Готові списки джерел за темами / 1720-1729

Добірка наукової літератури з теми "1720-1729"

Автор: Grafiati

Опубліковано: 26 липня 2024

Оновлено: 29 липня 2024

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Статті в журналах з теми "1720-1729"

Prakash, Om. "English Private Trade in the Western Indian Ocean, 1720-1740." Journal of the Economic and Social History of the Orient 50, no. 2-3 (2007): 215–34. http://dx.doi.org/10.1163/156852007781787396.

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AbstractThe paper first situates the trade carried on by private European traders in the overall framework of the Indian Ocean trade in the early-modern period. It then discusses in some detail the trading network of private English merchants in the Western Indian Ocean with special reference to the Surat-Mocha link in the 1720s and the 1730s. The evidence base is provided mainly by the private papers of Sir Robert Cowan, governor of Bombay between 1729 and 1734 and a major English private trader, operating in collaboration with Henry Lowther, chief of the English factory at Surat. Cette contribution replace tout d'abord les activités commerciales menées par les négociants européens dans le cadre général du commerce de l'Océan indien au cours de la période moderne. Elle examine ensuite avec quelque détail le réseau commercial établi par des négociants anglais privés dans le secteur occidentalde l'Océan indien, plus particulièrement les relations instituées entre Surat et Moka dans les années 1720-1730. Les données présentées ont été tirées principalement de la correspondance privée de Sir Robert Cowan, gouverneur de Bombay (1729-1734) et grand négociant privé, associé à Henry Lowther, responsable du comptoir de Surat.

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Tikhonov, S. S. "Oral information and cartographic materials about the roads of the 18th century and about of settlement of the Middle Tom region." Field studies in the Upper Ob, Irtysh and Altai (archeology, ethnography, oral history and museology) 17 (2022): 262–67. http://dx.doi.org/10.37386/2687-0584-2022-17-262-267.

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The article considers the possibilities of studying the process of settling by Russian old-timers of the free lands of the Middle Tom region on the border of the Kuznetsk and Tomsk districts (the north of the part of Krapivino district of the Kemerovo region). For this, the author uses the oral traditions at his disposal about the roads from the Kuznetsk fortress to the Mungatsky prison, and foundation of russian old-timers countries. This information is supplemented by a map created by the surveyor P. G. Chichagov in 1720–1729.

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Reimer, Erich. "Friedelena Margaretha Bach (1675-1729)." Die Musikforschung 63, no. 3 (September 22, 2021): 248–56. http://dx.doi.org/10.52412/mf.2010.h3.245.

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Vergegenwärtigt man sich, dass Friedelena Margaretha Bach von 1709 bis 1729 in der Familie ihres Schwagers Johann Sebastian Bach gelebt hat, und reflektiert man diese Tatsache vor dem Hintergrund bekannter Fakten der Bach-Biographie, wird deutlich, dass Friedelena Bach wegen des frühen Todes ihrer Schwester Maria Barbara für Bachs Familie eine Bedeutung gewonnen haben muss, die über die normale Rolle einer im Haushalt helfenden unverheirateten Schwägerin hinausgegangen ist. Ihre wichtigste Aufgabe dürfte darin bestanden haben, die vier Kinder nach dem Tod der Schwester (Juli 1720) und der Wiederverheiratung des Schwagers (Dezember 1721) zu betreuen und zu versorgen, und zwar nicht nur in Köthen, sondern auch in Leipzig. Die Position, die Friedelena Bach für die vier Kinder ihrer Schwester eingenommen hat, dürfte es der bei der Hochzeit zwanzigjährigen Hofsängerin Anna Magdalena Wilcke erschwert, wenn nicht unmöglich gemacht haben, für die Stiefkinder „eine zweite Mutter“ zu werden. Andererseits war Friedelena Bachs Wirken offensichtlich eine Voraussetzung dafür, dass Anna Magdalena Bach in Leipzig zwischen 1723 und 1729 nicht in der Hausfrauen- und Mutter-Rolle aufgehen musste, sondern ein musikalisch orientiertes Leben an der Seite ihres Ehemannes führen konnte.

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Graczyk, Waldemar. "Das Familienfideikommiss von Ostrog im Lichte des Testaments von Paweł Karol Sanguszko aus dem Jahr 1743." Saeculum Christianum 29, no. 1 (October 3, 2022): 196–206. http://dx.doi.org/10.21697/sc.2022.29.1.15.

