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1

Bisbal, Gustavo A., and Chas E. Jones. "Responses of Native American cultural heritage to changes in environmental setting." AlterNative: An International Journal of Indigenous Peoples 15, no. 4 (May 10, 2019): 359–67. http://dx.doi.org/10.1177/1177180119847726.

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Cultural expressions of American Indian and Alaska Natives reflect the relationship between American Indian and Alaska Natives and the plant and animal species present in an area. Different forces that modify that relationship and influence those expressions can potentially shape American Indian and Alaska Natives cultural heritage and even compromise their cultural identity. Herein, we propose seven modalities to illustrate how American Indian and Alaska Natives cultural expressions may respond to changes in environmental settings that alter the relationship between plant and animal assemblages, and Native peoples. Each modality provides insight into the vulnerability, resilience, and adaptive capacity of American Indian and Alaska Natives cultural expressions to changes in environmental settings. Future research may delve deeper into these modalities and help identify appropriate methods for managing culturally important resources. More culturally sensitive management approaches may strengthen conservation practices and safeguard the cultural legacy of indigenous groups.
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2

Cusick, John. "At the Intersection of Resident, Research and Recreation Stakeholder Interests: East Maui, Hawai‘i, as a Sustainable Tourism Destination." Island Studies Journal 4, no. 2 (2009): 183–202. http://dx.doi.org/10.24043/isj.234.

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The experiences of contemporary protected areas indicate adaptations to challenges brought about by resource management strategies. Resident communities, protected area management, and the tourism industry stakeholders demonstrate that evolving relationships are complex webs of competing and cooperating interests. The geographic isolation of East Maui delayed the cultural disruption of traditional practices and is an area where residents simultaneously resist assimilation and re-create cultural landscapes to offer visitors a glimpse into the past and a view of an emerging future associated with the renaissance of Native Hawaiian identity. Partnerships have brought about and nurtured the perpetuation of culture and the conservation of biodiversity as stakeholders recognize shared benefits. Among the outcomes are that residents have reconstituted the identity of East Maui as a Hawaiian place with benefits to various stakeholders, including a network of protected areas. A sustainability framework suggests a reappraisal of how to nurture, not alter, East Maui’s identity.
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3

Toka, Karolina. "Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992)." Ad Americam 22 (March 28, 2021): 87–100. http://dx.doi.org/10.12797/adamericam.22.2021.22.06.

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Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992) As argued by Wilcomb Washburn, no other ethnic group has been misrepresented in media and popular culture to such extent as the Native Americans (2010). Movies that shaped their image did so by crystallizing stereotypes and misconceptions, through which indigenous peoples have been perceived until the present day. Thomas Edison’s vignettes, early westerns, as well as subsequent motion pictures of the 1960s and 1970s strengthened the stereotypes of the vanishing Indians, bloodthirsty savages, and their noble alter ego. The 1990s brought about a revival of the western in its new, revisionist form, mainly due to the achievements of the American Indian Movement. This paper argues that the movie Thunderheart (1992) by Michael Apted — albeit belonging to that ostensibly revolutionary current — continues to reproduce various well established stereotypes in the portrayal of the Native Americans . It examines significantachievements of this partly liberal motion picture, as well as its failures and faults. Thisarticle argues that Thunderheart departs from traditional, dualistic portrayals of Native Americans as bloodthirsty and noble savages and manages to present a revisionist version of historical events; at the same time, it fails to omit numerous Hollywood clichés, such as stereotypical representation of native spirituality, formation of an “Indian identity”, and “othering” of the Native Americans, which contributes to their further alienation and cultural appropriation. This paper provides an insightful analysis of the movie, drawing on scholarship in the field of cultural and indigenous studies in order to lay bare the ambivalence towards indigenous people in the United States, that is reflected in the movie industry. Moreover, it indicates towards the commodification of native culture, as well as the perception of Native Americans as primitive and inferior, allowing to classify Thunderheartas an unfortunate product of colonialism.
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4

Ziska, Lewis, Bethany Bradley, Rebekah Wallace, Charles Bargeron, Joseph LaForest, Robin Choudhury, Karen Garrett, and Fernando Vega. "Climate Change, Carbon Dioxide, and Pest Biology, Managing the Future: Coffee as a Case Study." Agronomy 8, no. 8 (August 17, 2018): 152. http://dx.doi.org/10.3390/agronomy8080152.

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The challenge of maintaining sufficient food, feed, fiber, and forests, for a projected end of century population of between 9–10 billion in the context of a climate averaging 2–4 °C warmer, is a global imperative. However, climate change is likely to alter the geographic ranges and impacts for a variety of insect pests, plant pathogens, and weeds, and the consequences for managed systems, particularly agriculture, remain uncertain. That uncertainty is related, in part, to whether pest management practices (e.g., biological, chemical, cultural, etc.) can adapt to climate/CO2 induced changes in pest biology to minimize potential loss. The ongoing and projected changes in CO2, environment, managed plant systems, and pest interactions, necessitates an assessment of current management practices and, if warranted, development of viable alternative strategies to counter damage from invasive alien species and evolving native pest populations. We provide an overview of the interactions regarding pest biology and climate/CO2; assess these interactions currently using coffee as a case study; identify the potential vulnerabilities regarding future pest impacts; and discuss possible adaptive strategies, including early detection and rapid response via EDDMapS (Early Detection & Distribution Mapping System), and integrated pest management (IPM), as adaptive means to improve monitoring pest movements and minimizing biotic losses while improving the efficacy of pest control.
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5

Hokama, Rhema. "Shakespeare in Hawai‘i: Puritans, Missionaries, and Language Trouble in James Grant Benton’s "Twelf Nite O Wateva!", a Hawaiian Pidgin Translation of "Twelfth Night"." Multicultural Shakespeare: Translation, Appropriation and Performance 18, no. 33 (December 30, 2018): 57–77. http://dx.doi.org/10.18778/2083-8530.18.05.

