Дисертації з теми "190204 Film and Television"
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Ferrero-Regis, Tiziana. "Public history, private memories: Historical imagination in the new Italian cinema 1988-1999." Thesis, Griffith Univeristy, 2003. https://eprints.qut.edu.au/92669/1/My%20PhD.pdf.
Повний текст джерелаFelix, José Carlos. "Film and television adaptation." Florianópolis, SC, 2004. http://repositorio.ufsc.br/xmlui/handle/123456789/87828.
Повний текст джерелаMade available in DSpace on 2012-10-22T02:29:14Z (GMT). No. of bitstreams: 0
A presente pesquisa tem como objetivo principal investigar o processo de adaptação de filmes baseados em textos literários em relação ao contexto histórico e social em que eles foram produzidos. Desta forma, a pesquisa apresenta uma análise comparativa de duas versões cinematográficas da peça do dramaturgo Tennessee Williams A Streetcar Named Desire produzidas em momentos históricos distintos, a primeira para o cinema, dirigida por Elia Kazan (1951) e a outra feita para a televisão, dirigida por Glenn Jordan (1995). Uma discussão sistemática sobre o processo de
Armstrong, Keith M. "Towards an Ecosophical Praxis of New Media Space design." Thesis, QUT, 2003. https://eprints.qut.edu.au/9073/1/PHDTHESISKMAsmall.pdf.
Повний текст джерелаFrame, Gregory. "The American president in film and television." Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/57046/.
Повний текст джерелаJohns, Jennifer L. "Tracing the connections : Manchester's film and television industry." Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.676506.
Повний текст джерелаMullin, Romano Francis. "Reimagining the Renaissance : afterlives in literature, film and television." Thesis, Queen's University Belfast, 2017. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.728197.
Повний текст джерелаWalsh, Angela. "Obscene intimacies : postmodern portraiture in documentary film and television." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54728.
Повний текст джерелаArts, Faculty of
Theatre and Film, Department of
Graduate
Han, Heeju. "Galdosian novels adapted in film and television 1970-1998 /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3264320.
Повний текст джерелаSource: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1958. Adviser: Maryellen Bieder. "Title from dissertation home page (viewed Jan. 12, 2008)."
Maciel, Katia Augusta. "Film, popular music and television : intertextuality in Brazilian cinema." Thesis, University of Southampton, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494969.
Повний текст джерелаBuckle, Christopher. "The 'War on Terror' metaframe in film and television." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/3014/.
Повний текст джерелаKeene, Rachael. "Channel 4 Television : film policy and programming, 1982-2011." Thesis, University of Portsmouth, 2014. https://researchportal.port.ac.uk/portal/en/theses/channel-4-television(cfa1d56d-dcd1-427f-be25-d9babc817205).html.
Повний текст джерелаFryers, Mark. "British national identity and maritime film and television, 1960-2012." Thesis, University of East Anglia, 2015. https://ueaeprints.uea.ac.uk/59453/.
Повний текст джерелаMcLoone, Martin. "Representation and identity : film, television and the media in Ireland." Thesis, University of Ulster, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274096.
Повний текст джерелаBignell, Jonathan. "The moving image : narrative construction in film and television fiction." Thesis, University of Sussex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303240.
Повний текст джерелаSmith, Iain Robert. "The Hollywood meme : transnational appropriation of U.S. film and television." Thesis, University of Nottingham, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546464.
Повний текст джерелаPape, Anthony P. "Overdose: Constructing Television from the Cracks in the Superhero Content Conglomerate." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors162025124846866.
Повний текст джерелаHarding, Alan James. "Evaluating the importance of the Crown Film Unit, 1940-1952." Thesis, Southampton Solent University, 2017. http://ssudl.solent.ac.uk/3806/.
Повний текст джерелаTaylor, J. "From sound to print in pre-war Britain : the cultural and commercial interdependence between broadcasters and broadcasting magazines in the 1930s." Thesis, Bournemouth University, 2013. http://eprints.bournemouth.ac.uk/21079/.
Повний текст джерелаWard, Karla. "A depiction of the ghetto in feature film : a cinematic platform for confronting contemporary representations of ghetto occupancy." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8130.
Повний текст джерелаIncludes bibliographical references (leaves 30-31).
The thesis film project, Mile in My Shoes, is a narrative depiction of a particular South African experience that consists of broader implications. It utilizes the ghetto/township setting to illustrate diverse, counter hegemonic depictions of black and especially black African characters, lifestyles, images, love, gender, and their position/focus in film.
Geanotes, Alyxia. ""Don't look at the camera!" : an investigation into directorial methodologies and practise used when working with child actors in film." Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/10545.
Повний текст джерелаIncludes bibliographical references.
This dissertation sets out to explore the complexities inherent in working with children in a filmic context. The focus is on creating a set of guidelines for other emergent filmmakers to use when and if they choose to work with children in film. It will analyse how the complex dynamics of children and film together create both the obstacles and inspirations in filmmaking. The film Unwritten letters forms the platform for the analysis and discussion around the nature of children and the filmic environment with specific attention to Directorial techniques and Professional practice. It forms the basis for posing a number of theoretical questions about Realism and the intricate dynamics at work when dealing with children in film.
