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1
Edmonds, M., and M. Edmunds. "The astronomical heritage of the 20th century." Astronomy & Geophysics 54, no. 3 (May 22, 2013): 3.34–3.36. http://dx.doi.org/10.1093/astrogeo/att084.
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Chang, Qing. "Architectural Models and Their Contexts in China’s 20th-Century Architectural Heritage: An Overview." Built Heritage 3, no. 4 (December 2019): 1–13. http://dx.doi.org/10.1186/bf03545715.
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AbstractThe article explores the morphological evolution of China’s 20th-century architecture chronologically. Chinese Neoclassicism has played a major role in forming the 20th-century heritage buildings surviving today. The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West. In turn, in accepting and contesting Western culture, the Chinese elite have consciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture. Meanwhile, in the foreign settlements of the treaty ports such as Shanghai, the Western Neoclassical style, along with other imported construction trends, also forms part of China’s 20th-century architectural heritage. Western Neoclassicism’s influence on China’s new architecture became even more evident in the mid-20th century, with the modern architectural heritage in Tiananmen Square as its exemplar. Nevertheless, the impact of Western modernist architecture on China’s architecture was minimal. It was not until the 1980s, as China reopened to the world, that various schools of thought from the post-industrial West flowed into China, which significantly enriched the types and sources of China’s 20th-century architectural heritage. Modern Classicism, late Modernism and Postmodernism all found their way into China’s contemporary architecture.
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Kuban, N., İ. T. Güven, and M. Pretelli. "MANAGEMENT OF 20TH CENTURY HYDROELECTRIC PLANTS AS INDUSTRIAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 685–92. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-685-2019.
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<p><strong>Abstract.</strong> By rapidly increasing the production of energy and widely extending the usage of electricity in the 20th century, hydroelectric plants and dams have radically affected the social, technological and industrial aspects of the period. Therefore, as an integral part of industrial heritage, the cultural assets of these energy facilities are required to be preserved. As a requirement of this hypothesis, it is necessary: to develop management strategies for these assets; to provide scientific data and information on these buildings / facilities; to define criteria of ‘planned conservation’ with long-term preventive measures in order to provide the continuation of the original function as long as possible. Hydroelectric plants are a common subject of interest for several disciplines, such as: engineering, hydrology, ecology, geo-sciences and remote sensing. Therefore, the conservation of the plants also requires the interdisciplinary study and collaboration of these disciplines.</p><p>Within the study, the considerations of an interdisciplinary approach – such as dam safety, ecological concerns and energy requirements – are presented, and examples from different countries are examined through the framework of architectural conservation, considering cases of dam failures, intended removal of dams and upgrading of facilities. Preventive measures for the planned conservation of hydro electrical facilities such as: constant maintenance of technical components; management of the sediment accumulated in the reservoirs; methods of analysis for the structure of the embankment are introduced briefly, concentrating on gravity dams, in order to provide conclusions for the conservation of Sarıyar Dam and Hydroelectric Plant (1956) in Turkey.</p>
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Dobinson, C. S., J. Lake, and A. J. Schofield. "Monuments of war: defining England's 20th-century defence heritage." Antiquity 71, no. 272 (June 1997): 288. http://dx.doi.org/10.1017/s0003598x0008491x.
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The editor of ANTIQUITY remembers travelling, as a child, on the main A1 highway to see relatives in southeast England, watching the banks of sharp-nosed Bloodhound missiles ranged close by the road – pointing east, to meet incoming Soviet bombers. The obsolete monuments of the Cold War, and before that of the Second World War, are history now, famously the Berlin Wall (Baker 1993 in ANTIQUITY). Many, like the concrete runways of the airfields, are so solidly built they are not lightly removed. These remains of England's 20th-century defence heritage are not well understood. However, and contrary to popular belief, they do have a large documentation; and it is this, the authors argue, that should form the basis for systematic review.
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Kolupaev, Vladimir E. "Publishing of Music Liturgical Books in the Russian Émigré in the 20th Century." Bibliotekovedenie [Russian Journal of Library Science], no. 6 (December 2, 2009): 86–89. http://dx.doi.org/10.25281/0869-608x-2009-0-6-86-89.
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The edition of musical-liturgical books in Russian Abroad of the 20th century along with texts of prayer books, are not only a lawful part of a complex literature of faith, but also in a broad sense represent the native cultural heritage in the world treasury and enrich potential of the human culture. The article analyses editorial and publishing experience on distribution of the native musicalliturgical heritage within the work of the confessional publishing centre of Russian Abroad of 20th century “Roussikoum”.
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Franco, Giovanna, and Stefano Francesco Musso. "The fate of the 20th Century Heritage. Research and Actions." ANUARI d’Arquitectura i Societat, no. 1 (November 30, 2021): 240–61. http://dx.doi.org/10.4995/anuari.2021.16227.
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L’Arquitectura del segle XX és un Patrimoni en risc, sobretot per l’abandó, la degradació, la infravaloració. No obstant això, l’augment de l’interés i l’expansió del Patrimoni ens porta a qüestionar els valors que adquireix fins i tot l’arquitectura més recent, i per tant, la seua eventual necessitat de protecció. És necessari un procés de comprensió i de selecció, basat en criteris compartits per la comunitat més àmplia. Aquest va ser l’objectiu principal de les investigacions nacionals i internacionals ací presentades sobre la producció arquitectònica del segle XX. L’observació de les construccions individuals i dels conjunts urbans, que estan molt prop de nosaltres en el temps, porta a reflexionar sobre els seus significats i valors destacant el problema essencial de situar-los en la història. Com més el patrimoni és el resultat d’episodis recents, més el percebem com inserit en una dimensió de processament, de simultaneïtat d’esdeveniments i accions -quasi com les notícies- que tendeixen a legitimar qualsevol forma de canvi, en una perspectiva lligada a la seua condició contemporània. La investigació ha deixat aflorar la riquesa d’aquesta herència, en significació i valor, centrant l’atenció des de la simple materialitat dels edificis a les possibles maneres i formes de la seua interpretació més total i madura.
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Farid, Mohamed, and Osama Abdelhady. "Assessment Heliopolis Heritage Suburb Against Sustainable Conservation." Resourceedings 1, no. 2 (November 27, 2018): 198. http://dx.doi.org/10.21625/resourceedings.v1i2.336.
