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Статті в журналах з теми "200206 Globalisation and Culture"

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Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 28 січня 2023

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1

Ang, Ien. "Globalisation and culture." Continuum 8, no. 2 (January 1994): 323–25. http://dx.doi.org/10.1080/10304319409365684.

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2

Kapur, Geeta. "Globalisation and culture." Third Text 11, no. 39 (June 1997): 21–38. http://dx.doi.org/10.1080/09528829708576670.

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3

Cipriani, Gerald. "Editorial: Dialogue, Culture and Globalisation." Culture and Dialogue 6, no. 2 (December 7, 2018): 119–25. http://dx.doi.org/10.1163/24683949-12340051.

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4

Zghal, Riadh. "Globalisation, culture and management systems." Journal of North African Studies 3, no. 2 (June 1998): 105–20. http://dx.doi.org/10.1080/13629389808718323.

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5

Shukla, H. P. "English Language, Indian Culture and ‘Globalisation’." Quest-The Journal of UGC-ASC Nainital 5, no. 2 (2011): 246. http://dx.doi.org/10.5958/j.0974-5041.5.2.024.

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6

Jory, Patrick. "Thai identity, globalisation and advertising culture." Asian Studies Review 23, no. 4 (December 1999): 461–87. http://dx.doi.org/10.1080/10357829908713251.

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7

Ullah, Md Cholem. "Islamic culture and globalisation: Challenges and responses." IIUC Studies 16 (November 5, 2020): 57–76. http://dx.doi.org/10.3329/iiucs.v16i0.50137.

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Анотація:

This paper is a humble endeavor to look at the relationship between Islam and globalisation from cultural perspective. The paper explores the nature of Islamic culture and its interaction with the west as part of the fundamental factors of how the west employ the policies against Islam in the most inhumane form. Now, western powers have been propagating against Islam. It is thus significant to analyze the role of ummah in this milieu of cultural globalisation for preparedness in shaping and constructing the course of globalisation in the coming days. This paper seeks to explain how will ummah meet challenges facing Islam as a cultural participator in globalisation where Islam is attributed with terrorism and other allegations, albeit is not Islamic at all and will never been part of the Islamic teaching and culture.Against this backdrop, Islam's future and its culture depend on Muslim ummah’s ability and their uncompromising mindset- not to integrate modernity and western culture into Islam but to make the new global order that can infuse religious norms like solidarity, community and identity. IIUC Studies Vol.16, December 2019: 57-76

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8

Olufemi, Badru Ronald. "The Philosophy of Globalisation and African Culture." Thought and Practice 8, no. 1 (June 30, 2022): 69–94. http://dx.doi.org/10.4314/tp.v8i1.5.

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This paper examines two claims about the ontology of globalisation. First, it interrogates the claim that the contemporary phenomenon of globalisation is underpinned by the theoretical construct of economic and information-epistemic determinism (EI-ED), which has been developmentally significant in the North. The paper contends that this claim is likely to propagate some values that ought not to undergird the end-state vision of the prospective global village (PGV) if the PGV is to be essentially conjunctive rather than essentially disjunctive. Second, the paper contends that if a cohesive and egalitarian PGV is truly the end-point of the philosophy of globalisation, then the African socio-cultural values of a relational understanding of the self and universal brotherhood ought to be globally recognised and emphasised by the North as fundamental to the realisation of the vision of the PGV. The paper seeks to illustrate that if properly applied to the globalising process, these cultural values are ontologically conjunctive in the sense that they have the potential to promote the building of a cohesive and egalitarian global village, since they tend to encourage acceptance and co-operation among the different peoples of the world. Keywords Africa, culture, determinism, globalisation, philosophy

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9

Vaish, Viniti. "Globalisation of Language and Culture in Singapore." International Journal of Multilingualism 4, no. 3 (September 12, 2007): 217–33. http://dx.doi.org/10.2167/ijm073.0.

