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Artigos de revistas sobre o tema "Women's biography"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2024

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1

Ware, Susan. "Writing Women's Lives: One Historian's Perspective". Journal of Interdisciplinary History 40, n.º 3 (janeiro de 2010): 413–35. http://dx.doi.org/10.1162/jinh.2010.40.3.413.

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From the start, biography played a vibrant and significant part in the growth of women's history, especially American women's history, as a well-respected and popular field within the historical profession. The insistence of feminist biographers that the personal is political, and that attention must be paid to the daily lives of their subjects as well as to their more public achievements, continues to ripple through the field of biography as a whole. To talk about biography is also to talk about the biographer, for the precise reason that behind every biography lies autobiography—that special spark that draws the biographer to the subject in the first place and the interaction that unfolds as the project moves forward (or stalls, as often happens). As feminist theory reminds us, the personal element is relevant to the broader intellectual agenda.

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2

Williamson, Lori. "Women's History and Biography". Gender & History 11, n.º 2 (julho de 1999): 379–84. http://dx.doi.org/10.1111/1468-0424.00147.

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Scura, Dorothy M., e Linda Wagner-Martin. "Telling Women's Lives: The New Biography." American Literature 67, n.º 3 (setembro de 1995): 608. http://dx.doi.org/10.2307/2927963.

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4

Barry, Kathleen. "The New Historical Syntheses: Women's Biography". Journal of Women's History 1, n.º 3 (1990): 75–105. http://dx.doi.org/10.1353/jowh.2010.0066.

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5

Barry, Kathleen. "Biography and the search for women's subjectivity". Women's Studies International Forum 12, n.º 6 (1989): 561–77. http://dx.doi.org/10.1016/0277-5395(89)90001-0.

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6

Smart, Mary Ann. "The lost voice of Rosine Stoltz". Cambridge Opera Journal 6, n.º 1 (março de 1994): 31–50. http://dx.doi.org/10.1017/s0954586700004122.

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Carolyn Heilbrun, Writing a Woman's LifeUntil recently, women's biography and feminist interpretation of texts have travelled along separate paths, the exhaustive documentation required by biography often seeming to overwhelm efforts at interpretation, dictating that the genre remain essentially conservative and anti-theoretical. This is unfortunate, if only because it is in the writing of women's lives that biography and theory may need each other most. The women we examine are sometimes minor figures, ordinary people most interesting when seen as emblematic of a broader context; and of course they rarely lived according to modern feminist principles: what does one make of a talented woman who devoted her life more to caring for men than for herself? Such situations present conundrums that simultaneously resist and require the solace of theory.

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7

Walker, Gina Luria, e Mary Spongberg. "Female Biography: A Special Edition of Women's Writing". Women's Writing 22, n.º 1 (6 de dezembro de 2014): 125–26. http://dx.doi.org/10.1080/09699082.2015.986019.

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Das, Veena. "Modernity and Biography: Women's Lives in Contemporary India". Thesis Eleven 39, n.º 1 (agosto de 1994): 52–62. http://dx.doi.org/10.1177/072551369403900106.

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9

Mihalache, Irina D. "Recipes as Culinary Communication in a Canadian Art Museum: Lobster Soufflé, Beef Stroganoff, and the Tensions of Gourmet Cooking in the 1960s". Gastronomica 18, n.º 3 (2018): 28–41. http://dx.doi.org/10.1525/gfc.2018.18.3.28.

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This article proposes that recipes are a form of culinary communication, suggesting that a recipe's biography is one of communicative moments, negotiations, and multiple voices. This framework is applied to The Art of Cooking, a series of culinary demonstrations organized by the Women's Committee at the Art Gallery of Toronto in the 1960s. The events, featuring chefs such as James Beard and Dione Lucas, were organized around the logics of gourmet cooking but departed from it when faced with the realities of women's daily lives. The research is based on archival documents and media coverage of these very popular events, which offer an opportunity to explore the mythologies and narratives about gourmet cooking in the 1960s. This article argues that communications about a recipe are part of the recipe's evolving biography and need to be analyzed alongside ingredients, instructions, makers, and users. In addition, the article advocates for the inclusion of women's committees’ histories to those of art museums in North America.

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10

Simpson, Megan, e Elisabeth Young-Bruehl. "Subject to Biography: Psychoanalysis, Feminism, and Writing Women's Lives". Rocky Mountain Review of Language and Literature 53, n.º 2 (1999): 110. http://dx.doi.org/10.2307/1348219.