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There is a complete assessment of approaches regarding conservation in the modern heritage suburbs field. As we know that the modern heritage conservation as cultural heritage to a limited degree has been accepted inside a known structure and discipline, and inside hypothesis, the preservation legislation inconsistency has been critically evaluated. The conservation scope is seen restricted to the old and historical, and hence it renders latest heritage not worth of any such conservation. In many countries like Egypt this is seen valid. Regardless of confined elucidations of current and advanced heritage which is able to foresee the mono typing, the cultural suggestions and “product of the past” state are denied especially of the 20th century.
There is degradation in the expanding and transforming features of cultural heritage which is immovable. In Egypt, as such, the latest or modern heritage undergoes inadequate analysis and is generally featured inside the cultural heritage framework. The buildings and their conservation started from the 20th century inside the predilection of Ministry of Heritage and Culture. As no such criteria are determined for such preference, there is a gradual loss in the buildings which symbolize the modern heritage regardless of their unique style and structure in relation to other infrastructure which is considered for conservation. The conservation of modern heritage is rendered with the threat of being torn down or destroyed due to aging functionally and physically inside the cultural heritage framework. This also includes the legal context updating on the basis of recent and modern parameters, essential and vital. The buildings which are not only the modern heritage products, but also the important and vital sources of the city’s history, as well as architecture needed to be sustained and hence Egyptian history and the process of rapid modernization, is becoming more and more important. It is through an impact of Cairo (the capital city) on urban identity. In short, the aim of this paper is to focus on the Heliopolis heritage suburbs and the related studies on the current sustenance of suburbs of modern heritage. Moreover, the approach to conserve heritage suburbs is assessed in this paper, which was developed at first in Cairo in the nineteenth century and the beginning of 20th century. Heliopolis heritage suburbs are given particular importance here in this paper.
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Trigg, Jonathan. "Europe's Deadly Century: Perspectives on 20th Century Conflict Heritage. Edited by NeilForbes, RobinPageand GuillermoPérez." Archaeological Journal 168, no. 1 (January 2011): 443–44. http://dx.doi.org/10.1080/00665983.2011.11020884.
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Kobiałka, Dawid. "Airborne Laser Scanning and 20th Century Military Heritage in the Woodlands." Analecta Archaeologica Ressoviensia 12 (2017): 247–69. http://dx.doi.org/10.15584/anarres.2017.12.14.
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Choudhury, Bayezid Ismail. "Jatio Sangsad Bhaban: Aspiring to be a UNESCO World Heritage Site." Journal of Social and Development Sciences 11, no. 4(S) (March 21, 2021): 1–6. http://dx.doi.org/10.22610/jsds.v11i4(s).3158.
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The Jatio Sangsad Bhban (JSB) or the National Assembly Building of Bangladesh is an internationally renowned architectural masterpiece designed by eminent 20th-century American architect Louis I. Kahn. Its unique Architectural merit makes it one of the most significant buildings of the 20th century. The impact of this iconic building encompasses all spheres of Bengal life including culture, heritage, ethos and lifestyle. Its architectural values also evoke national identity, symbolizing the hopes and aspirations of the people of Bangladesh. However, despite its international and national material, social and human significance, it is yet to be nominated as a UNESCO World Heritage Site (WHS). This paper argues for the potential of the JSB to become a WHS.
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Yaldiz, Esra. "The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.
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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting the traditional architectural values by means of modern material and seeking of independent form. In this study, the Mevlana Axis between Alaaddin Hill and the historical city centre and the works of architecture in the modernisation period between the early 1900s and 1980s on this axis, contribute to the city identity and handled in the context of modern architectural heritage are evaluated. Keywords: Modern architecture heritage, evaluation criteria, Konya.
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Konta, Rostislav. "Transformacіja pogljadіv naukovcіv XX stolіttja na etnologіchnі studії Іvana Franka". Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 2, № 1 (2016): 75–89. http://dx.doi.org/10.15804/pomi201605.
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The transformation of the scientists views of 20th century on ethnological studies of Ivan Franko. An article deals with a problem of study of scientists of XX century ethnological scientific heritage of I. Franko by analyzing historiographical and bibliographical works concerning the problem.
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Kobiałka, Dawid. "Difficult Heritage of the 20th Century from the Perspective of the Biography of Things." Acta Universitatis Lodziensis. Folia Archaeologica, no. 34 (December 30, 2019): 23–43. http://dx.doi.org/10.18778/0208-6034.34.02.
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This paper discusses the concept of difficult/dark heritage from a theoretical perspective known as the biography of things. First, I analyse Polish archaeological research on difficult/dark heritage. Second, I describe in greater detail the biography of things as a tool for studying relationships between people, things and places. The last part of the paper is a case study presenting the biographies of three objects found in the grounds of a prisoner-of-war camp in Czersk. I aim to prove the following theses: 1) archaeologies of the recent past cannot be understood simply as the archaeology of martyrdom; 2) material culture from the recent past allows us to create different kinds of narratives connected with dark heritage.
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Zivaljevic-Luxor, Natasa, Nadja Kurtovic-Folic, and Petar Mitkovic. "Role of built heritage in 20th century planning and development of eurocentric urban areas." Facta universitatis - series: Architecture and Civil Engineering 18, no. 2 (2020): 113–29. http://dx.doi.org/10.2298/fuace171202009z.
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Built heritage preservation and town and regional planning emerged on scientific bases in the process which lasted until the late 20th century. The role of built heritage in town and regional planning has essentially changed in that time. It can be partly explained by developing of scientific methodology of each of the disciplines, and partly by global changes and subsequently emerging challenges.
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Del Curto, D., A. Garzulino, F. Allegretti, and S. Mazza. "GIS OR BIM? A COMPARISON APPLIED TO THE CONSERVATION MANAGEMENT PLAN OF A 20th CENTURY ARCHITECTURAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 22, 2019): 365–72. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-365-2019.
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<p><strong>Abstract.</strong> This paper discusses the impact of the advanced systems of architectural survey and modelling to the research on the Conservation Management Plan (CMP) for architectural heritage, particularly when such a tool is applied to the 20th century architectural heritage. The authors focus on a comparison between the Building Information Modelling (BIM) technology and the Geographic Information Systems (GIS). The Conservation Management Plan for the National Art Schools of Havana in Cuba is used as case study. Given the plurality of buildings and various levels of interest in such a context, conservation and management needs, the need to share the results with non-specialized stakeholders, the need to combine different scales of analysis and different typologies of materials, the results point out the advantages of a GIS platform. The conclusions open to further possibilities of integrating GIS and BIM to the specific task of effectively conserving and managing the 20th century architectural heritage.</p>
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Allegretti, F., D. Del Curto, and S. Mazza. "ADVANCED GEOMATICS AND CONSERVATION MANAGEMENT PLAN FOR PRESERVING 20th CENTURY ARCHITECTURAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 63–70. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-63-2019.