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In 1974, the Honolulu-based director James Grant Benton wrote and staged Twelf Nite O Wateva!, a Hawaiian pidgin translation of Shakespeare’s Twelfth Night. In Benton’s translation, Malolio (Malvolio) strives to overcome his reliance on pidgin English in his efforts to ascend the Islands’ class hierarchy. In doing so, Malolio alters his native pidgin in order to sound more haole (white). Using historical models of Protestant identity and Shakespeare’s original text, Benton explores the relationship between pidgin language and social privilege in contemporary Hawai‘i. In the first part of this essay, I argue that Benton characterizes Malolio’s social aspirations against two historical moments of religious conflict and struggle: post-Reformation England and post-contact Hawai‘i. In particular, I show that Benton aligns historical caricatures of early modern puritans with cultural views of Protestant missionaries from New England who arrived in Hawai‘i beginning in the 1820s. In the essay’s second part, I demonstrate that Benton crafts Malolio’s pretentious pidgin by modeling it on Shakespeare’s own language. During his most ostentatious outbursts, Malolio’s lines consist of phrases extracted nearly verbatim from Shakespeare’s original play. In Twelf Nite, Shakespeare’s language becomes a model for speech that is inauthentic, affected, and above all, haole.
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6

Sawrikar, Pooja, and Caroline J. Hunt. "The Relationship Between Mental Health, Cultural Identity and Cultural Values in Non-English Speaking Background (NESB) Australian Adolescents." Behaviour Change 22, no. 2 (July 1, 2005): 97–113. http://dx.doi.org/10.1375/bech.2005.22.2.97.

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AbstractIn Australia, acculturating adolescents from a non-English speaking background (NESB) face two important challenges: developing a cultural identity and establishing a set of cultural values. These challenges are achieved by balancing a native and Australian orientation. It was expected that NESB adolescents who did not achieve these tasks would experience poor mental health. This study focused on adolescents because a significant relationship between cultural identity, cultural values and mental health in this group will highlight a need for sensitivity to such cultural and developmental issues. Two hundred and sixty-three NESB adolescents completed questionnaires that assessed cultural identity (Australian and native), cultural values (individualism and collectivism), state mental health (depression, anxiety and stress) and trait mental health (positive affectivity [PA] and negative affectivity [NA]). Results indicated that high Australian pride and high native pride are associated with lower depression, anxiety, stress and NA, and higher PA. Results also indicated that adolescents high on individualism and collectivism reported lower depression and stress, and higher PA. Furthermore, adolescents with a separated cultural identity (high native pride and low Australian pride) reported the highest levels of depression, but adolescents with separated cultural values (high collectivism and low individualism) reported the lowest levels of depression and anxiety. We concluded that cultural identity and cultural values are differentially related to mental health, and such relationships, albeit moderate, emerge during adolescence.
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7

Adhikary, Ramesh Preasad. "Crisis of Cultural Identity in Khaled Hosseini’s The Kite Runner." Scholars Journal of Arts, Humanities and Social Sciences 9, no. 5 (May 24, 2021): 179–87. http://dx.doi.org/10.36347/sjahss.2021.v09i05.006.

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The novel The Kite Runner by Khaled Hosseini deals with the cultural crisis of the characters. Migration, hybridity, acculturation, transculturation and diaspora are responsible for cultural crisis. It presents the suffering of a Muslim boy named Amir of Afghanistan who had migrated to USA where he finds alone and lacks his cultural performance. The scattered people of USA have accepted multicultural aspects. When they followed American culture, they lost their original native culture. The long living in the foreign land and distract from the native land and contact with other culture resulted in cultural loss. The compulsion for adjustment and contacts with foreign brings loss of pure native culture. When they feel identity crisis, they try to retrieve the native culture.
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8

Shostak, Oksana G. "FORMATION OF NATIVE AMERICAN WRITTEN LITERARY TRADITION." Alfred Nobel University Journal of Philology 2, no. 22 (2021): 98–111. http://dx.doi.org/10.32342/2523-4463-2021-2-22-8.

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Article deals with the attempt to describe the creating of Native American and First Nations of Canada written literature. The aim of our study is to characterize the phenomenon of the literary struggle for Indian independence as a historically determined phenomenon of cultural, literary and historical process in North America, in the context of cultural and literary search and transformations of Native American identities that take place in the context of indigenous peoples' adaptation to white expansion on the continent during the eighteenth and twenty-first centuries. In the article we used such methods as: historical-literary and historical-cultural methods as well as elements of structural analysis. The research deals with the ways of actualizing one of the most powerful concepts of the modern world – that of ethnicity, which stands out as a constituent of the basic Native American identity concept originated in the late 20th – early 21st centuries. The relevance of the research is determined by the importance of conducting more profound study of the concept that went through the objective stages of conceptualization and got fixed in the Indigenous Studies. Identity is manifested as a subjective feeling of belonging to a particular social group and at the same time it is a source of inspiration and continuity of each individual. The existence of the identity phenomenon is caused by the social context and the inviolability of social ties in society. The study of the North American identity has been and remains a problem with inexhaustible potential for researchers up to now. Identity becomes a form of literary discourse, causing self-discovery, self-interpretation, and the opportunity to transform into the “other” in one`s own country. Native American identity can be presented as a theory of social proximity and distance or as an interpretive scheme of gradual and direct discovery of oneself and the surrounding social reality through literature and social network communication. Anyhow interpretation of indigenous identity must be largely determined by a set of political, philosophical, historical, cultural, religious, ethnic concepts that dominate in given circumstances, determining the originality of indigenous identity in these circumstances. Today makes us witness a progressive development of American Indian identity in both cultural and civilizational and psychological dimensions through literary texts. The focus of the research is on the manifestations of the Indigenous national identity as a modern interdisciplinary phenomenon and the analysis of its projections in fiction. Theoretical and methodological foundations for understanding national identity in philosophy, culture, history, literary studies are determined, the ways of modeling national identity in contemporary Native American literature are traced. There are three dominant criteria of identity in such literary works: indigenous identity as a collective or personal feeling, manifestation or form of social consciousness, a social or individual-psychological phenomenon; fundamental identity as a doctrine, ideology or worldview, a systematized view of the world within a certain set of cultural and religious concepts; fundamental identity as a political movement, a political program based on ideology, doctrine or convictions.
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9

Kozin, Alexander V. "Native American Identity and the Limits of Cultural Defence." Law and Critique 22, no. 1 (December 17, 2010): 39–57. http://dx.doi.org/10.1007/s10978-010-9079-5.

