Дисертації з теми "1724-1804 influence"
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Rosen, Julia von. "Le transfert culturel comme transformation de discours : Mme de Stae͏̈l interprète de l'esthétique kantienne." Caen, 2003. http://www.theses.fr/2003CAEN1371.
Повний текст джерелаBlanc-brude, Gilles. "Psychologie et anthropologie dans la philosophie de Kant." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040013.
Повний текст джерелаKant’s philosophy is not a denial of any form of psychology. Despite the uncertainty of the systematic status concerning the mind’s empirical knowledge and the impossibility to use mathematics to bring this knowledge into the scientific field, despite the vacuity of a deduction about the metaphysical properties of the soul made a priori and the pointlessness of a psychological foundation of both philosophy and logic as well as moral, in brief, despite Kant’s antipsychologism and antinaturalism, themes and psychological issues do remain worthwhile and legitimate in his philosophy. The chapter on “Paralogisms” in the Critique of Pure Reason, associated to the “Refutation of Idealism”, does indeed put an end to the psychologia rationalis -which stems from Wolff’s metaphysics- but yet it makes it possible for psychology to be integrated into anthropology while following the leading thread of experience. Kant’s approach of psychology being intimately related to transcendental philosophy will be both its complement and its illustration through a series of considerations on the genesis of our knowledge, on the connection between interiority and exteriority, the various degrees of consciousness and eventually through considerations on the free use of our mental faculties. The first part will deal with the difficulties to set psychology in relation to Kant’s anthropology and philosophy. The second part will set out the main arguments against empirical and rational psychology. The last part will study Kant’s Anthropology from a Pragmatic Point of View as being the philosophical fulfilment of an untimely theory of the mind complying with the demands of criticism
Dayre, Eric. "L'instance kantienne dans la révolution théorique et fictive de Thomas Quincey." Paris 3, 1994. http://www.theses.fr/1994PA030144.
Повний текст джерелаThis thesis examines the influence of the kantian philosophy in thomas de quincey's works. Our starting point is the non-typical position of de quincey in the romantic period and his violent and sometimes polemical criticism of kant's style. This criticism rapidly meets a number of apories that are repeated in de quincey's literary practice, in the critical, allegorical and sentimental fiction of his great autobiographical texts (confessions, suspiria, autobiographical sketches). The german philosopher's ambivalent relationship to critical prose and to moral mhilosophy leads us to the study of the question of time and the rhetoric of temporality in the english writer's works, as well as to the scrutiny of the legacy of transcendantal aesthetics in the poetics of dependance that de quincey invents. The question both that of the ideology of the romantic religion which is destined to take the place of moral duty, and of the internal criticism of this ideology. More particularly, we study the question of the analogical constitution of the subject, through the paradigms of the affinities between sensations in the subject, through the paradigms of the affinities between sensations in the opium-state. We also examine the links between reason, fancy and imagination, understanding, memory, and in the opium eater's "prose-fugues". This thesis ends with a study of the last days of immanuel kant
Jesus, Paulo Renato Cardoso de. "Poétique de l'ipse : temps, affection et synthèse dans l'unité du Je théorique kantien." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0096.
Повний текст джерелаThe Kantian "theoretical I" constitutes a unifying semantic unity wich produces itself epigenetically. Thus, this spontaneous - poetic - cognitive function appears to be both irreducible to a mere "logical form" and non-identifiable with a "substantial entity". The "I think", transcendental apperception, is a morphogenetic power-force wich unfolds as a continuous - virtually infinite - process of synthesis whose aim is the production of an organic system of knowledge. Its logical modality is necessity and its manner of acting is metaphenomenological ; "to must be capable of accompanying all my representations" means "to institute the act-form of all representation as such", namely their belonging to one and the same self. By questioning Kant with Hume, Leibniz and Fichte, this research attempts to elucidate the inevitable instability of the critical transition to a postmetaphysical Cogito
Bonnet, Jean. "Kant instituteur de la République (1795-1904). Genèse et formes du kantisme français dans la construction de la synthèse républicaine." Phd thesis, Paris, EPHE, 2007. https://tel.archives-ouvertes.fr/tel-00275209.