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11

Ryan, Louise. "Women's studies review, volume seven, oral history and biography". Women's History Review 13, n.º 2 (1 de junho de 2004): 311–36. http://dx.doi.org/10.1080/09612020400200758.

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12

Annette Wheeler Cafarelli. "Telling Women's Lives: The New Biography (review)". Biography 18, n.º 4 (1995): 369–71. http://dx.doi.org/10.1353/bio.2010.0160.

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13

Wenzel, M. "The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression". Literator 15, n.º 3 (2 de maio de 1994): 41–54. http://dx.doi.org/10.4102/lit.v15i3.676.

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Two women's texts from postcolonial countries, Mexico and South Africa, on different continents show surprising correspondences in subject matter and style. Elena Poniatowska’s Hasta no verte Jesús mío (Till I meet you, my Jesus) and Elsa Joubert's Die swerfjare van Poppie Nongena (The journey of Poppie Nongena) examples of testimonial writing, both address issues of gender and politics in an innovative way. They combine autobiography and biography to render a dramatic account of social injustice despite their disparate backgrounds/cultures and subtle differences in style. In comparison, the texts not only affirm the validity of women’s writing and contribute to its enrichment, but also constitute a valuable contribution towards the formulation of a general feminist aesthetics. In fact, they illustrate conclusively that comparative literature fulfils a vital function in the exploration and interpretation of women's literature from different cultures.

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14

Majewska-Kafarowska, Agnieszka. "Education as the Space where Identity Processes Come to Play – Based on Educational Narratives of Women". Edukacyjna Analiza Transakcyjna 9 (2020): 257–75. http://dx.doi.org/10.16926/eat.2020.09.16.

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In this text, the Author carries out theoretical discussion and presents the outcomes of her studies of the shaping process of women's identity in the context of a human (auto)biography, referring to the category of identity, putting particular stress to the educational biography, called a special type of a thematic biography (important for the category of identity), and a category of narration, of key importance for comprehending the phenomenon of auto(biography). A human biography is an invaluable source of information on their life and the person her/himself. Getting acquainted with the biography, looking for information about a given person, learning her/his story from her/himself (biography passed through an autobiographical account) or from the biographical materials, e.g. diaries, letters, memoirs and recollection of others. The Author says that one of the identity criteria is the sense of one's own continuity in time. This criterion can be fulfilled thanks to the autobiographical memory, or a memory of personal episodes and autobiographical facts. The problems of biography are closely connected with the autobiographical memory. In the text the Author presents three intertwined categories: identity, autobiographical memory and biography.

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15

Buryak, L. I. "Women's biography as the scientific field: traditions and modern representations." Ukraïnsʹka bìografìstika, n.º 13 (23 de novembro de 2016): 10–27. http://dx.doi.org/10.15407/ub.13.010.

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16

Jones, Mary. "Review: Women's Studies Review: Oral History & Biography, Volume Seven". Irish Economic and Social History 29, n.º 1 (junho de 2002): 186–87. http://dx.doi.org/10.1177/033248930202900150.

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17

Farrell, Pauline. "Biography Work and Women's Development: the Promotion of Equality Issues". Management Education and Development 23, n.º 3 (outubro de 1992): 215–24. http://dx.doi.org/10.1177/135050769202300305.

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18

Bhatti, Mark. "Garden Stories: Auto/biography, Gender and Gardening". Sociological Research Online 19, n.º 3 (setembro de 2014): 45–52. http://dx.doi.org/10.5153/sro.3377.

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Life writing in the form of a single garden story is used in this paper to examine the garden as a powerful theme in gendered leisure. I explore the ways in which garden narratives in the form of auto/biography can represent new identities in everyday life. One women's life story is (re)told; about her childhood, her home and family, and her work in the garden. I conclude that life stories contained in the Mass Observation Archive (big and small) are useful ways of studying gendered lives to gain deeper understandings of the uses and meanings of leisure spaces in and around the home.

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19

Hallett, Nicky. "Anne Clifford as Orlando: Virginia Woolf's feminist historiology and women's biography". Women's History Review 4, n.º 4 (1 de dezembro de 1995): 505–24. http://dx.doi.org/10.1080/09612029500200096.

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20

Raisborough, Jayne, e Mark Bhatti. "Women's Leisure and Auto/Biography: Empowerment and Resistance in the Garden". Journal of Leisure Research 39, n.º 3 (setembro de 2007): 459–76. http://dx.doi.org/10.1080/00222216.2007.11950117.

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21

Beilke, Jayne R. "Review Essay: Recent Additions to the Rosenwald Historiography". History of Education Quarterly 51, n.º 4 (novembro de 2011): 544–53. http://dx.doi.org/10.1111/j.1748-5959.2011.00357.x.