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<p><strong>Abstract.</strong> This paper discusses the relationship between advanced geomatics and Conservation Management Plan (CMP), by deepening the case of a CMP dedicated to the conservation of the 20th century architectural heritage. A number of issues have already been discussed on how the advanced survey techniques contribute to the conservation field for the last decades (e.g. Laser Scanner, HDR, GIS, intelligence vs. abundance, B.I.M, VT/IM etc.). The authors analyse pros and cons of each technique with respect to the main purposes of a CMP: 1.knowledge, 2.value assessment, 3.data sharing and dissemination of results, 4.support for conservation and restoration activities, 5.support for the planned conservation of buildings / facility management over time. With respect to the research on the CMP for the National Art Schools of Havana, the conclusions focus on the need to share results to non-specialist stakeholders, and on the possibility to combine different scales of analysis and a plurality of buildings with various levels of interest and conservation needs.</p>
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SOLOVYOV, N. K., and A. S. GAIVORONSKAIA. "Ancient ruins motif in the creative heritage of N.P.Chimona (early 20th century)." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 2-1 (2022): 80–89. http://dx.doi.org/10.37485/1997-4663_2022_2_1_80_89.
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Zhang, Song. "The Preservation of 20th-Century Architectural Heritage in China: Evolution and Prospects." Built Heritage 2, no. 2 (June 2018): 4–16. http://dx.doi.org/10.1186/bf03545690.
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Nasa, Jacopo La, Greta Biale, Barbara Ferriani, Rafaela Trevisan, Maria Perla Colombini, and Francesca Modugno. "Plastics in Heritage Science: Analytical Pyrolysis Techniques Applied to Objects of Design." Molecules 25, no. 7 (April 8, 2020): 1705. http://dx.doi.org/10.3390/molecules25071705.
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The first synthetic polymers were introduced as constituents of everyday life, design objects, and artworks at the end of the 19th century. Since then, the history of design has been strictly connected with the 20th century evolution of plastic materials. Objects of design from the 20th century are today a precious part of the cultural heritage. They raise specific conservation issues due to the degradation processes affecting synthetic polymer-based plastics. Museums and collections dealing with the conservation of design objects and modern materials need to base their conservation strategies on compositional data that reveal the formulations of historical plastics and their decay processes. Specific and specifically optimized analytical tools are thus needed. We employed flash analytical pyrolysis coupled with gas chromatography and mass spectrometry (Py-GC/MS) and evolved gas analysis coupled with mass spectrometry (EGA-MS) to characterize “historic polymeric materials” (HIPOMS) and heritage plastics at the molecular level with high chemical detail. This approach complements non-invasive spectroscopic diagnosis whenever it fails to obtain significant or complete information on the nature and the state of preservation of the materials under study. We determined the composition of several 20th century design objects (1954–1994) from the Triennale Design Museum of Milan (Triennale Milano - Museo del Design Italiano), which for different morphological, chemical, or physical reasons were unsuitable for characterization by non-invasive spectroscopy. EGA-MS proved capable for the study of the different fractions constituting heterogeneous micro-samples and for gaining an insight into their degradation processes from the contextual interpretation of thermal and mass-spectrometric data.
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Cadavid, Jhonny Antonio Pabón. "Evolution of legal deposit in New Zealand." IFLA Journal 43, no. 4 (June 12, 2017): 379–90. http://dx.doi.org/10.1177/0340035217713763.
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The evolution of legal deposit shows changes and challenges in collecting, access to and use of documentary heritage. Legal deposit emerged in New Zealand at the beginning of the 20th century with the aim of preserving print publications mainly for the use of a privileged part of society. In the 21st century legal deposit has evolved to include the safeguarding of electronic resources and providing access to the documentary heritage for all New Zealanders. The National Library of New Zealand has acquired new functions for a proper stewardship of digital heritage. E-deposit and web harvesting are two new mechanisms for collecting New Zealand publications. The article proposes that legal deposit through human rights and multiculturalism should involve different communities of heritage in web curation.
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Barboza, Christina Helena. "Twentieth-century astronomical heritage: the case of the Brazilian National Observatory." Proceedings of the International Astronomical Union 11, A29A (August 2015): 106–8. http://dx.doi.org/10.1017/s1743921316002519.
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AbstractThis paper aims at contributing to the UNESCO-IAU Astronomy and World Heritage Initiative's discussions by presenting the case study of a 20th-century observatory located in a South American country. In fact, the National Observatory of Brazil was created in the beginning of the 19th century, but its present facilities were inaugurated in 1921. Through this paper a brief description of the heritage associated with the Brazilian observatory is given, focused on its main historical instruments and the scientific and social roles it performed along its history. By way of conclusion, the paper suggests that the creation of the Museum of Astronomy and Related Sciences with its multidisciplinary team of academic specialists and technicians was decisive for the preservation of that expressive astronomical heritage.
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Almeida, Luís, António Santos Silva, Maria do Rosário Veiga, Manuel Vieira, and José Mirão. "Physical and Mechanical Properties of Reinforced Concrete from 20th-Century Architecture Award-Winning Buildings in Lisbon (Portugal): A Contribution to the Knowledge of Their Evolution and Durability." Construction Materials 2, no. 3 (June 21, 2022): 127–47. http://dx.doi.org/10.3390/constrmater2030010.
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The use of concrete materials in Portugal, namely reinforced concrete, began in the 19th century. However, during the 20th century, the increase in the application of this composite material, alongside the use of hydraulic binders, led to a disruption of traditional construction techniques and enhanced generalized application in concrete structures, combining aesthetics with functionality. In this paper, the authors will present and discuss several physical and mechanical characteristics of reinforced concrete materials from 12 award-winning architectural buildings constructed between the 1930s and the end of the 20th century in Lisbon, Portugal. These results are vital to evaluate their durability, as those buildings have an undiscussable heritage value in the context of 20th-century buildings’ valorization. Furthermore, the results will contribute to the knowledge of the current state of conservation of these materials and will allow an understanding of the evolution in the application of national regulations during this period.
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Hanenberg, Norbert, Daniel Lohmann, and Christian Raabe. "The Heritage of Mies." Heritage of Mies, no. 56 (2017): 4–5. http://dx.doi.org/10.52200/56.a.kb7t9i2r.