Повний текст джерелаThe conquests of Kantism have been received in very different ways according to country, historical circumstances, social situation, and political regime. Despite its apparently purely speculative aim, critical philosophy displayed right throughout the 19th century in France a constant intellectual and political presence. This is the initial assessment of my work. It thus seemed necessary to me, to begin with, to note as precisely as possible the topography of observable Kantisms in the ideological landscape of France between 1795 and 1904. The history of the reception of Kantism reveals an unexpected wealth of extraordinarily varied interpretations. I propose a chronology divided in three periods, each one of which seemed to possess significant distinctive characteristics (1795-1835 ; 1835-1867 ; 1867-1904)
Lavelle, Patricia. "Religion et histoire : sur le concept d'expérience chez Walter Benjamin." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0105.
Повний текст джерелаWalter Benjamin's (1892-1940) work should not be approached from the perspective of a unity in a similar manner to scientific disciplines : the fragmentary and non-classifiable form of Benjamin's work, divided it into many writings including literary criticism and essays, was, however, an attempt to search for a superior experience both religious and historical. This idea was contained in his famous programmatic treatise "On the Program of the Coming Philosophy" (1918). The notions of history and religion are understood from the perspective of a reflection on experience ; wich was rooted in Benjamin's contemporary debates. This reflection would lead him to a lecture of Kant's philosophy inspired by Hamann's (Kant's friend and contemporary) metacritics of Critique of Pure Reason
Goubet, Jean-François. "Fichte et la philosophie transcendantale comme science : étude sur la naissance de la première doctrine de la science (1793-1796)." Tours, 2000. http://www.theses.fr/2000TOUR2020.
Повний текст джерелаThis thesis wanted to lay the emphasis upon the importance of the scientifical nature of Fichte's philosophical investigation. The philosopher put together two traditions, Kant's theme on one hand and a classical method on the other hand. As an heir of the Kantian critic of dogmatic metaphysics, he set activity before being, and constitutive I before thing. At the same time, Fichte understood knowledge by principles as a project of foundation. So, he agreed with a way followed by Kant's opponents. In this historical context, the concept of transcendental philosophy as a science refers immediately to Reinhold. Through the discussions upon his elementary Philosophy (about philosophical method, knowledge or freedom), Fichte was able to shape what was going to be his first Jena's Doctrin of Science. Our study wanted to define more precisely what are the debates of the time which contribute to clarify the way he took over the critical thought from Kant. Fichte wanted to set all the philosophical sciences on a practical basis, to produce a system of liberty. He succeeded in conciliating the knowledge by principles and the natural point of view, whatever is looked at : whether the elevation of consciousness to the philosophical level (the introduction to science) or the justification of concrete action (the end of science). Freedom was to be understood in the speculative sense of foundation. Later, it was intended to overwhelm a world which was now accepted
Dubois, Frédéric. "Schopenhauer ou L'énigme de la volonté." Amiens, 2007. http://www.theses.fr/2007AMIE0017.
Повний текст джерелаRua, Zarauza Begoña. "Ricoeur. L'historicité de la liberté." Paris, EHESS, 2015. http://www.theses.fr/2015EHES0185.
Повний текст джерелаA wide preface opens this work, therefore, to explain Ricceur's major philosophical presuppositions about the question of freedom. 1) Chapters I and II are devoted to show the theoretical assumptions of Ricosur about freedom and 2) Chapters III, IV and V are the development and implementation of such presuppositions. Moreover, an important part of the work is built around what I consider as his three masterpieces: The Rule of Metaphor, Time and Narrative and Oneself as Another. Starting from the presuppositions treated on the preface and on chapters I and II, these works attain its unity in relation to historicity of freedom. It is thus concluded that it is not a matter of freedom restricted to its essential characteristics, but to the understanding of what freedom is in the world, among human works (namely the most important, the work's written such as laws, literature, history, holy books. . . ), and what it is in time. It is also understood the turning point of contemporary philosophy to hermeneutics, to textual hermeneutics in the case of Ricceur, and how convincing is that stories have a cognitive aspect completely legitimate. Finally, if there is an expression of Ricceur that evokes this issue in all its density is as follows: "Everything that is recounted occurs in time, takes time and unfolds temporally. " ("De l'lnterpretation" Du texte a Taction, Ed. Poche "Points-Essais, 377", Paris, Seuil, 1998)
Thévenin, Pierre. "Le Miroir des Faits : philosophie de l'habillage juridique dans la scolastique médiévale et ses lectures romantiques." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0033.