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This essay reviews two books on Julius Rosenwald and the Rosenwald Fund and places them within the historiography of the Fund. Julius Rosenwald: The Man Who Built Sears, Roebuck and Advanced the Cause of Black Education in the American South, is a biography written by Peter M. Ascoli. The book entitled The Rosenwald Schools of the American South written by Mary S. Hoffschwelle is a study of the rural school-building program with which the Fund is most closely associated. Ascoli's biography joins three other new biographies of early philanthropists that were published in 2006: David Nasaw's Andrew Carnegie; Mrs. Russell Sage: Women's Activism and Philanthropy in Gilded Age and Progressive Era America by Ruth R. Crocker; and David Cannadine's Mellon: An American Life (Katz, p. B6).

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22

Siundu. "Beyond Auto/Biography: Power, Politics, and Gender in Kenyan Asian Women's Writings". Research in African Literatures 42, n.º 3 (2011): 117. http://dx.doi.org/10.2979/reseafrilite.42.3.117.

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23

Scafe, Suzanne. "The Embracing ‘I’: Mothers and Daughters in Contemporary Black Women's Auto/biography". Women: A Cultural Review 20, n.º 3 (dezembro de 2009): 287–98. http://dx.doi.org/10.1080/09574040903285750.

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24

Contzen, Sandra, Karin Zbinden, Cécile Neuenschwander e Michèle Métrailler. "Retirement as a Discrete Life-Stage of Farming Men and Women's Biography?" Sociologia Ruralis 57 (28 de dezembro de 2016): 730–51. http://dx.doi.org/10.1111/soru.12154.

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25

Geiger, Susan. "Tanganyikan Nationalism as ‘Women's Work’: Life Histories, Collective Biography and Changing Historiography". Journal of African History 37, n.º 3 (novembro de 1996): 465–78. http://dx.doi.org/10.1017/s0021853700035544.

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Although nationalism in Tanzania, as elsewhere in Africa, has been criticized for its shortcomings, and a ‘Dar es Salaam School’ has been charged with succumbing to its ideological biases, few historians have revisited or questioned Tanzania's dominant nationalist narrative – a narrative created over 25 years ago. Biographies written in aid of this narrative depict nationalism in the former Trust Territory of Tanganyika as primarily the work of a few good men, including ‘proto-nationalists’ whose anti-colonial actions set the stage and provided historical continuity for the later western-oriented ideological work of nationalist modernizers.The life history narratives of women who became activists in the Tanganyika African National Union (TANU) in the 1950s disrupt this view of progressive stages toward an emerging nationalist consciousness which reflected and borrowed heavily from western forms and ideals. They suggest that Tanganyikan nationalism was also and significantly the work of thousands of women, whose lives and associations reflected trans-tribal ties and affiliations, and whose work for TANU served to both construct and perform what nationalism came to signify for many Tanzanian women and men. Women activists did not simply respond to TANU's nationalist rhetoric; they shaped, informed and spread a nationalist consciousness for which TANU was the vehicle.Neither ‘extraordinary’ individuals (the usual subjects of male biography) nor ‘representative’ of ‘ordinary people’ (often the subjects of life histories), TANU women activists' lives reveal the severe limitations of the dichotomous characterizations of traditional biographical forms. Together, their narratives constitute a collective biographical narrative of great significance for our understanding of nationalism and nationalist movement in the former Tanganyika.

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26

Parvulescu, Anca. "The Biography of a Face: Virginia Woolf's Orlando". Journal of Modern Literature 46, n.º 4 (junho de 2023): 1–22. http://dx.doi.org/10.2979/jmodelite.46.4.01.

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Abstract: Virginia Woolf's novel Orlando: A Biography can best be described as a literary portrait. Woolf draws a portrait of the titular character—a composite of literary and visual artworks—as perpetually youthful. Through this portrait, the novel traces a change in the history of the physiognomic face in modernity—from Orlando's memorable face-to-face with Queen Elizabeth to her search for meaning in the faces around her in London in 1928. The face of Orlando, which Woolf forcefully inserts into the history of the portrait, is sketched in a formal relation to absent faces in the history of portraiture—women's faces and racialized faces. An engagement with Paul Mpagi Sepuya's recent photographic reflections on Orlando reveals the version of modernist queerness dramatized by the novel to be mediated by racial difference.

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Parvulescu, Anca. "The Biography of a Face: Virginia Woolf's Orlando". Journal of Modern Literature 46, n.º 4 (junho de 2023): 1–22. http://dx.doi.org/10.2979/jml.2023.a908971.