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10

Joshi, Chandrawati, and Nimmi Pant. "Effect of Globalisation on Education and Culture." Quest-The Journal of UGC-ASC Nainital 5, no. 2 (2011): 280. http://dx.doi.org/10.5958/j.0974-5041.5.2.029.

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11

Servaes, Jan, and Rico Lie. "Media, globalisation and culture: issues and trends." Communicatio 29, no. 1-2 (January 2003): 7–23. http://dx.doi.org/10.1080/02500160308538018.

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12

Naghavi, Alireza, and Giovanni Prarolo. "Harmonisation and globalisation of intellectual property culture." World Economy 41, no. 7 (April 15, 2018): 1847–66. http://dx.doi.org/10.1111/twec.12648.

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13

Granell, Elena. "Culture and globalisation: a Latin American challenge." Industrial and Commercial Training 32, no. 3 (June 2000): 89–94. http://dx.doi.org/10.1108/00197850010371666.

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14

Kapferer, Bruce. "Star Wars: About Anthropology, Culture and Globalisation." Australian Journal of Anthropology 11, no. 3 (December 2000): 174–98. http://dx.doi.org/10.1111/j.1835-9310.2000.tb00055.x.

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15

Low, Murray, and Clive Barnett. "After Globalisation." Environment and Planning D: Society and Space 18, no. 1 (February 2000): 53–61. http://dx.doi.org/10.1068/d8s.

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Анотація:

Globalisation has become an almost ubiquitous term in academic debates, policy circles, and popular culture. In this paper we critically consider geography's characteristic form of engagement with the multifaceted features of globalisation discourses and realities. Globalisation provides an entry point for assertions of the conceptual and empirical importance of space, place, context, and locality. However, we argue that this form of engagement subordinates the central, and conceptually problematic, historicism of globalisation to a set of more manageable disciplinary concerns. We provide a critical discussion of the historicist dimensions of globalisation discourses, and indicate some of the ways in which critical accounts can reproduce this historicism. By raising this problem, we suggest that space and spatiality are not always or automatically the most significant entry point for conceptual critique and engagement. The case of globalisation therefore indicates some of the limits of established forms of interdisciplinary dialogue between critical human geography and related fields.

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16

Jansoozi, Julia, and Eric Koper. "Implications of globalisation for the public relations practice." Comunicação e Sociedade 8 (December 20, 2005): 219–25. http://dx.doi.org/10.17231/comsoc.8(2005).1193.

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Анотація:

This discussion paper explores the concept of globalisation, the impact of globalisation on culture, and the implications for public relations practitioners. Globalisation, viewed from a narrow perspective, may lead to a certain amount of global ‘sameness’. In other aspects, ethnic and cultural identities are getting stronger; the reverse of what subscribers to the notion of Western cultural imperialism expect. For public relations practitioners in the field of international public relations there are many implications that at first might not be recognized if the simplistic view that globalisation leads to a homogenized global culture is adhered to.

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17

Zethsen, Karen Korning. "Has Globalisation Unburdened the Translator?" Meta 55, no. 3 (December 9, 2010): 545–57. http://dx.doi.org/10.7202/045076ar.

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In an age where globalisation has become an everyday word it is quite natural to assume that the task of the translator has become much less complicated. As people around the globe increasingly buy the same standardised products, are entertained by the same American films and listen to the same music, it is often taken for granted that generally they have the same frame of reference, that they share a cultura franca. If this is so, translation should indeed be more straightforward as cultural concepts will have a ready name in each language. It would be nonsensical to argue that no global culture exists, but it seems relevant to ask whether the global culture is the only culture or whether it is only a fragment of the cultural framework of a person. This article aims at discussing and defining the concept of cultura franca and whether globalisation has in fact unburdened the translator.

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18

يوسف, ميسم عبد الرحمن. "The Impacts of Globalisation (Technology) on Saudi Culture." مجلة کلية التربية بالمنصورة 115, no. 115 (July 1, 2021): 1–25. http://dx.doi.org/10.21608/maed.2021.207476.

