Artigos de revistas sobre o tema "Women in music – england"
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Hillsman, Walter. "Choirboys and Choirgirls in the Victorian Church of England". Studies in Church History 31 (1994): 447–60. http://dx.doi.org/10.1017/s0424208400013048.
Texto completo da fonteAustern, Linda Phyllis. "Nature, Culture, Myth, and the Musician in Early Modern England". Journal of the American Musicological Society 51, n.º 1 (1998): 1–47. http://dx.doi.org/10.2307/831896.
Texto completo da fonteMilsom, John. "Songs and society in early Tudor London". Early Music History 16 (outubro de 1997): 235–93. http://dx.doi.org/10.1017/s026112790000173x.
Texto completo da fonteMcCrone, K. "Review of book. Musical Women in England, 1870-1914: 'Encroaching on all man's privileges'. P Gillett". Music and Letters 82, n.º 4 (1 de novembro de 2001): 655–59. http://dx.doi.org/10.1093/ml/82.4.655.
Texto completo da fonteRohr, Deborah. "Women and the music profession in Victorian England: The Royal Society of Female Musicians, 1839–1866". Journal of Musicological Research 18, n.º 4 (janeiro de 1999): 307–46. http://dx.doi.org/10.1080/01411899908574762.
Texto completo da fonteBridge, Dominic James Ruggier. "‘A Musical Bouquet for the Ladies’: Gendered Markets for Printed Music in Eighteenth‐Century England". Journal for Eighteenth-Century Studies 46, n.º 4 (dezembro de 2023): 499–519. http://dx.doi.org/10.1111/1754-0208.12921.
Texto completo da fontePet’ko, Lyudmila. "The Coronation of Anne Boleyn as Queen of England and the British Coronation Ceremony". Intellectual Archive 12, n.º 4 (9 de dezembro de 2023): 77–117. http://dx.doi.org/10.32370/ia_2023_12_8.
Texto completo da fonteMendelson (book author), Sara, Patricia Crawford (book author) e Susan C. Frye (review author). "Women in Early Modern England 1550-1720". Renaissance and Reformation 36, n.º 2 (1 de janeiro de 2000): 98–100. http://dx.doi.org/10.33137/rr.v36i2.8615.
Texto completo da fonteKimber, Marian Wilson. "Victorian Fairies and Felix Mendelssohn's A Midsummer Night's Dream in England". Nineteenth-Century Music Review 4, n.º 1 (junho de 2007): 53–79. http://dx.doi.org/10.1017/s1479409800000069.
Texto completo da fonteFara, Patricia. "Book reviews". Notes and Records of the Royal Society of London 54, n.º 2 (22 de maio de 2000): 259–72. http://dx.doi.org/10.1098/rsnr.2000.0259.
Texto completo da fonteMonta (author, first book), Susannah Brietz, Megan L. Hickerson (author, second book) e Scott N. Kindred-Barnes (review author). "Martyrdom and Literature in Early Modern England Making Women Martyrs in Tudor England". Renaissance and Reformation 40, n.º 2 (1 de janeiro de 2004): 136–37. http://dx.doi.org/10.33137/rr.v40i2.9022.
Texto completo da fonteRainwater, Crescent. "Netta Syrett, Nobody’s Fault, and Female Decadence: The Story of a Wagnerite". Journal of Victorian Culture 25, n.º 2 (14 de dezembro de 2019): 185–99. http://dx.doi.org/10.1093/jvcult/vcz057.
Texto completo da fonteStevens, Robin S. "Pathfinder and Role Model: Ada Bloxham, Australian Vocalist and Tonic Sol-fa Teacher". Journal of Historical Research in Music Education 39, n.º 2 (18 de janeiro de 2017): 131–47. http://dx.doi.org/10.1177/1536600616669360.
Texto completo da fonteLosseff, Nicky. "Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges" (review)". Notes 57, n.º 4 (2001): 905–7. http://dx.doi.org/10.1353/not.2001.0098.
Texto completo da fonteBassnett (book author), Madeline, e David B. Goldstein (review author). "Women, Food Exchange, and Governance in Early Modern England". Renaissance and Reformation 41, n.º 4 (1 de abril de 2019): 203–5. http://dx.doi.org/10.33137/rr.v41i4.32464.
Texto completo da fontePickles, Vernon. "Music and the Third Age". Psychology of Music 31, n.º 4 (outubro de 2003): 415–23. http://dx.doi.org/10.1177/03057356030314006.
Texto completo da fonteRussell, Dave. "Key Workers: Toward an Occupational History of the Private Music Teacher in England and Wales, c.1861–c.1921". Royal Musical Association Research Chronicle 47 (2016): 145–72. http://dx.doi.org/10.1080/14723808.2016.1140369.
Texto completo da fonteParker, Mary Ann. "Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)". University of Toronto Quarterly 80, n.º 2 (2011): 348–49. http://dx.doi.org/10.1353/utq.2011.0096.
Texto completo da fontePerry, Ruth. "Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)". Eighteenth-Century Fiction 23, n.º 2 (2010): 434–38. http://dx.doi.org/10.1353/ecf.2010.0036.