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Mies van der Rohe’s built work covers a timeframe of over 60 years, including two world wars and several revolutionary events in the history of architecture. The extraordinary architect has influenced 20th century architecture worldwide like few others have. In the context of several restoration projects, the time has come to review the condition of his buildings: Is their materiality as timeless as their appearance? Did his constructions, which are of sometimes an experimental nature, prove to be sustainable, or did they fall into disrepair? How can Mies van der Rohe buildings be documented, repaired, restored, reconstructed, without losing the characteristic details of his work, and in order to preserve the architectural integrity and relevance of the Mies van der Rohe's oeuvre?
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Novotná, Mária. "Alpine huts: Architectural innovations and development in the High Tatras until the first half of the 20th century." Architecture Papers of the Faculty of Architecture and Design STU 27, no. 1 (March 1, 2022): 4–11. http://dx.doi.org/10.2478/alfa-2022-0002.
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Abstract For man, the mountain environment was a source of raw materials and a place of economic activity until the end of the 18th century. This paper examines how the exploration of mountain valleys lead from the first ascents to the peaks to today’s exploitation of the mountain environment. We are currently following efforts to protect the unique environment of the mountains and to preserve the architectural heritage of the 20th century. In the paper, we look at the architecture of the High Tatras of the first half of the 20th century, which is lost under the coatings of today. The article traces the line of innovation in the 20th century and examines the causes and consequences of the origin and development of architecture in the alpine environment, with a focus on changes in the paradigm of social thinking in the relationship between architecture and the original landscape. The subject of the paper is mapping of the architectural heritage embedded in the unique environment of the world natural heritage of alpine terrains in the High Tatras and the study of the settlement process with innovative technologies and materials that have enabled architecture to enter difficult terrains. As industrialization, mechanization and electrification have greatly simplified and streamlined the construction process, the work identifies not only the development of new design, technological and material solutions, but also the resilience of the environment to innovation. It focuses on the analysis of innovative progress and monitors its development in contact with the mountain architecture from the moment of planning, work implementation and possible construction changes. The work focuses on the typology of mountain huts and the process of their architectural design.
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Spitra, Sebastian M. "Civilisation, Protection, Restitution: A Critical History of International Cultural Heritage Law in the 19th and 20th Century." Journal of the History of International Law / Revue d’histoire du droit international 22, no. 2-3 (October 21, 2020): 329–54. http://dx.doi.org/10.1163/15718050-12340154.
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Abstract This article provides a new narrative for the history of cultural heritage law and seeks to contribute to current legal debates about the restitution of cultural objects. The modern protection laws for cultural objects in domestic and international law evolved in the 19th and 20th century. The article makes three new arguments regarding the emergence of this legal regime. First, ‘civilisation’ was a main concept and colonialism an integral part of the international legal system during the evolution of the regime. The Eurocentric concept of civilisation has so far been an ignored catalyst for the international development of cultural heritage norms. Second, different states and actors used cultural heritage laws and their inherent connection to the concept of civilisation for different purposes. Third, the international legal system of cultural heritage partly still reflects its colonial roots. The current restitution discussions are an outcome of this ongoing problematic legal constellation.
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Garzulino, Andrea, Maria Paola Borgarino, and Davide Del Curto. "When GIS Joins the Conservation Management Plan of a 20th-Century Architectural Heritage." Sustainability 13, no. 7 (April 1, 2021): 3881. http://dx.doi.org/10.3390/su13073881.
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The paper discusses how a Geographic Information System (GIS) contributes to set up a Conservation Management Plan (CMP) for the sustainable preservation of a 20th-century architectural masterpiece. The National Art Schools of Cuba are presented as a case study. The complex consists of five iconic buildings built in the early 1960s within a 56-hectare city-park. Since they are today underused and in a poor state of conservation, a research project among Italy, Cuba, and the US addressed a CMP’s preparation between 2018 and 2020. A GIS was prepared to collect and manage the whole data, based on graphic support consistent with both the site’s features and the research’s goal, to set up a comprehensive Conservation Management Plan. By illustrating this experience’s pros and cons, the paper discusses how GIS may contribute to the conservation and sustainable management of such extensive 20th-century architectural complexes.
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Stefanija, Leon. "Between autonomy of music and the composer’s autonomy. Notes on modernisms and traditionalisms in Slovenian music of the 20th century." Muzikologija, no. 6 (2006): 117–45. http://dx.doi.org/10.2298/muz0606117s.
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The aim of this article is to examine the relations between the old and the new in the context of 20th-century Slovenian music. The question about the old and the new is seen not only as a question of different facets of an age-old opposition, but also as a complex issue of the epistemological contextualization of those different facets. Centered on the main historiographical entries ? the avant-garde, modernity, traditionalism, and post-modernity ?, the outline of the 20th-century Slovenian musical culture endeavors to point out what is a common problem of the Western musical heritage from the past century: the problem of defining constituents of the old and the new within different epistemological contexts.
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Hancock, Mary. "Subjects of Heritage in Urban Southern India." Environment and Planning D: Society and Space 20, no. 6 (December 2002): 693–717. http://dx.doi.org/10.1068/d343.
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In this paper I deal with a recent effort, conducted jointly by corporate and voluntary bodies, to create a themed cultural environment in Chennai (formerly Madras), the capital city of the southern Indian state of Tamil Nadu. This project, not yet completed, fuses craft center with architectural reconstruction, and is the work of upper-caste, globally connected elites. The site, Dakshina Chitra, envisions southern Indian culture and history in ways that are tied to consumerism and to elite perceptions of regional and national heritage. This effort departs from and poses a critique of the versions of culture, history, and identity that have been inscribed by the state in urban public space during the second half of the 20th century—the statues, monuments, and memorials that celebrate Tamil ethnicity as promulgated in the Dravidianist sociopolitical movement. This movement, which originated in the late 19th century, provided a platform for anticolonial and subaltern social movements. It continues in the hands of the political parties who have controlled, at different times, the government of Tamil Nadu since 1967. The competing discourses on heritage posed by these different projects are indicative of political, economic, and cultural transformations associated with liberalization that are now reconfiguring the relations between state and society in southern India. The constructions of locality and history that became visible during the anticolonial struggle of the first half of the 20th century are being challenged by alternative formulations as heritage becomes a marketable good and consumption becomes a vehicle of political participation. With this case I consider the ways that themed urban environments serve not only as indices of the changing political economy, but also as markers of changes in the cultural mediation of political subjectivity.
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Clarke, Nicholas, Hielkje Zijlstra, and Wessel De Jonge. "Education for Adaptive reuse – the TU Delft Heritage and Architecture Experience." Education and Reuse, no. 61 (2019): 67–75. http://dx.doi.org/10.52200/61.a.jydu6qaf.
