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1
徐少珊 e Siu Shan Remy Chui. "Reading 'Third World' women's autobiography". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31222547.
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2
Kouffman, Avra. "The cultural work of Stuart women's diaries". Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/289097.
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My dissertation is a compilation, contextualization, and analysis of thirty-five Stuart women's diaries. My introduction clarifies differences between Puritan and Anglican diaries, provides an overview of the roles of women in the diarist movement, and considers the benefits and consequences of participation in this movement. I also review central issues and texts in relevant scholarship. Chapter one, "The Early Stuart Period," chronicles generic origins of Stuart diaries and examines three lifewriters. "The Civil War and Interregnum" focuses on texts that foreground the horrors of that era, such as aggression by soldiers, spousal arrest, and forced marriage. War diarists deployed God and religion in an attempt to make sense of the chaos and perceived injustice that characterized their wartime experience. "Contexts, Conventions, and Communities" explores the cultural agendas which fueled the diarist movement. I engage with Mary Rich as a model diarist whose self-representation is shaped by clerical mandates and models. During Cromwell's reign, Puritans published diary manuals designed to teach the received method of spiritual journal-keeping, and Rich follows the directions therein. Her texts adhere to sectarian conventions, and she writes in the context of a diary community consisting of clerics, friends, and relatives. "Youth, Marriage, and Motherhood" surveys themes central to diarists writing in the Restoration era. Diarists are outspoken on the topic of marriage, and they are extremely emotive on the subject of their children's deaths. I examine the narrative strategies available to mothers attempting to negotiate their grief within culturally prescribed boundaries. "The Diary Elegy" considers the phenomenon whereby clerics published excerpts from the diaries of deceased Protestants as a means of establishing the piety of these elegized subjects. "Reflections on the Sacred: A Study of Mystical Diaries" situates the journals of the nonconformist Jane Lead and her disciple Ann Bathurst in a mystical tradition. In "The Late Stuart Period," a more secular style of diary gained popularity. However, religious persecution ensured that the spiritual diary--a relatively private form of worship--remained important. My annotated index of diarists includes manuscript and publication details, biographical information, and sample diary entries for each diarist in this study.
3
Taylor, Georgina M. "Ground for common action, Violet McNaughton's agrarian feminism and the origins of the farm women's movement in Canada". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ26870.pdf.
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4
Esten, Antonia. "Women and biographical speech: subjectivity and authority". Thesis, Curtin University, 1998. http://hdl.handle.net/20.500.11937/103.
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The thesis is concerned with the construction of women's authority as it is manifested in biographical speech; that is, in written or oral narratives, or sub-narratives, about others. The emphasis is on women's biography but certain other genres (notably gossip and the biographical research interview) are also examined.The central premise is that women as patriarchal subordinates are significantly disadvantaged in the cultural processes that construct (public) authority; also, that speaking about (defining) both ourselves and others is a significant means by which we construct knowledges - an important basis for authority. Women's collusion with patriarchal structures and processes, whether this be conscious or unconscious, creates problems with the construction of their authority on numerous levels in public and private domains. Moreover, even when women intend to operate subversively from sites of resistance, and when they succeed in doing so to some extent, the workings of power through discourse often render the overall effect of subversion to be consistent with, and ultimately supportive of, dominant ideology.The thesis examines a variety of aspects of these complex dynamics as they apply to women in the context of contemporary western societies. To this end, the first and last chapters consider women's relations to formal biography with the aim of identifying their (historic) engagement with lifestorying. Two chapters discuss the psychological/ideological aspects of biographical authority with relation to western women's subjectivities. And two chapters analyse the political and ethical implications of postmodernist/postcolonial theory on women's biographical speech. The study concludes that women's authority manifested in biographical speech is undoubtedly problematic but that feminist-inspired initiates continue to be productive.
5
Peleg, Kristine. "Rachel Calof's text(s): Family, collaboration, translation, 'Americanization'". Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280320.
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Rachel Calof's Story. Jewish Homesteader on the Northern Plains (Ed. J. Sanford Rikoon, Indiana University Press, 1995) is a first-person memoir of homesteading in North Dakota from 1894-1917, based on Rachel Calof's Yiddish manuscript. I traced this text from inception to publication, especially the translation and editing process, comparing a new translation of the Yiddish manuscript with the English publication. Since the differences proved significant, my research investigated issues of oral history transmission and collaboration. In light of new scholarship in autobiography theory, particularly Paul Eakin's "proximate collaborative autobiography," I consider Rachel Calof's Story a hybrid text, integrating both oral histories and written texts to portray a more complete picture of homestead life. Rachel's son, Jacob, compiled the English version for publication, bringing a comprehensive knowledge of her life, and yet complicating objectivity because he was, indeed, her son. Recent scholarship in women's and western studies focuses on situational context; investigation of diversity supplements an increasingly multi-faceted picture. Contemporary scholarship in immigrant literature emphasizes ambivalence rather than assimilation and changed how I considered the Calof story. I apply the Personal Narratives Group's conceptualization of context, narrator-interpreter relations and multiple connotations of "truths." The oral nature of the Yiddish language is also considered as influencing the translation. I analyze specific themes at length: Rachel Calof's physical environment of home, prairie and transitional spaces; the rhetoric of frontier settlement; home in physical and religious terms; and finally, Americanization as an editorial emphasis which reduced ethnic and religious distinctions. Other multi-authored works, including those of Anne Frank, Laura Ingalls Wilder and Black Elk, reveal parallel collaborative tensions. Neither generational nor gender differences entirely explain alterations families and ethnographers make in editing transmitted works. Barbara Myerhoff's concept of the "third voice" particularly influenced my understanding the dialogic nature of manuscripts and oral histories. Finally, I question whether publishers and audiences are complicit in the demand for success stories even at the expense of stifling an author's voice. The English publication of Rachel Calof's Story was polished and unaccented; the original Yiddish manuscript was a stream of consciousness that might not have been published.
6
Dahms, Elizabeth Anne. "THE LIFE AND WORK OF GLORIA ANZALDÚA: AN INTELLECTUAL BIOGRAPHY". UKnowledge, 2012. http://uknowledge.uky.edu/hisp_etds/6.