Повний текст джерелаIn Roman law's far-reaching tradition I search for conceptual resources helping to analyse the normative patterns through which contemporary societies are governed. Aiming at refining our theoretical assessment of the décline of classical légal science, I recover and re-read two traditions. First, I examine idealist Systems of légal philosophy and their propensity to ignore the historical dimension of légal techniques. This is shown to have ironical conséquences, when Kant sets himself up as a judge at the tribunal of reason, or when Hegel treats Roman law as both spécifie to the history of ancient Rome and germane to the eternal and abstract form of « objective spirit ». The second part of my research hence turns to the Roman law of possession, a topic which testifies to long-run shifts in the scientific style of légal thinking. In confronting mainly Italian scholastic interprétations of jus possessionis, dating from Xllth to XlVth century, with Von Savigny's Treatise on Possession of 1803, I show how philology and historical érudition were involved in a romantic attempt at embedding Kant's idea of the autonomy of free will into the realm of jurisprudence. As a resuit, médiéval ways of employing légal techniques independently of any external ontological constraint tended to be overshadowed. Whereas glossators felt free to imagine types of légal possessions which were « more or less facts » or to posit fictitious property transfers, I consider this loose attitude towards rèality as a valuable touchstone for analysing law's spécifie part in the government of contemporary society
Pamart, Jean-Michel. "L’énigme Image-temps. L’Image-mouvement et L’Image-temps de Gilles Deleuze : essai de généalogie philosophique." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030084.
Повний текст джерелаTo what extent are the books written by Deleuze about cinéma philosophy books ? Following a genealogical reasoning, our study shows how Deleuze “captures” in different ways the works of four philosophers – Kant, Bergson, Peirce, Spinoza – in order to get ahead in his own philosophy. From his encounter with cinema as a whole, Deleuze continues his reflection about transcendental empiricism, reconsidering the issue of image ands signs and secretly revisiting Spinoza’s ethics to offer a new system of ethics which no longer answers the question “What can a body live ?” but its generalization “what can an image live ?” Following the figure of a post-kantian spinozism that we have identified in Deleuze’s work, time as an affect of the self by the self in Kant’s philosophy can be equated with the self-affections of the second kind of knowledge in Spinoza’s work : time becomes the place where spiritual life can spread in the attribute of thought. Being at the same time a genesis of sensitivity, a cosmogony, semiotics and ethics, The Movement-image and The Time-image constitute a system of genetics of image powers of which film-makers singular creations are both the landmarks and the touchstones : Deleuze’s encounter with these movies allows his philosophy to undergo the test of the real and to make it change its course each time he meets a film-maker’s thinking. Deleuze uses cinema which becomes the experimental checking of his philosophy where as cinema “captures” Deleuze and leads him to open up new ways of thinking. In this mating display, Deleuze is the wasp and cinema is the orchid
Veneroni, Stefano. "La questione delle "Forze vive" nel primo scritto di Kant : tra meccanicismo cartesiano e dinamismo leibniziano." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040001.