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19

Gallagher, Mary, and Douglas Smith. "Empire and Culture Now: Francophone Perspectives on Globalisation." Modern & Contemporary France 18, no. 2 (May 2010): 147–55. http://dx.doi.org/10.1080/09639481003714757.

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20

Young, Linda. "Globalisation, culture and museums: A review of theory." International Journal of Heritage Studies 5, no. 1 (January 1999): 6–15. http://dx.doi.org/10.1080/13527259908722242.

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21

Keane, Michael. "Review: Recentering Globalisation: Popular Culture and Japanese Transnationalism." Media International Australia 107, no. 1 (May 2003): 153–55. http://dx.doi.org/10.1177/1329878x0310700120.

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22

Coxon, Eve. "Beyond Economism: Reflections on Globalisation, Development and Culture." International Journal of the Humanities: Annual Review 1, no. 1 (2004): 0. http://dx.doi.org/10.18848/1447-9508/cgp/v01/41232.

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23

Docker, John. "Review & Booknote: Continental Shift: Globalisation and Culture." Media Information Australia 71, no. 1 (February 1994): 121–22. http://dx.doi.org/10.1177/1329878x9407100125.

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24

Matusitz, Jonathan, and Pam Payano. "Globalisation Of Popular Culture: From Hollywood To Bollywood." South Asia Research 32, no. 2 (July 2012): 123–38. http://dx.doi.org/10.1177/0262728012453977.

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25

Gilman, Sander L. "Introduction: Jewish culture in the age of globalisation." European Review of History: Revue europeenne d'histoire 18, no. 1 (February 2011): 1–7. http://dx.doi.org/10.1080/13507486.2011.543580.

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26

Jeníček, V. "Globalisation – challenges, rewards, question." Agricultural Economics (Zemědělská ekonomika) 58, No. 6 (June 14, 2012): 275–84. http://dx.doi.org/10.17221/102/2011-agricecon.

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Globalisation is at the beginning of the new century a double-edged weapon: a strong driving force of economic growth, the development of new technologies and the growth of the level of living in the poor as well as rich countries, but also a controversory process which damages national sovereignty, undermines the local culture and traditions and presents a threat of the economic and social non-stability. The key question of the 21<sup>st</sup> century then is, whether the states will be able to keep the process under control or whether they will become its victims.

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27

Friedman, Jonathan. "Culture et politique de la culture1." Anthropologie et Sociétés 28, no. 1 (November 19, 2004): 23–43. http://dx.doi.org/10.7202/008569ar.

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RésuméCet article traite de ce qui détermine les politiques de la culture. L’argument central est que les formes de culture résultent de l’expérience socialement construite – ce que j’appelle le substrat expérientiel de la culture – et que celui-ci voit le jour dans le contexte d’une existence sociale qui est elle-même reliée à des processus globaux. En abordant l’histoire du concept de culture dans ces termes, je montre que l’émergence des politiques identitaires depuis le milieu des années 1970 est en rapport avec ce processus plus large qu’est le déclin de l’hégémonie occidentale. De ce point de vue, les nouvelles politiques de la culture révèlent une véritable fragmentation politique et culturelle. Mais ce déclin constitue la base de la globalisation politico-économique et grâce à lui émergent des élites cosmopolites qui deviennent les hérauts du discours de globalisation. Ce discours fait à son tour partie de la polarisation de classe qui voit s’affirmer les nouvelles élites cosmopolites « hybrides » alors que s’éclipsent les pouvoirs locaux indigènes.

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28

Macleod, Donald. "Disappearing culture? Globalisation and a Canary Island fishing community." History and Anthropology 13, no. 1 (January 2002): 53–67. http://dx.doi.org/10.1080/02757200290002888.

