Дисертації з теми "-1516 Criticism and interpretation"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 дисертацій для дослідження на тему "-1516 Criticism and interpretation".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Kristiansen, Anne James. "Giovanni Bellini's "The Blood of the Redeemer" : a public image for a private patron." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28094.
Повний текст джерелаArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Pham, Van Khanh. "Theatricality in Tintoretto's religious paintings." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22618.
Повний текст джерелаThis thesis focuses on the fusion of the arts in Tintoretto's imagery. A comprehensive analysis of this interdisciplinary aspect reveals the subtlety of Tintoretto's creative mind. The challenge is to discover Tintoretto as a stage designer who conceived pictures as theatrical performances. Instead of the traditional preparatory sketch, he built a miniature stage in order to visualize the scene in tangible forms existing in light and space. The design of the setting, the gestural choreography of his personages and the distribution of lighting were analysed and then translated into painted illusion. With this unusual methodology, Tintoretto invented forceful mise-en-scenes which induce the spectator to perceive the imaginary as real. A substantial knowledge of stagecraft also enabled him to bring to vibrant life the dramatic episodes of the Bible on canvas. Through such artfully constructed theatrical illusion, Tintoretto not only re-creates a vision for his audience, but above all, conveys the depth of his spiritual experience.
McFaddin, Read Godard 1984. "Mystical and Evangelical Reform in Tintoretto's Sala dell'Albergo." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9880.
Повний текст джерелаTintoretto's four-painting Passion cycle in the Sala dell'Albergo of the Scuola Grande di San Rocco in Venice has generated dramatic and affective responses from artists and critics since its completion in the late 1560s. While scholars have addressed the cycle's formal qualities that stimulate such responses, the context surrounding the cycle has not been fully explored. The city was a refuge for reformers and the printing center for potentially heretical writing in the sixteenth century. Tintoretto maintained relationships to members of the reformist poligrafi, and the Passion cycle responds to the mystical theologies propagated in widely disseminated works from Ignatius of Loyola's officially sanctioned treatise, Spiritual Exercises, to the more controversial work of Don Benedetto and Marcantonio Flaminio, the Beneficio di Cristo. This thesis constructs a strong relationship between Tintoretto' s work in the Sala dell'Albergo and contemporary mystical and evangelical reformative theology and activity in the city.
Committee in Charge: Dr. James G. Harper, Chair; Dr. Lauren G. Kilroy; Dr. Kate Mondloch
Cheuk, Ka Chi. "Protest literature : aesthetics and race politics in Toni Morrison's historiographic trilogy." HKBU Institutional Repository, 2013. http://repository.hkbu.edu.hk/etd_ra/1515.
Повний текст джерелаBaillargeon, Philippe. "Circulation des discours dans Le Moyen de parvenir de B. de Verville." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64126.pdf.
Повний текст джерелаEconomides, Aliki. "Everything comes from everything, and everything is made out of everything, and everything returns into everything : Leonardo's analogical (re)search." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29559.
Повний текст джерелаGesme, Janet Leigh. "Martin Luther's "Two Kingdoms Theory": An Analysis through the Lens of Dietrich Bonhoeffer's Religionless Christianity." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1508.
Повний текст джерелаCalabrese, Filomena. "Il Bestiario : scienza e letteratura in Leonardo da Vinci." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82691.
Повний текст джерелаMinard, Scott David. "Francis Bacon and composition." CSUSB ScholarWorks, 1987. https://scholarworks.lib.csusb.edu/etd-project/396.
Повний текст джерелаRosshandler, Michelle. "A historiography of idealized portraits of women in Renaissance Italy : the idea of beauty in Titian's La Bella." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83147.