Jones, Joshua B. "TransTV: Transgender Visibility and Representation in Serialized Television." Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1469625819.
Повний текст джерелаEberts, Jane F. "Adaptation: Is the Book Really Better Than the...Television Series?" Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/105.
Повний текст джерелаNorris, Van. "'Drawing comic traditions' : British television animation from 1997 to 2010." Thesis, University of Portsmouth, 2012. https://researchportal.port.ac.uk/portal/en/theses/drawing-comic-traditions(f3e59083-7442-4c7a-8ae6-f323fcc08fb1).html.
Повний текст джерелаGaal-Holmes, Patricia. "Decade of diversity : a history of 1970s British experimental film." Thesis, University of Portsmouth, 2011. https://researchportal.port.ac.uk/portal/en/theses/decade-of-diversity(5130421f-c0de-4588-9aa1-d8232a9113a8).html.
Повний текст джерелаStewart, Ian. "Presenting arms : representations of the British Army on film and television." Thesis, University of Reading, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270306.
Повний текст джерелаRazman, Diana Cristina. "Black Sails, Rainbow Flag: Examining Queer Representations in Film and Television." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22626.
Повний текст джерелаKhazaal, Natalie Michaylova. "Sectarianism, language, and language education in Lebanese theater, television, and film." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886891&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Повний текст джерелаCoon, David Roger. "Re-writing the American dream suburbia in contemporary film and television /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3332468.
Повний текст джерелаTitle from home page (viewed on May 14, 2009). Source: Dissertation Abstracts International, Volume: 69-09, Section: A, page: 3363. Adviser: Christopher Anderson.
Sobhani, Mehrnoosh. "Avant-garde film or television series : on Edgar Reitz's cinema utopia." Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/23198.
Повний текст джерелаPhillips, Dara L. "Dancing Through Film Musicals : Narratives in Motion /." Lynchburg, Va. : Liberty University, 2006. http://digitalcommons.liberty.edu.
Повний текст джерелаFain, Rob Jason. "Uncovering local history : 16 mm TV news film remaining in U.S. television stations /." Online version of thesis, 2007. http://hdl.handle.net/1850/5957.
Повний текст джерелаTypescript. Accompanying CD-ROM contains versions of the thesis in Word document and PDF forms. Includes bibliographical references (leaves 35-42).
Pillich, Gualberto Simeon. "Invisible virtuosi the deskilling and reskilling of Hollywood film and television studio musicians /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1971760581&sid=11&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Повний текст джерелаCollyer, Paddie. "An examination of the development of the British Board of Film Censors seen through the archives of three local authorities from 1912 until 1982 and of the British Board of Film Classification : with a particular focus on 'The Last Temptation of Christ' (1988), 'Natural Born Killers' (1994), and 'Crash' (1996)." Thesis, Southampton Solent University, 2003. http://ssudl.solent.ac.uk/605/.
Повний текст джерелаSpicer, Paul. "The films of Kenji Mizoguchi : authorship and vernacular style." Thesis, University of Portsmouth, 2011. https://researchportal.port.ac.uk/portal/en/theses/the-films-of-kenji-mizoguchi(8f7ad266-b2bd-4199-acbd-cba4263b6c89).html.
Повний текст джерелаMayne, Laura Margaret Jayne. "Channel 4 and British film : an assessment of industrial and cultural impact, 1982-1998." Thesis, University of Portsmouth, 2014. https://researchportal.port.ac.uk/portal/en/theses/channel-4-and-british-film(9d2b0c2b-18f6-4fe4-a360-d0a948d77f76).html.
Повний текст джерелаSchutte, Barend-Christiaan. "Images of a new German identity : the portrayal of the unification process in documentary and feature films since 1990." Thesis, Southampton Solent University, 2005. http://ssudl.solent.ac.uk/593/.
Повний текст джерелаHair, Carolyn Houston. "The conversationalization of television talk in the mediated public sphere : an analysis of the British audience participation talk show and the docu-soap." Thesis, Southampton Solent University, 2003. http://ssudl.solent.ac.uk/611/.
Повний текст джерелаTurnock, Robert Francis. "The expansion of television in the 1950's and 1960's : institutions, society and culture." Thesis, Bournemouth University, 2007. http://eprints.bournemouth.ac.uk/10508/.
Повний текст джерелаFranklin, Ieuan. "Folkways and airwaves : oral history, community and vernacular radio." Thesis, Bournemouth University, 2009. http://eprints.bournemouth.ac.uk/15995/.
Повний текст джерелаSreedharan, C. "Reporting Kashmir : an analysis of the conflict coverage in Indian and Pakistani newspapers." Thesis, Bournemouth University, 2009. http://eprints.bournemouth.ac.uk/17116/.
Повний текст джерелаIreland, Andrew. "'Conditions of time and space' : a re-enactment experiment with the British TV series Doctor Who." Thesis, Bournemouth University, 2012. http://eprints.bournemouth.ac.uk/20444/.