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The Section for Heritage and Architecture of the Faculty of Architecture and the Built Environment at the Delft University of Technology specializes in architectural education for adaptive reuse of heritage buildings, with a specific focus on the built heritage of the 20th century. Our approach combines architectural design and technological knowledge with an approach that places values as central informants. Here we present our approach, explore the past and project a future evolution of our educational methodology. Finally, we reflect on the lasting relevance of the tangible and intangible heritage of the recent past as aim and source of our educational practice.
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Pastushkova, N. A. "Russians in Spain. Book 2. The 20th century. The Beginning." Voprosy literatury, no. 5 (November 9, 2019): 292–95. http://dx.doi.org/10.31425/0042-8795-2019-5-292-295.
Повний текст джерелаАнотація:
Second in the anthology, the volume offers a rich collection of materials, including descriptions of 1900s–1930s Spain by Russian travellers. Artists, musicians, journalists and people of the theatre, all of them share their expectations, recollections and impressions from visits to this Southern country. A poeticized image clashes with reality, which often stands in stark contrast to the idyllic picture. Spain beckons, mesmerizes, and reveals its luxurious self. The country is wrought with controversy: the archaic lifestyle in the provinces and the dizzying pace of life in big cities; its amiable, but very apathetic people; its glorious past and almost desperate present. Russians travel to Spain to experience its natural beauty and splendid cultural heritage. Many of them revelled in visiting the Prado Museum. Numerous performers would come to Spain to tour, spreading knowledge of Russian music, ballet and drama among local audiences.
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Ármannsson, Pétur H. "Concrete’s Furthest North. Early 20th Century Heritage of Modern Civil Engineering in Iceland." Bridges and Infrastructures, no. 45 (2011): 86–89. http://dx.doi.org/10.52200/45.a.etpc9u3y.
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In 1935–36, the English writer and design critic Philip Morton Shand (1888-1960), proponent of Modernism, translator of Walter Gropius and founder of MARS group (Modern Architectural Research Group) published two articles in the magazine “The Concrete Way”. The first one was entitled “Concrete´s furthest north”, highlighting the advanced and wide–ranging use of concrete construction in Iceland. With the second article were photographs of newly built public buildings by architect Sigurdur Gudmundsson (1885-1958) as well as bridges designed in the 1920s and 1930s by the engineers of the Icelandic State Highways Department. Shand was impressed by the work of the “gifted and thoroughly modern minded architect such as any country might be proud of” as well as the work of “first rate–engineers” of this “geographically remote island which at that time had only 100,000 inhabitants and 2,000 motorcars. He also points at the photos "as evidence of the wonderful clearness of the air which is characteristic of Iceland´s brief Arctic summers."
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Menteş, Aliye, and Valentina Donà. "Transformation of Cinema Buildings and Spaces in Nicosia: Early-Mid 20th Century Heritage." ATHENS JOURNAL OF ARCHITECTURE 7, special issue (March 1, 2021): 199–226. http://dx.doi.org/10.30958/aja.7-0-4.
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Cinemas emerged as a new and genuine expression of culture at the beginning of the 20th century. In the 1920s cinema buildings became important for developing city life and especially as a social public space for entertainment. The period of great success of cinemas was inevitably destined to fade with the arrival of TV. However, this period left behind interesting architectural heritage. On the other hand, the “box of dreams”, the cinema industry, is a suggestive media contributing in defining other aspects of popular culture in a period of hectic changes and progress. The scope of this paper aims to investigate this specific building type, cinemas, within the context of modern heritage value in northern Cyprus. The purpose is to raise awareness on significance of cinema buildings thus to foster their protection and enhancement. The study also aims to investigate the historical relation of these buildings to their environments and neighborhoods as well as their transformed current situations. Some buildings were replaced with new ones, some were abandoned, and some others were converted into different uses. These transformed situations are results of changing economic, socio-cultural life styles and changing morphology of the cities. This paper aims also to stress the role of Cypriot architects and architecture in the international panorama within the Mediterranean area, in a peculiar multicultural context. Common features with other countries and local characteristics of the selected buildings are detected and analysed. Architectural qualities and solutions are studied to understand the reflections of the studied period. This study follows a qualitative research approach. The key discussions are made through investigating the cinema buildings and spaces in Nicosia, Northern Cyprus, as a case study method. This research investigates these buildings and spaces through historical archives, photographic surveys and producing maps for showing the location of these within the historic Walled City of Nicosia and its close surrounding. This stage provides significant data about their historic conditions and surroundings and comparisons with today’s current situations. In addition, interviews with local residents who used these cinemas in those periods are also carried out to support historical information and highlight the socio-cultural and economic understanding of those days.
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González Martínez, Plácido. "The Recent Past Comes of Age. 20th-Century Heritage: Agency, Challenges and Motivations." Built Heritage 2, no. 2 (June 2018): 1–3. http://dx.doi.org/10.1186/bf03545689.
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Kumpikaitė, Eglė, and Rimvydas Milašius. "Lithuanian National Costume in the 19th Century and in the 2nd Half of the 20th Century: Cultural Pollution and Remains of Authenticity." Societies 11, no. 1 (March 3, 2021): 17. http://dx.doi.org/10.3390/soc11010017.
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Lithuanian authors, authors abroad, and artists have presented Lithuanian folk clothes in their works. However, the oldest examples of these representations are not very reliable, because the authors painted them according to the descriptions of other people or copied works among each other. In the 20th century, the national costume of Lithuania changed considerably. Attention was not given to ethnographic regional peculiarities; instead, similar materials were chosen without any analysis. This article performs a comparative analysis of folk (the 19th century to the first half of the 20th century) and national (the second half of the 20th century) Lithuanian costumes to establish signs of cultural pollution and remaining authenticity. Over 500 articles of clothing with different purposes are collected from Lithuanian museums. Fabric parameters, such as raw materials, weaving technique, weave, pattern, decoration elements, etc., are established. The research results show that authentic folk clothes of the 19th century differ from the national costume of the second half of the 20th century in their cut, decoration, and patterns. No differences between ethnographic regions survived in the national costumes. Thus, at present, we must preserve our tangible heritage and re-create, as authentically as possible, national costume for folk songs and dance ensembles, folk restaurants, and rural tourism homesteads.
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Izquierdo, Sara. "Open Al-Andalus: Hispanic-Muslim Heritage Impact on Spanish Contemporary Architecture." Arts 7, no. 4 (October 16, 2018): 66. http://dx.doi.org/10.3390/arts7040066.