Повний текст джерелаCasagrande, Giuliano Tommasini 1980. "Deus, a alma imaterial e a dúvida global : as ¿Meditações¿ cartesianas à luz da crítica de Schlick e Carnap aos enunciados metafísicos." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281922.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-22T09:43:32Z (GMT). No. of bitstreams: 1 Casagrande_GiulianoTommasini_M.pdf: 1136464 bytes, checksum: 6be19fea15ce2b7bb7c42051ab9192b0 (MD5) Previous issue date: 2013
Resumo: Nas Meditações, Descartes faz uso de todos os argumentos céticos imagináveis com o objetivo de abalar as crenças em que se baseia a visão natural de mundo e descobrir se há alguma verdade infensa à dúvida. Após constatar a existência indubitável do eu pensante e determinar sua natureza, Descartes procura salvar, por meio da demonstração da existência de um Deus veraz, o valor objetivo das idéias sensíveis. Neste trabalho, partindo da premissa de que o único subjetivismo autêntico é originário de uma dúvida cética como a cartesiana, investigaremos a hipótese de que tal solo da subjetividade é desprovido de sentido porque a atitude crítica de avaliação do conhecimento de que ele resulta pressupõe uma ordem de generalização e de abrangência naturalmente insustentáveis. Para tanto, utilizaremos a crítica de Schlick e Carnap às proposições externas (globais). Com efeito, a dúvida cartesiana não diz respeito a uma parcela do mundo, mas ao mundo em sua totalidade. O problema estaria na extensão da dúvida e no caráter espiritual atribuído ao ego. De maneira análoga, o conceito de um Deus metafísico (indiferente aos elementos do sistema do mundo empírico) estaria sujeito à mesma acusação de falta de sentido formulada por Schlick-Carnap
Abstract: In his Meditations, Descartes employs all imaginable skeptical arguments in order to shake the beliefs that ground the natural worldview and to find if there is some truth beyond doubt. After discovering the indubitable existence of the thinking self and determining its nature, Descartes tries to save, by demonstrating the existence of a truthful God, the objective value of sensible ideas. In this work, assuming that the only genuine subjectivism comes from a skeptical doubt like Descartes', we will investigate the hypothesis that such subjectivism is devoid of any sense, because the critical attitude of evaluation of knowledge from where it results presupposes a naturally unsustainable generalization and scope. In order to do that, we will employ the critique of external (global) propositions developed by Schlick and Carnap. Indeed, the Cartesian doubt is not related to a part of the world, but to the world as whole. The problem would lie in the extent of doubt and in the spiritual character assigned to the ego. In the same way, the concept of a metaphysical God, indifferent to the elements of the empirical framework, would be subjected to the same accusation of lack of sense formulated by Schlick-Carnap
Mestrado
Filosofia
Mestre em Filosofia
Garfinkle, Elisa Shari. "The Barberini and the new Christian Empire : a study of the history of Constantine tapestries by Pietro Da Cortona." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30168.
Повний текст джерелаKelly, Robert Louis. "In search of Michelangelo's tomb for Julius II : reconstructing that for which no fixed rule may be given." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38494.
Повний текст джерелаCriswell, Christopher C. "Networks of Social Debt in Early Modern Literature and Culture." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc799514/.
Повний текст джерелаTaylor, Chloë. "The aesthetics of sadism and masochism in Italian renaissance painting /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79810.
Повний текст джерелаBento, Regina Thaise Ferreira. "Um estudo das geometrias prática e teórica presentes em The Pathewaie to Knowledge de Robert Recorde: possíveis diálogos." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21657.