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The writings and life of Gloria Evangelina Anzaldúa (1942-2004) have had an immense impact in a variety of disciplines. Her oft-cited text Borderlands/La Frontera: The New Mestiza (1987) is included in many university courses’ reading lists for its contributions to discourses of hybridity, linguistics, intersectionality and women of color feminism, among others. Unfortunately, most scholars content themselves with the intricacies of Borderlands to the neglect of her corpus of work, which includes essays, books, edited volumes, children’s literature and fiction/autohistorias. This analysis presented here wishes to expand our understandings of Anzaldúa’s work by engaging with her pre- and post-Borderlands writings in an attempt to highlight the unrecognized contributions Anzaldúa offers to feminist theory, spirituality, spiritual activism, queer theory, expansive ideas of queerness and an articulation of alternative, non-Western epistemology. This project offers close readings of published and archival Anzaldúan text and draws parallels between her life and her writing.
7
Kunasek, Kimberly Ann Oei. "Anne Graham Rockfellow: Who was she? What was her contribution to the history of architecture?" Thesis, The University of Arizona, 1994. http://hdl.handle.net/10150/278409.
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Anne Graham Rockfellow, virtually unknown to history, deserves a place worthy of scholarly attention. Rockfellow's significance to the histories of American architecture, of Tucson, and of professional women is explored. She was the first woman architect academically trained at M.I.T. (the first recognized school of architecture in the United States). In the mid-1890s she made her first move to Tucson, Arizona, a growing southwestern town that already had a long history. When Rockfellow permanently relocated to Tucson in 1915, she was hired by the H. O. Jaastad architectural firm, where she remained until her retirement in 1938. In order to put Rockfellow in a historical context, her biography is juxtaposed with the biographies of some of her female contemporaries who also chose to pursue careers in the field of architecture. Her contributions to the architecture of Tucson and to the development of the Spanish Colonial Revival style are also examined.
8
Rowe, Martha L. 1953. "A poet revealed: Elizabeth Barrett Browning as portrayed in Libby Larsen's "Sonnets from the Portuguese" and Dominick Argento's "Casa Guidi"". Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290604.
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Composers Libby Larsen and Dominick Argento have each written song cycles based on the texts of Elizabeth Barrett Browning. Larsen's Sonnets from the Portuguese, for soprano and chamber orchestra, is a setting of six of the forty-four poems from Browning's amatory sequence of the same name. Argento's Casa Guidi, for mezzo-soprano and orchestra, is a setting of excerpts from letters written by Browning, primarily to her sister Henrietta, during her years in Florence. This study examines the two composers' images of Browning, and how those images are portrayed through choice of text and musical setting. The image of Browning depicted in Larsen's cycle is that of a woman who moves from a fear of love to an acceptance and embracing of it. The love that she comes to know is a love that recognizes the necessity of moving on in spite of unresolved issues. This image was gleaned from Browning's sonnets by Larsen and soprano Arleen Auger, who worked closely together to create a cycle that would speak of mature love, in contrast to the youthful love in Schumann's Frauenliebe und -leben. Three of the six sonnets in the cycle are analyzed for Larsen's use of compositional devices that reinforce the themes of the recognition and acceptance of love and of trust in non-resolution. The texts chosen by Argento were based on his desire to depict the feminine and vulnerable aspects of Browning during her years in Florence. Although the letter excerpts are not arranged in chronological order, they accurately reveal a woman who delighted in her home and family. The last three of the five songs are examined to show how Argento's careful text setting and use of orchestral color and motives enhance Browning's words and the overall mood of the letters.
9
Ackerson, Christiane Plante. "The Soul of Shakespeare and Company| Sylvia Beach's Journey into Leadership". Thesis, Franklin Pierce University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3567797.
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American expatriate Sylvia Beach (1887-1962) is mostly recognized for her contribution to Modernist literature by publishing James Joyce's Ulysses and avant-garde magazines. However, the objective of this study is to resurrect Beach's legacy as a leader by discovering how Beach, through opening Shakespeare and Company, an English-language bookshop in Paris, led the literary community who expatriated to Paris in the early twentieth century. Beach's journey into leadership began when she bravely opened her bookshop in a foreign country in 1919, at the closing of World War I, during a time when few women owned their own businesses. By creating a place, a home away from home, for the disillusioned and disenfranchised expatriates writers, Beach created a safe environment for the expatriates—a place to find their identity. By befriending them, earning their trust, and gaining their help in the Ulysses publishing venture, Beach created an environment of collaboration among the writers, many of whom remained lifelong friends. Beach's business model was unprecedented, and with vision and boldness, at Shakespeare and Company, Beach exemplified leadership by continually helping others, and thus transformed Shakespeare and Company into one of the most recognized bookstores of the time.
10
Crestani, Eliana 1966. "Traveling actress and manager in the nineteenth century: The western career of Nellie Boyd, 1879-1888". Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278588.
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This study examines the activity of the Nellie Boyd Dramatic Company between 1879 and 1888. Actress-manager Nellie Boyd formed the company around 1876 and from 1879 onward she decided to perform exclusively in the western U.S., pioneering several southwestern territories. This thesis discusses the Boyd company's impact on the life of particular western towns; the organization of the company, its repertoire and the possible significance of Boyd's choice of roles; and the critical reception accorded to Boyd and her company. The study of Boyd's career in the West offers insights into the significance of traveling companies on the cultural and social development of growing communities. It illustrates the activity of independent traveling companies parallel to the rise of the combination managerial system. It also reveals the story of a woman leading a successful show-business enterprise and enhancing her personal and professional reputation in the nineteenth-century western scene.
11
Pioter, Jill. "(False) portrait of the artist as a woman: Editorial strategy in the diaries of Virginia Woolf and Sylvia Plath". Thesis, The University of Arizona, 2002. http://hdl.handle.net/10150/278790.
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This thesis contends that, in the process of publication of the diaries of Virginia Woolf and Sylvia Plath, their husbands, Leonard Woolf and Ted Hughes, employed editorial strategies that created false portraits of the authors. Each of these men tantalized readers with the possibility of reading the 'truth' of these women's lives, but they edited their texts in ways that would minimize readers' understanding of Plath and Woolf while maximizing the benefits they would collect as heirs of the authors' literary estates. These examples are typical of a larger pattern in which women's private writings are edited by family and/or friends of the author in an effort to gain control of the author's public personae.
