies that seek to manage ethnic differences are not triggered by social demands; rather, this sort of demand is a direct consequence of policy application
Neves, Lopes Claudia. "Marche editorial entre bresil et portugal. Periode de la republique bresilienne. Les relations editoriales entre le bresil et le portugal." Paris 7, 1998. http://www.theses.fr/1998PA070027.
Повний текст джерелаThis thesis tries to show how books and edition could have been used as instruments of cultural domination in the relatioships between an ex-colony and its former metropolis. Of course, they don't lose their roles as cultural means of diffusion but at first, as means of diffusion of a foreign and colonizing culture. The diffusion of this culture is acheived through thecolonizer's domination of the means of production, which have never been those of the colony because of the impositions of the colonial system. Moreover, this system helped to perpetuate links based on dependance, as it gave the parent-state the possibility to diffuse its own culture in the colony, even after its independance. This phenomenon had another consequence too : the cultural production of the colony (or ex-colony) is kept apart from the editorial production process, which is dominated by foreign editors who want to diffuse their own culture among the reading elite of the colony, who had an europeanized way of thinking. Books and edition, used that way by the colonizing countries, could enter the colony by two ways : on one hand, in a cultural way, as they carries the ideology of the colonizer ; on the other hand, in an economical way, as they were a new market for editorial companies that exploited it by setting up subsidiaries and a massive exportation of printed papers. But this study wants to point out the process by which the colony got free from its colonial links and became autonomous in this particular subject of cultural production, achieving the production and diffusion of the national culture at home and through its own means. Here the question is, at first, to point out the moment when the relation ships between two countries, linked by colonial links, went from colonial domination to cultural diffusion in this particular subject of edition
Anderfuhren, Marie. "L'employée domestique à Recife (Brésil) : entre subordination et recherche d'autonomie." Paris 1, 1999. http://www.theses.fr/1999PA010629.
Повний текст джерелаDelon, Christian. "Démocratisation des télévisions communautaires au Brésil : promesses et illusions (de TV Viva à TV ROC) : de TV Viva à TV ROC." Thesis, Metz, 2007. http://www.theses.fr/2007METZ010L/document.
Повний текст джерелаMust the citizens conquest a human right to communication ? What is the meaning of democratization of the alternative or community televisions ? What experiences exist and for what results ? Have the citizens won places for their expression that they are managing them selves and does these experiences encourage social evolutions ? In Brazil, where are tested the deliberative and the participative democracy, we are studying the case of two televisions : TV Viva, a pioneer street television in Recife, and TV ROC of the Rocinha in Rio de Janeiro, the first authorized Brazilian cable television in a slum. In a comparative phenomenon, we study as well the French experience of Télé Millevaches which includes various similarities. Media and democracy and their function in the diffusion of the democratic values, as social actors, is the focus of the first part of the document. The questions of the identity, media participation and media access are treated, comparing France and Brazil's situations, in a way of propositions for an "other communication". In a second time, we examine what is the relationship between the local and community medias, the local and the proximity in a French and Brazilian perspective of the local as the history and the models of these medias in the two countries. The third part is consecrated to TV Viva and to a case study of TV ROC
Rodrigues, Maurilio Alves. "L'évolution historique des Communautés Ecclésiales de Base (Ceb's) au Brésil." Paris, EPHE, 2002. http://www.theses.fr/2002EPHE5022.
Повний текст джерелаThe first part of the thesis shows that Latin America, and especially Brazil, has been part of the changes which were introduced and which constantly increased, following the Second Vatican Council. The social context of the Continent explains the blossoming of movements like the Base Ecclesial Communities (CEB's) ; movements which, from the exigences of the faith, are sensitive to social transformation. The many historical origins of the CEB's and their definition are presented. This historical dynamism continues. In their own turn, the CEB's are basically series of social groups that continue to play an important role in the fight for better conditions of life. From the study of the genesis of the CEB's, the research brings out elements that help to establish "popular and lay idea" all through these new practices. The study of the interecclesial meetings of the CEB's is a highlight of the work. Though these do not have the deliberative character of an assembly, the themes studied, the discussions which are programmed and the persons who attend the meetings promote a vital influence on the life of the communities of the country. The second part of the work is based on a series of documents produced by the representatives of the CEB's, at the demand of the organisers of the interecclesial meetings of these same communities. Having remarked the significance of the method of content analysis used by researchers working in diverse domains bordering on social sciences, the author chose to adopt it as his working instrument. The echoes of the CEB's, and even the development of this experience outside Brazil are also treated. The third part of the research tries to determine, from the official documents of the Church, the influence which the experience of the CEB's has exerted in the understanding of the Magisterium on what the Church is, or should be. Besides episcopal documents, the study also had recourse to the materials gathered during the first national enquiry devoted to catholic communities and published in 1994. Finally, an attempt at stock-taking, based on concrete data was considered important for the self-conscience of the militants of the CEB's, for the reflection of those who are interested in the rapport between religion and society and for the comprehension of certain important aspects of the history of contemporary catholicism
Hugues, Henri. "1914-2014, un siècle d’anthropophagie féminine dans l’art brésilien : pertinence et actualité ?" Thesis, Antilles-Guyane, 2014. http://www.theses.fr/2014AGUY0766/document.
