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Статті в журналах з теми "1937-1972"
Meira Carneiro Bellini, Nerynei. "«A primeira só» e «Palacio de muñecas»: encontros estéticos em narrativas de Colasanti e Esteban Erlés." Brumal. Revista de investigación sobre lo Fantástico 10, no. 2 (January 16, 2023): 269–91. http://dx.doi.org/10.5565/rev/brumal.772.
Повний текст джерелаDziri, M. "A Class of Integral Operators and Bessel Plancherel Transform on." Journal of Function Spaces and Applications 2012 (2012): 1–15. http://dx.doi.org/10.1155/2012/419578.
Повний текст джерелаCoakley, John. "Resolving international border disputes: The Irish experience." Cooperation and Conflict 52, no. 3 (January 17, 2017): 377–98. http://dx.doi.org/10.1177/0010836716684881.
Повний текст джерелаAbreu, Luciano Aronne de, and Luis Rosenfield. "CONSERVADORISMO, AUTORITARISMO E LEGITIMAÇÃO POLÍTICA DO ESTADO NOVO: NOTAS SOBRE OS “COMENTÁRIOS À CONSTITUIÇÃO DE 1937” DE PONTES DE MIRANDA." Novos Estudos Jurídicos 24, no. 3 (December 9, 2019): 736. http://dx.doi.org/10.14210/nej.v24n3.p736-756.
Повний текст джерелаRodenbeck, Judith. "Between the Personal and the Political: On Marianne Wex's Let's Take Back Our Space." ARTMargins 11, no. 1-2 (February 2022): 50–80. http://dx.doi.org/10.1162/artm_a_00319.
Повний текст джерелаLEWIS, JOHN G. E. "A revision of the rugulosus group of Otostigmus subgenus Otostigmus Porat, 1876 (Chilopoda: Scolopendromorpha: Scolopendridae)." Zootaxa 2579, no. 1 (August 30, 2010): 1. http://dx.doi.org/10.11646/zootaxa.2579.1.1.
Повний текст джерелаKlee. "Assembling “The Camp”: Agricultural Labor and the Wartime Carceral State in Chesterfield, Missouri, 1937–1972." Agricultural History 95, no. 4 (2021): 633. http://dx.doi.org/10.3098/ah.2021.095.4.633.
Повний текст джерелаBleaney, Brebis. "Sir Mark (Marcus Laurence Elwin) Oliphant, A.C., K.B.E. 8 October 1901 – 14 July 2000." Biographical Memoirs of Fellows of the Royal Society 47 (January 2001): 383–93. http://dx.doi.org/10.1098/rsbm.2001.0022.
Повний текст джерелаMavko, Gary, and Amos Nur. "The effect of a percolation threshold in the Kozeny‐Carman relation." GEOPHYSICS 62, no. 5 (September 1997): 1480–82. http://dx.doi.org/10.1190/1.1444251.
Повний текст джерелаQuesney, Chantale. "« Un foyer pour chaque enfant ! »." Revue d’histoire de l’Amérique française 65, no. 2-3 (August 29, 2013): 257–82. http://dx.doi.org/10.7202/1018246ar.
Повний текст джерелаДисертації з теми "1937-1972"
Lewis, Jeffrey William. "Continuity in German science, 1937-1972 : genealogy and strategies of the TMV/molecular biology community." Connect to resource, 2002. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1259777082.
Повний текст джерелаBailey, James A. "Hype, headlines and high profile cases : J. Edgar Hoover, print media and the career trajectories of top North Carolina G-Men, 1937-1972." Thesis, Swansea University, 2003. https://cronfa.swan.ac.uk/Record/cronfa42260.
Повний текст джерелаPaschall, Steven. "Metaphrastic materiality : the typographic archive of Ezra Pound and Susan Howe." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0108.