12
Haynie, Kathleen Louise. "A Good Mormon Wife". PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/1119.
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Within the Mormon culture, women are expected to marry, raise children, and be a "helpmeet" to their husbands. Both men and women are taught that they cannot attain the highest degree of heaven unless they are married in a Mormon temple, where they have been "sealed for time and all eternity." Although neither one can achieve this lofty goal without the other, and although there are some aspects of the Mormon culture in which there is a fair degree of equality between men and women, there is no denying that this is a patriarchal culture. Men hold the priesthood and they preside in their homes. The woman is the man's companion and counselor. Kathy Haynie converted to Mormonism when she was just eighteen, and she met and married her husband only two years later. She is committed to her religion and to her new family, and so she is as surprised as anyone when she begins to chafe under a manipulative and controlling husband. She is naive and credulous, and so she assumes that she needs to pray more, keep her mouth shut, and endure to the end. All of that changes when she attends a week of outdoor training for Boy Scout leaders, where she is one of only a handful of woman, and the only woman in her training patrol. Near the end of the week, Kathy realizes that she has been ignoring a self she has held within for fifteen years. Torn between her love of her children and her commitment to stable family life, and the increasing need she feels for genuine companionship, Kathy navigates the uncertain realm of friendship with one of her scouting friends. We watch her blossom as she gains confidence and skills to take her family out into the wilderness at the same time that she is deluding herself about her involvement with her friend. Family, faith, and friendship collide in this memoir of a Mormon wife and mother.
13
Roome, Patricia Anne. "Henrietta Muir Edwards, the journey of a Canadian feminist". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq24346.pdf.
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Esten, Antonia. "Women and biographical speech : subjectivity and authority /". Curtin University of Technology, School of Communication and Cultural Studies, 1998. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=13293.
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The thesis is concerned with the construction of women's authority as it is manifested in biographical speech; that is, in written or oral narratives, or sub-narratives, about others. The emphasis is on women's biography but certain other genres (notably gossip and the biographical research interview) are also examined.The central premise is that women as patriarchal subordinates are significantly disadvantaged in the cultural processes that construct (public) authority; also, that speaking about (defining) both ourselves and others is a significant means by which we construct knowledges - an important basis for authority. Women's collusion with patriarchal structures and processes, whether this be conscious or unconscious, creates problems with the construction of their authority on numerous levels in public and private domains. Moreover, even when women intend to operate subversively from sites of resistance, and when they succeed in doing so to some extent, the workings of power through discourse often render the overall effect of subversion to be consistent with, and ultimately supportive of, dominant ideology.The thesis examines a variety of aspects of these complex dynamics as they apply to women in the context of contemporary western societies. To this end, the first and last chapters consider women's relations to formal biography with the aim of identifying their (historic) engagement with lifestorying. Two chapters discuss the psychological/ideological aspects of biographical authority with relation to western women's subjectivities. And two chapters analyse the political and ethical implications of postmodernist/postcolonial theory on women's biographical speech. The study concludes that women's authority manifested in biographical speech is undoubtedly problematic but that feminist-inspired initiates continue to be productive.
15
Eldridge, Laurie A. "Ruthe Blalock Jones Native American artist and educator /". [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3232583.
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Thesis (Ph.D.)--Indiana University, Dept. of Curriculum and Instruction, 2006."Title from dissertation home page (viewed July 10, 2007)." Source: Dissertation Abstracts International, Volume: 67-08, Section: A, page: 2852. Adviser: Enid Zimmerman.
16
Ridenour, Hugh. "The Greens of Falls of Rough: A Kentucky Family Biography 1795-1965". TopSCHOLAR®, 1996. https://digitalcommons.wku.edu/theses/3039.
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The purpose of writing about the Greens of Falls of Rough is to record the extraordinary lives of three generations of a prominent, but somewhat neglected, Kentucky family that contributed greatly to the history of the Commonwealth. This family’s activities parallel that history in social, economic and political aspects from the state’s inception to the 1960s.
In addition, this thesis should alleviate a pervasive misunderstanding regarding the identity of Willis Green, founder of the Greens of Falls of Rough. Mr. Green, a prominent Kentuckian in his own right, has been confused with another Kentuckian, a Willis Green of Danville. The misidentification has indicated that they were either the same man or father and son. This research offers evidence that they were neither the same man nor father and son; they were apparently not even related, or at most, only very distantly so.
The Greens of Falls of Rough follows the lives of the three generations of Greens and spans the years 1795 through 1965. The principal issues addressed fall into four main categories: politics – Kentucky (1827-1845; 1859-1860; 1881-1884) and United States (1839-1845); Falls of Rough businesses, 1830s-1960s – farming, milling (saw and grist), and merchandising; domestic activities, 1860s-1960s; and social life, 1860s-1960s.
Political subjects include some movements of Kentucky’s militia in the War of 1812, the national political campaigns of 1840 and 1844, Whig issues, and Willis Green’s relationship with Henry Clay.
Business-related information includes entrepreneurial land acquisition activities in Kentucky’s Grayson and Breckinridge Counties (1820s-1830s), procedures of sawmilling and related transportation (river and railroad), farm commodities trading (1818-1900), and farm and business practices and their economic ramifications.
Domestic issues encompass food-related procedures/habits and household practices – servants, remodeling/decorating, cleaning (1870-1890).
Social aspects revolve around courtship (1860s) and rearing a family (1860s-1900), especially educational (Kentucky Military Institute, Centre College, Princeton Collegiate Institute) and moral training. In additions, some details of family disease/area epidemics and their treatments are discussed as well as entertainment activities.
Materials for this thesis were obtained almost entirely from political and family correspondence with some contribution from military and business records. More than six thousand items of correspondence were thoroughly studied and analyzed in this research.
These materials are located in the Kentucky Library, Western Kentucky University, Bowling Green, Kentucky; Filson Club, Louisville, Kentucky; University of Louisville Library, Louisville, Kentucky; National Archives, Washington, D.C.; M.I. King Library, Lexington, Kentucky; and Eastern Kentucky University Library, Richmond, Kentucky. Some materials are in the possession of Mrs. Mary O’Neill (owner of Green property), Falls of Rough, Kentucky and Hugh Ridenour (author of this work), Hanson, Kentucky.