Повний текст джерелаMade available in DSpace on 2018-11-28T09:08:47Z (GMT). No. of bitstreams: 1 Regina Thaise Ferreira Bento.pdf: 2460878 bytes, checksum: a76eef8a10c705202f8c54f9b7f22996 (MD5) Previous issue date: 2018-08-27
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
In this work we present the English mathematician Robert Record (1512-1558) and his treatise on geometry titled The Pathewaie to Knowledge, written in modern English and whose first edition was printed in the year 1551. We analyze in this treatise the presence and possible dialogue established between the geometric knowledge from ancient traditions linked to practice and the theoretical geometry that is studied in the universities and is based on the geometric treatise written by Euclides. To do so, we analyze the context in which the work and its author were inserted, identify what mathematical knowledge is present in this treatise and how they relate to the mathematical practices and the scholarly knowledge of the time. In addition, we sought indications that would allow us to evidence the presence of other geometric. This analysis was made use of the articulation between three spheres: the historiographical, the contextual and the epistemological. This combination gave us a broader look at the possible motivations that would have led Recorde to write the treatise in question. We find that Record was a man cultivated and attentive to the demands of his people and his time. Sixteenth-century England was at a time of social, political, and religious transformation; there was a great demand for investments in the practical-oriented sciences such as artillery, horology, navigation, and land measurement. Thus, professionals such as land surveyors and navigators assumed a determining role for the development of England and needed greater mathematical knowledge to advance their practices. However, access to education was restricted to most of the population and the little available material was written in Latin. This demand for mathematical knowledge practiced in this period, such as arithmetic, algebra, and geometry, made professionals who mastered their craft begin to produce materials written in the vernacular. Recorde, with his privileged background, was the first to produce a collection of textbooks in English with basic mathematics aimed directly at the interests of these professionals. The Pathewaie to Knowledge was the first treatise on practical geometry written in English. At that time practical and theoretical geometry were independent. With the results of this work it is concluded that in fact Robert Record established a dialogue between practical and theoretical geometries, contributing to the dissemination of speculative mathematical knowledge and the validation of geometry used for centuries by mathematicians. This analysis indicates that the understanding of the process that involves the construction of mathematical knowledge can effectively aid in a more critical learning by mathematical educators
Neste trabalho, apresentamos o matemático inglês Robert Recorde (1512-1558) e seu tratado sobre geometria entitulado The Pathewaie to Knowledge, escrito em inglês moderno e cuja primeira edição foi impressa no ano de 1551. Analisamos neste tratado a presença e possível diálogo estabelecidos entre os conhecimentos geométricos provenientes de antigas tradições ligadas à prática e a geometria teórica que era estudada nas universidades e baseada no tratado geométrico escrito por Euclides. Para tanto, analisamos o contexto no qual a obra e seu autor estavam inseridos, identificamos quais os conhecimentos matemáticos estão presentes nesse tratado e como se relacionam com as práticas matemáticas e o saber erudito da época. Além disso, procuramos indícios que nos permitissem evidenciar a presença de outras tradições geométricas. Esta análise utilizou-se da articulação entre três esferas: a historiográfica, a contextual e a epistemológica. Essa junção permitiu-nos um olhar ampliado sobre as possíveis motivações que teriam levado Recorde a escrever o tratado em questão. Verificamos que Recorde era um homem culto e atento às demandas de seu povo e de seu tempo. A Inglaterra do século XVI estava em um momento de transformação social, política e religiosa, havia uma grande demanda por investimentos nas ciências voltadas às questões práticas, tais como a artilharia, horologia, navegação e medição de terras. Assim, profissionais tais como os agrimensores e navegadores assumiram um papel determinante para o desenvolvimento da Inglaterra e necessitavam de maiores conhecimentos matemáticos para avançarem em suas práticas. Contudo, o acesso ao ensino era restrito para a maioria da população e o pouco material disponível era escrito em latim. Essa demanda por conhecimentos voltados