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Ordynacja zwana Ostrogską została założona przez księcia Janusza Ostrogskiego za zgodą sejmu Rzeczypospolitej w 1609 roku. W jej skład miały wchodzić dobra Ostrogskiego położone w województwach wołyńskim, kijowskim, sandomierskim i krakowskim. Ordynacja Ostrogska dostała się w ręce książąt Sanguszków za sprawą drugiej żony Pawła Karola Sanguszki (1680-1750), Marianny z Lubomirskich Sanguszkowej (zm. 1729), córki Józefa Karola Lubomirskiego i Teofili z Zasławskich, oraz siostry Aleksandra Dominika Lubomirskiego, ordynata Ostrogskiego. Po śmierci brata w 1720 roku weszła w posiadanie ordynacji Ostrogskiej. Dobra wchodzące w skład ordynacji ostrogskiej zostały wymienione w testamencie księcia Pawła Karola Sanguszki ze wskazaniem swego syna Janusza Aleksandra jako do niego należące.

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Ball, Timothy. "Climate of two locations on the Southwestern corner of Hudson Bay: AD 1720–1729." International Journal of Climatology 14, no. 10 (December 1994): 1151–68. http://dx.doi.org/10.1002/joc.3370141006.

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Шабалина, Т. В. "Finding of the 1729 Manuscript: To the History of the Collegium Musicum in Leipzig." Научный вестник Московской консерватории, no. 1(44) (March 23, 2021): 64–85. http://dx.doi.org/10.26176/mosconsv.2021.44.1.004.

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В статье исследуется рукопись правил Collegium Musicum 1729 года, обнаруженная в Российской национальной библиотеке под шифром Нем. O. XII. 1. Хотя источник не содержит обозначения города, где содружество было создано, все подписи в конце документа оказались принадлежащими студентам Лейпцигского университета 1725–1729 годов поступления. Рассматривается возможность отношения найденных правил к музыкальным коллегиям, существовавшим к тому времени в городе, в особенности к сообществу, начавшему свою деятельность с весны‒лета 1729 года под руководством И. С. Баха. Делается вывод, что манускрипт является важным документом для истории музыки Лейпцига, а также первым и единственным пока свидетельством того, как были организованы подобные содружества в городе, на чем они основывались, каковы были взаимоотношения директора и членов ансамбля, какие сочинения входили в их репертуар, каков был состав коллегии в 1729 году. Источник рассматривается также в более широком контексте истории немецкой музыки рубежа 1720‑х— 1730‑х годов и творческой деятельности Баха того периода. В отличие от публикации, где рукопись была представлена впервые (Bach-Jahrbuch 2012, S. 107–119), в настоящей статье содержатся новые сведения и предлагается их осмысление со ссылками на материалы, обнаруженные в недавние годы. The article focuses on the research of a manuscript with the rules of the Collegium Musicum 1729 found at the National Library of Russia (shelfmark Нем. O. XII. 1). Although the source contains no indication of a city where such a society was established, all the signatures at the end of the document turned out to belong to students who had entered the University of Leipzig from 1725 till 1729. The possibility of these rules relating to the Collegia existing in the city by that time is considered in the article, specifically to the Collegium Musicum directed by J. S. Bach since spring or early summer of 1729. It is concluded that the manuscript occurs to be an important document for the history of music in Leipzig; it is the first and sole known evidence how such societies were organized in the city, what their basis was, what relations their director and members had, which pieces were included into their repertoire and who the members of the Leipzig Collegium Musicum in 1729 were. The source is also regarded in the broader context of the history of German music at the turn of the 1720s and 1730s as well as Bach’s work of that period. In comparison with the first publication of this finding in the Bach-Jahrbuch 2012 (p. 107–19) the present article contains new evidence and new suggestions with the references to the sources found in recent years.

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Aspaas, Per Pippin. "Introduction." Aurorae Borealis Studia Classica 13 (July 22, 2022): 1–10. http://dx.doi.org/10.7557/16.6617.