17
Myers, Gloria Elizabeth. "Lola G. Baldwin and the Professionalization of Women's Police Work, 1905-1922". PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4687.
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This thesis traces the emergence of the American policewomen's movement through the career of Portland, Oregon's Lola Greene Baldwin, the first such officer hired by a municipality. It recounts the conditions which marked Baldwin's transition from a volunteer moral purity worker to a professional urban vice detective. The thesis connects Baldwin and her new profession to the Progressive era's social hygiene impulse. It considers how government absorption of the social hygiene agenda influenced the enforcement attitudes and methods of the early policewoman. Further, this work looks at the way Baldwin functioned within the bureaucracies and political structures of her environment. Baldwin's biographical history was obtained from her answers on a federal civil service application. The detective's original police department logs were a key element in researching her activities. Correspondence from the Portland city archives between the policewoman and five mayors and numerous police chiefs enhanced the information from her daily entries, as did a thorough perusal of contemporary newspaper items. Progressive-era city ordinances, reports of the Portland Vice Commission, and various memoranda of city council and local social hygiene committees also proved valuable. Miscellaneous personal documents and newspaper stories covering Baldwin's federal policing service during World War I were bolstered by articles from Social Hygiene. Baldwin professionalized women's police work by convincing Portland to pay for vice prevention and investigation formerly sponsored by private charities. She developed professional standards and procedures such as detailed case files, periodic statistical reports, and a specialized parole system for female delinquents. The female vice officer freely offered her ideas to other cities and helped form a national association of policewomen in 1912. Baldwin adopted social hygiene ideas through authoring laws which segregated females from sources of immorality in amusement and employment environments. The policewoman also championed detention homes for sexually precocious young women and special facilities for venereal cases. She fully accepted, moreover, social hygiene doctrine that prostitution was a medical as well as moral threat mandating complete abolition. When city authorities lagged in pursuing prostitution abatement, Baldwin helped establish a vice commission which forced appropriate action. National recognition of the female detective's vice policing won her appointment as a World War I federal military training facility protective agent. This work involved the detention of thousands of West Coast women and girls on mere suspicion of immorality. Baldwin returned to her police job in Portland after her federal task ended in late 1920. Used to the complete social control afforded by martial law, however, the policewoman became discouraged by postwar moral laxity in the Rose City, and retired in early 1922. The American urban policewomen's movement was engendered as a government effort to maintain traditional female purity in the modernizing environment of the Progressive era. Baldwin personified the transition from religious-based notions which relied on moral suasion to methods of modern professional social control which codified traditional standards and made them relevant to prevailing cultural and social conditions. The policewoman used the agenda and momentum of the social hygiene movement to empower herself and her new profession. Baldwin took advantage of growing acceptance of women as necessary partners in the management of a "parental" state. She embodied elements of "social feminism" because she believed that females were inherently different and needed state protection. Her insistence on professional equality with male cohorts, however, contradicted this pattern, as did her support of woman suffrage. Although Baldwin never reconciled to the vast cultural changes of her time, she left a proud legacy of professionalism to her daughters in modern law enforcement.
18
Huang, Qiaole 1976. "Writing from within a women's community : Gu Taiqing (1799-1877) and her poetry". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81496.
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This thesis examines the life and poetry of the woman poet Gu Taiqing (1799-1877) within the context of a community of gentry women in mid-nineteenth century Beijing. This group of women was a "community" in the sense that their contact, sociability, friendship and poetry writing were meaningfully intertwined in their lives. The thesis is divided into three interconnected chapters. Two separate biographical accounts of Gu Taiqing's life---one centered around the relationship with her husband, and the second around her relationship with her female friends---are reconstructed in the first chapter. This biographical chapter underlines the importance of situating Gu in the women's community to understand her life and poetry. The second is comprised of a reconstruction of this women's community, delineating its members and distinctive features. In the third chapter, a close-reading of Gu's poems in relation to the women's community focuses on the themes of xian (leisure), parting, and friendship. This chapter shows how each of these themes are represented by Gu and how her representations are closely related to the experiences of this women's group.
19
Chudori, Muksam Nurchayati. "Sociocultural Change and the Life Cycle: A Study of Javanese Village Women's Decisions on Transnational Labour Migration and Their Impact". Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16583.
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Using a modified form of Giddens’ structuration theory, this thesis seeks to understand how transnational labour migration reflects and influences personal development and social change in the East Javanese village of Pranggang. In doing so, it fills a gap in a literature focused primarily on the narrow window of time immediately before, during and immediately after migration. At its heart are the biographies of six village women, which are analysed to reveal the strategies they employ to attain a village-centric good life. This, in turn, makes it possible to understand the reasons why some women, but not others, choose to undertake transnational labour migration, and how their migration experience influences their life trajectories and their social world. Empirically, this study demonstrates that these women’s lives are products of the structural forces that shape their society, but also of their agency and particular life experiences. Equally, however, the transnational labour migration undertaken by these women and others like them has altered both Pranggang’s economic and physical characteristics and its social and gender relations. Theoretically, the study confirms and extends two key arguments of structuration theory. First, that individual lives and the social world are constantly produced, reproduced and transformed by people’s actions in time-space, in dialogue with their positions in society’s hierarchies, its rules and resources, and the actions of other social actors. Second, far from merely functioning as a constraining physical environment where social interaction occurs, space provides people with resources to (attempt to) achieve their aspirations. This study extends these two insights by showing that it is through life-long learning that female transnational labour migrants develop and modify their capacity for creating, preserving and transforming their lives and their social world.
20
Hill, Sheryl K. ""Until I have won" vestiges of coverture and the invisibility of women in the twentieth century : a biography of Jeannette Ridlon Piccard /". Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1241189875.
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Thesis (Ph.D.)--Ohio University, June, 2009.Title from PDF t.p. Release of full electronic text on OhioLINK has been delayed until June 1, 2014 Includes bibliographical references (leaves 397-407)
21
Muir, Michelle. "Producing educated women: Eveline LeBlanc and the University of Ottawa". Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26421.