às matemáticas praticadas neste período, tais como aritmética, álgebra e geometria fez com que profissionais que dominavam seus ofícios começassem a produzir materiais escrevendo-os na língua vernacular. Recorde, com sua formação privilegiada, foi o primeiro a elaborar uma coleção de livros textos em inglês com matemática básica voltada diretamente aos interesses desses profissionais. The Pathewaie to Knowledge foi o primeiro tratado sobre geometria prática escrito em inglês. Nesse período a geometria prática e teórica eram independentes. Com os resultados desse trabalho conclui-se que de fato Robert Recorde estabeleceu um diálogo entre as geometrias prática e teórica, contribuindo com a disseminação dos conhecimentos matemáticos especulativos e a validação da geometria utilizada há séculos pelos praticantes das matemáticas. Essa análise indica que a compreensão do processo que envolve a construção de conhecimentos matemáticos pode auxiliar de forma efetiva em uma aprendizagem mais crítica pelos educadores matemáticos
Borges, Cassio. "A engenhosa bucolica seiscentista." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269891.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-14T10:25:38Z (GMT). No. of bitstreams: 1 Borges_Cassio.pdf: 1198025 bytes, checksum: 23f8e56dc63b31be33fce159c54c1b3a (MD5) Previous issue date: 2008
Resumo: Ao reler a Fábula de Polifemo y Galatea de Góngora, esta Engenhosa Bucólica Seiscentista, tendo em vista os regimes retóricos de representação letrada, assim como a especificidade aguda da preceptiva poética coetânea, procura delinear um viés interpretativo que se esquiva tanto do paradigma psico-sociológico, empreendido, de modo exemplar, na fortuna crítica de Góngora, por Robert Jammes, quanto da linhagem estilística postulada por Dámaso Alonso. Recuperando categorias interpretativas forjadas pelas principais Artes de Engenho, sobretudo as de Emanuele Tesauro e Baltasar Gracián, o presente estudo, em convergência com os novos trabalhos dedicados às retóricas ibéricas, como, por exemplo, o de Antonio Martí e o de Luisa López Grigera, examina a atualização gongórica da fábula greco-latina, atendo-se, por um lado, ao procedimento tropológico-analítico que particulariza a elocução de Góngora e, por outro, ao incremento cortês, que ali afeta o arranjo convencional do argumento fabular, concebendo ambos sob o signo de uma emulação, que, ao pressupor o aprimoramento da língua romance, empenha-se na institucionalização, via consenso erudito, de um decoro agudo, ou seja, de um uso que, ao restringir seus campos de interlocução, imagina uma companhia engenhosamente discreta.
Abstract: In reading once more the Góngora's Fable of Polyphemus and Galatea, having in mind the oratorical procedures of erudite representation, as well as the acute specificity of the coetaneous preceptive poetry, this Sixteenth-century-Ingenious Bucolic searches for delineating an interpretative bias that takes away as much from the psycho-sociological paradigm undertaken exemplarily by Robert Jammes' critical review of Góngora, as from the stylistic linage postulated by Dámaso Alonso. In recuperating the interpretative categories established by Emanuele Tesauro's and, above all, Baltasar Gracián's Artes de Engenho (Art of Inventiveness), the current research, along the new studies devoted to the sixteenth-century Iberian rhetoric, like those of Antonio Martí and of Luisa López Grigera, on the one hand it examines the Gongoristic review of the Greco-roman fable focusing on the tropologic and analytical procedure that particularizes the Góngora's elocution; on the other hand, it focuses on the courteous increment that affects the conventional arrangement of the fabled argument, conceiving both of them under the signal of a emulation that, in presupposing the improvement of the Romance language, it is committed to the institutionalization, via scholarly consensus, of an acute decorum, in other words, of a use that, in limiting its fields of interlocution, imagines a ingeniously discreet companionship.
Universidade Estadual de Campi
Teoria e Critica Literaria
Doutor em Teoria e História Literária
Hoyer, Steven. "Intention and interpretation." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68104.
Повний текст джерелаChapter two is about interpretation. I open the chapter with an examination of extreme conventionalist theses, arguing that their success depends on an unjustifiably strict demarcation between intentionality and textuality. Appropriating aspects of Donald Davidson's work in the philosophy of language, I argue for the recognition of linguistic communication as a form of intentional action. I then defend this thesis against more moderate conventionalist theories to offer a viable approach to the interpretation of literary works.