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29

Tauchmann, Kurt. "An Anthropological Perspective on Culture in the Globalisation Debate." International Area Review 7, no. 2 (September 2004): 89–108. http://dx.doi.org/10.1177/223386590400700205.

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30

Burnett, Sally-Ann, and Jeroen Huisman. "Universities’ Responses to Globalisation: The Influence of Organisational Culture." Journal of Studies in International Education 14, no. 2 (October 20, 2009): 117–42. http://dx.doi.org/10.1177/1028315309350717.

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31

Hassi, Abderrahman, and Giovanna Storti. "Interplay between the convoluting forces of culture and globalisation." J. for Global Business Advancement 10, no. 3 (2017): 261. http://dx.doi.org/10.1504/jgba.2017.084610.

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32

Hassi, Abderrahman, and Giovanna Storti. "Interplay between the convoluting forces of culture and globalisation." J. for Global Business Advancement 10, no. 3 (2017): 261. http://dx.doi.org/10.1504/jgba.2017.10005513.

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33

Landrum, David. "Culture, Politics and nationalism in the age of globalisation." Political Geography 22, no. 8 (November 2003): 917–19. http://dx.doi.org/10.1016/s0962-6298(02)00062-8.

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34

Sinclair, John. "The Advertising Industry in Australia: Globalisation and National Culture." Media Information Australia 62, no. 1 (November 1991): 31–40. http://dx.doi.org/10.1177/1329878x9106200106.

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35

Innes, Alexandria J., and Robert J. Topinka. "The politics of a ‘Poncy Pillowcase’: Migration and borders in Coronation Street’." Politics 37, no. 3 (October 31, 2016): 273–87. http://dx.doi.org/10.1177/0263395716675371.

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This article examines the ways in which popular culture stages and supplies resources for agency in everyday life, with particular attention to migration and borders. Drawing upon cultural studies, and specific insights originating from the Birmingham Centre for Contemporary Cultural Studies, we explore how intersectional identities such as race, ethnicity, class, and gender are experienced in relation to the globalisation of culture and identity in a 2007 Coronation Street storyline. The soap opera genre offers particular insights into how agency emerges in everyday life as migrants and locals navigate the forces of globalisation. We argue that a focus on popular culture can mitigate the problem of isolating migrant experiences from local experiences in migrant-receiving areas.

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36

Romanou, Katy. "Globalisation and western music historiography." Muzikologija, no. 19 (2015): 9–21. http://dx.doi.org/10.2298/muz1519009r.

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Globalisation of musicology and music history aims to fuse the divisions created during Western music?s acme, and is referred to as ?post-European historical thinking?. Therefore, ?post? and ?pre? European historical thinking have much in common. One aspect of this process of fragmentation was that music history was separated from theory and that Western Music Histories succeeded General Music Histories (a development described in some detail in the article). Connecting global music history with ?post-European? historical thinking is one among numerous indications of Western awareness that European culture has reached some sort of a terminal phase. Concurrently, countries that have been developing by following Western Europe as a prototype, are leading today some past phase of Western development, which, with the ideas of cultural relativism prevailing, are not considered inferior.

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37

Dosunmu, Akinola George. "Globalisation and African Culture: A Perspective on Nigeria’s Social Context." International Journal of Technology, Knowledge, and Society 5, no. 1 (2009): 141–50. http://dx.doi.org/10.18848/1832-3669/cgp/v05i01/55971.

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38

Aikhenvald, Alexandra Y. "Traditional Culture, ethnic stereotypes and globalisation in the Tariana discourse." Journal of Iberian and Latin American Research 9, no. 1 (July 2003): 29–48. http://dx.doi.org/10.1080/13260219.2003.10418845.

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39

Duncum, Paul. "How Art Education Can Contribute to the Globalisation of Culture." Journal of Art & Design Education 19, no. 2 (May 2000): 170–80. http://dx.doi.org/10.1111/1468-5949.00216.