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The thirteenth volume in the series presents all articles on the aurora borealis that were published in the journal of the Swedish Societas Literaria / Societas Regia Literaria et Scientiarum (now Kungl. Vetenskaps-Societeten i Uppsala) from 1720 to 1729. The articles are by the adjunct/professor of astronomy in Uppsala, Erik Johan (Ericus Johannes) Burman; the professor of mathematics in Lund, Conrad (Conradus) Quensel; and the adjunct/professor of astronomy in Uppsala Anders (Andreas) Celsius. E. J. Burman developed at theory of two kinds of aurora borealis and inspired other investigators across Sweden to observe the phenomenon according to his instructions. The introduction, written by Latinist and historian of science Per Pippin Aspaas, consists of a short history of the society in the period including brief presentations of Burman, Quensel and Celsius. Furthermore, Aspaas summarizes the contents of all articles dealing with the aurora and presents extracts in English translation.

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Maul, Michael. "Neues zu Georg Balthasar Schott, seinem Collegium musicum und Bachs Zerbster Geburtstagskantate." Bach-Jahrbuch 93 (March 12, 2018): 61–103. http://dx.doi.org/10.13141/bjb.v20071817.

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Anhand des von 1720 bis 1729 wirkenden Neukirchen-Musikdirektors Georg Balthasar Schott wird gezeigt, dass Ermittlungen zu Kollegen Johann Sebastian Bachs überraschende Einblicke in das damalige Leipziger Musikleben liefern können, die ihrerseits wieder zu einem besseren Verständnis von Bachs eigenem Wirken beitragen und zuweilen auch die Hintergründe eines bachschen Werks erhellen. Zunächst wird die Biographie Schotts dargestellt. Danach steht sein Wirken als Komponist für die Neukirche im Vordergrund. Sodann gilt das Interesse seinem Collegium musicum und dem dort aufgeführten Repertoire, speziell einem unter der Leitung Schotts aufgeführten, bisher unbekannten Oratorium. Dies erweist sich als Schlüssel, um die Entstehungsumstände von Bachs "Geburtstagskantate" für den Fürsten Johann August von Anhalt-Zerbst (BC G 13) aufzuklären. (Autor, Quelle: Bibliographie des Musikschrifttums online) Erwähnte Artikel: Barbara Reul: "O vergnügte Stunden / da mein Hertzog funden seinen Lebenstag". Ein unbekannter Textdruck zu einer Geburtstagskantate J. S. Bachs für den Fürsten Johann August von Anhalt-Zerbst. BJ 1999, S. 7-18 Hans-Joachim Schulze: Johann Sebastian Bach und Zerbst 1722: Randnotizen zu einer verlorenen Gastmusik. BJ 2004, S. 209-214

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Valesini, Aldo Oscar. "A modest proposal. Los límites de la ironía." Cuadernos de Literatura, no. 10 (June 12, 2001): 73. http://dx.doi.org/10.30972/clt.0103155.

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A Modest Proposal For Preventing the Children of Ireland from Being a Burden to their Parents or Country; and for Making them Beneficial to the Publick (híodesta proposición para evitar que los niños de Irlanda sean una carga para sus padres o para el Estado y se conviertan en beneficio público) aparece en Dublin en 1729. Los panfletos relativos a Irlanda constituyen una parte importante de su obra. La serie comienza en 1720, con A Proposal for the Universal Use of lrish Manufacture, in Cloaths, etc. En 1724 aparece el primero de la colección The Drapier’s Letters', en 1727, A Short View of the State of Ireland, referido también a la situación del territorio y publicados en Dublin. Ya en 1704 había dado cuenta de un manejo sagaz del discurso satírico, en A Tale of a Tub (And the Battle of the Books), que aparece en una edición anotada en 1710: The Battle of the Books was Swift’s contribution of the famous Quarrel of the Ancients and the Moderns.

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Brooks, William, and P. J. Yarrow. "A Note on La Champmeslé and Mlle Desmares." Theatre Research International 19, no. 1 (1994): 67. http://dx.doi.org/10.1017/s0307883300018824.

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In our article ‘Neglected evidence about the actor Michel Baron (1653–1729)’, which appeared in Theatre Research International, 18, 3 (1993), 173–76, we quoted a letter from Madame to Baron Von Hading (foot of p. 174). Madame refers to the actress Mlle Desmares, a prominent member of the French company in the early eighteenth century. The first part of the quotation was as follows:He did not think of it after the death of the king, but la Desmares [an actress of the Comédie-Française], perceiving that no one was going to see them any more, came to the conclusion that they would fare better if Baron were back in the company, and she persuaded him.The king died in 1715, and the incident described occurred in, or shortly before, 1720.After the proofs were corrected and returned, an error crept in which dismayed us greatly. Our parenthesis, ‘an actress of the Comedie-Française’ was replaced by another: ‘better known as la Champmesle’. We did not sanction this amendment, and it is wrong. So much so, in fact, that it looks like carelessness and ignorance on our part, the apprehension of which may tell against acceptance of our findings and objective critical appreciation of our conclusions. We are therefore most grateful to the Editor for allowing us to insert this correction, which we believe to be important.The actress known as La Champmeslé, Marie Desmares, died in 1698. She was the wife of the actor Champmeslé, whose name she took, and she was probably the greatest actress of her generation; she was also the celebrated mistress of Racine.