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Abstract: Virginia Woolf's novel Orlando: A Biography can best be described as a literary portrait. Woolf draws a portrait of the titular character—a composite of literary and visual artworks—as perpetually youthful. Through this portrait, the novel traces a change in the history of the physiognomic face in modernity—from Orlando's memorable face-to-face with Queen Elizabeth to her search for meaning in the faces around her in London in 1928. The face of Orlando, which Woolf forcefully inserts into the history of the portrait, is sketched in a formal relation to absent faces in the history of portraiture—women's faces and racialized faces. An engagement with Paul Mpagi Sepuya's recent photographic reflections on Orlando reveals the version of modernist queerness dramatized by the novel to be mediated by racial difference.

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28

Walker, Melissa. "On the Move: Biography, Self-Help, and Feminism in the Women's Union Journal". Victorian Periodicals Review 50, n.º 3 (2017): 585–618. http://dx.doi.org/10.1353/vpr.2017.0042.

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29

Price, Peggy. "National Women's History Museum: Biographies2013206National Women's History Museum: Biographies. Alexandria, VA: National Women's History Museum Last visited February 2013. Gratis URL: www.nwhm.org/education‐resources/biography/biographies.home". Reference Reviews 27, n.º 5 (7 de junho de 2013): 51–52. http://dx.doi.org/10.1108/rr-02-2013-0045.

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30

Ruthchild, Rochelle G. "Rochelle Ruthchild. Natalya Pushkareva – Creator of the Russian School of Gender Studies in History and Ethnology". Вестник антропологии (Herald of Anthropology) 47, n.º 3 (5 de setembro de 2019): 5–9. http://dx.doi.org/10.33876/2311-0546/2019-47-3/5-9.

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In a brief report by a well-known American historian is analysed the contribution of her Russian colleague Natalya Pushkareva to the creation of a new scientific direction - gender studies in ethnology and in the study of the past. The author substantiates the special role of an individual in the institutionalization of women's and gender studies in Russian historiography, reflects on stages of the scientific biography of Natalya Pushkareva, foundation of a scientific school and her followers, united by common interests and intellectual identity.

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31

Jardins, J. D. "Black Librarians and the Search for Women's Biography during the New Negro History Movement". OAH Magazine of History 20, n.º 1 (1 de janeiro de 2006): 15–18. http://dx.doi.org/10.1093/maghis/20.1.15.

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32

Wagner-Martin, Linda. "Women's Lives into Print: The Theory, Practice and Writing of Feminist Auto/Biography (review)". Biography 24, n.º 2 (2001): 458–60. http://dx.doi.org/10.1353/bio.2001.0045.

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Scafe, Suzanne. "Lives Written in Fragments: The Self-Representational ‘I’ in Caribbean Diasporic Women's Auto/biography". Life Writing 10, n.º 2 (junho de 2013): 187–206. http://dx.doi.org/10.1080/14484528.2013.766345.

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34

Fedotova, Anastasiya J. "Between Medicine and Revolution: towards the biography of Elena Nikolaevna Oshanina". Samara Journal of Science 12, n.º 3 (1 de dezembro de 2023): 181–87. http://dx.doi.org/10.55355/snv2023123207.

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Biographical research has been an integral part of historical science since its inception. However, as a rule, the most significant historical figures have always fallen into the sphere of interests of scientists. In post-Soviet historiography, biographies of people who are difficult to classify as outstanding figures began to appear more and more often. Despite this, through the analysis of their biographies, it is possible to trace how the inheritance of cultural traditions formed in different historical periods took place, the ways of assimilation of social, gender and other ideas, their transfers and influence on people's behavior in specific historical circumstances. The purpose of the article is to restore the biography of Elena Nikolaevna Oshanina (1874–1943), a physician by profession and a Socialist Revolutionary by party affiliation, based on unpublished archival documents from the central, local and personal archives, to identify her place in the revolutionary and women's social movement of the early twentieth century. A particular example of the biography makes it possible to understand how the process of formation of diverse and often layered identities of women of the late XIX – early XX centuries took place. As a result, it can be concluded that Elena Nikolaevna Oshanina's self-realization was in the field between two identities – professional and revolutionary, which were layered on top of each other, but both were very important for the heroine of this biography.

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ALEXANDER, ZIGGI. "Let it Lie Upon the Table: The Status of Black Women's Biography in the UK". Gender & History 2, n.º 1 (março de 1990): 22–33. http://dx.doi.org/10.1111/j.1468-0424.1990.tb00075.x.