Повний текст джерелаАнотація:
Spanish architecture, towards the end of the 19th century and the beginning of the 20th, was characterized by the development of a variety of styles, including Neo-Muslim. The Alhambra of Granada, the Mosque of Cordoba, and the Giralda Tower of Seville, served as inspiration to the design of works that would follow these models, some to a greater extent than others, and would eventually give rise to an architectural trend that would make its way all across Spain. As such, this article attempts to provide some examples of said architecture found in different autonomous communities in Spain, examining them through four typologies, as well as to discuss the consideration and use of the Neo-Muslim style after the second half of the 20th century. The methodology behind this research involved extensive reading and analysis of both general and specific works on the subject, the study of archival materials relative to some of the selected buildings, about which preserved evidence was scarce, as well as taking photographs of the properties included in the text.
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M., TSELISHCHEVA. "HOLY CROSS EXALTATION CHURCH IN BARNAUL -A MODEL OF SMALL CENTRAL-DOMED TEMPLE OF THE BEGINNING OF 20TH CENTURY." Preservation and study of the cultural heritage of the Altai Territory 27 (2021): 131–39. http://dx.doi.org/10.14258/2411-1503.2021.27.21.
Повний текст джерелаАнотація:
Under the grant of the President of the Russian Federation in 2018, the Red Book of Cultural Heritage Objects of the Altai Krai was replenished with materials dedicated to religious objects under threat of destruction. In this article on the ground of archival sources, the author presents information about the construction of a cemetery church without a parish in Barnaul at the beginning of the 20th century since documents’ preparation and approval in the Tomsk Construction Department, selection of the construction place to the present. In particular, she describes in detail the process of building a church, cites drawings of the building found in the Tomsk archive. The construction was carried out with funds donated under the will of A.I. Alkova and presented by the merchant Smirnov on behalf of M.M. Smirnova money. The temple was built according to the plan drawn up by Mr. Bodunov. The object of cultural heritage is an example of stone church architecture of the Russian-Byzantine style and an example of a small central-domed temple - a cemetery church of the early 20th century. Keywords: church, temple, stone church architecture, object of cultural heritage, architectural monument
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Alsuwaidi, Fatima, Reyhan Sabri, and Vittorino Belpoliti. "Investigating the Values of Modern Architectural Heritage in Dubai, UAE." IOP Conference Series: Materials Science and Engineering 1203, no. 2 (November 1, 2021): 022056. http://dx.doi.org/10.1088/1757-899x/1203/2/022056.
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Abstract In the last half-century, the world has witnessed a fast-paced technological development where cities have been changing tremendously in terms of infrastructure, public health, and quality of life. Looking into the Middle East and specifically in the Gulf states, the rapid urban growth started in the late 20th century has made the status of heritage structures more vulnerable. Cultural heritage in general and modern architectural heritage in particular, are facing extreme danger, which in turn leads to the loss of cultural identity and memory. The paper investigates the modern architectural heritage of the United Arab Emirates (UAE), taking Dubai as a case study. Due to the constant urban and architectural growth that Dubai has been witnessing since the 1950s, its 20th-century heritage has been put in extreme danger of neglect, or extreme physical alterations and, in many cases, demolishment. The UAE governmental bodies have started launching initiatives for the study and preservation of the modern architectural heritage, beginning with the Dubai Municipality’s initiative in 2017, and continuing on a wider scope with the UAE’s Ministry of Culture and Youth initiative in 2019. The purpose of this paper is to contribute to this process by establishing a chronological overview of the various architectural expressions of the modern era in the UAE. In that sense, the paper introduces a set of commercial architectural examples built in Dubai during the period between the 1960s and the 1970s. As well, it identifies and analyses their cultural and architectural characteristics, and assesses their values based on a chronological, morphological, and stylistic overview. The paper provides preliminary results and key findings and discusses possible guidelines and evaluation criteria to identify and evaluate Dubai’s modern built environment to aid their identification and ranking process, as well as promoting the shaping of conservation policies.
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Montaner, Josep Maria, and Zaida Muxí Martínez. "Modern Housing: Heritage and Vitality." Modern Housing. Patrimonio Vivo, no. 51 (2014): 10–11. http://dx.doi.org/10.52200/51.a.m3ws825n.
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One of the main subjects in contemporary architecture is how to deal with the physical and intellectual requirements of transforming modern housing. Joan Busquets points out in his contribution to this issue, that the special effort made by modern architects and progressive housing politics during the 20th century must be reinterpreted and followed today. Intentionally, this issue brings a special focus on the Iberoamerican world, specifically Spain, Portugal and Latin America, with the aim of relocating it in a cultural world of predominantly Anglo-American historiography. In any case, it presents a very wide spectrum, including North America, Switzerland and Great Britain. For this reason the projects are presented as case studies, both housing politics in different countries, and paradigmatic architectural examples, either positive or negative.
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Grigoryeva, Elena. "socialist city." проект байкал 18, no. 68 (August 8, 2021): 1. http://dx.doi.org/10.51461/projectbaikal.68.1787.
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The period of the “socialist project” occupied the biggest part of the 20th century. Hugescale social experiments have greatly shaped the present-day city’s appearance. The second half of the 20th century evidenced an unprecedented volume of housing and industrial technologies in house construction and design. Most of us, today’s citizens, live in the neighborhoods and houses built during the socialist era.Belgrade and Split, Sverdlovsk, Sevastopol, Magnitogorsk, Irkutsk, Krasnoyarsk, Khabarovsk, Odessa, Moscow – all the cities represented in this issue demonstrate the achievements of the period of the “socialist project”.Having defined the historical heritage as a phenomenon of the socio-economic development, the civil society of Irkutsk pointed out again the urgency of this issue. It also concerns other cities that respect their history. Without history, without heritage, there is no future. Including the heritage of the 20th century.We would like to devote the main topic of the issue to recollections of how residential neighborhoods were formed in socialist cities, what people and what processes defined that formation, in which cases the ideology influenced the appearance of cities, and in which cases cities grew and developed according to their internal regularities. The purpose is not only to pay our respect to wonderful masters, but also to learn the humanistic approaches to space arrangement from them again. It is a good thing in the times of domination of completely different goals related to making a quick profit. It is a good thing for all.
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Wenji, Zhao, Cui Rongrong, and Niu Li. "Design and Cultural Aspects of 20th Century Chinese Xiangjin Brocade." Fibres & Textiles in Eastern Europe 151, no. 3 (September 28, 2022): 116–29. http://dx.doi.org/10.2478/ftee-2022-0030.