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40

Worth, Owen, and Carmen Kuhling. "Counter-hegemony, anti-globalisation and culture in International Political Economy." Capital & Class 28, no. 3 (November 2004): 31–42. http://dx.doi.org/10.1177/030981680408400103.

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41

Ole Pors, Niels. "Globalisation, culture and social capital: library professionals on the move." Library Management 28, no. 4/5 (May 22, 2007): 181–90. http://dx.doi.org/10.1108/01435120710744128.

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42

Cole, Melissa, and Robert M. O'Keefe. "Conceptualising the Dynamics of Globalisation and Culture in Electronic Commerce." Journal of Global Information Technology Management 3, no. 1 (January 2000): 4–17. http://dx.doi.org/10.1080/1097198x.2000.10856269.

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43

Sinangil, Handan Kepir. "Globalisation and Managing Organisational Culture Change: The Case of Turkey." Psychology and Developing Societies 16, no. 1 (March 2004): 27–40. http://dx.doi.org/10.1177/097133360401600102.

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44

Bondarenko, Andriy. "UKRAINIAN ELECTRONIC MUSIC IN GLOBALISATION AND NATIONAL REVIVAL." Scientific Journal of Polonia University 43, no. 6 (June 18, 2021): 9–15. http://dx.doi.org/10.23856/4301.

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The article considers the impact of globalisation and national revival processes on the development of electronic music in Ukraine. It is shown that in the early stages of development (the late 1990s – early 2000s) Ukrainian electronic music is dominated by the focus on Western European music culture, and early festivals of dance electronic music (“The Republic of Kazantip”, “Ultrasonic”) also borrow Russian traditions, which indicates the predominance of globalization and peripheral tendencies in this area. At the same time, the first creative searches related to the combination of electronic sounds with the sounds of Ukrainian folklore are intensified. In particular, the article considers the works of the 2000s-2010s by O. Nesterov and A. Zahaikevych, representing folk electronics in the academic sphere, and works by Katya Chilly, Stelsi, Kind of Zero representing folk electronics in non-academic music. The aesthetic basis of such combinations was the musical neo-folklore of the last third of the XX century and the achievements of folk rock in the late 1990s. Intensification of these searches in the late 2010s, in particular the popularity of such artists as Ruslana, Onuka, Go_A allow us to talk about intensifying the national revival processes in the musical culture of Ukraine and involving Ukrainian music in the world culture preserving its national identity.

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45

Valim de Melo, Cimara. "Border Crossing in Contemporary Brazilian Culture: Global Perspectives from the Twenty-First Century Literary Scene." Brasiliana: Journal for Brazilian Studies 4, no. 2 (June 1, 2016): 579–605. http://dx.doi.org/10.25160/bjbs.v4i2.20248.

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Abstract: This paper investigates the process of internationalisation of Brazilian literature in the twenty-first century from the perspective of the publishing market. For this, we analyse how Brazil has responded to globalisation and what effects of cultural globalisation can be seen in the Brazilian literary scene, focusing on the novel. Observing the movement of the novelists throughout the globe, the reception of Brazilian literature in the United Kingdom and the relations between art and the literary market in Brazil, we intend to provoke some reflections on Brazilian cultural history in the light of the twenty-first century.

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46

Sharma, Girendra. "Spiritual Culture and Sustainable Development in Rural India." Poonam Shodh Rachna 1, no. 7 (2022): 1–5. http://dx.doi.org/10.56642/psr.v01i07.002.

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Abstract Spirituality is the essence of Indian culture in general and rural India in particular. India’s culture is mainly recognised as spiritual culture. Most of the elements of Indian culture are intangible by nature and has a spiritual dimension. In the 21st century, in the age of globalisation where western culture that is materialistic by nature is dominating, rural India is still carrying the rich tradition of spiritual culture that is close to the nature and goes in the line with sustainability of environment. This paper seeks to investigate how spiritual culture can show the way to sustainable development and also solve the problems emersed from environmental degradation. The paper is based on the review of related literatures, interviews with different stakeholders and personal observation of Indian rural life. It is revealed that many spiritual activities practices in India is close to the nature and promote sustainable development. However, the process of globalisation that emphasize materialism is getting prevalence in urban India. Rural India is still very much living with sustainability and spiritual culture. So, there is need to encourage spiritual culture that can be proved much beneficial for sustainable development. Key Words: Spiritual, rural, development, sustainability.

