Дисертації з теми "1947 Partition"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 дисертацій для дослідження на тему "1947 Partition".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Raghavan, Pallavi. "The finality of partition : bilateral relations between India and Pakistan, 1947-1957." Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/245128.
Повний текст джерелаChatterji, Joya. "Bengal divided : Hindu communalism and partition, 1932-1947 /." Cambridge : Cambridge university press, 1994. http://catalogue.bnf.fr/ark:/12148/cb35728995m.
Повний текст джерелаLee, Richard Brian. "Women writing independence, partition and communal violence, 1947-2000." Thesis, Open University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.576666.
Повний текст джерелаChatterji, Joya. "Communal politics and the partition of Bengal, 1932-1947." Thesis, University of Cambridge, 1991. https://www.repository.cam.ac.uk/handle/1810/273384.
Повний текст джерелаROY, HAIMANTI. "CITIZENSHIP AND NATIONAL IDENTITY IN POST PARTITION BENGAL, 1947-65." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147886544.
Повний текст джерелаAiyar, Swarna. "Violence and the State in the partition of Punjab, 1947-48." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/251566.
Повний текст джерелаFitzpatrick, Hannah. "The parallel tracks of Partition, India-Pakistan 1947 : histories, geographies, cartographies." Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/8063.
Повний текст джерелаVirdee, P. "Partition and locality : case studies of the impact of partition and its aftermath in the Punjab region 1947-61." Thesis, Coventry University, 2004. http://curve.coventry.ac.uk/open/items/04e0b99c-beda-c8a8-c3f5-c91bf3525e59/1.
Повний текст джерелаBhat, Reiya. "India’s 1947 Partition Through the Eyes of Women: Gender, Politics, and Nationalism." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524658168133726.
Повний текст джерелаScott, Bede Tregear. "Literature, community, and the Nation-state : literary representations of the 1947 Partition of India." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613962.
Повний текст джерелаShahani, Uttara. "Sind and the partition of India, c.1927-1952." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/290268.
Повний текст джерелаPeterson, Jody L. "Anglo-American Relations and the Problems of a Jewish State, 1945- 1948." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc501226/.
Повний текст джерелаChatta, Ilyas Ahmad. "Partition and its aftermath : violence, migration and the role of refugees in the socio-economic development of Gujranwala and Sialkot cities, 1947-1961." Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/366712/.
Повний текст джерелаRandall, Jennifer. "Fractures de l'histoire post-Partition dans les romans féminins issus du sous-continent indien." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080145.
Повний текст джерелаThe Partition of India (1947) and the Bangladesh Liberation War (1971) are two transitory moments which reveal the violence of post-colonial nation-building. The acts performed upon an ethno-religious basis have given rise to many private stories, themselves stifled by self-legitimating national master narratives. These stories particularly highlight the instrumentalisation of the idea and the bodies of women in carrying out communal conflict. Three generations of women novelists have sought to break the silence imposed by patriarchal State apparatuses and religious radicalism. They turn to the impetuousness of the literary genre of the novel in order to thwart Indian, Pakistani and Bangladeshi master narratives. As such they write back to the violent fracture of History, through a poetics of the fragment, and together draw an obscene, monstrous and carnival-like portrait of contemporary Nation-States. Such novels, whether sub-continental or diasporic, resist all forms of borders (whether ideological, literary, commercial, etc.), driven instead by their commitment to contradiction. The fragmentation which defines them is all at once linguistic, literary, sociological and political. Our study comprises novels written (chronologically) by Jyotirmoyee Devi, Anis Kidwai, Mumtaz Shah Nawaz, Attia Hosain, Amrita Pritam, Sophia Mustafa, Bapsi Sidhwa, Anita Rau Badami , Shauna Singh Baldwin Meena Arora Nayak, Sorayya Khan, Kamila Shamsie and Tahmima Anam
Soukaï, Sandrine. "Les Ombres de la Partition dans les romans indiens et pakistanais de langue anglaise." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040138.