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10

Tananuraksakul, Noparat. "Non-native English Students’ Linguistic and Cultural Challenges in Australia." Journal of International Students 2, no. 1 (January 1, 2012): 107–15. http://dx.doi.org/10.32674/jis.v2i1.540.

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This paper looks into the effect of use of international English on non-native students’ dignity in Australian academic and social contexts. The study was undertaken through in-depth interviews with 28 participants from 13 countries. The results partly revealed that there was neither speech convergence nor culture convergence between non-native and native speakers. When native speakers linguistically converged towards non-native speakers, it appeared to backfire as mocking behavior. There was an expectation that host tutors, lecturers and classmates would adjust their speech to a level accommodating non-native speakers, but they did not. Failure to effectively converge linguistically and culturally led to failure in intergroup communication. The failure concomitantly affected participants’ self-worth, motivation and identity in a way that diminished their dignity and motivation, impinging on their identity.
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11

King, C. Richard. "Alter/native Heroes: Native Americans, Comic Books, and the Struggle for Self-Definition." Cultural Studies ↔ Critical Methodologies 9, no. 2 (December 31, 2008): 214–23. http://dx.doi.org/10.1177/1532708608330259.

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12

Clark, David Anthony Tyeeme. "Native Voices: American Indian Identity and Resistance." Journal of American Ethnic History 24, no. 2 (January 1, 2005): 105–7. http://dx.doi.org/10.2307/27501566.

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13

MacLeitch, Gail D. "Identity and Agency in Native American Scholarship." Journal of American Ethnic History 26, no. 1 (October 1, 2006): 84–88. http://dx.doi.org/10.2307/27501783.

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14

Arora, Viralika. "SUB-ALTER(NATIVE) CINEMA: REVISITING INDIA’S HISTORY OF IDENTITY REPRESENTATION THROUGH INDEPENDENT FILM ." International Journal of Social Science and Economic Research 6, no. 6 (June 30, 2021): 1931–37. http://dx.doi.org/10.46609/ijsser.2021.v06i06.022.

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15

Pack, Sam. "Digital Repatriation in Vietnam: Towards an (Alter)Native Media Tradition." Visual Anthropology 26, no. 3 (May 2013): 215–22. http://dx.doi.org/10.1080/08949468.2013.775214.

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16

Khukhuni, Georgiy T., and Irina I. Valuitseva. "Translingualism / Transculturality and Ethno-Cultural Identity: Complementarity or Conflictness?" Polylinguality and Transcultural Practices 16, no. 1 (December 15, 2019): 45–51. http://dx.doi.org/10.22363/2618-897x-2019-16-1-45-51.

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The article deals with a few aspects of translingualism and their influence on ethno-cultural and ethno-lingual consciousness. The authors postulate that a statement of the harmonic coexistence between the ‘native’ and the ‘acquired’, with all its attractiveness and ‘magnetism’, isfar from being always proven in practice. In addition, the ‘smoothness’ of transition from one linguistic culture to another and the ‘cross-flow’ of languages and cultures into each other can be perceived as a threat to the preservation of the ‘native’ linguocultural identity and an implicit form of the ‘linguistic imperialism’. In this regard, it seems appropriate to objectively analyze the phenomena of translingualism and transculturalism and to consider the associated positive and negative consequences in more details.
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17

Atkin, Tony, and Carol Herselle Krinsky. "Cultural Identity in Modern Native American Architecture: A Case Study." Journal of Architectural Education (1984-) 49, no. 4 (May 1996): 237. http://dx.doi.org/10.2307/1425296.

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18

Atkin, Tony, and Carol Herselle Krinsky. "Cultural Identity in Modern Native American Architecture: A Case Study." Journal of Architectural Education 49, no. 4 (May 1996): 237–45. http://dx.doi.org/10.1080/10464883.1996.10734690.

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19

Ta, Van, Puihan Chao, and Joseph Kaholokula. "Cultural Identity and Conceptualization of Depression among Native Hawaiian Women." AAPI Nexus Journal: Policy, Practice, and Community 8, no. 2 (2010): 63–85. http://dx.doi.org/10.36650/nexus8.2_63-85_taetal.

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This study seeks to understand how Native Hawaiian (NH) women identified themselves culturally and conceptualized the causes of depression, and whether there was an association between these two constructs. Among the thirty NH women who were interviewed, a quarter had a high degree of depression symptoms, and a majority expressed a strong/shared identification/affinity with their culture. Our findings suggest that social stressors that contribute to the depressive symptoms of NH women could be, in part, linked to acculturation-related factors associated with U.S. occupation of Hawai‘i and their social status as native people. Future research should examine this relationship further.
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20

Rahayu, Mundi. "The New Image of Indian Girl in Sherman Alexie’s The Search Engine." Journal of Language and Literature 22, no. 2 (September 26, 2022): 422–34. http://dx.doi.org/10.24071/joll.v22i2.4323.

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The current paper examines the Native American people's identity, especially the main female character's cultural identity in the short story entitled The Search Engine. Sherman Alexie, the author of the story, is a Native American writer who harnesses the Indian identity as one of the main topics. The identity presented in the main character, Corliss, shows the challenges of the stereotypes of Native American girls. For that reason, the paper aims at exploring the new Indian woman’s cultural identity represented in the main character, Corliss, in the short story The Search Engine. The study applies feminist literary criticism that enables the writers to deeply explore the issue of woman's identity among the American native people. The main character, Corliss, shows the new female image identity, in which she can challenge traditional stereotypes of Native American women. Corliss is represented as a highly literate woman, with a lot of reading on English literary works, and has concern on her Indian-ness, which is often incommensurable to her big family’s views. The main character shows the new female image of an Indian girl evidenced in her excellent literacy and attitude toward Indian and White people. She has new consciousness in seeing the Indian men and women and their relation to White people.
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21

Smith, Laura E. "Photography, criticism, and Native American women’s identity." Third Text 19, no. 1 (January 2005): 53–66. http://dx.doi.org/10.1080/09528820412331318569.