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Unludag, Tania. "Bourgeois Mentality and Socialist Ideology as Exemplified by Clara Zetkin's Constructs of Femininity". International Review of Social History 47, n.º 1 (abril de 2002): 33–58. http://dx.doi.org/10.1017/s0020859001000475.

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Clara Zetkin (1857–1933) remains one of the most famous figures in the history of the German and international Left. She rose to prominence as a social democrat beginning in 1890 and became a Marxist and, as of 1919, a member of the high-ranking cadre of the KPD; she was an activist of the Second International, starting in 1889, and belonged to the Executive Committee of the Communist International (EKKI) in the 1920s. She is known in history primarily as the leader and chief ideologue of the socialist, and later the international communist, women's movement, but is also a popular figure in the leftist women's movement of the twentieth century. Zetkin, the founder of International Women's Day, is still widely depicted as a heroine. However, in light of recent research conducted in Berlin and Moscow and from the perspective of the history of mentalities, the tendency to mythologize her needs to be questioned. This essay on Clara Zetkin's constructs of femininity is part of a biography oriented toward a history of mentalities, in which the socialist and communist Zetkin is presented in the entire societal context of her times, perceived as a contemporary of the late nineteenth and early twentieth centuries. From this perspective, it is precisely Zetkin's comments on the women's issue that mirror the influences of Social Darwinism and biological discussion at the turn of the century in Germany. The ideas held by the leader and theoretician of the international socialist women's movement on the “liberation of women” from “gender slavery” and “class bondage” were not aimed at pursuing an autonomous process of emancipating women for their own sake, but at pursuing a well-structured and directed process of educating them that would end up turning them into a new physically and mentally improved “consummate woman” who would efficiently serve the socialist society.

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Booth, Marilyn. "Biography and Feminist Rhetoric in Early Twentieth-Century Egypt: Mayy Ziyada's Studies of Three Women's Lives". Journal of Women's History 3, n.º 1 (1991): 38–64. http://dx.doi.org/10.1353/jowh.2010.0118.

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Rubenstein, Jill. "Women's biography as a family affair: Lady Louisa Stuart's “biographical anecdotes” of lady Mary Wortley Montagu". Prose Studies 9, n.º 1 (maio de 1986): 3–21. http://dx.doi.org/10.1080/01440358608586261.

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Белова, Анна Валерьевна. "A. YA. ZAKS, TEACHER OF THE TVER WOMEN'S TEACHER'S SCHOOL NAMED AFTER P. P. MAKSIMOVICH, IN THE AUTO-BIOGRAPHIC MEMORY OF A. M. NIKOLSKAYA". Тверского государственного университета. Серия: История, n.º 3(55) (25 de dezembro de 2020): 4–18. http://dx.doi.org/10.26456/vthistory/2020.3.004.

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Статья посвящена восстановлению неизвестных деталей исторической биографии преподавателя Тверской женской учительской школы имени П.П. Максимовича и Тверского педагогического института, основоположника экскурсионной работы в СССР, организатора Института методов внешкольной работы Арта Яковлевича Закса. На основе исследования неопубликованных автобиографических документов Александры Михайловны Никольской анализируются неизвестные факты общественной и частной жизни педагога, выясняется сопряженность личного и исторического прошлого. Особое внимание уделяется проблемам источниковедческого потенциала женской автобиографической памяти, зафиксированной в эго-документах, гендерным особенностям памяти. В заключении делается вывод о том, что «количественная» достоверность женской социальной памяти, связанная с датировкой событий, может уступать «качественной» информации о реакции на произошедшее. The article is devoted to the restoration of unknown details of the historical biography of the teacher of the Tver women's teacher's school named after P.P. Maksimovich and the Tver Pedagogical Institute, the founder of excursion work in the USSR, the organizer of the Institute of Out-of-School Work Methods Art Yakovlevich Saks. On the basis of a study of the unpublished autobiographical documents of Alexandra Mikhailovna Nikolskaya, unknown facts of the teacher's public and private life are analyzed, and the interconnection between the personal and historical past is revealed. Special attention is paid to the problems of source study potential of women's autobiographical memory, recorded in ego-documents, gender peculiarities of memory. In conclusion, it is concluded that the «quantitative» reliability of women's social memory associated with the dating of events may be inferior to the «qualitative» information about the reaction to the event.

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Demska-Budzuliak, Lesia. "AUTOBIOGRAPHICAL UTOPIA OF NATALIA ROMANOVYCH-TKACHENKO". Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, n.º 33 (2023): 59–64. http://dx.doi.org/10.17721/1728-2659.2023.33.09.