Повний текст джерелаPartition inhabits the Indian and the Pakistani novel in English through modernist tropes such as ellipsis and fragmentation, metaphors of mutilation, dislocation and exile, and the symbolic figure of the refugee. The unspeakable violence of this trauma is also embedded within the narrative through the visual and poetic trope of the shadows, which has not been examined yet. In the novel Twilight in Delhi (1940), the shadows are premonitions of the cataclysm of 1947 as they stage the devastating impacts of colonial modernity on the high Muslim culture of India. In four novels published after the division of the subcontinent – Sunlight on a Broken Column (1961), Clear Light of Day (1980), The Shadow Lines (1988), Burnt Shadows (2009) –, the shadows are indelible, porous and unstable memory-traces that permeate the regional cartography and individual psyches. Together with the dual motives of the ghost and the mirror, these shadows subvert the official historiography and open up a discursive space in which the memories of subaltern individuals and families, transmitted over several generations, connect Partition to other international traumas via knots of multidirectional memory. Through their visual dimension, the shadows shape a body memory which involves the reader in an empathic and reflexive semiotics of the gaze
Azevedo, Amandine d'. "Cinéma indien, mythes anciens, mythes modernes : résurgences, motifs esthétiques et mutations des mythes dans le film populaire hindi contemporain." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030126.
Повний текст джерелаIndian popular cinema is both a place of filmic mythical creation and a universe interacting with previous bodies of work; the classical myths and epics, and especially the Ramayana and the Mahabharata. Although the latter have often been adapted, especially in the early decades of Indian cinema, contemporary cinema builds complex and attitudes towards heroes and their achievements. Traditional myths appear in a shot, in the manner of a moral, narrative and/or formal resurgence. In an opposite movement, this cinema seeks those same myths to strengthen its imagination. Working on the relations between myth and cinema, one has to cross the political and historical field, for Independence movements, Partition and inter-community tensions pervade popular cinema. Myths in movies can become an aesthetic fixation of historical-political traumas. The challenge of some representation of violent acts explain that they sometimes hide themselves in images, irreversibly altering the presence and meaning of mythological references. Therefore, myths don't always tell the same story. Those mythological resurgences, producing mutations and hybrid forms between the political, historical, mythical and film-making fields, also invite a de-compartmentalisation when we analyse the nature of the images and the mediums that welcome them. Our study naturally convenes notes on painting, as well as contemporary art, photography or bazaar popular art. A broad and mixed Indian visual field constantly recombines background and foreground, flatness and depth of field and ornemented and neglected sets. Popular cinema, moved by the memory of myths and forms, becomes the breeding ground of an aesthetic revival
Habig, Claire. "Mouvement et musique, partance et partition dans les oeuvres de Jacques Réda, Guy Goffette et Jean-Michel Maulpoix." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAC012/document.
Повний текст джерелаThis study tries to show the connection between movement and music in the works of Jacques Réda, Guy Goffette and Jean-Michel Maulpoix. Many kinds of complex and disappointing movements go accross their texts, and way off and way back are so intermingled that they become interchangeable. Trapped or forced to move forward, the poets dream to live between mobility and immobility, departure and return, here and away. The partance is the way they found out to reconcile the opposite and go away while they stay. Thanks to the music and to the transposition of its elements, they succeed in leading this paradoxical and motionless movement. With the writing of a score – partition – they cause an efficient partance. Their musical language becomes a means of transport. Vehicle and emotion, it leads to danse scenes where the alliance of movement and music shows through
Lescure, Jean-Claude. "Le Parti républicain italien : 1943-1948." Paris, Institut d'études politiques, 1994. http://www.theses.fr/1994IEPP0005.
Повний текст джерелаThe first part deals with the IRP in a period of democratic transition: an old but died out force, the IRP is but a republican party among others, a faction whose success is due to its active propaganda its declared hostility towards monarchy whose propositions come from a pre-war heritage and lack actualization. Reconstrution and institutional prerequisite determine its position towards the political powers. The second part deals with the republican political culture based on philosophical options and its militants'action. Through symbolic and political rites, the IRP presents its values as a solution to the problems of the time. It sharpens its structures and strives to rationalize them even as it tries to win itself the support of active organizations from the whole political spectrum. The party's sociology allows to reach the militants and the elites who identify with this culture. The third part focuses on the transition from protest to power. From June 2, 1946 onwards, the institutional prerequisite vanishes and the governmental mutation begins, entailling a renewing of men, programs and ideas. Chosen by the militants, or imposed from outside by international relations, the modifications contribute to the defeat of 1948
Osman, Newal. "Partition and Punjab politics, 1937-55." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608215.