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22

Clark, Shawn. "Breathing the Air of Their Ancestors: The Influence of Ethnic-Racial Identity on School Connectedness for Native American Youths." Journal of Ethnic and Cultural Studies 10, no. 4 (September 19, 2023): 134–58. http://dx.doi.org/10.29333/ejecs/1652.

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In this Indigenous-grounded, transformative sequential explanatory study, the author examined the influence of ethnic-racial identity exploration on school connectedness in a sample of (n = 41) Native American youths attending a public school on a federally recognized Indian reservation. The students were enrolled in a Native American cultural immersion program. Participants completed a survey packet including a demographic form, an adapted cultural connectedness survey, and the MAC 5-A-Short Version six-item school connectedness subscale. While the results indicated that ethnic-racial identity exploration slightly impacted school connectedness, they were not deemed statistically significant. The author also captured youth participants' perspectives to develop a deeper understanding of how ethnic-racial identity exploration impacted school connectedness, identifying eight categories. These findings may help inform a broader development and application of a Native American way of knowing instructional model that contributes to strengthening school connectedness for Native American youths through ethnic-racial identity exploration.
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23

Schwarz, Maureen Trudelle. "Native American Tattoos: Identity and Spirituality in Contemporary America." Visual Anthropology 19, no. 3-4 (September 2006): 223–54. http://dx.doi.org/10.1080/08949460500297398.

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24

Kim, Steffi. "Explorations of Alaska Native Urban Eldership." Innovation in Aging 4, Supplement_1 (December 1, 2020): 916. http://dx.doi.org/10.1093/geroni/igaa057.3366.

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Abstract Successful aging in Alaska Native people or “Eldership” is a state that is embedded within a cultural, relational, and generational context (Boyd, 2018; Lewis, 2011; Wexler, 2014). Eldership has been described as a developing and nuanced personal quality shaped by individual, relational, and contextual influences (Kim, 2020). Within the cultural and traditional understanding of Alaska Native people, the concept of Eldership is analogous to the Western concept of successful aging. With increasing numbers of outmigration from rural community members (Driscoll et al., 2010), this study investigated the impact of relocation from a rural traditional community to an urban Western community and its effect on the Elder’s perception of “Eldership.” This study considered the broader impact of the multi-systemic and socio-ecological context of minority and majority culture, dominant culture, and its implications for successful aging and identity (Grandbois & Sanders, 2009; Kirmayer et al., 2011). Gee’s discourse analysis was used for the systematic interpretative study of 25 Elder interviews regarding their use of language describing their lived experiences, including three identified discursive patterns: cultural discourse, psychological discourse, and Elder identity discourse. Based on the study findings, Elders’ experiences are impacted by socio-economical and cultural differences encountered during relocation shifting the cultural frame of Alaska Native “Eldership” according to rural or urban contexts.
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25

Nikitorowicz, Jerzy. "Native Language as a Core Value which creates the Cross-Cultural Identity." Family Upbringing 5, no. 1 (June 30, 2012): 67–82. http://dx.doi.org/10.61905/wwr/171184.

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The thesis which is undertaken in this article applies to a native language (the language of the family and home) as the leading (primary) value of creating a cross cultural identity. To justify this argument, the author refers to his own research and literature in this area. There are many references to the theory of cultural relativism by Sapir-Whorf and the theory of core values by Jerzy Smolicz. The author demonstrates, notices, and highlights that the personal and group identity, analysed in terms of evolutionary (processual), based on the values which are recognised and respected in the family, are shaping and developing cross-cultural identity. The more we recognize, respect and accept your native (family and home) identity, the more we are likely to make an effort to get to know the Other and his culture.
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26

Wolfram, Walt, and Clare Dannenberg. "Dialect Identity in a Tri-Ethnic Context." English World-Wide 20, no. 2 (December 31, 1999): 179–216. http://dx.doi.org/10.1075/eww.20.2.01wol.

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This study examines the development of a Native American Indian variety of English in the context of a rural community in the American South where European Americans, African Americans and Native American Indians have lived together for a couple of centuries now. The Lumbee Native American Indians, the largest Native American group east of the Mississippi River and the largest group in the United States without reservation land, lost their ancestral language relatively early in their contact with outside groups, but they have carved out a unique English dialect niche which now distinguishes them from cohort European American and African American vernaculars. Processes of selective accommodation, differential language change and language innovation have operated to develop this distinct ethnic variety, while their cultural isolation and sense of "otherness" in a bi-polar racial setting have served to maintain its ethnic marking.
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27

Rakhmetova, A. T., J. S. Jumadildinova, and A. A. Bogdanova. "Linguistic identity: essence and originality in the modern socio-cultural context." Bulletin of the Karaganda university Philology series 112, no. 4 (December 30, 2023): 108–16. http://dx.doi.org/10.31489/2023ph4/108-116.

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The article examines the nature of the linguistic identity of the Kazakh and Indian youth. The survey of respondents aged 18-21 shows the features of the linguistic self-determination of an individual. Nevertheless, a significant part of respondents identify themselves with their father's linguistic correlation due to the traditional dominant role of the father in the Kazakh family, a slightly smaller number of respondents choose the mother's nationality. A significant sociolinguistic characteristic of young people is the availability ofethnolinguistic resources for the reproduction of their native language. In this article, our goal is to discuss the extent to which the choice of the native language, knowledge of Russian or a foreign language, language attitudes and external social factors determine the nature of the student's linguistic identity. Anthropological characteristics and language are important factors in the choice of ethnic identity. In the course of the research, the characteristic features of the linguistic identity of a bilingual personality of a student are distinguished.
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28

Zalizniak, Hanna. "Language as an indicator of the Ukrainian national identity and civilization choice of the Kyivans." Ukrainska mova, no. 2 (2023): 72–83. http://dx.doi.org/10.15407/ukrmova2023.02.072.