Повний текст джерелаAtakav, Atil. "The representation of women in Turkish cinema in the 1980s." Thesis, Southampton Solent University, 2009. http://ssudl.solent.ac.uk/774/.
Повний текст джерелаDomaratskaya, Elena. "Moving image 'before' and 'after' cinema : 1920s Parisian experimental films and video installations." Thesis, Southampton Solent University, 2006. http://ssudl.solent.ac.uk/580/.
Повний текст джерелаPetrikis, Titus. "Creating a sound world for Dracula (Browning, 1931)." Thesis, Bournemouth University, 2014. http://eprints.bournemouth.ac.uk/21390/.
Повний текст джерелаDe, Beer Adam. "We’ll have a gay ol’ time : transgressive sexuality and sexual taboo in adult television animation." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13164.
Повний текст джерелаThis thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. The findings reveal the mutuality between the plasticity of animation, which lends itself to shaping physical representations of reality, and the complex social processes of non-violent cathartic ideological expressions that redefine sociopolitical boundaries. The argument contextualizes the changing face of sexuality and the limits of sexual taboo in terms of current contestations and acceptability and the relationship to animation. Contemporary animation both represents this social performance of transgression and is itself a transgressive product disrupting accepted conventions.
Hibbeler, Christian. "Mercy." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/12518.
Повний текст джерелаThe way in which indigenous people are represented in documentaries has radically changed within the last century. But "If there (still) is one overriding ethical/political / ideological! question to documentary filmmaking it may be, What to do with the people" (Nichols qtd. in Barbash and Taylor, 1997: p. 12). How can people and issues be represented appropriately? How can one make a documentary about somebody or something with a totally different cultural background to one's own without being unethical? The so-called expository documentary was the first prevailing documentary mode and tries to answer these questions with an authoritative voice-over commentary combined with a series of images that aim to be descriptive and informative. The voice-over approaches the spectator directly and offers facts or arguments that are illustrated by the images. It provides abstract information that the image cannot carry or comments on those actions and events that are unfamiliar to the target audience. This is exactly what some filmmakers reacted against - "to explain what the images mean, as if they don't explain themselves, or as if viewers can't be trusted to work the meaning out on their own. Indeed, the voice-over often seems to attribute a reduced meaning to the visuals; that is it denies them a density they might have by themselves" (Barbash and Taylor, 1997: p. 19). It is typical for the expository documentary style that the narrator speaks about or for other people. Some filmmakers see these voice-overs as "colonial, an enemy of the film, the voice of God" or even as "the (non-existent) view from somewhere" (Barbash and Taylor, 1997: p. 47).
Kokot, Kerrin. "Tiny." Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/8027.
Повний текст джерелаSchafer, Nicole. "Memory, time and place in The Ballad of Rosalind Ballingall." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8135.
Повний текст джерелаIncludes bibliographical references (leaves 28-29).
The Ballad ofRosalind Ballingall is a recollection of the mystery surrounding the disappearance of the twenty-year-old University of Cape Town drama student into the Knysna forests in 1969. In search of answers to this unsolved case, the film follows Rosalind's footsteps, from the bohemian city streets of Cape Town in the sixties to the Knysna forests, drawing on the collective memory of the Knysna community and students who were at university with Rosalind at the time. In search of Rosalind, the film journeys into the ruins of old South Africa, tracing the emerging consciousness of the hippie era that evolved during that period, partially in response to the oppressive socio-political climate of the country at the time.
Triegaardt, Allison Laura. "One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/11199.
Повний текст джерелаTelevision drama demands a strong sense of story to sustain a viewer’s engagement, and fictional characters are key dramatic vehicles in story construction, yet it remains an area that is severely neglected in terms of both theory and practice at this time in South Africa. I have discovered that the ‘death’ of the South African television character can be attributed (at least in part) to a unique set of challenges facing practitioners. My aim is to discover if the moribund television character can perhaps be resuscitated through the application of a concept called ‘the multiplicity of social self’, which finds its roots in the discipline of social psychology. This written explication and its accompanying experimental television film, Zindzi, are twin sites from which to consider the death and possible revival of contemporary South African television characters.
Rodrigues, Christopher. "Animating the image : reflections on character and process in the "The First and Last Loves of Leonardo Lopes"." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8134.
Повний текст джерелаIn reflecting on the process of making the short film "The First and Last Loves of Leonardo Lopes" the author argues against interpretation as a method for working with character and its development. It is contended that the formative unconscious imagers) at the heart of a character requires a director to be more sensory in her/his response and to develop an intimate process of animating the image. The descriptive personal vocabularies of feeling, intuition and sensation are accordingly juxtaposed against prescriptive impersonal intellectual modalities that diminish immediacy as a by-product of its "latent content". Active imagination, poetry and music are seen as more appropriate models for the filmmaker than theories and theses. The author goes on to consider the dialectical reinforcement of interpretive strategies as a result of the economic pressures of the film industry and argues for a more process friendly conception of production. After reflecting on the role and insecurities of the director in a collaborative art form, a motivation is provided for the "natural voice" of the accompanying director's commentary.