Повний текст джерелаSmylie, Patrick. "Irish communism 1945-70 : cold war, partition and convergence." Thesis, Queen's University Belfast, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534585.
Повний текст джерелаGould, William. "Hindu nationalist ideologies in the politics of the Congress in the United Provinces, 1930-1947." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/273390.
Повний текст джерелаRynne, James P. "Border States: Destroying Partition and Defending the Realm, 1949-1961." Thesis, Boston College, 2020. http://hdl.handle.net/2345/bc-ir:108818.
Повний текст джерелаThesis advisor: Robert J. Savage
Irish Republicans found themselves at a crisis moment in 1949. Legislation enacted by each state on the island affirmed the political reality of Ireland’s partition. The Southern state declared an Irish Republic while the Northern state affirmed Northern Ireland’s continuing integration with the United Kingdom. The partition of island between these two governments was reinforced by the Irish border in the 1950s as it had been for the previous three decades. The Irish Republican Army remained committed to ending the separation through force while the Northern Ireland security apparatus steadfastly safeguarded the realm against any foreign incursion or domestic insurrection. Irish Republicanism reorganized and the IRA launched a disastrously planned and under-resourced Border Campaign between 1956 and 1962. The IRA was fully repelled by the Northern security forces: the Royal Ulster Constabulary supported by the Special Constabulary with security assistance from the governments in Belfast, London and, eventually, Dublin. The militant aspect was accompanied by political measures that reaped electoral gains and signs of public support peaking in the mid-1950s before a clear repudiation of the movement by the end of the decade. By the start of the 1960s, the IRA had been defeated and Irish Republicanism was reeling, unsure of its future political vitality and social relevance. Northern Ireland and the Irish border was more secure than at any point in its previous 40 years of existing, ruled by a strong, confident British Unionist hegemony. For Irish Republicans living on the frontier of the Northern Ireland state, new modes of political thinking and confrontational actions with the state had been attempted and ultimately abandoned. This project examines the main dynamics at play along the Irish border between 1949 and 1961. Focus will be on the Sinn Féin, the IRA and Liam Kelly’s Republican splinter group Saor Uladh, the RUC, B-Specials and militant-political Unionism, and the role of governments in Belfast, Dublin and London during the costly decade of the 1950s
Thesis (MA) — Boston College, 2020
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: History
Aslam, Maqsood. "Essays on the effects of natural and geo-political shocks on decision-making and preferences." Thesis, Lille 1, 2019. http://www.theses.fr/2019LIL1A021.
Повний текст джерелаThis thesis entails four essays/chapters on different natural and geo political shocks and their outcomes at the individual level, in both developed and developing countries. The first essay explores the effect of the 2005 earthquake in Pakistan on religiosity. The results indicate positive association between exposure to natural disaster and religiosity. The analysis indicates that religiosity foster coping with earthquake outcomes, as individuals are more inclined towards religious activities, following the exposure to a natural disaster. The second essay analyzes the impact of natural disasters that central bankers have faced in their early- life to assess their reaction to present-day similar events. The results reveal that, while the standard determinants significantly impact inflation dynamics, the impact of early-life traumas is also significant. In particular, central bankers who have been exposed to traumas during their early life tend to manage inflation differently, and more conservatively, except for floods. The third essay examines how individuals’ point of view towards the role of the state in providing unemployment insurance is shaped by the experience of the socialism. The results indicate that East-Europeans who educated under socialist regime, as compared with individuals from West Europe who educated after fall of communism, are significantly more likely to be associated with supporting role of government in providing unemployment insurance. The fourth and final chapter investigates how the British-India partition impacts educational consequences among different ethnic groups of Pakistan. The analysis reveals that cohorts born during the partition period have a lower probability of being educated as compared with their counterparts. The findings also indicate that scar from partition lasts for long as the third generation is still impacted by the partition episode
Stránská, Lenka. "Les partitions graphiques dans le contexte de la création musiale tchèque et slovaque de la seconde moitié du vingtième siècle." Paris 4, 2001. http://www.theses.fr/2001PA040013.