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The article has been the objective of the study of the language factor in formation of the Ukrainian national identity. Ukrainian researchers tended to reduce national identity to a civic model without taking ethnic and linguistic color into account. In circumstances of the full-scale military aggression of the Russian Federation against Ukraine importance of the components of ethnic national self-identification in formation of the Ukrainian na­tional identity has come to be topical. Based on the results of the survey of the Kyivans in 2020 separated out were social groups with different depth of manifestations of civic, po­litical and cultural national identities. A comparison of the share of the Kyivans with the same level of civic identity but differ in language preferences (the language of everyday communication and the language that Kyivans define as their native one) showed diffe­rences in determining the civilizational future of Ukraine. The highest commonality in views on the country civilizational choice is drmonstrated by the people of Kyiv who on condition of common civic identity are Ukrainian-speaking or bilingual but, above all, recognize Ukrainian to be their native language. In addition, for the cultural component of the Ukrainian identity, the indicator of defining one’s own native language appeared to be more demonstrative and important than that of everyday communication. Bilingualism can be considered as a transitional stage in the restoration of Ukrainian national identity. At the current stage of Ukrainian statehood development efforts to limit Ukrainian na­tional identity only to the political component without taking into account cultural ele­ments seem to be short-sighted and contradictory among which language preferences have come to be the leading marker. And the indicator of defining one’s own native language is currently a system indicator in the totality of indicators of the Ukrainian national identity. Keywords: national identity, national self-identification, civilizational choice, language prefe­rences, native language, the language of everyday communication.
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29

Tayac, Gabrielle. "Real Indians: Identity and the Survival of Native America." Journal of American Ethnic History 24, no. 2 (January 1, 2005): 111–13. http://dx.doi.org/10.2307/27501570.

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30

Nindyasmara, Ken Ruri. "NEGOTIATION OF IDENTITY IN DIASPORIC LITERATURE: A CASE STUDY ON AMY TAN’S THE HUNDRED SECRET SENSES AND LESLIE MARMON SILKO’S CEREMONY." Rubikon : Journal of Transnational American Studies 3, no. 1 (July 18, 2019): 57. http://dx.doi.org/10.22146/rubikon.v3i1.47838.

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Negotiation of identity has become an important issue because its never-ending process always relates to conflicts, differences and similarities. Chinese Americans and Native Americans are two distinct diasporic communities amongst other ethnic group in the U.S. As minorities, they experience prejudice, discrimination and exclusion from mainstream American culture and society. This research aims to reveal the negotiation of identity of Chinese Americans and Native Americans which is reflected on their literature. Literature is seen as the record of diasporic experience of both ethnic groups. This research is qualitative conducted under Post-Nationalist American Studies. Post-colonial, hegemony and representation theories are used to help the process of data analysis. The primary data is taken from The Hundred Secret Senses written by Amy Tan and Ceremony written by Leslie Marmon Silko. The secondary data are taken from books, journals, and internet sources. The finding of the research shows that Chinese Americans and Native Americans negotiate their identity by choosing or combining competing values. The construction of identity is done through the reenactment of ethnic root and the adaptation to mainstream American cultural values. Sense of belongingness, history and socio-cultural background become the determining factors of identity negotiation. In brief, they construct hybrid identity to survive and to counter American hegemony. Compared to Native Americans, Chinese Americans are more blending to mainstream American culture. However, both novels depict their hybrid identity. Keywords: identity negotiation, diasporic literature, diaspora communities, hegemony, hybrid identity
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31

King, J. C. H. "Native American Ethnicity: a View from the British Museum1." Historical Research 73, no. 182 (October 1, 2000): 221–38. http://dx.doi.org/10.1111/1468-2281.00106.

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Abstract Identity in Native North America is defined by legal, racial, linguistic and ethnic traits. This article looks at the nomenclature of both Indian, Eskimo and Native, and then places them in a historical context, in Canada and the United States. It is argued that ideas about Native Americans derive from medieval concepts, and that these ideas both constrain Native identity and ensure the survival of American Indians despite accelerating loss of language.
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32

TREGLIA, GABRIELLA. "Using Citizenship to Retain Identity: The Native American Dance Bans of the Later Assimilation Era, 1900–1933." Journal of American Studies 47, no. 3 (January 23, 2013): 777–800. http://dx.doi.org/10.1017/s002187581200206x.

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From the 1880s until the early 1930s the US federal government adopted a formal policy of intolerance towards Native American cultures and religions, stemming primarily from the belief that traditional religio-cultural practices – especially dances – distracted Native Americans from crop-tending and stock-rearing, and also constituted “outmoded” reminders of a “savage” past seen as incompatible with the responsibilities of US citizenship. Some cultural practices were banned outright, while others were actively discouraged or denigrated as “oldtime.” Yet Native American cultural expression did not die – in large part because Native communities employed varied methods to resist the bans. This article examines the ways in which pro-dancing communities utilized the language of US citizenship and made appeals to the Constitution, private property rights and US patriotism in their bid to ensure the survival of their dances and ceremonies. It also examines support for the dance bans by Native individuals, and the increasingly complex and evolving cultural identities in reservation communities in the early twentieth century.
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33

Cselényi, Zsuzsanna. "Powwow Regalia in Identity Performance and Authentication." Acta Ethnographica Hungarica 67, no. 2 (July 5, 2023): 305–51. http://dx.doi.org/10.1556/022.2023.00004.

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AbstractThrough personal narratives of powwow involvement and motivation for dancing, this essay examines the ways in which regional and personal identities are being formed, adjusted, negotiated, and expressed through dance regalia at powwows in the Midwestern United States. Dancers use clothes as an explicit marker of their Native identity and powwows as a justifying context for their ideologies of authenticity. Powwow involvement is also used to consolidate, reclaim, craft, revive, and create an identity that authenticates one's place in the powwow community in which internal and external roles and rules reinforce each other. Giving voice to different constituents at Midwestern powwows, from Natives to non-Native enthusiasts, the study explores the factors that influence the bases and strategies of such authentication, as well as the rhetoric by which these ideologies are expressed.
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34

Khilkhanov, Dorzhi L., and Erzhen V. Khilkhanova. "Cultural Identity as the Basis of Modern Cultural Typologies." Journal of Siberian Federal University. Humanities & Social Sciences 14, no. 10 (October 2021): 1468–73. http://dx.doi.org/10.17516/1997-1370-0831.