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Abstract As one of the representative silk-woven artworks of the 20th century in China, Chinese Xiangjin brocade, well-known as “the flower of Oriental art”, draws on the essence of Sichuan brocade, Yun brocade, Song brocade, so as to form its own unique artistic style. It also takes the lead in the innovation of traditional brocade in key processes such as craftsmanship, design and jacquard, whose drawing technique is the exact core skill making it intangible cultural heritage. So far, there have been few studies on crafts and textile design in China before the 20th century or even after the reform and opening up, and rather fewer studies on the structure of Xiangjin brocade in the 20th century. This paper attempts to record and classify 1008 pieces of Xiangjin brocade in the Suzhou Silk Archive, China, as well as to find out their design features, oriental flavour, and unique weaving techniques. In addition, the cultural connotation of Xiangjin brocade as the painting medium was also put forward by analysing those brocades' historical texts, images, and style.
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Safiullina, R. R. "Psychological knowledge in Tatar theological heritage." Minbar. Islamic Studies 13, no. 4 (December 27, 2020): 939–61. http://dx.doi.org/10.31162/2618-9569-2020-13-4-939-961.
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The article presents the results of the study on how the Psychological issues were reflected in Tatar literature and in book-composing traditions, in textbooks and works of Tatar scientists, teachers, religious and public figures of the early 20th century. Ideological, aesthetic and artistic features of the works of Tatar literature representatives developed in accordance with Sufi traditions, with the domination and prevalence of didactic and humanistic principles. Without losing its eastern roots, which go deep into Sufi philosophical and aesthetic thought, Tatar literature in the early twentieth century becomes susceptible to the perception and creative rethinking of new, modernist experiments. Publications by Musa Bigiev, M. al-Gaffari, and others, which appeared in the early twentieth century, devoted to the problems of creating high art, in which religious ideals of Islamic society would be expressed and which would contribute to religious reform, were an important factor that played a role in the development of Tatar theoretical and literary thought in the early twentieth century, where there is a special interest in the psychological direction in Russian literature studies. At the same time, translated essays devoted to the issues of Psychology appear on the pages of Tatar periodicals; a number of educational institutions of a new type begin to teach these subjects. Some authors of tutorials seek to use language and speech techniques in their texts to influence and convey information to students, in the form of Psychological Pedagogy methods such as observation, conversation and analysis.
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Sánchez-Torija, Jorge Gallego, María Antonia Fernández Nieto, and Jesús García Herrero. "REHABILITATING J. L. ROMANY’S SOCIAL HOUSING IN THE 21ST CENTURY." Architecture and Engineering 7, no. 4 (December 29, 2022): 3–16. http://dx.doi.org/10.23968/2500-0055-2022-7-4-03-16.
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Introduction: The modern heritage of 20th century Spanish architecture, particularly in the city of Madrid, includes an extensive range of high-quality social housing that, due to its peripheral location and economic restrictions, can be lost without public policies to preserve it. Updating this housing to meet the current habitability requirements, as well as enhancing and transforming it into high-quality 21st century residential buildings, is a task that cannot be postponed. Purpose of the study: The issues of energy efficiency, habitability and accessibility are very salient today, so it seems pertinent to recover relevant examples of 20th century architecture and investigate to what extent the parameters with which they were designed are still valid. Methods: This paper reviews housing case studies in two neighborhoods, Poblado Dirigido de Fuencarral and Colonia Juan XXIII de Carabanchel, comprehensively analyzing the original buildings and their current rehabilitation. This includes comparing the buildings’ energy efficiency before and after the intervention carried out. Approach: This study verified that in both cases, an attempt was made to recover several elements of the original design during rehabilitation. Results: We found that both projects were originally committed to creating an open, pedestrian-friendly city with abundant vegetation, which is still a valid value today. Despite the economic restrictions at the time of construction, both projects used advanced energy strategies, such as the passive design offered by cross ventilation, the unusual thermal insulation envelope, or the efficient district heating. Novelty: In addition, this paper aims to incorporate the heritage of the great mid-20th century architect José Luis Romany, author of both projects, into modern Spanish architecture.
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Kazarin, V. N. "Scientific legal heritage of professor Sergey Vladimirovich Shostakovich. To the 120 anniversaries since birth." Siberian Law Herald 4 (2022): 11–21. http://dx.doi.org/10.26516/2071-8136.2022.4.11.
Повний текст джерелаАнотація:
Are considered scientific heritage of the historian, lawyer and orientalist, professor of the Irkutsk university S. V. Shostakovich. Its role in reconstruction of the higher legal education in Eastern Siberia is noted. The main attention is paid to the analysis of historical and legal questions in research of antique Greece, the countries of the Middle East, Central Asia and China during modern and latest times. It is noted that S. V. Shostakovich made a scientific contribution in studying the legal dependent population and patriarchal family in Ancient Greece, problems of the feudal monarchy in Persia of the end XVIII – the first half of the 19th centuries, international law, a problem of exterritoriality of foreigners in China of the beginning of the 20th century, international legal position of the state Tannu-Tuva in the 20th of the 20th century. It one of the first considered also political and legal views of the prominent Russian diplomat A. S. Griboyedov. The conclusion is drawn that S. V. Shostakovich carried on scientific traditions of a historical and legal perspective of the Irkutsk legal school of the 1920th, made an original contribution to studying problems of history of state and law, a political and legal thought.
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Szilágyi, Kinga, Chaima Lahmar, Camila Andressa Pereira Rosa, and Krisztina Szabó. "Living Heritage in the Urban Landscape. Case Study of the Budapest World Heritage Site Andrássy Avenue." Sustainability 13, no. 9 (April 22, 2021): 4699. http://dx.doi.org/10.3390/su13094699.
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Historic allées and urban avenues reflect a far-sighted and forward-thinking design attitude. These compositions are the living witnesses of olden times, suggesting permanence. However, the 20th century’s urban development severely damaged the environment, therefore hundred-year-old mature trees are relatively rare among city avenues’ stands. Due to the deteriorated habitat conditions, replantation may be necessary from time to time. However, there are a large number of replanted allées and urban avenues considered historical monuments, according to the relevant international literature in urban and living heritage’s preservation. The renewal often results in planting a different, urban tolerant taxon, as seen in several examples reviewed. Nevertheless, the allée remains an essential urban structural element, though often with a changed character. The Budapest Andrássy Avenue, a city and nature connection defined in the late 19th century’s urban landscape planning, aimed to offer a splendid link between city core and nature in Városliget Public Park. The 19–20th century’s history and urban development are well documented in Hungarian and several English publications, though current tree stock stand and linear urban green infrastructure as part of the urban landscape need a detailed survey. The site analyses ran in 2020–early 2021 created a basis for assessing the allées and the whole avenue as an urban ecosystem and a valuable case study of contemporary heritage protection problems. Andrassy Avenue, the unique urban fabric, architecture, and promenades have been a world heritage monument of cultural value since 2002. The allées became endangered despite reconstruction type maintenance efforts. The presented survey analyses the living heritage’s former renewal programs and underlines the necessity of new reconstruction concepts in urban heritage protection. We hypothesize that urban green infrastructure development, the main issue in the 21st century to improve the urban ecological system and human liveability, may support heritage protection. The Budapest World Heritage Site is worthwhile for a complex renewal where the urban green ecosystem supply and liveable, pedestrian-friendly urban open space system are at the forefront to recall the once glorious, socially and aesthetically attractive avenue.