Повний текст джерелаAsking ourselves about the interpretative framework that we should adopt when we set out to read and examine Kant’s first oeuvre demands that we pose the preliminary question of whether a red thread recurs throughout Kant’s philosophical and scientific investigation. A reconstruction of Kant’s theoretical investigation reveals that Kant’s inquiry, beginning with the Gedanken, is entirely devoted to accomplish (I) a systematic description of the universe (understood as objective knowledge of the external and internal world, a knowledge that is viewed both materially and formally, materialiter and formaliter spectata); (II) an antecedently determined description of the universe (understood as subjective knowledge, a knowledge that is viewed both materially and formally, materialiter and formaliter spectata); and (III) a description of the universe that is carried out within the programmatic direction proper of ‘classic’ Science. Our research findings allowed us to (1) show that the question of ‘living forces’ has Aristotelian underpinnings; (2) shed new light on the first development of Kant’s thought and show that the orthodox Kantian sources (that is, Descartes, Leibniz e Wolf) depart from Kant’s philosophical project which was primarily concerned with the problems that resulted from the crisis of Aristotelian science due to Galileo’s contributions and Newton’s attempt at a systemic unification of nature; (3) finally, identify a Kantiansolution for overcoming the epistemological dualism (and the incompatibility thereof) between Einstein’s model of a continuum in nature and the Quantum Mechanical model that describes nature as discrete and probabilistic
Benao, Philippe. "La pédagogie selon Emmanuel Kant : sources, influences, actualité." Paris 1, 2004. http://www.theses.fr/2004PA010565.
Повний текст джерелаKouvélakis, Efstathios. "Philosophie et révolution de Kant à Marx." Paris 8, 1998. http://www.theses.fr/1998PA08A007.
Повний текст джерелаDeffner, Béatrice. "L’art comme nature supérieure : Carl Ludwig Fernow et la recherche d’une esthétique idéale." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040125.
Повний текст джерелаAThe main target of the present study is to reconstruct the genesis of the esthetical ideas of the German art theoretician and writer Carl Ludwig Fernow (1763-1808), whose work and intellectual importance has been recently rediscovered and revalued by several researches. Carl Ludwig Fernow’s name is particularly related to the art discussion of the so called “Weimarian art friends”, the circle of amateurs of beauty who assembled very famous members and personalities such as Goethe, Schiller and Meyer. However, Fernow has always acted in the shadow of these main actors, trying to make him known as an author. Thus, quite a number of his publications and articles in German appeared in German well known revues such as “The Propylees”, “The new Mercury” or “The journal of fashion and luxury” have never been touched a large public, but still would merit a closer look, based on a reexamination of the role he played for the formation of the movement of art’s autonomy, in order to show his art theory, resuming his main ideas and concepts concerning the character, the ideal of beauty and the enthusiasm of the artiste, which he personally considered as the principal components of genuine art expression representing the key to real artistic creation
York, Owen Walter. "The Withered Root of Socialism: Social Democratic Revisionism and Parlamentarismus in Germany, 1917-1919." Thesis, 2010. http://hdl.handle.net/1805/2231.
Повний текст джерелаThis thesis examines a group of German intellectuals and politicians who, during World War I, formulated and proposed a democratic ideology based on their interpretation of the German Enlightenment philosopher Immanuel Kant and integrated his ideas with those of Karl Marx, the father of modern socialism. Their theory was an attempt to legitimize democracy in Germany at a time when democratic reforms came to the forefront of German politics. These thinkers advocated a non-revolutionary foundation for social democracy by emphasizing the role of human reason and agency in the process of democratization. Because they had abandoned the need for revolution, which most early nineteenth-century socialists believed was socialism’s ‘final goal,’ these thinkers were known as revisionists. The revisionists’ primary medium through which they espoused their views of social democracy was the journal Sozialistische Monatshefte, which ran from 1893 until 1933. The timeframe on which this argument focuses is the last two years of World War I, when Germany’s failure achieve a victor’s peace opened new avenues for the center-left of the political spectrum to achieve democratic reform. The revisionists sought to carry forward the process of democratization, and by doing so, reconnected with the ideas of the Enlightenment.
Russ, Andrew. "The illusion of history : time and its absence in the radical political imagination." Thesis, 2007. http://hdl.handle.net/2440/63570.
Повний текст джерелаThesis (Ph.D.) - University of Adelaide, School of Humanities, 2007