Повний текст джерелаKhan, Yasmin. "India divided : state and society in the aftermath of partition : the case of Uttar Pradesh, 1946-52." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417057.
Повний текст джерелаANNI, ROLANDO. "Il centro e la periferia: Brescia e la sua provincia nelle carte del CLN Aprile 1945 luglio 1946." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/385.
Повний текст джерелаThe thesis is about the occurrences in the National liberation Committee of Brescia from 1945 to 1946 and the situation of Brescia and its province, that suffered, at the beginning of its democratic age, serious economic and social problems.
Tortorella, Francesca. "De la naissance de Giustizia e Liberta à la dissolution du Partito d'Azione (1929-1947) : un antifascisme européiste." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAG015.
Повний текст джерелаThe evolution of the Europeanist debate from the birth of the anti-fascist movement Giustizia e Libertà (GL) in 1929 until the dissolution of the Partita d'Azione (PD) in 1947 is the heart of this research. The purpose is its contextualization within a European dimension. If GL acts mainly in exile in the Thirties, the PdA, born in 1942, is one of the protagonists of the ltalian Armed Resistance. Their democratie revolution aspires to weld the values of political freedom and social justice. They want the constitution of a republican ltaly within the framework of a politically unified and democratie Europe. This thesis highlights the ideas of European unity developed in this plural anti-fascist milieu. ln a period of crisis in the process of European construction, the exploration of this political and intellectual filiation aims to contribute to the knowledge of Europeanist currents and the various thoughts regarding the unity of Europe
Bertrand, Dominique. "Le parti socialiste italien de l'origine à la montée du fascisme." Aix-Marseille 3, 1988. http://www.theses.fr/1988AIX32015.
Повний текст джерелаDumont, Mathieu. "L'influence du black metal sur la composition de quatre œuvres musicales originales." Master's thesis, Université Laval, 2011. http://hdl.handle.net/20.500.11794/22485.
Повний текст джерелаFantoni, Gianluca. "Con passo sicuro, partito comunista e goerno del territoria nel valdarno superiore (1944-1970)." Thesis, University of Strathclyde, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502276.
Повний текст джерелаPucci, Lara. "Picturing the worker : Guttuso, Visconti, De Santis and the Partito Comunista Italiano, c.1944-1953." Thesis, Courtauld Institute of Art (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437337.
Повний текст джерелаMusiedlak, Didier. "L'Etat fasciste et sa classe politique (1922-1943)." Paris, Institut d'études politiques, 1999. http://www.theses.fr/1999IEPP0014.
Повний текст джерелаBAGAINI, ANNA MARIA. "LOST IN PEACE. ASCESA E DECLINO DEL PARTITO LABURISTA NEL QUADRO DELLA STORIA POLITICA ISRAELIANA (1948-2001)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/40679.
Повний текст джерелаThis thesis analyzes the contemporary electoral decline of the Israeli Labor Party in relation to historical events, social and demographic changes that have led to an effective change in the Israeli political system. In particular, the research focuses on the electoral results, trying to underline how the dynamics indicated above have influenced the electoral trends and the political offer of the party itself. The Nineties represent a fundamental passage in which it is possibleto understand the reasons why the Labor Party seems unable, still today, to reverse the negative trend of the last fifteen years.
Bispo, Maria Teresa Freire. "O silêncio das paredes-a descoberta de Benvindo Ceia (1870-1941)." Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/29554.
Повний текст джерелаRogante, Elisa <1982>. ""Un libro per ogni compagno". Case editrici e politiche per la lettura del partito comunista italiano (1944-1956)." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/7142/.
Повний текст джерелаCommunist editorial policy is a fundamental research area for the study of PCI, but the party’s publishing activity has fallen into historical oblivion. Assuming the book as a material support and vehicle of the communist political culture and the publishing house as a socialization channel, this research questions the its construction and diffusion processes. This research follows two main paths. In the first chapter, we tried to explain the methodological reasons of “Party Publisher”. In the second part of the thesis, empiric, we try to reconstruct the history of communist publishing houses. The historical period embraced is divide in two parts – 1944-1947 and 1947-1956 – according to the classical history of the cultural policy of the PCI, and is centered on four historical events: the “Salerno turn” (1944), the “Cominform turn” (1947), Stalin’s death (1956) and the XX Congress (1956). We adopted three levels of analysis: identifying the organization and decision making structure of Communist publishing activity, reconstructing book production processes, and identifying distribution processes and reading promotion policies promoted by the PCI.