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The article is devoted to researching the work of N. Romanovych-Tkachenko, a representative of the generation of female writers of Soviet Ukraine in the 1920s, from the perspective of gender discourse. Women's literature of Soviet Ukraine in the 1920s-1930s is an understudied and not updated phenomenon of the Ukrainian literary process of that time. Most of the texts of women writers were unnoticed by literary critics, and the problems that were raised in their texts turned out to be "uninteresting" for the then, generally male, literary critics. Instead, we note the emergence of a new generation of women writers in Ukrainian literature, formed not only by the national tradition, but also by the first wave of European feminism. They radicalize the women's issue and put forward other, unlike their predecessors, aesthetic demands on artistic texts. At the same time, it was women writers who continued the traditions of modern Ukrainian literature, in particular bright individual writing. Most of them told the reader about their biographies for the first time in the form of memories, diaries, memoirs. The peculiarity of these biographies is that they reveal a striking discrepancy between the expectations of women from the gender policy of the Bolsheviks and the revolutionary, post-revolutionary reality. We can see two biographies of the writer by comparing the artistic texts and autobiographical memories of N. Romanovych-Tkachenko. One of them is imaginary, constructed by the author on the basis of her own life project, and the second is real, as the writer lived. These two biographies in different genre forms are presented in the writer's work. Imaginary biography is described in the experience of the characters of fictional texts, while real biography is represented by the memoir genre, in particular, the diaries and memoirs of the author. The difference between these two life scenarios shaped the feminist outlook of N. Romnovich-Tkachenko and many other modern women writers.

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Clink, Kellian. "Women's Legal History Biography Project2007372Women's Legal History Biography Project. Last visited June 2007. Gratis Robert Crown Law Library, Stanford Law School Stanford, CA URL: http://womenslegalhistory.stanford.edu/profiles.html". Reference Reviews 21, n.º 8 (30 de outubro de 2007): 23. http://dx.doi.org/10.1108/09504120710838804.

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Kamna Singh. "Breaking the Silence: A Critical Analysis of Dalit Women's Worldview in Urmila Pawar's Motherwit". Creative Saplings 2, n.º 09 (26 de dezembro de 2023): 46–54. http://dx.doi.org/10.56062/gtrs.2023.2.09.463.

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The Dalit group is among the most oppressed under the contentious but widely accepted social structure known as caste, but some Dalit women have experienced even worse subjugation. The perspective of oppressed Dalit women is examined in this essay. Not Dalit women in isolation, but rather Dalit women collectively. In doing so, Motherwit, a collection of short stories by Urmila Pawar, is the main subject of this essay. It aims to initiate a conversation about the worldview of Dalit women, which is situated at the nexus of gender, caste, and class. It also aims to address the worldview that has largely gone unchallenged in both the well-known Dalit and feminist discourses in India. The article has been divided into three sections. The first section provides a brief biography of Urmila Pawar and then discusses the rise of Dalit women writers, focusing on her collection of short stories Motherwit. The second section discusses the text's themes, offers a commentary on how it uses language, and ends with a statement on Dalit feminism. Women from various castes and social classes may identify with Pawar's feminism since it is not exclusive to any one lady.

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Lemieux, Mackenzie Emily, Rebecca Zhang e Francesca Tripodi. "“Too Soon” to count? How gender and race cloud notability considerations on Wikipedia". Big Data & Society 10, n.º 1 (janeiro de 2023): 205395172311654. http://dx.doi.org/10.1177/20539517231165490.

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While research has explored the extent of gender bias and the barriers to women's inclusion on English-language Wikipedia, very little research has focused on the problem of racial bias within the encyclopedia. Despite advocacy groups' efforts to incrementally improve representation on Wikipedia, much is unknown regarding how biographies are assessed after creation. Applying a combination of web-scraping, deep learning, natural language processing, and qualitative analysis to pages of academics nominated for deletion on Wikipedia, we demonstrate how Wikipedia's notability guidelines are unequally applied across race and gender. We find that online presence predicts whether a Wikipedia page is kept or deleted for white male academics but that this metric is idiosyncratically applied for female and BIPOC academics. Further, women's pages, regardless of race, were more likely to be deemed “too soon” for Wikipedia. A deeper analysis of the deletion archives reveals that when the tag is used on a woman's biography it is done so outside of the community guidelines, referring to one's career stage rather than media/online coverage. We argue that awareness of hidden biases on Wikipedia is critical to the objective and equitable application of the notability criteria across race and gender both on the encyclopedia and beyond.