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Більше джерел

Дисертації з теми "1720-1729"

Ward, James Gearard. "Reading Swift and Ireland, 1720-1729 : constituences, contexts and constructions of identity in Jonathan Swift's occasional writings of the 1720s." Thesis, University of Leeds, 2004. http://etheses.whiterose.ac.uk/388/.

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The 1720s was a decade of crisis in Ireland. Jonathan Swift's occasional writings from these years extend the country's political and economic crises into dramas of personal and national identity. Part One of this thesis investigates the material conditions of the relationship between Swift, his Irish audience, and the underlying problems of identity that such an audience simultaneously poses and occludes. Part Two is an anatomy of the literary modes through which that relationship is figured. The first chapter offers the 1720 Declaratory Act as an important subtext for Swift's 'inaugural' work of the decade, the 1720 Proposalfor the Universal Use of Irish Manufacture. Challenging retrospective constructions of the author's textual and political authority, the chapter examines how Swift the 'Hibernian patriot' was largely an invention of the crisis surrounding the act. Chapter Two argues that The Drapier's Letters reconfigure the language that had been used in the past to depict the Catholic threat to Protestant Ireland, and use it to depict the threat emerging from England. Part Two moves to the question of identity, which Chapter Three designates a kind of 'style', both a mode of expression and a trend in polite society. The writing of history and the social signification of language are the main concerns of this chapter, which investigates how Irish historiography becomes the focus for a range of concerns in the 1720s. Chapter Four nominates the pastoral genre as an alternative vehicle for the reading and writing of history in Swift's Ireland. It identifies a Virgilian dialectic of expropriation and protection by a patron as an important method of 'reading' oneself into history and identity. Looking at various manifestations of crisis in Ireland in 1729 - famine, fuel shortages and emigration, the final chapter argues that A Modest Proposal uses techniques of allegory to produce a crisis of interpretation. By promoting and perpetuating misreading, it mirrors the pervasive climate of error that produced this text. As a whole the thesis documents three transitions. It traces the emergence of a parodic method of literary and political representation which eventually overwhelms any claims Swift's writing might once have made to positive advocacy. Once considered the dominant and definitive voice of 1720s Ireland, Swift is re-appraised as one writer among many, and his writing as a product of his society rather than an authoritative comment on it. Finally, the Presbyterians of Ireland are shown to emerge by the end of the decade as the primary focus for the anxieties and aggressions that animate Swift's occasional writings.

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Tarantino, Giovanni. "Lo scrittoio di Anthony Collins (1676-1729). 1. I libri e i tempi di un libero pensatore / 2. Edizione del catalogo manoscritto della biblioteca collinsiana (1720)." Doctoral thesis, 2004. http://hdl.handle.net/2158/1191529.

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Книги з теми "1720-1729"

Last og brast: Roman. Kbh.]: Lindhardt og Ringhof, 2006.

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Velde, F. Government Equity and Money - John Law's System in 1720 France. Princeton University Press, 2008.

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Частини книг з теми "1720-1729"

Leibman, Laura Arnold. "14 Marriage Contracts. Suriname, 1720, 1729." In Jews Across the Americas, 61–65. New York University Press, 2023. http://dx.doi.org/10.18574/nyu/9781479819331.003.0019.

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Arnold Leibman, Laura. "14. Marriage Contracts (Suriname, 1720, 1729)." In Jews Across the Americas, 61–65. New York University Press, 2023. http://dx.doi.org/10.18574/nyu/9781479819348.003.0020.

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Gaspar, David Barry. "Slave Importation, Runaways, and Compensation in Antigua, 1720–1729." In The Atlantic Slave Trade, 301–20. Duke University Press, 1992. http://dx.doi.org/10.1215/9780822382379-011.