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47

Khandekar, Nisha. "Globalisation and Its Effects on the Warli Art." Journal of Social Inclusion Studies 5, no. 2 (December 2019): 193–99. http://dx.doi.org/10.1177/2394481119901072.

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Tribal art is a decorative art rather than purely aesthetic produced from the creative minds of indigenous culture. The art which is a part of their everyday activity is deep-rooted in their tradition. Tribal paintings are living tradition that unveils the hidden meanings of tribal symbols. Tribal are interested in the reality of the image not in the image of reality. The globalization has negatively impacted upon the tribal economies, culture and identities. The freedom of expression of an artist has been affected by the pressure of globalization. It has now become the commercial activity of Warli men. Education plays an important role in changes in the art form, education helps to develop creativity and skills and that results in the changes in the designs and forms. Commercialization of painting is also one of the reasons for the changes occurred in designs and form of the painting.

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48

Talug, Deniz Yesim. "Investigation on transformation of advertising strategies and ads according to cultural values from a semiotic perspective: Coca-Cola case." Global Journal of Arts Education 8, no. 1 (April 3, 2018): 01–07. http://dx.doi.org/10.18844/gjae.v8i1.3251.

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Анотація:

Although the word globalisation gives the impression as a unified whole, serious cultural differences from country to country could not be ignored. To point out, there is a homogeneous world culture in today’s conditions that may not be very accurate. .Cultural differences are especially more important for brands placing international ads. For example, white is known to be associated with death in Asia, whereas it is associated with health and cleanliness in Europe. Therefore, the success of the ad is dependent on the appropriate message according to the country where the ad is published. Global advertising concept, which gained importance with the globalisation, loses the distinction of being the current ad types for businesses operating in the international arena today. As a result, advertising has entered the glocal concept. Glocalisation is derived from a combination of words, global (global) and local (local). This paper examines globalisation, cultural concepts, global and local advertising by investigating the phenomenon with the Coca-Cola brand. Keywords: Culture, advertising, strategy, global, local, glocal.

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Reestorff, Camilla Møhring. "Kulturpolitiske kanonkugler." K&K - Kultur og Klasse 35, no. 104 (October 2, 2007): 85–109. http://dx.doi.org/10.7146/kok.v35i104.22285.

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Анотація:

Kulturkanonen og kulturens nationalstatslige forankring The Cultural Canon and the national anchoring of cultureThis paper deals with the importance of the concepts of culture and class in contemporary Danish politics. The concepts are necessary in order to understand the political discourse about globalisation and the ways in which the relations between the local and the global are changing. The Ministry of Culture’s Canon of Culture, launched on the 24th of January 2006, exemplifies how the government’s conception of globalisation as a threat to the nation results in a cultural political strategy, which is an attempt to establish a shared national comprehension of culture as locally bound. It is claimed that culture is used as a means to establish an imagined, territorially bound and unchangeable nation state. The local anchoring of culture entails that trans-national and global communities based on culture and class are undermined in favour of national identity. The complexity of the nation and the world is reduced because of the national standardisation of culture, which installs an illusory order, a community based on values and culture. Culture becomes hierarchical – this article says – when those who are not a part of the community are excluded. Human beings, societies and cultures are then divided.

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Maddy-Weitzman, Bruce. "Ethno-politics and globalisation in North Africa: The berber culture movement*." Journal of North African Studies 11, no. 1 (March 2006): 71–84. http://dx.doi.org/10.1080/13629380500409917.

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