Texto completo da fonteEllen T. Harris. "Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)". Eighteenth-Century Studies 43, n.º 4 (2010): 538–40. http://dx.doi.org/10.1353/ecs.0.0174.
Texto completo da fonteLingas, Ann. "Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance - By Leslie Ritchie". Journal for Eighteenth-Century Studies 35, n.º 2 (24 de maio de 2012): 263–64. http://dx.doi.org/10.1111/j.1754-0208.2010.00359.x.
Texto completo da fonteGowing (book author), Laura, e Helen Berry (review author). "Common Bodies. Women, Touch and Power in Seventeenth-Century England". Renaissance and Reformation 39, n.º 3 (1 de janeiro de 2003): 118–20. http://dx.doi.org/10.33137/rr.v39i3.8911.
Texto completo da fonteBOZIWICK, GEORGE. "“My Business is to Sing”: Emily Dickinson's Musical Borrowings". Journal of the Society for American Music 8, n.º 2 (maio de 2014): 130–66. http://dx.doi.org/10.1017/s1752196314000054.
Texto completo da fonteParapar, Cristina. "Black Music and Desublimation: Contravening Expectations in Marcusean Aesthetics". Artefilosofia 19, n.º 35 (21 de junho de 2024): 1. http://dx.doi.org/10.69640/raf.v19i35.7264.
Texto completo da fonteELLIS, BRONWYN. "LESLIE RITCHIE WOMEN WRITING MUSIC IN LATE EIGHTEENTH-CENTURY ENGLAND: SOCIAL HARMONY IN LITERATURE AND PERFORMANCEAldershot: Ashgate, 2008 pp. x + 269, isbn978 0 7546 6333 1". Eighteenth Century Music 7, n.º 2 (30 de julho de 2010): 289–91. http://dx.doi.org/10.1017/s1478570610000126.
Texto completo da fonteGoldstein, David B. "Bassnett, Madeline. Women, Food Exchange, and Governance in Early Modern England". Renaissance and Reformation 41, n.º 4 (2018): 203. http://dx.doi.org/10.7202/1061928ar.
Texto completo da fonteJohnson (book author), Sarah E., e Mark Albert Johnston (review author). "Staging Women and the Soul-Body Dynamic in Early Modern England". Renaissance and Reformation 37, n.º 3 (5 de março de 2015): 296–98. http://dx.doi.org/10.33137/rr.v37i3.22477.
Texto completo da fonteSchleiner (author, first book), Louise, Jean R. Brink (editor, second book) e Jean LeDrew Metcalfe (review author). "Tudor and Stuart Women Writers;Privileging Gender in Early Modern England". Renaissance and Reformation 32, n.º 1 (1 de fevereiro de 2009): 87–89. http://dx.doi.org/10.33137/rr.v32i1.11781.
Texto completo da fonteJohnson, Bruce. "Deportation Blues <br> doi:10.5429/2079-3871(2010)v1i1.5en". IASPM Journal 1, n.º 1 (8 de abril de 2010): 1–13. http://dx.doi.org/10.5429/297.
Texto completo da fonteKramer, Lawrence. "Fin-de-siècle fantasies: Elektra, degeneration and sexual science". Cambridge Opera Journal 5, n.º 2 (julho de 1993): 141–65. http://dx.doi.org/10.1017/s0954586700003967.
Texto completo da fonteCampbell, Heather. "Women, Beauty and Power in Early Modern England: A Feminist Literary History". Renaissance and Reformation 42, n.º 3 (11 de dezembro de 2019): 259–61. http://dx.doi.org/10.7202/1066397ar.
Texto completo da fonteAbate (author, first book), Corinne S., Mihoko Suzuki (author, second book) e Sylvia Brown (review author). "Privacy, Domesticity, and Women in Early Modern England; Subordinate Subjects: Gender, the Political Nation, and Literary Form in England, 1588-1688". Renaissance and Reformation 38, n.º 3 (1 de janeiro de 2002): 38–41. http://dx.doi.org/10.33137/rr.v38i3.8803.
Texto completo da fonteHunt, T. L. "Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges." By Paula Gillett and Women Performing Music: The Emergence of American Women as Instrumentalists and Conductors. By Beth Abelson Macleod". Journal of Social History 36, n.º 1 (1 de setembro de 2002): 223–27. http://dx.doi.org/10.1353/jsh.2002.0082.
Texto completo da fonteWoodfield, Ian. "The ‘Hindostannie Air’: English Attempts to Understand Indian Music in the Late Eighteenth Century". Journal of the Royal Musical Association 119, n.º 2 (1994): 189–211. http://dx.doi.org/10.1093/jrma/119.2.189.
Texto completo da fonteCampbell, Heather. "Snook, Edith. Women, Beauty and Power in Early Modern England: A Feminist Literary History". Renaissance and Reformation 42, n.º 3 (4 de dezembro de 2019): 259–61. http://dx.doi.org/10.33137/rr.v42i3.33431.