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As a French-Canadian, Catholic institution, the University of Ottawa's practices and policies traditionally reflected the philosophy that universities served primarily to train boys for the professions. This ideal remained in effect until the mid-1950s when the University of Ottawa first considered actively recruiting women students. In 1959, the University hired Eveline LeBlanc to organize an initiative to actively recruit women students. This thesis explores two issues of importance to the study of women's history. Firstly, the main theme of this thesis pertains to Eveline LeBlanc and her professional role as a person of authority within the all-male, Catholic based administrative structure at the University of Ottawa during its transition to a co-educational institution. Secondly, this thesis also looks at the experiences of women students at the University of Ottawa from the mid-1950s until the mid-1960s as they struggle to obtain acceptance and define their position in a predominantly male setting.
22
Khaldi, Boutheina. "Arab women going public Mayy Ziyadah and her literary salon in a comparative context /". [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3332477.
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Thesis (Ph.D.)--Indiana University, Dept. of Near Eastern Languages, 2008.Title from home page (viewed on May 14, 2009). Source: Dissertation Abstracts International, Volume: 69-09, Section: A, page: 3537. Adviser: Suzanne P. Stetkevych.
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Brien, Donna L. "The case of Mary Dean: Sex, poisoning and gender relations in Australia". Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/117977/1/T%20%28CI%29%2094%20-%20THE%20CASE%20OF%20MARY%20DEAN.pdf.
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The genre of biography is, by nature, imprecise and limited. Real lives are lived synchronously and diversely; they do not divide spontaneously into chapters, subjects or themes. All biographers construct stories, in the process forcing the disordered complexity of an actual life into a neat literary form. This doctoral submission comprises a book length creative work, Poisoned: The Trials of Mary Dean, and a reflective written component on that creative work, Writing Fictionalised Biography.
Poisoned is a biography of Mary Dean, who, although repeatedly poisoned by her husband at the end of the nineteenth century, did not die. This biography, presented in the form of a first-person memoir, is based closely on historical evidence and is supported with discursive notes and a select bibliography.
The reflective written component, Writing Fictionalised Biography, outlines the process and challenges of writing a biography when the source material available is inadequate and unreliable. In writing Poisoned my genre solution has been fictionalised biography biography which is historically diligent while utilising fictional writing strategies and incorporating fictional passages. This written component reflectively discusses how I arrived at that solution. It includes discussion of the sources I utilised in writing Poisoned, including the limitations of trial transcripts and other court records as biographical evidence; useful precursors to the form; the process wherein I located both a form for my fictionalised biography and a voice for my biographical subject; possible models I considered; how I distinguished established fact from speculative supposition in the text; as well as some of the ambivalences and ethical concerns such a narrative process implies.
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Connor, D. Helene. "Writing ourselves 'home' : biographical texts : a method for contextualizing the lives of wahine Maori : locating the story of Betty Wark". Thesis, University of Auckland, 2006. http://hdl.handle.net/2292/53.
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This thesis consists of two sections. The intention of Section One, 'Biographical Texts: Theoretical Underpinning', is to explore and discuss the theoretical underpinnings of Maori feminism and Kaupapa Maori as they relate to biography as a research method into the lives of Maori women. Biography, as a literary genre is also examined with particular reference to feminist, women of colour and Maori biography. Section One is a wideranging section, encompassing a broad sweep of the literature in these areas. It both draws from existing literature and contributes to the discourse regarding Maori feminism, Maori biography and Maori research. It is relevant to but unconstrained by the content of Section Two. The intention of Section Two, 'Locating the Story of Betty Wark; A Biographical Narrative with Reflective Annotations', is to provide an example of the biographical method and what might constitute Maori biography. The subject of the biographical narrative, Betty Wark, was a Maori woman who was actively involved with community-based organisations from the 1950s until her death in May 2001. Several major themes which emerged from Betty's biographical history occur throughout her narrative and provide a framework in which her story is located. One of the most significant themes was the notion of 'home'; both literal and metaphorical. This theme is reflected in the title of the thesis, Writing Ourselves 'Home'.
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McFarland, Michele. "The intellectual life of Catherine Helen Spence". Thesis, University of Ballarat, 2004. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/60437.
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This thesis will argue that Catherine Helen Spence, a writer, preacher and reformer who migrated from Scotland to Australia in 1839, performed the role of a public intellectual in Australia similar to that played by a number of women of letters in Victorian England. While her ideas were strongly influenced by important British and European nineteenth-century intellectual figures and movements, as well as by Enlightenment thought, her work also reflects the different socio-political, historical and cultural environment of Australia. These connections and influences can be seen in her engagement with what were some of the "big ideas" of the nineteenth century, including feminism, socialism, religious scepticism, utopianism and the value of progress. In arguing that Spence was a public intellectual, I will consider the ways in which she used the literary genres of fiction and journalism, as well as her sermons, to try to help her fellow citizens make sense of the world, attempting to organise and articulate some of the significant ideas affecting the political, social and cultural climates in which they lived. Through the exploration of Spence's intellectual work, I will show how she can be regarded as making a significant contribution to nineteenth-century Australian intellectual life, one that has been under-recognised and under-valued.Doctor of Philosophy
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Birkwood, M. Susan. "(D)ifferent sides of the picture, four women's views of Canada, 1816-1838". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21279.pdf.
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Walch, Barbara Hunter. "Sallye B. Mathis and Mary L. Singleton: Black pioneers on the Jacksonville, Florida, City Council". UNF Digital Commons, 1988. https://digitalcommons.unf.edu/etd/704.
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In 1967 Sallye Brooks Mathis and Mary Littlejohn Singleton were elected the first blacks in sixty years, and the first women ever, to the city council of Jacksonville, Florida. These two women had been raised in Jacksonville in a black community which, in spite of racial discrimination and segregation since the Civil War, had demonstrated positive leadership and cooperative action as it developed its own organizations and maintained a thriving civic life. Jacksonville blacks participated in politics when allowed to do so and initiated several economic boycotts and court suits to resist racial segregation. Black women played an important part in these activities--occasionally in visible leadership roles.
As adults, Sallye Mathis and Mary Singleton· participated as educators, family members and leaders in various community efforts. Both had developed wide contacts and were respected among many blacks and whites. Mary Singleton had learned about politics as the wife of a respected black politician, and Sallye Mathis became a leader in the civil rights struggles of the 1960s in Jacksonville. In 1967, a governmental reform movement in Duval County, a softening of negative racial attitudes, and perhaps their being female aided their victories.
