Дисертації з теми "16th century Irish women"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-30 дисертацій для дослідження на тему "16th century Irish women".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Harris, Courtney. "Irish women in mid-nineteenth century Toronto, image and experience." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ47330.pdf.
Повний текст джерелаTaylor, Colleen. "Violent Matter: Objects, Women, and Irish Character, 1720-1830." Thesis, Boston College, 2020. http://hdl.handle.net/2345/bc-ir:108952.
Повний текст джерелаThis dissertation explores what a new materialist line of thinking can offer the study of eighteenth-century Irish and British literature. It sees specific objects that were considered indicative of eighteenth-century Irish identity—coins, mantles, flax, and spinning wheels—as actively indexing and shaping the formal development of Irish character in fiction, from Jonathan Swift to Sydney Owenson. Through these objects, I trace and analyze the material origin stories of two eighteenth-century discursive phenomena: the developments of Irish national character and Irish literary character. First, in the wake of colonial domination, the unique features and uses of objects like coins bearing the Hibernian typeface, mantles, and flax helped formulate a new imperial definition of Irish national character as subdued, raced, and, crucially, feminine. Meanwhile, material processes such as impressing coins or spinning flax for linen shaped ways of conceiving an interiorized deep subjectivity in Irish fiction during the rise of the individual in late eighteenth-century ideology. Revising recent models of character depth and interiority that take English novel forms as their starting point (Deidre Lynch’s in particular), I show how Ireland’s particular material and colonial contexts demonstrate the need to refit the dominant, Anglocentric understanding of deep character and novel development. These four material objects structure Irish character’s gradual interiorization, but, unlike the English model, they highlight a politically resistant, inaccessible depth in Irish character that is shadowed by gendered, colonial violence. I show how, although ostensibly inert, insignificant, or domestic, these objects invoke Ireland’s violent history through their material realities—such as the way a coin was minted, when a mantle was worn, or how flax was prepared for spinning—which then impacts the very form of Irish characters in literary texts. My readings of these objects and their literary manifestations challenge the idea of the inviolable narrative and defend the aesthetics and complexity of Irish characters in the long eighteenth century. In the case of particular texts, I also consider how these objects’ agency challenges the ideology of Britain’s imperial paternalism. I suggest that feminized Irish objects can be feminist in their resistant materiality, shaping forms of Irish deep character that subvert the colonial gaze. Using Ireland as a case study, this dissertation demonstrates how theories of character and subjectivity must be grounded in specific political, material contexts while arguing that a deeper engagement with Irish materiality leads to a better understanding of Irish character’s gendering for feminist and postcolonial analysis
Thesis (PhD) — Boston College, 2020
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Mullin, Gretchen Elizabeth. "Representing Irish women in colonial and counter-colonial texts of the seventeenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ58967.pdf.
Повний текст джерелаMcMullen, Maram George. "Irish Women Poets of the Twentieth Century and Beyond| Voices from the Margin." Thesis, King Saud University (Saudi Arabia), 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3576677.
Повний текст джерелаThis dissertation study explores the rise of Irish women poets of the twentieth century, in particular Eavan Boland from the southern Republic of Ireland and Medbh McGuckian from Northern Ireland. It investigates the birth of Irish Feminist Literary Theory and Irish Postcolonial Literary Theory and uses these two theories to analyze the poetry found therein. This project shows that, unlike Irish women novelists and playwrights, Irish women poets were excluded from the Irish canon until poets such as Boland and McGuckian destabilized their once rigid national literary tradition and challenged it to include women as both authors and subjects of the Irish poem. In addition to challenging their patriarchal literary tradition, Irish women poets of the twentieth century also drew attention to the lingering effects of British colonial rule in Ireland, demonstrating that Irish women poets were doubly colonized and doubly marginalized. As a result, their poetry features two distinct voices: one which speaks for the women who were silenced in Ireland and one which raises postcolonial issues. By challenging the hegemonic power structures which dominated them, Boland and McGuckian paved the way for the Irish women poets who followed, including Mary O'Malley from the Republic of Ireland and Sinéad Morrissey from Northern Ireland. For the most part, Irish women poets of the twenty-first century have managed to let go of the trauma of colonization—both patriarchal and imperial—and have created a new hybrid national identity, a Third Space, which has liberated their work. This hybridity has broadened the vision of the Irish poem which now features a new global voice.