Boxhoorn, Abraham. "The cold war and the rift in the governments of national unity : Belgium, France and Italy in the spring of 1947 : a comparison /." Amsterdam : Historisch seminarium van de Universiteit van Amsterdam, 1993. http://catalogue.bnf.fr/ark:/12148/cb366730321.
Повний текст джерелаHuvet, Chloé. "D’Un nouvel espoir (1977) à La revanche des Sith (2005) : écriture musicale et traitement de la partition au sein du complexe audio-visuel dans la saga Star Wars." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20048.
Повний текст джерелаThe scores of the Star Wars saga, a gigantic dischronic cycle spanning over a long period of twentyeight years, are all composed by John Williams, a unique configuration in cinema history. This compositional consistency should theoretically establish the two trilogies (1977-1983 and 1999-2005) as a coherent and unified whole, especially as George Lucas considers the six episodes as one single entity. Nevertheless, the hexalogy’s musical unity and the existence of a Star Wars musical signature are far from self-evident, instead taking the form of an ideal devoid of real, solid foundations.By adopting a comparative cross-disciplinary approach and by resorting to different scales of analysis (episode, trilogy, saga), this dissertation aims to show in which ways the musical material, Williams’ compositional practice as well as the use and integration of the score within the audiovisual complex are subjected to profound transformations between the two trilogies. This research also questions how and to what extent these changes in Williams’s writing and the score’s treatment in the different episodes are related to the mutations of film techniques, especially those of the digital age.Drawing on unreleased hand-written sources and personal interviews conducted with Williams’ main orchestrator, Conrad Pope, and his music editor, Kenneth Wannberg, this dissertation implements a firm interdisciplinarity at the intersection of musical analysis, cinema and technology history
Vodovar, Christine. "Le PSI, la SFIO et l'évolution des systèmes politiques italien et français de 1943 à 1956." Paris 10, 2006. http://www.theses.fr/2006PA100002.
Повний текст джерелаPlon, Laurence. "Les relations entre le parti communicte et le cinéma en Italie de 1945 à 1980." Paris 1, 1998. http://www.theses.fr/1998PA010528.
Повний текст джерелаThe history of Italian cinema, in the wake of the second world war, was intimately linked to italy's political scene. This close relationship is the result of the political commitment of Italy's neo-realistic cinema to resistance to fascism during the war. In the years following the war, italian cinema maintained close connections to the emerging political arena, expressing views on italian society in its entirety. As a result, gaining control over the movie industry became a major political stake for the successive christian-democrat governments. The difficult political and social context, however, favoured a rapprochement between the major left wing parties, including the italian communist party, and italian cinema. Italian cinema was thrusted into the epicentre of the political debates that have troubled the country in the following decades. Italian cinema has been the witness, and the actor, of some of the most prominent episodes of italian history: the political and social struggles of the 1950s, the economic expansion of the 1960s, and the moral crisis that has been described as the "years of lead". This latter period has been marked by "black" terrorism and "red" terrorism that occurred during the rampant economic crisis of the 1980s
Kim, Jinho. "Représentation et analyse musicale assistée par base de données relationnelle de la partition des variations pour orchestre op. 30 d'Anton Webern : vers un système d'"analyse musicale assistée par base de données relationnelle"." Paris 4, 2006. http://www.theses.fr/2006PA040004.
Повний текст джерелаA note in a score, as other musical objects, can be considered as an entity having some properties. These last are represented by atomic values in columns on a line of relational data base table. The representation of all notes in the score in relational form of tables as a totality of columns and lines facilitates the access to the music analysis of open character: each can interrogate following each problematic the database that represents and stocks the score. The score of Variations for orchestra op. 30 of Anton Webern, as an example of application of the concept of “Relational Database-aided Music Analysis”, is represented, stored, and analyzed in a classificatory and a paradigmatic way: All sets, all intervals, and all chords existing in the score are retrieved, as a result on can verify the dominant intervals and chords; the particularities concerned distribution of notes in the register, duration, intensity and orchestration are also recognized
Villa, Roberto <1953>. "Per una reinterpretazione della fuoriuscita di Dossetti dalla DC. Nuove fonti archivistiche sulle due vicesegreterie nazionali del partito(1945-46 E 1950-51)." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2325/.