While Sallye Mathis remained on the Jacksonville City Council for fifteen years until her death in 1982, Mary Singleton served in the Florida House of Representatives from 1972 to 1976--the third black in the twentieth century and the first woman from Northeast Florida. From 1976 to 1978 she was appointed director of the Florida Division of Elections and in 1978 she campaigned unsuccessfully for Lt. Governor of Florida.
As government officials, Sallye Mathis and Mary Singleton emphasized the needs of low-income people and were advocates for black interests when they felt it was necessary. They were active as volunteers in numerous other community organizations and projects to further their goals. PALMM
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Clarke, Patricia, e n/a. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia". Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.
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This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999). At the time they were published each of these books either dealt with a new subject or presented a new approach to a subject. Collectively they represent a body of work that has expanded knowledge of women's lives and writing in nineteenth-century Australia. Although not consciously planned as a sequence at the outset, these books developed as a result of the influence on my thinking of the themes that emerged in Australian social and cultural historical writing during this period. The books also represent a development in my own work from the earlier more documentary-based books on letters and diaries to the interpretive challenge of biographical writing and the weaving of private lives with public achievements. These books make up a cohesive, cumulative body of work. Individually and as a whole, they make an original contribution to knowledge of the lives and achievements of women in nineteenth-century Australia. They received critical praise at the time of publication and have led to renewed interest and further research on the subjects they cover. My own knowledge and expertise has developed as a result of researching and writing them. The Governesses was not only the first full-length study of a particular group of letters but it also documented aspects of the lives of governesses in Australia, a little researched subject to that time. A Colonial Woman, based on a previously unpublished and virtually unknown diary, pointed to the importance of 'ordinary' lives in presenting an enriched view of the past. Pen Portraits documented the early history of women journalists in Australia, a previously neglected subject. Three of the women I included in Pen Portraits, Louisa Atkinson, Tasma and Rosa Praed, the first two of whom were pioneer women journalists as well as novelists, became the subjects of my full-length biographies. In my biographies of women writers, Pioneer Writer, Tasma, and Rosa! Rosa!, I recorded and interpreted the lives of these important writers placing them in the context of Australian cultural history as women who negotiated gender barriers and recorded this world in their fiction. My books on Louisa Atkinson and Tasma were the first full-length biographies of these significant but largely forgotten nineteenth-century women writers, while my biography of Rosa Praed was the first for more than fifty years. Each introduced original research that changed perceptions of the women's lives and consequently of attitudes to their creative work. Each provided information essential for further research on their historical significance and literary achievements. Each involved extensive research that led to informed interpretation allowing insightful surmises essential to quality biography.
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Clarke, Patricia. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365578.
Texto completo da fonteResumo:
This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999).
At the time they were published each of these books either dealt with a new subject or presented a new approach to a subject. Collectively they represent a body of work that has expanded knowledge of women's lives and writing in nineteenth-century Australia. Although not consciously planned as a sequence at the outset, these books developed as a result of the influence on my thinking of the themes that emerged in Australian social and cultural historical writing during this period. The books also represent a development in my own work from the earlier more documentary-based books on letters and diaries to the interpretive challenge of biographical writing and the weaving of private lives with public achievements. These books make up a cohesive, cumulative body of work. Individually and as a whole, they make an original contribution to knowledge of the lives and achievements of women in nineteenth-century Australia. They received critical praise at the time of publication and have led to renewed interest and further research on the subjects they cover. My own knowledge and expertise has developed as a result of researching and writing them. The Governesses was not only the first full-length study of a particular group of letters but it also documented aspects of the lives of governesses in Australia, a little researched subject to that time. A Colonial Woman, based on a previously unpublished and virtually unknown diary, pointed to the importance of 'ordinary' lives in presenting an enriched view of the past. Pen Portraits documented the early history of women journalists in Australia, a previously neglected subject. Three of the women I included in Pen Portraits, Louisa Atkinson, Tasma and Rosa Praed, the first two of whom were pioneer women journalists as well as novelists, became the subjects of my full-length biographies. In my biographies of women writers, Pioneer Writer, Tasma, and Rosa! Rosa!, I recorded and interpreted the lives of these important writers placing them in the context of Australian cultural history as women who negotiated gender barriers and recorded this world in their fiction. My books on Louisa Atkinson and Tasma were the first full-length biographies of these significant but largely forgotten nineteenth-century women writers, while my biography of Rosa Praed was the first for more than fifty years. Each introduced original research that changed perceptions of the women's lives and consequently of attitudes to their creative work. Each provided information essential for further research on their historical significance and literary achievements. Each involved extensive research that led to informed interpretation allowing insightful surmises essential to quality biography.Thesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
School of Arts, Media and Culture
Full Text
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Griffin, Cheryl. "A biography of Doris McRae, 1892-1988 /". Connect to thesis, 2005. http://eprints.unimelb.edu.au/archive/00001604.
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Brammer, Birgit. "Adele Steinwender : observations of a German woman living on a Berlin mission station as recorded in her diary". Diss., Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-08202008-173954/.
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Kotsovolos, Nastasia. "Creating the female/female creators: Pope, women writers and "The Dunciad"". Thesis, University of Ottawa (Canada), 1996. http://hdl.handle.net/10393/10001.
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This thesis examines the transformation of gender identity in the early eighteenth century; it demonstrates the ways in which the entry of women into print culture destabilized traditional gender norms; and it demonstrates the effect of such changes upon the life and poetry of Alexander Pope. The first chapter, which is mainly historical, contextualizes women's participation in print culture. It describes how their presence in print signified gender as an artificial or socially constructed category (as opposed to traditional notions of it as absolute and essential). The second chapter surveys various poetry and correspondence of Alexander Pope in order to demonstrate the difficulties and anxieties experienced by Pope as he attempts to deal with fluctuating gender codes of the day. He requires a stable notion of the private feminine Other in order to establish his masculine and public self, yet it is shown that Pope is inexorably linked with the feminine Other from which he endeavours to distance himself; thereby, he unwittingly contributes to the slippage of these terms. The third chapter ties together all the issues discussed in the previous two chapters through a close reading of The Dunciad. Pope's anxiety about gender identity is revealed: he represents his culture, especially literary culture, as having fallen into "feminization" because it has ostensibly rejected masculine values in preference to feminine ones. The reign of Queen Dulness engenders the conditions whereby the body has enslaved the mind, madness has overpowered reason and empty rhetoric has replaced meaningful language. Although Pope attempts to distance himself from all that he represents as corrupt and effeminate in The Dunciad, he is, nevertheless, implicated in the perversion of the very patriarchal systems which he is attempting to uphold. (Abstract shortened by UMI.)