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Hirsch, Pam. "This Far By Faith: Readings in African-American Women's Religious Biography, by Judith Weisenfeld and Richard Newman (eds)". Women’s Philosophy Review, n.º 17 (1997): 60–62. http://dx.doi.org/10.5840/wpr19971720.

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Crisafulli, Rebecca. "Using the Miller-Kamuf Test to Evaluate the Role of Biography in Scholarship on Eighteenth-Century Women's Writing". Studies in Eighteenth-Century Culture 52, n.º 1 (2023): 299–304. http://dx.doi.org/10.1353/sec.2023.0024.

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Reime, Birgit, e Sandra Tomaselli-Reime. "PREDICTING SELF-ASSESSED HEALTH STATUS IN WOMEN: WHAT COUNTS FOR GERMAN MIDWIVES AND MEDICAL OFFICE ASSISTANTS?" Canadian Journal of Midwifery Research and Practice 3, n.º 3 (30 de maio de 2024): 11–23. http://dx.doi.org/10.22374/cjmrp.v3i3.176.

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Previous studies on women's work and health have tended to summarize women's occupations in broad categories and ignore job-specific workload. We compared occupational characteristics, burnout, health behaviour, and predictors of subjective health status between German midwives and medical office assistants (MOAs). We conducted a cross- sectional survey using a standardized questionnaire with items addressing aspects of the occupational biography, job characteristics, unpaid work, social support, gender role orientation, and health status and behaviour. Burnout was measured using the Maslach Burnout Inventory (MBI, Maslach and Jackson 1986). Altogether 386 questionnaires for midwives and 552 questionnaires for MOAs were sent out (response rates 60.4% and 44.1% respectively). Chi-square- and Mann-Whitney-U-tests and multiple regression models were conducted. Significant group differences were found regarding, for example, satisfaction with salary and control. More midwives than MOAs would choose their profession again (p<0.001). The level of burnout was medium for MOAs. Midwives had medium levels of burnout on two subscales and low levels on one subscale of the MBI. Health behaviours such as smoking, alcohol consumption and exercise did not differ between the occupations. Midwives conducted breast self-examination and ate whole-wheat products more often, whereas MOAs utilized GP and cancer checkups more frequently and consumed more medication. Satisfaction with salary and overtime hours predicted burnout in both occupations. Burnout and smoking were the only overlapping predictors of the health status of midwives and MOAs. Further studies should consider differences between female-dominated occupations when designing appropriate studies on women's health. Increases in salary and reductions in overtime hours may be appropriate interventions for health promotion in these occupations.

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Latifah e Ary Budiyanto. "In the Peaceful Mind and Self Obstinance Mother and Child Story in Muslim and Buddhist Polygamy Families". Jurnal Nyanadassana: Jurnal Penelitian Pendidikan, Sosial dan Keagamaan 1, n.º 2 (30 de dezembro de 2022): 137–47. http://dx.doi.org/10.59291/jnd.v1i2.19.

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Tradition and religion are often, on the one hand, used to legitimize conditions that are difficult for women, but on the other hand also offer values that elevate women's dignity and position, including in the case of polygamy. Throughout history many have spoken of the various negative consequences economically, psychologically, and socially experienced by children and wives in polygamous families. But in general the narrative positions women as victims so that it does not provide a perspective of empowered women who have the power to manage their family conflicts by showing the quality of their leadership in the family and community. With content analysis, this paper examines women's biographical novels from two different religious and social backgrounds. With content analysis, this paper examines women's biographical novels from two different religious and social backgrounds. First, a collection of stories Menunggu Papa: Kisah Gadis Kecil yang Akhirnya Berdamai dengan Dirinya, which is a collection of inspiring stories based on the autobiography of Yanah Sucintani, which tells the inner journey of a child from a Chinese-Buddhist family whose father practices polygamy. Second, the novel titled Athirah by Alberthiene Endah, which is a biography of Jusuf Kalla, which tells the story of the mother's leadership in a polygamous family set in the Muslim-Bugis-Makassar society. This study has important meaning in encouraging a positive image of women as whole human beings, developing personally and contributing to society. This positive role needs to be raised more especially as a counter culture of women's representation in the world of entertainment and popular culture which widely accommodates the female stereotype. Both of these inspirational stories teach that indeed the financial independence of a polygamous mother is the initial way to be able to rule over herself and her children, but it requires persistent spirituality to be able to establish themselves as wives and mothers and lay the foundation of mentality for their children.