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The purpose of this article is to show the significance of markers of cultural identity for modern ethnometric typologies. In the modern period of modernization various cultural typologies are becoming popular. They are compiled based on multicomponent factors. The authors briefly describe these classifications as traditional markers of identity, such as religion, and new factors of psychology and mentality. The modern concept that explains the hybridization of modern cultural forms is transculturation. The transcultural manifestations include a certain decline of the role of the native language and the transformation of the traditional production niche of ethnic groups in Siberia. The traditional perception of identity consists mainly of cultural, religious and linguistic characteristics. At the same time, the typologу of L. Harrison shows the positive correlation between the cultural and industrial-economic components. This historical fact was noted by the famous anthropologist Frederik Barth, who focused on the production component of the ethnic border as opposed to the cultural one. The existing significant differences in the professional structure among Russians and Buryats in the twentieth century prove the fact that ethnic borders, despite the globalization / modernization processes, can still be associated with a certain production niche. The authors come to the conclusion that cultural markers still retain their significance, but can be implemented in hybrid forms of transculturation. These processes are reflected in these cultural typologies in the forms of multicomponent factors
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35

Sun, Xiaofang. "Resuming Gynocratic Principles: Cultural Reterritorialization of Native Traditions in Linda Hogan’s Fiction." English Language and Literature Studies 11, no. 4 (September 27, 2021): 36. http://dx.doi.org/10.5539/ells.v11n4p36.

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Native Americans’ cultural system has been utterly undermined in the early colonial conquest and the later neo-colonial expansion. Cultural annihilation is primarily caused by the forced cultural assimilation, especially by the white government’s practice of eradicating native traditions and beliefs. To rebuild the native culture system, Native American writer Linda Hogan attempts to employ the pre-colonial gynocratic principles in her literary creation, thus reterritorializing their cultural identity among the modern natives. This paper reveals how Hogan effectively resumes the ancient gynocratic principles by portraying a series of typical female images in the woman-centered native community, with an aim to fight against cultural assimilation guided by the white male-dominated western metaphysical epistemology.
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36

Kornilova, A. A., and S. V. Ivanova. "Individual stylistic understanding of the native language’s image in the works of Yakut poets." Issues of National Literature, no. 4 (December 26, 2023): 24–32. http://dx.doi.org/10.25587/2782-6635-2023-4-24-32.

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In modern conditions, when human society has entered the era of globalization, many processes related to the preservation and development of languages and cultures of peoples are taking on new forms. Globalization has had a negative impact on the social functioning of languages, with native languages being the most affected. The problem of preservation, functionality, development of native languages and national and cultural identity of small peoples has become actualized. The image of the native language is becoming the most important factor in preserving the national identity of young people, since the language not only reflects cultural and national values and traditions, but is also a key element in the transmission of national and cultural information. In this regard, it seems expedient to pay attention to the figurative and aesthetic comprehension of the image of the native language, when it is included in verbal and artistic structures. In the article, based on the material of the poetic works of the Yakut poets A. A. Ivanov – Kunde "Tóróóbút tyl" ("Native language"), I. M. Gogolev – Kyndyl "Tóróóbút tyl" ("Native language"), "Iye tylym" ("My mother's language"), S. P. Danilov "Tóróóbút tyl" ("Native language"), S. P. Danilov "Tóróbút tyl" ("Native language") analyzes the originality of the individual stylistic comprehension of the native language by the authors. The authors emphasize the importance of involving verbal and artistic works to increase the prestige of the native language.
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37

TREHUBOV, Dmytro, and Iryna TREHUBOVА. "SELF IDENTIFICATION-OF THE UKRAINIANS TROUGH PINING FOR THEIR NATIVE LAND (ON THE MATERIAL OF FOLK ART)." Astraea 2, no. 1 (2021): 96–114. http://dx.doi.org/10.34142/astraea.2021.2.1.06.

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The scientific novelty of this study is determined by the acute topicality of the studies concerning self-identification of the Ukrainians. Leaving the native land allows a person to better understand his/ her inner self. In the creative heritage of Ukraine, there are many mentionings of the types of separation from the native land and the reflection of personal attitude to it. Manifestations of this cultural phenomenon in different types of literary creativity are given close attention. The causes that add to the pining for the native land are classified, and their reflection in the literary heritage of the Ukrainian people is revealed. It is emphasized that for Ukraine, more often than for other states, this issue has repeatedly become relevant at different times. A new type of separation from the native land has been identified: the forced loss of the native language on one’s own land. It is emphasized that some songs contain direct instructions to the listener on the principles of maintaining national identity. For example, the found version of the song “The falcon and eagle became friends” contains a new stanza with the request: “Teach my children / In a foreign land / not to seek for happiness”. In the context of modern Ukrainian cultural background pining for the native land becomes topical, and the concept of “evshan-potion” is deemed really important. In general, this work shows that the cultural identity of Ukrainians has historical evidence, which is enshrined in folk songs and literary heritage. These results allow us to clarify the foundations of the cultural identity of the Ukrainians.
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38

Newmark, Kalina, Nacole Walker, and James Stanford. "‘The rez accent knows no borders’: Native American ethnic identity expressed through English prosody." Language in Society 45, no. 5 (September 9, 2016): 633–64. http://dx.doi.org/10.1017/s0047404516000592.

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AbstractIn many Native American and Canadian First Nations communities, indigenous languages are important for the linguistic construction of ethnic identity. But because many younger speakers have limited access to their heritage languages, English may have an even more important role in identity construction than Native languages do. Prior literature shows distinctive local English features in particular tribes. Our study builds on this knowledge but takes a wider perspective: We hypothesize that certain features are shared across much larger distances, particularly prosody. Native cultural insiders (the first two co-authors) had a central role in this project. Our recordings of seventy-five speakers in three deliberately diverse locations (Standing Rock Sioux Reservation, North/South Dakota; Northwest Territories, Canada; and diverse tribes represented at Dartmouth College) show that speakers are heteroglossically performing prosodic features to index Native ethnic identity. They have taken a ‘foreign’ language (English) and enregistered these prosodic features, creatively producing and reproducing a shared ethnic identity across great distances. (Native Americans, prosody, ethnicity, ethnic identity, English, dialects)*
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39

Ha, Jae-Pil, Mary Hums, and T. Christopher Greenwell. "Using cultural factors to explore sport consumption behaviors of ethnic minority groups." International Journal of Sports Marketing and Sponsorship 17, no. 2 (April 29, 2016): 130–52. http://dx.doi.org/10.1108/ijsms-04-2016-009.