Letford, Lynda Susan. "Irish and non Irish women living in their households in nineteenth century Liverpool : issues of class, gender, religion and birthplace." Thesis, Lancaster University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387441.
Повний текст джерелаBirch, Elizabeth Jane. "Picking up new threads for Kathleen Mavourneen, the Irish female presence in nineteenth-century Ontario." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0009/MQ30203.pdf.
Повний текст джерелаCast, Andrea Snowden. "Women drinking in early modern England." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phc346.pdf.
Повний текст джерелаTsakiropoulou, Ioanna Zoe. "The piety and charity of London's female elite, c.1580-1630 : the wives and widows of the aldermen of the City of London." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:1b933cc5-905a-4be0-b10b-a20aec49997a.
Повний текст джерелаHill, Shonagh L. "Embodied mythmaking : reperforming myths of femininity in the work of twentieth and twenty first century Irish women playwrights." Thesis, Queen's University Belfast, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534727.
Повний текст джерелаReynolds, Paige Martin. "Reforming Ritual: Protestantism, Women, and Ritual on the Renaissance Stage." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.
Повний текст джерелаLevin, George G. "Women and the Second Estate in 16th Century Zambezia: Gendered Powers, a 'Puppet' African Queen and Succession in vaKaranga Society, 1500-1700." DigitalCommons@CalPoly, 2013. https://digitalcommons.calpoly.edu/theses/1106.
Повний текст джерелаBreitenstein, Renée-Claude. "La rhétorique encomiastique dans les éloges collectifs de femmes imprimés de la première Renaissance française (1493-1555) /." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115600.
Повний текст джерелаBarnes, Teresa L. "A nun's life : Barking Abbey in the late-medieval and early modern periods." PDXScholar, 2004. https://pdxscholar.library.pdx.edu/open_access_etds/948.
Повний текст джерелаIrvin, Vernita. "'Sugar coated, a novel' : an interdisciplinary exploration of seventeenth and eighteenth century Afro-Caribbean slave women and Irish indentured women being accidentally narrated in Barbados' pre-emancipation archives." Thesis, University of Bristol, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573438.
Повний текст джерелаBowles, Carol De Witte. "Women of the Tudor court, 1501-1568." PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3874.
Повний текст джерелаRocco, Patricia. "Performing female artistic identity : Lavinia Fontana, Elisabetta Sirani and the allegorical self-portrait in sixteenth and seventeenth-century Bologna." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99389.
Повний текст джерелаJohansson, Nina. "". . . die grenzen der Witwen wird er feste machen . . ." : Konstruktionen von Weiblichkeit im lyrischen und didaktischen Werk der Herzogin Elisabeth von Braunschweig-Lüneburg (1510-1558)." Doctoral thesis, Stockholms universitet, Institutionen för baltiska språk, finska och tyska, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7161.
Повний текст джерелаLavelle, William H. "Revolutionary Satan: A Reevaluation of the Devil's Place in Paradise Lost." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429893486.
Повний текст джерелаOlchowy, Rozeboom Gloria. "Bearing men : a cultural history of motherhood from the cycle plays to Shakespeare." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ56598.pdf.
Повний текст джерелаDemême-Thérouin, Amandine. "De l’influence des femmes de lettres des XVIe, XVIIe et XVIIIe siècles sur la sphère culturelle de leur pays : étude comparative entre la France et l’Espagne." Thesis, Angers, 2018. http://www.theses.fr/2018ANGE0074.
Повний текст джерелаIf you are interested in women’s influence on literature, science and arts, read the first pages of this thesis. France and Spain were the two leading countries in the world from the 16th to the 18th centuries. The similarities and differences in the cultural involvement of women are compared. Men were predominant in the public field while women had to overcome obstacles to escape from their household assignation and develop the abilities of their minds. They influenced literature in various ways according to the different countries and had a feminine view on the world around them with a more sensitive approach. As « salonnières » they were surrounded by a variety of companions to share, create and judge the works that were offered for their appreciation.More over, women were involved in sciences. They popularized, translated and wrote to promote progress and enlighten a wide range of people, whether ignorant or learned ones. In the field of arts, women loved debating and taking part in academic arguments. They also supported women artists and awakened their talents. They played a part as patrons to reveal them to the public. As you read,you will discover the steps that women had to climb over three centuries to improve their status and defend their gender but also the odds and obstacles they were confronted with
Avila, Beth Eileen. "“I Would Prevent You from Further Violence”: Women, Pirates, and the Problem of Violence in the Antebellum American Imagination." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480437024266303.