Balista, Lígia Rodrigues 1985. "Auto e peregrinação = a metáfora da caminhada no "Auto da alma" e em "Morte e Vida Severina"." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270012.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-20T01:00:29Z (GMT). No. of bitstreams: 1 Balista_LigiaRodrigues_M.pdf: 1200036 bytes, checksum: 582ef355efd5d5f1944858721a63f4d2 (MD5) Previous issue date: 2012
Resumo: O objetivo dessa dissertação de mestrado foi analisar a metáfora da caminhada, a partir da leitura comparativa entre duas obras: Auto da Alma, de Gil Vicente, e Morte e Vida Severina - Auto de Natal Pernambucano, de João Cabral de Melo Neto. Procurei investigar como essas produções desenvolvem, a partir do trabalho com poesia e com o auto, a caminhada como imagem central de construção do texto: em ambos, são personagens em deslocamento espacial e temporal que protagonizam os poemas. Partindo da revisitação a textos da tradição cristã e a textos literários que trabalham com a tópica da peregrinatio, levantei alguns temas e imagens comuns relativos à peregrinação, que guiaram minha leitura comparativa. Além da própria metáfora de vida como caminho e/ou peregrinação, há a questão da ajuda divina para essa realização, bem como os perigos de desvio e do cansaço; as paradas para descanso (e os diferentes valores atribuídos ao parar); a questão do nome/singularidade (ou possibilidade de representação de outros personagens) do peregrino central; as vestimentas que o viajante porta, ou das quais se desfaz ao longo da caminhada; a questão do alimento recebido (ou da falta dele) ao caminhar; assim como o que, intrinsecamente, constitui esse tipo de viagem: a partida e a chegada, e as dificuldades ao longo do caminho. As diferenças de contexto da produção de cada auto foram retomadas e discutidas, a fim de entender as diferenças de significação no aproveitamento que João Cabral faz do gênero através do qual Gil Vicente tanto escreveu. Um dos objetivos finais da pesquisa foi procurar entender por que o poeta brasileiro usa uma matéria cristã-católica em um texto de explícita crítica social. Encerrei, então, discutindo as implicações da construção de um auto natalino dentro do auto: como a afirmação de outra vida severina vem ao final do poema para mostrar o comprometimento coletivo com a caminhada
Abstract: The purpose of this reserach was to analyze the metaphor of the walk, by a comparative reading of two works: ?Auto da Alma?, by Gil Vicente, and ?Morte e Vida Severina - Auto de Natal Pernambucano?, by João Cabral de Melo Neto. It sought to investigate how these productions developed the walk as the central image of the text construction, by working with poetry and auto: both texts have characters in spatial and temporal displacement which star in the poems. Starting from revisiting the texts of the Christian tradition and literary texts that work with peregrinatio, it was raised some common themes and images on the pilgrimage, which guided my comparative reading. Beyond the metaphor of life as way, as pilgrimage, there is the matter of divine aid to fulfillment as well as the dangers of diversion and fatigue; the rest stops (and the different values assigned to the stop); the question of the pilgrim's name/singularity (or the possibility to represent others; the traveler's dressing (or disposes of them along the way); the question of food received (or lack of it) when walking; as well as what is inherently in a journey: departure and arrival, and difficulties along the way. The differences in the context of production of each auto were discussed in order to understand the significance of the use of this genre in João Cabral's poem - in which Gil Vicente wrote so much. One of the ultimate goals of the research was to try to understand why the Brazilian poet uses a Catholic-Christian's subject in a text with explicit social criticism. Then, we discuss the implications of building a Christmas auto within the auto: the affirmation of another severina's life comes at the end of the poem to show the collective commitment to walk
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Anger, Suzy. "Victorian hermeneutics and literary interpretation /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/9374.
Повний текст джерелаCorry, Maya. "Masculinity and spirituality in Renaissance Milan : the role of the beautiful body in the art of Leonardo da Vinci and Leonardeschi." Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669816.
Повний текст джерелаMeir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.
Повний текст джерелаThe effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).
While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.
Turner, Seth. "Revelation 11:1-13 : history of interpretation." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:57efe3b3-7c61-412f-9001-5269860a896d.
Повний текст джерелаNicol, George Grey. "Studies in the interpretation of Genesis 26.1-33." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:8fff7ce7-9a50-4011-9f54-5776c84aa36a.
Повний текст джерелаBennett, Richard. "Variations : influence intertextuality, and Milan Kundera, Jean Rhys, and Tom Stoppard." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26254.