Повний текст джерелаSet against the tradition of the 20th-century poet-historian, the documentary poetics practiced in distinct yet related ways by Ezra Pound and Susan Howe serves as the basis of this study's investigation of the complex materiality underpinning each writer's compositional process. Pound's "Malatesta Cantos" and Howe's "Melville's Marginalia" are the focus of detailed analysis specifically grounded in the archival materials for each sequence in order to explore the development of typographic metaphrasis. Throughout this critical work, Steven Paschall sets the processes of materiality's signification in parallel to Pound and Howe's conceptions of, and engagements with, the historical archive and literary production. Pound's reading of the quattrocento and the saga of Sigismondo Malatesta, and Howe's reading of marginalia and manuscript drafts, resulted in unique source-based poems, the structural and formal techniques of which redefine conventional notions of historiography and interpretative poetic practice. In addressing the mechanics of literary appropriation, editing written language, and the visio-spatial page, Paschall asserts a genealogical thread between the archival materiality of Pound's "poem containing history" and the visual experiments in articulation of Howe's palimpsestic reconfigurations thereof
Yazeva, Alexandra. "Communication en tant que prédestination et authenticité d'une personne dans l'oeuvre de Valentin Raspoutine et Alexandre Vampilov." Phd thesis, Université de Strasbourg, 2013. http://tel.archives-ouvertes.fr/tel-01023916.
Повний текст джерелаQuesney, Chantale. "De la charité au bonheur familial : une histoire de la Société d'adoption et de protection de l'enfance à Montréal, 1937-1972." Thèse, 2010. http://www.archipel.uqam.ca/3590/1/D1972.pdf.
Повний текст джерелаVieira, Nuno Miguel de Sousa 1971. "O ateliê - do mundo para o lugar : sala de exposição (1971-2015)." Doctoral thesis, 2015. http://hdl.handle.net/10451/24634.
Повний текст джерелаAnexo: "Uma vida inteira - peça de representação" disponível em suporte papel
A investigação conducente a esta tese desenvolve-se no interior de uma práxis artística que procura, em cada momento, estabelecer um vínculo profundo com uma realidade contextual que a motiva, circunscreve e abre em momentos sucessivos de exibição. Neste sentido, a pesquisa parte dessa prática artística com o fim principal de pensá-la no próprio processo que a gera e sustenta, procurando focar melhor e aprofundar as questões do enraizamento contextual da obra ou as relativas às necessidades de circulação a que os produtos criativos estão sujeitos nos dias de hoje, bem como a consequente possibilidade de desmaterialização de vínculos que estes sucessivos movimentos podem provocar nas obras. Sala de exposição – Parte II, obra artística central na investigação, tem como antecessora Sala de exposição, projeto que partilha como denominador comum o ateliê, que foi sempre o mesmo, e a sala de exposição, adicionada à própria obra. É esse ateliê, sediado numa antiga fábrica, o lugar de origem do processo gerador da obra e um seu constituinte. Mas, no enunciado desse lugar, considera-se também, uma sala de exposição, o local (onde na própria fábrica se expunham os objetos produzidos) como parte integrante da obra, que transita para os novos locais de visibilidade. Por outro lado, o ateliê é também o lugar ao qual todas as obras são devolvidas, física ou virtualmente, pelo que entender esse ateliê como lugar de regresso converte-o duplamente num referente contextual determinante para o estabelecimento da teia de relações que estrutura conceptualmente a obra em variadas situações de visibilidade. À procura de entendimento do papel na práxis criativa assumido pelo ateliê como lugar de regresso e da sala de exposição como lugar de alteridade, associa-se, complementarmente, a identificação de estratégias e metodologias criativas usados por outros artistas com propósitos idênticos, reforçando e problematizando a reflexão no interior do processo criativo.
The research conducing to this thesis has been developed inside an artistic praxis that demands, at each time, to establish a deep bond with a contextual reality that motivates, circumscribes and opens it at consecutive moments of exhibition. To this extent, the research stems from this artistic practice, aiming to consider it within the process that generates and sustains it, looking to focus and deepen issues of contextual rooting of the work or on those relating to the circulation needs creative products are subject to today, as well as the consequent possibility of dematerialisation of bonds these successive movements may bring to the works. Sala de Exposição – Parte II, an artwork key to this research, stems from Sala de Exposição, a project sharing as common denominator the studio, which was always the same, and the exhibition rooms that kept being added to the work itself. It is this studio, located on the premises of a former factory, the place of origin of the process generating the work and also its constituent. But, in that site’ statement, it is also considered an exhibition room, the place (where in the factory were exhibited the produced objects) integral to the work, which transits to the new sites of visibility. On the other hand, the studio is also the place to where all works come back, physically or virtually, and therefore understanding it as a place of return doubly turns it into a contextual reference determinant for the establishment of the web of relations that conceptually structures the work in varied visibility situations. To the search for an understanding of the role played in the creative praxis by the assumption of the studio as place of return and of the exhibition room as place of alterity, is associated the recognition of creative strategies and methodologies used by other artists with similar purposes, reinforcing and problematising the reflection within the creative process.