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Bishara, Dr Hanan. "Novelist Hayfāʼ Bayṭār and the Theme of Divorce in Her Novel Yawmiyyāt Muṭalliqa/ Diaries of a Divorcer: A Self-Narrative or Self-Flogging". Praxis International Journal of Social Science and Literature 6, n.º 5 (25 de maio de 2023): 15–31. http://dx.doi.org/10.51879/pijssl/060503.

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In order to create a biography or personal literature in general, there must be a match between the author, the narrator, and the main character, since the author himself is the one who narrates and is at the same time the main character. The first condition for achieving this conformity is that the narrative should be in the first person pronoun speaker, which transmits both the writer, the narrator, and the character at the same time. Hayfāʼ Bayṭār achieved this match, though her novel: Yawmiyāt Muṭalliqa/ Diaries of a Divorcer (2006) did not contain the word 'autobiography', but its content acknowledges and states that it is purely autobiographical and it narrates real events that the author has lived through in their sweetness and bitterness and presented them in a fictional manner. Women's writings are written in order to reflect women's social customs, traditions, and customs. Writer Hayfāʼ Bayṭār is considered one of the best to address the woman's divorced cause and situation realistically. This study is based on the treatment of the theme of divorce in the literature of the Arab woman writer and on the presence of the Self in Hayfāʼ Bayṭār's novel Yawmiyyāt Muṭalliqa/Diaries of a Divorcer. In my opinion, the writing of this novel is a reaction to male dominance and authority and its attempts to impose itself on the woman.

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Zhygun, Snizhana. "RETICENCE AS A STRATEGY OF THE WOMEN’S AUTOBIOGRAPHICAL TEXT OF SOVIET TIMES". LITERARY PROCESS: methodology, names, trends, n.º 17 (2021): 32–38. http://dx.doi.org/10.28925/2412-2475.2021.17.4.

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The subject of the study is the system of reticence techniques in the women’s autobiography of O.Ivanenko, the Ukrainian writer of the 20th century. Western theorists of women’s autobiography (M.Mason, E.Jelinek) considered relativity, fragmentation, nonlinearity as qualities that define it. However, the concept of L. Gilmore, who considers autobiography as a writing strategy that constructs its object, allows us to raise the question of the potential functions of constructive techniques in this text. These and many other studies analyze the autobiographies of women in the Western world, leaving aside the writings of Eastern Europeans, however, the works of those who had to live in Soviet conditions are of particular interest for various reasons. The aim of the proposed study is to show the peculiarities of the creation and functioning of the women’s autobiographics in ideological societies on the example of Oksana Ivanenko’s memoirs Always in Life. The research methodology is based on women’s studies and discursive analysis. As a result of the study, it was found that in Ivanenko’s memoirs the theme of creative self-realization and literature as a whole pushes aside the narrative that Western theorists consider to be the main one for women's biography: comprehending their own female experience (first of all, love, marriage, motherhood). The relativity, embodied in the genre of the essay, allowed the author to talk about oneself, when she wanted it, and at the right moment to return to the pseudo-object. The non-linearity of the narrative helps to emphasize advantageous moments and to avoid forced chronology. But fragmentation and heterogeneity allow the woman writer not to build a holistic narrative about oneself, but to offer «flickering» content to readers. Thus, feeling ideological pressure, the author escaped memories not only of the difficult period in Ukrainian history, but also of important events in her life, ignoring her true experience. This means that an autobiographical work may be called upon not to record a true experience but to create a socially acceptable version of the writer.

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Starodubtseva, I. A. "Women in geology. Elena Alexandrovna Moldavskaya (1891-1973)". Proceedings of higher educational establishments. Geology and Exploration, n.º 3 (28 de junho de 2019): 77–85. http://dx.doi.org/10.32454/0016-7762-2019-3-77-85.

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E.A. Moldavskaya was one of the first Russian women-geologists engaged in practical geology. In 1918, she graduated from the Moscow Women's Courses of Higher Education in geology and worked for about 40 years in the chosen profession. E.A. Moldavskaya controlled geological and engineering-geological researches in Moscow region, Volga region, Belarus. She was engaged in exploration and evaluation of ratovkite, limestone, clay, gypsum deposits, and compiled a summary «Mineral resources of the gypsum industry of the USSR». E.A. Moldavskaya supervised the theme «Assessment of the gas potential prospects in Moscow and Moscow region», took part in geological survey for thermal power plants and made the instruction on researches of constructional materials for construction of those plants. E.A. Moldovskaya was awarded by medal «For Valorous Labour in the Great Patriotic war» (1946), «In memory of the 800th anniversary of Moscow» (1948). The professional activities and biography of E.A. Moldavskaya have been considered for the first time.

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