Повний текст джерелаAt the beginning of the twentieth century, in Brazil, a radical artistic rupture took place, which marked the beginning of a new era. The resulting modernity differed from its European counterpart by the awareness of geographical, cultural and political distances that alienated Brazil from Europe and more specifically from its former colonial owner, Portugal. Brazilian modernity sought to define its identity through important basic elements that constitute the stuff that the New World is made of: cross-breeding, mythology and post-colonialism. The Brazilian avant-garde emerged around 1928 with the publication of The Anthropophagy Manifesto by Oswald de Andrade (1890-1954), who is thus the founder of the Anthropophagy, that we can define as a backward step into a reinvented form of ″Amerindianness″. The ″bad savage″ voices his criticism against impostures of the world. « Anthropophagy art is not a literary revolution, nor is it a social plea, nor a political pamphlet, nor a religious tract. It is all these things at the same time. Its law is simple: everything that is not me is of interest to me. The law of men is the law of Anthropophagy ». It thus prescribes eating up imported models and digesting them through the process of hybridization in the name of Brazilian identity. By displacing Freudian concepts, «Anthropophagy is the permanent transformation of the Taboo (man-eating) into a Totem (Brazilian identity) ». The permeating influences of psychoanalysis and anthropology need to be put in perspective: the displacement of the anthropophagous taboo remains a symbolic act of transgression, a metaphor, but the anthropophagic reference does not concern the pre-Columbian period, because it is updated. We propose to study this phenomenon through four questions: 1°- What are the relations between Anthropophagy, history, esthetics and ideology? 2°- What is the place of women Brazilian artists in the emergence of this movement, taking into account their decisive presence right from the start? 3°- Taking into account the resurgence of Anthropophagy from the second half of the 20th century onwards, what is the place of women artists in this phenomenon? Are they pursuing the same interests as the founders of the movement?4°- Can we deduce that there exists a specifically female genre within the anthropophagic movement of yesterday and of today? If so, what is its relevance? Where does it stand with respect to the contemporary concepts of post-modernity and globalization in the present-day art world?
Souza, Luiz Felipe Machado Coelho de. "Les frères Roberto, architectes : bâtiments d'habitat collectif construits à Rio de Janeiro, 1945-1969." Paris 1, 2006. http://www.theses.fr/2006PA010699.
Повний текст джерелаCherrier, Pauline. "Entre Japon et Brésil : identités décalées." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20083.
Повний текст джерелаThis research paper proposes a semiotic analysis of migrants' political identity based on the case-study of Japanese-Brazilian migrants. While the Japanese started emigrating to Brazil in 1908, subsequent generations of Japanese-Brazilians, referred to as 'Nikkeijin' or 'Nikkei-Brazilians', were officially and legally encouraged to migrate back to Japan in 1990 to pursue unqualified jobs, primarily in the industrial sector. These 'dekasegi', or temporary migrants, eventually prolonged their stay in Japan. By focusing our attention on public and official speeches about migrants, we can get a sense of the latter's emerging presence in both societies' public spaces. Migrants' ethnic media provide a space for representation in the host society and reflect the evolution of their societal status. Brazilian ethnic media in Japan, in particular, has played a major role in the upbringing of the migrant community, offering dekasegi greater visibility in the Japanese public space, long denied until recently. The comparative analysis of both Japanese emigration to Brazil and Japanese-Brazilians' emigration to Japan reveals what it means to be an immigrant across spaces and generations. In effect, we hope to shed a light on the making process of mixed identities as well as national identities. Examining the status of Japanese-Brazilians makes it obvious that in a context of globalization, the definition of both immigrants’ culture and nationals’ culture, remains a political stake for both the sending and the receiving country
Garrabé, Laure. "Les rythmes d’une culture populaire : les politiques du sensible dans le maracatu-de-baque-solto, Pernambuco, Brésil." Paris 8, 2010. http://www.theses.fr/2010PA083327.
Повний текст джерелаThis research is a contribution to an aesthetic anthropology in an interdisciplinary perspective, where aesthetics is questioned in relation to its socializing and individuating competences. In a constant criticism of language, this work is about performing practices of popular culture observing how communities gathered around one aesthetic (form and affect) define it, appropriate it and socialize themselves through it. The maracatu-de-baque-solto is a performing art from Pernambuco (Brazil), which was created by sugar cane plantation workers at the beginning of the 20th century. Once it was incorporated into the urban institution of the carnival, it went through formal and symbolic transformations that are now accelerated by the logics of entertainment and increasing professionalism. The first part of this work analyses the constitution of the Pernambucana society where the structure of domination is understood according to a socio-aesthetical approach. The second part is a deconstruction of the imagetico-discursive system of poverty resulting from social, political and racial ideologies in which the maracatu took form. The third part is an ethnography of the performance in its two forms: the razzmatazz of the carnival and the ordinary of more common celebrations in which it is still practised. The modes of doing are distinctively negotiated according to the logics of the spectacle and the creative processes. These resound in the brincadeira, a common notion defining the maracatu as a live spectacle and as patterns of creation. In the Maracatuzeira society, it represents a mode of being and a mode of doing based upon the demands of a personal contribution to the group in the limits of tradition. The rhythms, or singular manners of flowing, of communities, observed from the production, distribution and transmission of aesthetical forms and norms which are collectively invested, enable us to understand the making of a culture beyond the game of its institutionalization