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Purpose – Despite the remarkable economic power and rapid growth of the Asian population in the USA, relatively little attention has been paid to this group in the sport management literature compared to African-Americans and Hispanics. In addition, sport management scholars have paid limited attention to two important cultural factors: ethnic identity and acculturation. The paper aims to discuss this issue. Design/methodology/approach – This study attempted to examine a comprehensive sport consumption model for Asians by testing theoretical relationships between these two cultural factors (ethnic identity and acculturation), fan identification, and sport consumption behavior. Findings – The structural equation modeling results indicated that ethnic identity indirectly affected consumption of sport products reflecting attributes of a native country, e.g. ethnic player popular sports in a native country through identification with the sport products. In contrast acculturation indirectly affected consumption of sport products reflecting attributes of a host country, e.g. popular sports in a host country. Originality/value – The results of this study provide implications on how sport marketers should effectively design sport products based on the Asians’ levels of acculturation and ethnic identity.
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40

GUERMIT, Djihad, Mohamed AFKIR, and Ibtissam TOUHAMI. "The Examination of Stuart Hall’s Postcolonial Perspective on Displacement and Identity Discontinuity in Fadia Faqir’s The Cry of the Dove (2007)." ALTRALANG Journal 5, no. 3 (December 31, 2023): 230–41. http://dx.doi.org/10.52919/altralang.v5i3.364.

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Displacement is a key concept in postcolonial Diaspora literature that interprets the transition from the motherland, native culture, traditions, and native language to a different setting. Such geographical, cultural and psychological transitions result in an identity crisis, fragmentation and discontinuity. The objective of this study is to investigate, in Fadia Faqir's The Cry of the Dove, the process of identity development amid displacement of a female Arab Muslim in a postcolonial setting. Using Stuart Hall's theory of Cultural Identity and Diaspora, this article applies a postmodern reading on the novel to discern how displacement affects the identity of the main protagonist Salma. Hence, Salma experiences a series of encounters following her transition from her original space to a new one that results in an identity crisis characterised by fragmentation, sense of alienation and uncertainty. In a postmodernist Stuart Hallian sense, Fadia Faqir’s female protagonist suffers from an existentialist, discontinuous identity characterized by skepticism, uncertainty, fragmentation and paradox, following a journey of physical and psychological displacement.
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41

Young, Morris. "Native Claims: Cultural Citizenship, Ethinic Expressions, and the Rhetorics of “Hawaiianness”." College English 67, no. 1 (September 1, 2004): 83–101. http://dx.doi.org/10.58680/ce20044061.

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Looking at arguments put forth by courts, the State of Hawai‘i, and Native Hawaiian sovereignty activists, as well as constructions of Hawaiianness by Native Hawaiians and Locals on the mainland, the author analyzes a rhetorical shift from celebrations of cultural identity to assertions of nationhood and sovereignty on the part of Native Hawaiians that has at times made nonnative Locals feel displaced in the only “home” they have known. Both groups have had to deal with a legacy of U.S. imperialism and injustice, placing them at times in coalition to confront racism and at times in conflict.
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42

Yonefendi, Yesi, Pawito Pawito, and Mahendra Wijaya. "Cultural Identity Post-Conflict: Crisis of Madurese culture identity In Sampit Central Borneo After Ethnic Conflict." International Journal of Multicultural and Multireligious Understanding 5, no. 5 (October 25, 2018): 303. http://dx.doi.org/10.18415/ijmmu.v5i5.444.

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The research attempts to examine the crisis of Madurese cultural identity exposure in intercultural communication in Sampit (Central Borneo Province) after the 2001 ethnic conflict which involved two major ethnic groups i.e the Dayak ethnic (native community) and Madurese ethnic (migrant community). Using base descriptive qualitative approach by interviewing numerous Madurese people living in Sampit and using literature review. The research reveals that affected the formation of cultural identity among the residents of Sampit of Madurese descent. This Cultural identity experienced a crisis and change, because not in accordance with the value of local culture. In other hands, the research found that cultural identities of Madurese are strengthened. It arises because of conformity and mutual support with local cultural values. Understanding to intercultural communication is very important to create acculturation with local culture to avoid problems due to cultural differences, especially for newcomers from the Madura Island.
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43

Yunariono, Bastian, and Retno Andriati. "The Construction of Chinese Muslim Identities in Surabaya." Walisongo: Jurnal Penelitian Sosial Keagamaan 28, no. 1 (May 20, 2020): 65–86. http://dx.doi.org/10.21580/ws.28.1.6264.

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This study aims to uncover how Chinese Muslims in Surabaya developed their identity in Post-Reformation. During the New Order regime, they could not show their identity as a part of Indonesian diversity. Chinese identity has merged with the “native” people. Along with the downfall of the authoritarian political system and the development of multiculturalism and pluralism, Chinese Muslims in Surabaya could express their cultural identity. This study uses a qualitative method with an ethnographic approach. The results of the study reveal that the Chinese Muslims in Surabaya developed their cultural identity through Cheng Hoo Mosque, Chinese Muslim Organization, and Imlek Celebration. The cultural identity created a hybrid identity which is a combination of Chinese, Java, and Islamic cultures.
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44

Stewart, Daniel, Joseph Gladstone, Amy Verbos, and Manasi Katragadda. "Native American Cultural Capital and Business Strategy: The Culture-of-Origin Effect." American Indian Culture and Research Journal 38, no. 4 (January 1, 2014): 127–38. http://dx.doi.org/10.17953/aicr.38.4.61015197834j8671.