Texto completo da fonteRgwan Abdalhameed Shuash, Researcher, e Rese Rana Ali Mhoodar. "Gender and Authority in Caryl Churchill’s Vinegar Tom (1976)". لارك 2, n.º 50 (30 de junho de 2023): 1011–992. http://dx.doi.org/10.31185/lark.vol2.iss50.3201.
Texto completo da fonteLogan, Jeremy. "Synesthesia and feminism: A case study on Amy Beach (1867-1944)". New Sound, n.º 46 (2015): 130–40. http://dx.doi.org/10.5937/newso1546130l.
Texto completo da fontePope, Rebecca A. "Musical Women in England, 1870-1914: "Encroaching on All Men's Privileges", and: Women Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home (review)". Victorian Studies 45, n.º 1 (2002): 186–88. http://dx.doi.org/10.1353/vic.2003.0060.
Texto completo da fonteWayal, Sonali, Catherine Mercer, Victoria L. Gilbart, Emma Garnett, Lorna J. Sutcliffe, Peter Weatherburn e Gwenda Hughes. "O25 ‘Side chicks’, and ‘side dicks’: understanding typologies and drivers of concurrent partnerships to prevent sti transmission among people of black caribbean ethnicity in england". Sexually Transmitted Infections 93, Suppl 1 (junho de 2017): A9.2—A9. http://dx.doi.org/10.1136/sextrans-2017-053232.25.
Texto completo da fonteDavis, Jim. "Imperial Transgressions: the Ideology of Drury Lane Pantomime in the Late Nineteenth Century". New Theatre Quarterly 12, n.º 46 (maio de 1996): 147–55. http://dx.doi.org/10.1017/s0266464x00009970.
Texto completo da fontePope, Rebecca A. "BOOK REVIEW: Paula Gillett.MUSICAL WOMEN IN ENGLAND, 1870-1914: ?ENCROACHING ON ALL MEN'S PRIVILEGES,?. and Phyllis Weliver.WOMEN MUSICIANS IN VICTORIAN FICTION, 1860-1900: REPRESENTATIONS OF MUSIC, SCIENCE AND GENDER IN THE LEISURED HOME." Victorian Studies 45, n.º 1 (outubro de 2002): 186–88. http://dx.doi.org/10.2979/vic.2002.45.1.186.
Texto completo da fontePhillippy (author, first book), Patricia, Aileen Ribeiro (author, second book), Ann Hollinshead Hurley (author, third book) e Katherine Acheson (review author). "Painting Women: Cosmetics, Canvases & Early Modern Culture; Fashion and Fiction: Dress in Art and Literature in Stuart England; John Donne's Poetry and Early Modern Visual Culture". Renaissance and Reformation 31, n.º 2 (1 de janeiro de 2008): 134–40. http://dx.doi.org/10.33137/rr.v31i2.9192.
Texto completo da fonteCherniavska, M. S. "Clara Wieck Schumann in the European scientific discourse". Aspects of Historical Musicology 17, n.º 17 (15 de setembro de 2019): 213–31. http://dx.doi.org/10.34064/khnum2-17.14.
Texto completo da fonteBorwick, Susan. "Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges", and: Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867-1944, and: Ruth Crawford Seeger: A Composer's Search for American Music (review)". NWSA Journal 13, n.º 2 (2001): 161–66. http://dx.doi.org/10.1353/nwsa.2001.0029.
Texto completo da fonteBorwick, Susan. "BOOK REVIEW: Paula Gillett.MUSICAL WOMEN IN ENGLAND, 1870-1914: ?ENCROACHING ON ALL MAN'S PRIVILEGES?. and Adrienne Fried Block.AMY BEACH, PASSIONATE VICTORIAN: THE LIFE AND WORK OF AN AMERICAN COMPOSER, 1867-1944. and Judith Tick.RUTH CRAWFORD SEEGER: A COMPOSER'S SEARCH FOR AMERICAN MUSIC." NWSA Journal 13, n.º 2 (julho de 2001): 161–66. http://dx.doi.org/10.2979/nws.2001.13.2.161.
Texto completo da fonteDavis, William B. "Music Therapy in Victorian England". Journal of British Music Therapy 2, n.º 1 (junho de 1988): 10–16. http://dx.doi.org/10.1177/135945758800200103.
Texto completo da fonteMCVEIGH, S. "'CHAMBER MUSIC FROM GEORGIAN ENGLAND'". Music and Letters 69, n.º 3 (1 de julho de 1988): 448–49. http://dx.doi.org/10.1093/ml/69.3.448.
Texto completo da fonteHaggh, Barbara. "Liturgical music in medieval England". Early Music XXII, n.º 2 (maio de 1994): 325–28. http://dx.doi.org/10.1093/earlyj/xxii.2.325.
Texto completo da fonteLeech, P. "Devotional music from Stuart England". Early Music 35, n.º 4 (1 de novembro de 2007): 644–47. http://dx.doi.org/10.1093/em/cam065.
Texto completo da fonteTrendell, D. "Renaissance vocal music from England". Early Music 40, n.º 3 (1 de agosto de 2012): 517–20. http://dx.doi.org/10.1093/em/cas091.
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