Повний текст джерелаAsimenou, Monika. "L’art à Chypre de 1974 à 2014 : de l’espace fractionné au lieu symbolique." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100028.
Повний текст джерелаIn 1974 the island of Cyprus was forcibly divided by a Turkish military intervention. Over a third of Cyprus' territory is still, in 2014, under occupation by the Turkish army. A demarcation line, known as the dead zone, manned by United Nations peacekeepers, separates the inhabitants of the island between on one side, the Greek Cypriots in the South, and on the other side, the Turkish Cypriots together with settlers from Turkey, in the North.Does this symbolic place that art creates, this scarred territory, reproduce the territorial duality and the consequences of the division of Cyprus? The object of this research is the notions of space, memory and history as they appear through the artistic view. From the perspective of the history of art, this thesis presents an analysis of the works of Cypriot artists through the relationships they maintain with the fragmented space – the South, the North and the dead zone – as these are revealed through the works of art.The artistic creations in question deal with the particularity of this fragmented space that often constitutes the starting point of the creation of the work of art : the memories of the lost place situated on the other side of the line, the experience of the present space and the appropriation, real and metaphorical, of the dead zone. They demonstrate the nostalgia by creating new cartographies and by opening, with a view to reconciliation, the field of possibilities. Each work of art transcends in its way –artistic, poetic and aesthetic – the border. It is in this way that this fragmented space is likely to become “habitable”
Jevon, Graham. "Jordan, Palestine and the British world system, 1945-57 : Glubb Pasha and the Arab Legion." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:01496a87-76a9-4cbb-87b7-a6b67969df3a.
Повний текст джерелаAttal, Frédéric. "Les intellectuels napolitains (1943-1964) : la formation d'une classe dirigeante dans l'Italie de l'après-guerre." Paris, Institut d'études politiques, 2000. http://www.theses.fr/2000IEPP0005.
Повний текст джерелаAlmeyra, Guillermo. "Les métamorphoses du communisme italien." Paris 8, 1999. http://www.theses.fr/1999PA081732.
Повний текст джерелаCAPISANI, LORENZO MARCO. "La Cina da impero a Stato nazionale: la definizione di uno spazio politico negli anni Venti." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/20588.
Повний текст джерелаThe thesis focuses on the Chinese Nationalist Party in the 1920s as a special standpoint to analyze the political changes in China after the World War I. That decade was crucial for shaping the identity of nationalists and communists. Many works have already examined some aspects, but they mostly considered the years 1919-1928 as a pre-history of the Thirties rather than an autonomous part of Chinese history. Recent studies have overcome this approach by criticizing two of the main periodization in the Chinese twentieth century: the birth of the nationalist Republic (1911) and the birth of the People’s Republic (1949). Halfway, the 1920s stood out as a critical juncture in the transition from empire to nation-state. A new space of political discussion was defined. The process, albeit internal, was under the influence of the USSR and US international strategies and gave birth not only to a new vision of the revolution, but also to a vision of the post-revolutionary state. Also, the nationalist and communist leaderships turned out to be dynamic. That "competition" may be seen also within the two political movements and became a shaping factor for the success or failure of the party as a modern political formation.
Ghosh, Gautam. "Nationality, temporality, and agency after the 1947 partition of Bengal /." 2000. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9976191.
Повний текст джерелаBhalru, Mandeep Kaur. "Unveiling the silence: Exploring memories of the 1947 partition through the voices of second generation Punjabi women." 2007. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=788944&T=F.
Повний текст джерелаChakraborty, Paulomi. "The Refugee Woman: Partition of Bengal, Women, and the Everyday of the Nation." Phd thesis, 2009. http://hdl.handle.net/10048/851.
Повний текст джерелаCASHIN, PATRICK. "Sulfonamide Partitioning to Aqueous Cationic Micellar Systems." Thesis, 2011. http://hdl.handle.net/1974/6291.
Повний текст джерелаThesis (Master, Chemistry) -- Queen's University, 2011-01-31 09:46:28.248