Повний текст джерелаChapter two deals with theories of intertextuality, principally those of Julia Kristeva and Michael Riffaterre. As alternatives to theories of influence, neither proves satisfactory. Both founder on the contradictory goal to explain all literature, at the expense of recognizing literary diversity.
Chapter three concerns literary variations. These are texts which are deliberately premised on pre-existing texts. I focus on three examples from this class of literary texts which is not satisfactorily dealt with by any of the theories I consider. I pursue a less wide-ranging approach in order to unearth important features of literary variations.
Kilian, Monica. "The exile's experience : an examination of the poetry of Hilde Domin and Waclaw Iwaniuk." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26855.
Повний текст джерелаArts, Faculty of
English, Department of
Graduate
Graham, Catherine (Catherine Elizabeth). "Standpoints : the dramaturgy of Margaretta D'Arcy and John Arden." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60621.
Повний текст джерелаPetersen, Jeffrey J. 1981. "Playful Conversations: A Study of Shared Dynamics Between the Plays of Paula Vogel and Sarah Ruhl." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10155.
Повний текст джерелаPulitzer Prize winning playwright Paula Vogel, playwright and educator, has blazed a trail in American theatre, opening new avenues for female playwrights. In 2005 Vogel's student Sarah Ruhl burst onto the scene with her play The Clean House. As one of the most produced playwrights of 2005, Ruhl has been celebrated as the new voice of American theatre. There are similarities, as might be expected between teacher and former student, but some of the similarities suggest something more: a dynamic shared between Vogel's and Ruhl's plays which suggests an ongoing theatrical conversation and may suggest directions for future American drama.
Committee in Charge: Dr. John Schmor, Chair; Dr. Jennifer Schlueter
Murray, Jessica. ""Notes for the Manual Assembly"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157616/.
Повний текст джерелаBailey, Catherine Diana Alison. "Mending the web : a thematic study of Xu Dishan’s fiction." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25343.
Повний текст джерелаArts, Faculty of
Asian Studies, Department of
Graduate
Loevlie, Elisabeth M. "Literary silences : saying the unsayable: an exploration of literary silence in the works of Pascal, Rousseau and Beckett." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365530.
Повний текст джерелаMarais, Susan Jacqueline. "(Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1016357.
Повний текст джерелаKing, Noel. "Anxieties of commentary : interpretation in recent literary, film and cultural criticism /." Title page, table of contents and abstact only, 1994. http://web4.library.adelaide.edu.au/theses/09PH/09phk532.pdf.
Повний текст джерелаHSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.
Повний текст джерелаWetzel, Rebecca L. "ADAPTATION AND INTERPRETATION: A STUDY OF THEATRICAL BANDE DESSINEE." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1563987098560659.
Повний текст джерелаGreenlee, Christine Lund Koch. "The Constantian orations : a contextual analysis of self-presentation in Libanius' 'Orr.' 59, 11, 61 and 31." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/15923.
Повний текст джерелаPhillips, Malcolm. "Experiment and representation : the domestic surreal in contemporary British and American poetry." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14707.
Повний текст джерелаPryor, Caitlin. "Vanishing Act." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801936/.
Повний текст джерелаIngham, David Keith. "Mediation and the indirect metafiction of Randolph Stow, M. K. Joseph, and Timothy Findley." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25819.
Повний текст джерелаArts, Faculty of
English, Department of
Graduate
Scowcroft, Ann. "Escaping the hegemony of the written word : Canadian women writers and the dislocation of narrative." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61803.
Повний текст джерелаLéger, Ariane. "Le maître à écrire selon Valéry, Pessoa et Jaccottet /." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115622.
Повний текст джерелаFor Valery, the desire to make Mallarme his master is best explained by his search for mastery. Even if he is eager to understand what makes Mallarme an exceptional creator, Valery's quest is hindered by Mallarme's refusal to explain his poetic. This resistance seems to encourage Valery to make the creative act a major concern of his work.