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Chernyaeva, L. V. "20th century: trauma is not a resource, or when the guide falls silent in the museum." Voprosy kul'turologii (Issues of Cultural Studies), no. 2 (January 25, 2021): 134–47. http://dx.doi.org/10.33920/nik-01-2102-05.
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Over the past 23 years, the Togliatti Museum of Local Lore has developed two projects of intergenerational family communication (value exchange between generations, to restore the intergenerational connection broken in the Soviet and post-Soviet periods). In the first case, adolescents and a family encounter trauma (realistically and indirectly, through a teenager who asks the family and about the family questions (the Family Alphabets project); in the second, preschoolers and families (conventionally, grandmothers and grandchildren: 20th century). This is an integrative course at the intersection of museum pedagogy, psychology, records management, uses the documentary heritage of the territory (rare books and documents of the museum and family archive), the intangible heritage of the family.
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Alebastrova, A. A. "Experience of «The Other» in Husserl`s Phenomenological Project." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 12, no. 3 (2012): 3–6. http://dx.doi.org/10.18500/1819-7671-2012-12-3-3-6.
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Article is devoted to consideration of experience in late Husserl`s works through the appeal to Descartes’ philosophical heritage. Through judgment of experience the philosophy of the 20th century opens the relations the person to «The Other» individual. Addressing to E. Husserl experience, saw in it phenomenology bases as sciences of higher formation.
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Lawson, Andrew J. "Stonehenge: creating a definitive account." Antiquity 66, no. 253 (December 1992): 934–41. http://dx.doi.org/10.1017/s0003598x00044859.
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The preparation of an archive of all 20th-century excavations at Stonehenge and the re-analysis of these records has been commissioned by English Heritage. This note reviews the development of ideas on the phased construction of the monument and reveals the potential for the publication of a full account of the excavations.
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Bağbancı, Bilal Muhammed. "Dynamic Identification of an Early 20th Century Civil Architectural Building." Civil Engineering Journal 6, no. 4 (April 1, 2020): 670–78. http://dx.doi.org/10.28991/cej-2020-03091499.
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Historical structures are important in terms of both original construction techniques and cultural heritage. Therefore, material properties, construction techniques and dynamic behaviors of these structures must be identified in order to preserve them in the future by restoration studies. This study is aimed to serve as an example for similar buildings in the region whose walls were constructed using filled brick with lime mortar and constructed using both timber and reinforced concrete slabs. In this study, the plan layout, construction techniques and the material usage of the building were investigated in detail. The mechanical and dynamic properties such as compressive stress, elastic moduli, shear stress, natural frequencies and mode shapes of the building were determined in-situ by flat-jack, shear and vibration tests. The finite element model of the structure was prepared, and the modal analysis of the structure was performed. The calibration of the model was ensured according to the vibration test results. The results obtained from this study show us that in-situ tests are extremely important for the accuracy of finite element models. It has been determined that the mechanical test data can be used with over 80% success in finite element models.
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M., TSELISHCHEVA. "“VOCATIONAL TECHNICAL SCHOOL” IN BARNAUL -A HISTORY OF THE EDUCATIONAL BUILDING OF THE MIDDLE OF THE 20TH CENTURY." Preservation and study of the cultural heritage of the Altai Territory 27 (2021): 125–31. http://dx.doi.org/10.14258/2411-1503.2021.27.20.
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In 2018-2019, the author took part in the teamwork on the development of a project of restoration of facades of the regional significance heritage monument “VOCATIONAL TECHNICAL SCHOOL” and in the cultural heritage site protection project development. The team has prepared project documentation on the ground of the first-time use of archival materials and other sources. Next, there a state historical and cultural examination of the submitted documentation was carried out, according to the results of which the experts have concluded the compliance of the documents with the current legislation of the Russian Federation in the field of protection of cultural heritage objects. The building was built in Barnaul, Altai Krai in 1942 and was prepared to accommodate the vocational school No. 4, evacuated from Stalingrad (Volgograd). The building has a variable number of storeys with a basement floor and is located in the city center in a row of stone buildings of the Soviet period on Lenina Prospect, with an indentation from the building line. It is an example of an educational building in the forms of Soviet neoclassicism. Keywords: educational building, technical school, evacuated school, architectural monument, monuments of history and culture, objects of cultural heritage
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Ivaniuk, Oleg. "Museumification of the military historical heritage in the Dnieper Ukraine and the Crimea in the 19th and early 20th centuries." Kyiv Historical Studies, no. 2 (2018): 81–88. http://dx.doi.org/10.28925/2524-0757.2018.2.8188.
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The article focuses on the beginning of the process of formation of museum collections relevant to the military past of the Dnieper Ukraine in the 19th — first decade of the 20th century. It is determined, in the research scope, that the process of creating museum exhibits, which consisted of monuments of military historical heritage, was influenced by the following: the development of archaeological research, which was stimulated by the domination of classicism, which induced interest in the ancient past, the imperial power ideologizing the historical process, the Ukrainian nobility (descendants of the Cossacks elders) preserving historical memory of the victorious past of their people, and so on. It is found, that during the 19th century, museumification of the 19th and early 20th centuries military heritage had several trends: the creation of “propaganda” exposition, which would remind of the key, from the tsarist regime point of view, imperial army victories, foster respect for the imperial family and the royal power institution self, commemorate imperial myths, the formation of the Cossacks antiquities collections, initiated by Ukrainian intellectuals and scholars; expositions formed by the military according to purely professional interest. During the 19th and early 20th centuries, a number of museums, which had monuments of military history as a part of their collections, were founded. Some of the aforementioned museums are the following: the Museum of Ukrainian Antiquities in Chernihiv, the Museum of Heroic Defense and the Liberation of the City of Sevastopol, the Museum of Poltava Battle, etc. Museumification of the military heritage has stimulated the development of various areas of special military-historical research.