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This commentary examines the use of American Indian culture in the strategic marketing of goods and services produced from within the American Indian community. Building on concepts from multiple academic disciplines, we introduce a new construct for this practice: the "culture-of-origin" effect. Specifically, the culture-of-origin effect is the strategic use of one's cultural identity as a resource that increases the value of one's products. Moreover, we explore the ethical ramifications of exploiting one's cultural identity for capital gain by highlighting the quandary that emerges when individuals seek to profit from a resource (cultural capital) that belongs collectively to the tribe.
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45

Dabamona, Samsudin Arifin, Carl Cater, Jenny Cave, and Tiffany Low. "Cultural identity through an educational school trip: Voices of native Papuan students." Tourism Management Perspectives 38 (April 2021): 100807. http://dx.doi.org/10.1016/j.tmp.2021.100807.

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46

Wang, Kai, and Thanyalak Moonsuwan. "Yangge: Cultural Identity of Native Drama in the Context of Modern China." International Journal of Critical Cultural Studies 22, no. 2 (2024): 93–113. http://dx.doi.org/10.18848/2327-0055/cgp/v22i02/93-113.

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47

Fantasia, Valentina, Cristina Zucchermaglio, Marilena Fatigante, and Francesca Alby. "‘We will take care of you’: Identity categorisation markers in intercultural medical encounters." Discourse Studies 23, no. 4 (August 2021): 451–73. http://dx.doi.org/10.1177/14614456211009060.

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Ethnomethodology research has systematically investigated discursive practices of categorisation, looking at the various ways by which social actors ascribe both themselves and others to identity categories to accomplish various kinds of social actions. Drawing on a data corpus of oncological visits collected in an Italian hospital, involving both native and non-native patients, the present work analyses how participants in these intercultural medical encounters invoke and make relevant social identity categories by the marking of collective pronouns in their talk. Our results showed that whilst institutional identities (e.g. those of the doctors, the local hospital or the Tumour Board) prevailed, categorial formulations related to cultural or linguistic identities were rarely displayed in interactions with non-native patients. Conversational participants made very little of their linguistical or cultural background and when they did so, their cultural and linguistic identities were deployed for rhetorical and pragmatical aims, such as testing and negotiating common knowledge and epistemic authority. This study shows how even speakers’ minimal lexical choices, such as marked pronouns, impact the negotiation of meanings and activities in life-saving sites such as oncological visits.
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48

Matamonasa-Bennett, Arieahn. "“The Poison That Ruined the Nation”: Native American Men—Alcohol, Identity, and Traditional Healing." American Journal of Men's Health 11, no. 4 (March 26, 2015): 1142–54. http://dx.doi.org/10.1177/1557988315576937.

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Alcoholism and destructive drinking patterns are serious social problems in many Native American reservation and urban communities. This qualitative study of men from a single Great Lakes reservation community examined the social, cultural, and psychological aspects of their alcohol problems through their life stories. The men were in various stages of recovery and sobriety, and data collection consisted of open-ended interviews and analysis utilizing principles and techniques from grounded theory and ethnographic content analysis. Alcoholism and other serious social problems facing Native American communities need to be understood in the sociocultural and historical contexts of colonization and historical grief and trauma. This study suggests that for Native American men, there are culturally specific perspectives on alcohol that have important implications for prevention and treatment of alcohol abuse. The participants’ narratives provided insight into the ways reconnecting with traditional cultural values (retraditionalization) helped them achieve sobriety. For these men, alcohol was highly symbolic of colonization as well as a protest to it. Alcohol was a means for affirming “Indian” identity and sobriety a means for reaffirming traditional tribal identity. Their narratives suggested the ways in which elements of traditional cultural values and practices facilitate healing in syncretic models and Nativized treatment. Understanding the ways in which specific Native cultural groups perceive their problems with drinking and sobriety can create more culturally congruent, culturally sensitive, and effective treatment approaches and inform future research.
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49

SHOSTAK, Oksana. "MEDIA, SOCIAL NETWORKS AND DIGITALIZATION AS MEANS FOR NATIVE AMERICAN IDENTITY PROMOTION." Astraea 3, no. 2 (2022): 54–75. http://dx.doi.org/10.34142/astraea.2022.3.2.04.

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The article deals with the ways of actualizing one of the most powerful concepts of the modern world - that of ethnicity, which stands out as a constituent of the basic Native American identity concept originated at the end of XX - beginning of the XXI century. Actuality of the research is conditioned by importance of a more profound study of the concept that went through the objective stages of conceptualization and got fixed in the Indigenous Studies. Identity is manifested as a subjective feeling of belonging to a particular social group and at the same time is a source of inspiration and continuity of each individual. The existence of the very phenomenon of identity is determined by the social context and the inviolability of social ties in society. The study of the North American identity has been and remains to this day a problem with inexhaustible potential for researchers. Identity becomes a form of discourse, causing self-discovery, self-interpretation, and the opportunity to transform into the “other” in one's own country. Native American identity can be presented as a theory of social proximity and distance or as an interpretive scheme of gradual and direct discovery of oneself and the surrounding social reality through media and social network communication. Anyhow interpretation of indigenous identity must be largely determined by a set of political, philosophical, historical, cultural, religious, ethnic concepts that dominate in a given circumstance, determining the originality of indigenous identity in these circumstances. Today makes us witness a progressive development of American Indian identity in both cultural and civilizational and psychological dimensions through media, social networks and digitalization.
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50

Jiang, Chunsheng. "Deconstruction and Construction—A Narrative Study of Tutuola’s Novels." Theory and Practice in Language Studies 10, no. 12 (December 1, 2020): 1566. http://dx.doi.org/10.17507/tpls.1012.08.

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Nigerian writer Amos Tutuola, as one of the first generation of native African writers who write literature works in English, has received much attention since the very beginning of his publishing of works. This article explores the narrative strategies used by Tutuola in the process of constructing his cultural identity, which was partly neglected by critics. The special narrative and expressive cultural identity, narrative mode and identity establishment, and nostalgic representation were just Tutuola’s strategies that formed the procedure of the deconstruction of colonial power and the construction of national identity.
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