Повний текст джерелаClement, Claire Kathleen. "Processing piety and the materiality of spiritual mission at Syon Abbey, 1415-1539." Thesis, University of Cambridge, 2016. https://www.repository.cam.ac.uk/handle/1810/269847.
Повний текст джерелаChen, Chih-Ping. "Re-mapping female space: The politics of exhibition in nineteenth-century women writers." 2000. https://scholarworks.umass.edu/dissertations/AAI9988770.
Повний текст джерелаCast, Andrea Snowden. "Women drinking in early modern England / Andrea Snowden Cast." Thesis, 2002. http://hdl.handle.net/2440/21698.
Повний текст джерелаviii, 415 leaves ; 30 cm.
Investigates female drinking patterns and how they impacted on women's lives in the sixteenth and seventeenth centuries in early modern England. Deals with female drinking as a site of contention between insubordinate women and the dominant paradigm of male expectations about drinking and drunkeness. Female drinking patterns integrated drinking and drunkeness into women's lives in ways that enhanced bonding with their female friends, even if it inconvenienced their husbands and male authorities. Drunken sociability empowered women.
Thesis (Ph.D.)--University of Adelaide, Dept. of History, 2002
Graubart, Karen B. "Con nuestro trabajo y sudor: Indigenous women and the construction of colonial society in 16th and 17th century Peru." 2000. https://scholarworks.umass.edu/dissertations/AAI9978501.
Повний текст джерела(6597107), Amy L. Elliot. "Hiding in Plain Sight: The Aesthetic of Plainness and the Nineteenth-Century Novel Form." Thesis, 2019.
Знайти повний текст джерелаThis dissertation argues that nineteenth-century novelists depended on aesthetically unremarkable—or plain—women characters to establish the realist novel as the genre of the British middle class by mapping class values onto plain women’s bodies. By creating female characters with an unremarkable appearance, novelists train readers in the skills necessary to read the realist novel by focusing on interiority rather than materiality. I theorize plainness as a middle ground between beautiful and ugly that allowed authors to define a morality distinct from the upper and lower classes; plain heroines’ unremarkable exteriors embodied middle-class British values of authenticity, restraint, and morality. More than merely the non-beautiful, plainness delineated a very specific kind of moral and classed female subjectivity.
The aesthetic of plainness allowed novelists to engage with cultural discussions of modern female subjectivity, for in creating plain female characters, novelists wrote against idealized depictions of passive women. To accentuate a female character’s inner life, plainness in novels functions primarily through comparison, through networks of represented women. Whereas the literary angel-whore binary has been well-established, I am interested in how the presence of a plain woman—neither angel nor monster—complicates our understanding of heroines in novels. The progressive potential of plain woman speaks to a contemporary movement that rebukes the misogynistic trope of distrusting a woman’s surface and instead portrays plain women with deep feeling and individuated identities.
O’Shea, Eileen. "The professional experience of Irish Catholic women teachers in Victoria from 1930 - 1980." Thesis, 2015. https://vuir.vu.edu.au/31017/.
Повний текст джерелаBurston, Mary Ann. "Looking for home in all the wrong places: nineteenth-century Australian-Irish women writers and the problem of home-making." Thesis, 2009. https://vuir.vu.edu.au/30089/.
Повний текст джерелаWillems, Katherine Elizabeth. "Reforming the reading woman : tradition and transition in Tudor devotional literature." Thesis, 2003. http://hdl.handle.net/2429/14955.
Повний текст джерелаJohnson, Amy R. "Stranger in the Room: Illuminating Female Identity Through Irish Drama." Thesis, 2007. http://hdl.handle.net/1805/918.
Повний текст джерелаTitle from screen (viewed on May 23, 2007) Department of English, Indiana University-Purdue University Indianapolis (IUPUI) Includes vita. Includes bibliographical references (leaves 82-83)