Schieder, Chelsea Szendi. "Coed Revolution: The Female Student in the Japanese New Left, 1957-1972." Thesis, 2014. https://doi.org/10.7916/D8V69GSC.
Повний текст джерелаКниги з теми "1937-1972"
Ballin, Malcolm. Irish Periodical Culture, 1937–1972. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751.
Повний текст джерелаHayes, R. M. A Walt Disney filmography, 1937-1972. Jefferson, N.C: McFarland, 2001.
Знайти повний текст джерелаBallin, Malcolm. Irish periodical culture, 1937-1972: Genre in Ireland, Wales, and Scotland. New York: Palgrave Macmillan, 2008.
Знайти повний текст джерелаIrish periodical culture, 1937-1972: Genre in Ireland, Wales, and Scotland. New York: Palgrave Macmillan, 2008.
Знайти повний текст джерелаThomas, S. Bernard. Season of high adventure: Edgar Snow in China. Berkeley: University of California Press, 1996.
Знайти повний текст джерелаJohn, Eidinow, ed. Bobby Fischer goes to war: How the Soviets lost the most extraordinary chess match of all time. New York, NY: Ecco, 2005.
Знайти повний текст джерелаJohn, Eidinow, ed. Bobby Fischer goes to war: The true story of how the Soviets lost the most extraordinary chess match of all time. London: Faber and Faber, 2004.
Знайти повний текст джерелаNetherlands. Kabinet voor Nederlands-Antilliaanse Zaken. Inventaris van het archief van het Kabinet van de Vice-Minister-President, vanaf 1972, Kabinet voor Surinaamse en Nederlands-Antilliaanse Zaken (1937) 1959-1975 (1981). Winschoten: Centrale Archief Selectiedienst, 1986.
Знайти повний текст джерелаCixous, Hélène. Volleys of humanity: Essays 1972- 2009. Edinburgh: Edinburgh University Press, 2011.
Знайти повний текст джерелаEwing, William A. Edward Steichen: In high fashion, the Condé Nast years, 1923-1937. Minneapolis: Foundation for the Exhibition of Photography, 2008.
Знайти повний текст джерелаЧастини книг з теми "1937-1972"
Ballin, Malcolm. "Periodicals, Genres, and Audiences." In Irish Periodical Culture, 1937–1972, 1–22. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_1.
Повний текст джерелаBallin, Malcolm. "Periodicals and the Post-Revolutionary Moment." In Irish Periodical Culture, 1937–1972, 23–43. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_2.
Повний текст джерелаBallin, Malcolm. "Reviews: The Voice of Authority." In Irish Periodical Culture, 1937–1972, 45–65. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_3.
Повний текст джерелаBallin, Malcolm. "Miscellanies: Dialogism in the Periodical." In Irish Periodical Culture, 1937–1972, 67–94. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_4.
Повний текст джерелаBallin, Malcolm. "Little Magazines: Counter Cultures." In Irish Periodical Culture, 1937–1972, 95–115. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_5.
Повний текст джерелаBallin, Malcolm. "Periodicals in Northern Ireland: Uncertain Forms." In Irish Periodical Culture, 1937–1972, 117–45. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_6.
Повний текст джерелаBallin, Malcolm. "Periodicals in Wales: Shifting Genres." In Irish Periodical Culture, 1937–1972, 147–72. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_7.
Повний текст джерелаBallin, Malcolm. "Periodicals in Scotland: Genre Migration." In Irish Periodical Culture, 1937–1972, 173–99. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_8.
Повний текст джерелаBallin, Malcolm. "Conclusion: The Persistence of Genre." In Irish Periodical Culture, 1937–1972, 201–19. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_9.
Повний текст джерелаForbush, Scott E. "Cosmic ray diurnal anisotropy 1937–1972." In Cosmic Rays, the Sun and Geomagnetism: The Works of Scott E. Forbush, 447–55. Washington, D. C.: American Geophysical Union, 1993. http://dx.doi.org/10.1029/sp037p0447.
Повний текст джерела