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Modzelewski, Ann Shirley. "Internal dialogues: Construction of the self in The Woman Warrior". CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2468.
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This thesis considers past autobiographical theory and questions whether it addresses the autobiography of the female writer. Autobiographies of Harriet Jacobs, Margaret Sanger, and Maxine Hong Kingston are examined to reveal their polyvocality, use of the autobiographical "I", and rhetorical strategies maintained in order to create a close relationship with the reader. Particular attention is paid to Mikhail Bakhtin's theory of dialogism and Sidonie Smith's autobiographical "I."
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Greenwald, Marilyn S. "The life and career of journalist Charlotte Curtis : a rhetorical biography /". The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487688507503189.
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Olson, Nancy Louise. "Assembling a life, the (auto) biography of Alexis Amelia Alvey, 1942-1945". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0028/MQ37604.pdf.
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Hubbs, Holly J. "American women saxophonists from 1870-1930 : their careers and repertoire". Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259304.
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The late nineteenth century was a time of great change for women's roles in music. Whereas in 1870, women played primarily harp or piano, by 1900 there were all-woman orchestras. During the late nineteenth century, women began to perform on instruments that were not standard for them, such as cornet, trombone, and saxophone. The achievements of early female saxophonists scarcely have been mentioned in accounts of saxophone history. This study gathers scattered and previously unpublished information about the careers and repertoire of American female saxophonists from 1870-1930 into one reference source.The introduction presents a brief background on women's place in music around 1900 and explains the study's organization. Chapter two presents material on saxophone history and provides an introduction to the Chautauqua, lyceum, and vaudeville circuits. Chapter three contains biographical entries for forty-four women saxophonists from 1870-1930. Then follows in Chapter four a discussion of the saxophonists' repertoire. Parlor, religious, and minstrel songs are examined, as are waltz, fox-trot, and ragtime pieces. Discussion of music of a more "classical" nature concludes this section. Two appendixes are included--the first, a complete alphabetical list of the names of early female saxophonists and the ensembles with which they played; the second, an alphabetical list of representative pieces played by the women.The results of this study indicate that a significant number of women became successful professional saxophonists between 1870-1930. Many were famous on a local level, and some toured extensively while performing on Chautauqua, lyceum, and vaudeville circuits. Some ended their performing careers after becoming wives and mothers, but some continued to perform with all-woman swing bands during the 1930s and 40s.The musical repertoire played by women saxophonists from 1870-1930 reflects the dichotomy of cultivated and vernacular music. Some acts chose to use popular music as a drawing card by performing ragtime, fox-trot, waltz, and other dance styles. Other acts presented music from the more cultivated classical tradition, such as opera transcriptions or original French works for saxophone (by composers such as Claude Debussy). Most women, however, performed a mixture of light classics, along with crowd-pleasing popular songs.School of Music
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Wernitznig, Dagmar. "No documents, no history : a political biography of Rosika Schwimmer (1877-1948)". Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711810.
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Howe, Lisa A. "Spirited Pioneer: The Life of Emma Hardinge Britten". FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/2292.
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Emma Hardinge Britten’s life encompassed and reflected many of the challenges and opportunities afforded to women in the Victorian world. This dissertation explores the multi-layered Victorian landscape through the life of an individual in order not only to tell her individual story, but also to gain a more nuanced understanding of how nineteenth-century norms of gender, class, religion, science and politics combined to create opportunities and obstacles for women in Britten’s generation. Britten was an actor, a musician, a writer, a theologian, a political activist, a magazine publisher, a spirit medium, a lecturer, and a Spiritualist missionary. Taking into account her multiple subjectivities, this dissertation relies on historical biography to contextualize Britten’s life in a number of areas, including Modern Spiritualism and political and civic engagement in the second half of the nineteenth century in Britain, the U.S., and Australia.
The dissertation is organized thematically in a quasi-chronological manner. Time frames overlap between chapters, as Britten travels from the realm of politics to that of science and to religion. Each chapter reflects this transformation of Britten’s multiple intellectual and spiritual engagements, including performance, religion, politics and science.
Emma Hardinge Britten challenged, whether consciously or not, gendered expectations by attaining a presence in a male-dominated public. Even though her life and accomplishments pre-date the New Woman of the fin de siècle, Britten established a successful career and her life creates a foreshadowing of the larger movements to come. She was an extraordinarily politically active woman whose influence reached three continents in her lifetime and beyond.
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Laporte, Yolaine. "Odélie Brisebois : biographie d'une inconnue". Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59417.
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In this thesis, I have studied the elements that distinguish the biography as a literary genre. After analysing the different facets involved in the making of a biography, I have applied some theories to practical use. I chose a subject, became acquainted with the facts of this person's life, found the ideal form and produced on paper the life of a real human being. I chose to write a biography on Odelie Brisebois, a very loving and humble woman. Her seventy-seven years encompasses a period of Quebec history and life style that we will never see again.
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Dunster, Sandra. "Women of the Nottinghamshire elite, c. 1720-1820". Thesis, University of Nottingham, 2003. http://eprints.nottingham.ac.uk/12083/.
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This thesis explores the lives of women in a small group of families in the Nottinghamshire elite between 1720 and 1820. A close reading of family papers, gives access to the minutiae of female life and it is from these small details that the attitudes, activities and responsibilities of elite women are constructed. Drawing on the distinct historiographies of women and gender, and of the elite, the evidence produced by this sharply-focused approach is used to explore women's formal and informal roles, and the specific ways in which they were fulfilled, in the domestic, social, economic and political life of the elite. Consideration is first given to attitudes towards girls within the family and to how childhood experience contributed to the construction of elite womanhood. An assessment of the level of convergence between family and individual interests in the matter of marital choices is followed by an exploration of the weight of domestic responsibility experienced by women within the family, as wives, mothers and housekeepers. Attention turns to assessing the extent of female engagement with political, economic and social life, in the pursuit of personal and family interests. The narratives of women and their families illuminate how the female elite balanced the particular mix of subordination and privilege conferred upon them by gender and status. The range of activities in which they engaged and the multifaceted nature of that engagement demonstrate that throughout the eighteenth century women at all levels of the Nottinghamshire elite worked to support the ethos of elite pre-eminence in many small but cumulatively significant ways.