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GASPAR, DAVID BARRY. "Slave Importation, Runaways, and Compensation in Antigua, 1720–1729." In The Atlantic Slave Trade, 301–20. Duke University Press, 1992. http://dx.doi.org/10.2307/j.ctv1220pd1.14.

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"11. Slave Importation, Runaways, and Compensation in Antigua, 1720-1729." In The Atlantic Slave Trade, 301–20. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382379-012.

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Giscombe, Jane. "The Dissemination and Reception of Isaac Watts’s Hymns and Psalms in the British North American Colonies to 1748." In Negotiating Toleration, 231–52. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198804222.003.0012.

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The hymns and psalms of the Congregational minister Isaac Watts circulated in the North American colonies prior to the revivals of the 1730s and’40s. Watts's transatlantic links are clearly evident in his regular correspondence with ministers and academics including Cotton Mather and Benjamin Colman. He gave forty-nine of his own books to Yale and many of these survive. Watts exchanged many letters with Benjamin Colman, pastor in Boston and an overseer of Harvard. Watts has often been regarded as having been first published in America in 1729 when Benjamin Franklin reprinted his Psalms of David. This paper examines two earlier publications of Watts's work, both printed in 1720 in Boston, and Cotton Mather’s reception of Watts’ early work. In so doing, it seeks to understand better Watts's influence in the American colonies before the arrival of George Whitefield and the Great Awakening of mid-century.

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Hafer, Abbey. "5. Ancient Magnificence and Modern Design: Roman Architecture and Identity in the Printed Works of Alessandro Specchi (1666–1729) and Giovanni Battista Piranesi (1720–1778)." In Interpreting Urban Spaces in Italian Cultures, 111–36. Amsterdam University Press, 2022. http://dx.doi.org/10.1515/9789048554638-007.

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Symson, Joseph. "[1729] To: Mr. William Scrimshire, in Bucklesbury, merchant in London; Kendal, 19 October, 1717." In Records of Social and Economic History: New Series, Vol. 34: ‘An Exact and Industrious Tradesman’: The Letter Book of Joseph Symson of Kendal, 1711–1720, edited by S. D. Smith. British Academy, 2002. http://dx.doi.org/10.1093/oseo/instance.00166458.

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"Volume IV of the Iliad. Lady Mary returns from abroad. Death of Parnell. 1719 AP leases villa at Twickenham overlooking the Thames. 1720 South Sea Bubble. Volumes V and VI complete Iliad translation. 1721 AP edits Parnell’s poems. 1722 AP editing Shakespeare and translating Odyssey; Atterbury arrested on suspicion of treason. 1723 AP publishes Works of John Sheffield; edition seized on sus picion of treasonable material; Atterbury tried and exiled; Bol ingbroke returns. 1725 AP publishes 6-volume edition of Shakespeare. Bolingbroke settles at Dawley Farm. First three volumes of Odyssey trans lation published. 1726 Theobald attacks AP in Shakespeare Restored. Volumes IV-V of Odyssey published. Swift visits; Swift’s Gulliver’s Travels pub lished. 1727 Death of George I; accession of George II. AP and Swift publish two volumes of Miscellanies. 1728 Gay’s Beggar’s Opera begins huge run. AP and Swift publish third volume of Miscellanies, including Peri Bathous. First version of The Dunciad published, to controversial reception. 1729 Dunciad Variorum published; advance copy presented by Walpole to King and Queen. 1730 Cibber appointed Poet Laureate. 1731 First version of Epistle to Burlington published. 1732 AP and Swift publish fourth volume of Miscellanies. Death of Atterbury; death of Gay. 1733 Epistle to Bathurst published. Imitations of Horace series be gins with The First Satire of the Second Book of Horace. Montagu/ Hervey Verses attacking Pope. Essay on Man, Epis tles I-III. Death of AP’s mother. 1734 Epistle to Cobham published. Essay on Man, Epistle IV. Second Satire of the Second Book of Horace, Sober Advice from Horace published. 1735 Epistle to Dr Arbuthnot published. Epistle to a Lady published. Death of Arbuthnot. Second volume of AP’s Works published. Curll publishes edition of AP’s Letters. 1736 AP gives Prince of Wales a puppy. 1737 Second Epistle... and First Epistle of the Second Book of Horace published. Authorized edition of AP’s Letters. Essay on Man attacked by Crousaz. 202." In Alexander Pope, 216. Routledge, 2002. http://dx.doi.org/10.4324/9780203158258-16.

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