By coming up with a "non-existent coterie" made up of imaginary writers, and by recognizing one of them as his own master, Pessoa hopes to fill the gaps in his literary filiation. In the concert of voices that compose his work, it is yet the master himself which undermines the very legitimacy of the master, and that is why Pessoa finally gets rid of his invention.
Finally, Jaccottet creates his masters for the learning they could provide to him: in Jaccottet's unique story, the character of the master fails, allowing the poet to take his distance from assumptions related with the romantic vision of creation; then, a "good master" whose agony is described by poems becomes a model whose wisdom is inseparable from a kind of ignorance.
The presence of the master generates a story elaborated from the writings of these writers: the development of their poetic requires not only the creation of a master figure, but also its removal. Ultimately, the maitre a ecrire is not only one who induces writing in a unique way, but also the one which should be written in order to succeed.
Davies-Browne, Bankole P. "The significance of parallels between the 'Testament of Solomon' and Jewish literature of late antiquity (between the closing centuries BCE and the Talmudic era) and the New Testament." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/2685.
Повний текст джерелаHoedekie, Nelson G. U. (Nelson Gustaaf Urbain). "Naar analogie van schaduwen aan de wand : een wijsgerige interpretatie van 'de schaduw als kunstwerk' aan de hand van Plato's grotvergelijking." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53511.
Повний текст джерелаENGLISH ABSTRACT: In this thesis, 'shadow' is investigated as an object of thought and (analogically connected to this) of perception. This dialectical process is structured through means of a series of experiments and Plato's allegory of the cave, which is interpreted as a process directed towards selfconciousness. This process is further explained through thinkers such as, Blumenberg, Heidegger, Levinas en Voegelin. The purpose of this study is to break with the self-evident way in which 'shadow' is 'normally' treated and to bring back about a sense of astonishment for it.
AFRIKAANSE OPSOMMING: In hierdie tesis word die 'skaduwee' as waarnemingsobjek en (analogies verwant daaraan) as denkobjek ondersoek. Hierdie dialektiese proses word gestruktureerd met behulp van 'n aantal eksperimente en Plato se grotgelykenis, wat geinterpreteer word as programmaties van die proses van selfbewuswording. Hierdie proses word verder toegelig aan die hand van denkers soos Blumenberg, Heidegger, Levinas en Voegelin. Die doel van die ondersoek is om die vanselfsprekendheid waarmee daar met die fenomeen van die skaduwee omgegaan word te deurbreek en weer verwondering daarvoor op te roep.
NEDERLANDSTALIGE SAMENVATTING: In deze thesis wordt de 'schaduw' als waarnemingsobject en (analogisch verwant daaraan) als denkobject onderzocht. Dit dialectische proces wordt gestructureerd met behulp van een aantal experimenten en Plato's grotvergelijking, die geïnterpreteerd worden als een proces gericht op zeltbewustwording. Dit proces wordt verder toegelicht aan de hand van denkers zoals, Blumenberg, Heidegger, Levinas en Voegelin. Het doel van het onderzoek is om de vanzelfsprekendheid waarmee met het fenomeen van de 'schaduw' omgegaan wordt, te doorbreken en er opnieuw verwondering voor op te roepen.
Robb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15." Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.
Повний текст джерелаFisher, Susan Rosa. "A genre for our times: the Menippean satires of Russell Hoban and Murakami Haruki." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25047.pdf.
Повний текст джерелаVrba, Marya. "The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42396.
Повний текст джерелаSelby, Don. "Bridging the gap? : a critical reading of Bhabha, Said and Spivak's postcolonial positions." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43947.pdf.
Повний текст джерелаOcaña, Karen Isabel. "Synthetic authenticity : the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26748.
Повний текст джерелаBourgon, Julie. "Création, éthique et vérité : Broch et Blanchot ; suivi de, En trompe-l'oeil." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37193.pdf.
Повний текст джерелаLanthier, Lalita Bharvani. "Two outsiders in Indo-English literature : Ruth Prawer Jhabvala and Salman Rushdie." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56664.
Повний текст джерела