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Cruikshank, Julie. "Life lived like a story : cultural constructions of life history by Tagish and Tutchone women". Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/41444.
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This thesis is based on collaborative research conducted
over ten years with three elders of Athapaskan/Tlingit ancestry,
in the southern Yukon Territory, Canada Mrs. Angela Sidney, Mrs.
Kitty Smith and Mrs. Annie Ned are also authors of this document
because their oral accounts of their lives are central to the
discussion. One volume examines issues of method and ethnographic
writing involved in such research and analyses the accounts
provided by these women; a second volume presents their accounts,
in their own words, in three appendices.
The thesis advanced here is that life history offers two
distinct contributions to anthropology. As a method, it
provides a model based on collaboration between participants
rather than research 'by' an anthropologist 'on' the community.
As ethnography, it shows how individuals may use the
traditional dimension of culture as a resource to talk about
their lives, and explores the extent to which it is possible f or
anthropologists to write ethnography grounded in the perceptions
and experiences of people whose lives they describe. Narrators
provide complex explanations for their experiences and decisions
in metaphoric language, raising questions about whether
anthropological categories like 'individual', 'society' and
'culture' are uniquely bounded units. The analysis focusses on how these women attach central
importance to traditional stories (particularly those with female
protagonists), to named landscape features, to accounts of
travel, and to inclusion of incidents from the lives of others in
their narrated 'life histories'. Procedures associated with both
life history analysis and the analysis of oral tradition are used
to consider the dynamics of narration. Particular attention is
paid to how these women use oral tradition both to talk about the
past and to continue to teach younger people appropriate behavior
in the present. The persistence of oral tradition as a system of
communication and information in the north when so much else has
changed suggests that expressive forms like story telling
contribute to strategies for adapting to social, economic and
cultural change.Arts, Faculty of
Anthropology, Department of
Graduate
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Echevarria-Howe, Lynn Carleton University Dissertation Sociology. "Life history as process and product; the social construction of self through feminist methodologies and Canadian Black experience". Ottawa, 1992.
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Roets, Elmeret. "Marie Curie : a psychobiography". Thesis, Rhodes University, 2016. http://hdl.handle.net/10962/d1020326.
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While researchers debate the value of psychobiographical research, interest in this area is growing on a national and international basis. Every year, the number of psychobiographical studies at universities in South Africa is growing. Psychobiographical research is qualitative research that utilises psychological theory to explore and describe the lives of extraordinary individuals. The primary aim of this psychobiography was to examine the life of Marie Curie (1867–1934) by employing developmental psychologist and psychoanalyst Erik Erikson’s (1959) theory of psychosocial personality development. Marie Curie was chosen as the research subject because of the researcher’s personal interest and the subject’s prominence as a female scientist. She was a Polish-born and naturalised French scientist who conducted pioneering research on radioactivity. Marie Curie’s ground-breaking discoveries changed the way scientists think about matter and energy and introduced a new era in medical knowledge and the treatment of disease. Her life exemplifies a love of science, commitment, and perseverance. Data were collected from several primary and secondary sources on Marie Curie’s life. The researcher developed a data-collection and analysis matrix to facilitate the systematic collection of data and analysis according to Erikson’s stage theory of psychosocial personality development. This psychobiography suggests that unresolved infantile and early childhood crises gave rise to personality traits that eventually contributed to Curie’s extraordinariness. In the case of Curie, personality traits that are often regarded as atypical or malignant, ironically encouraged perseverance, creativity, and productivity. This study complements the psychobiographical studies done in South Africa on extraordinary individuals. It demonstrated the value of psychobiographical research as a teaching instrument, revealed the usefulness of Erikson’s theory, and illustrated the uniqueness of individuals.
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GONZALEZ, ELIZABETH QUIROZ. "THE EDUCATION AND PUBLIC CAREER OF MARIA L. URQUIDES: A CASE STUDY OF A MEXICAN AMERICAN COMMUNITY LEADER". Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/188186.
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The purpose of this life history is to describe and evaluate the public career of Dr. Maria L. Urquides, a Mexican American woman who has held a number of distinguished offices in local, state, and national education organizations, and who has distinguished herself as a productive citizen of her community for over half a century. To describe and evaluate Dr. Urquides' public career, I traced her intellectual development and ascertained the extent to which her development reflected the dominant social and intellectual climate of the past sixty years. The investigation proceeded on the basis of a three-part theoretical framework drawn from the literature of history, anthropology, and psychology. The theory included the following: (1) review of biographical studies, (2) review of cultural pluralism ideologies; and (3) interpersonal perceptual approaches to behavior. The material for the subsequent chapters which treat Maria Urquides' life come from twenty sources: (1) ten interviews I held with her in 1984-85, (2) twenty interviews held with her family, friends, and colleagues; (3) historical documents and newspaper articles, and (4) personal memorabilia. Dr. Urquides' developmental years are treated in Chapter Four, a section which contains family history and background, as well as her years of education through college. Chapter Five provides the reader with a look at Dr. Urquides as a young teacher and social advocate. Chapter Six covers the local, state, and national recognition received in part to her efforts in the passage of the Bilingual Education Act. The seventh chapter follows the untiring efforts of her continued community involvement. Among the key conclusions which emerged from this study are these: (1) that Maria had a strong "mentorship" system through her parents as well as through elementary and high school teachers; (2) that Maria retained strong cultural ties with her Hispanic background; (3) she was a truly bicultural person; (4) Maria exhibited strong coping skills. Many criticized her methods of coping, but not her results; (5) Maria maintained a positive attitude in life, always turning obstacles into challenges; (6) Maria gained leadership skills through her involvement and participation.
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Chow, Esther Oi-wah, e 周愛華. "Resilience among stroke survivors: the experience of Hong Kong women". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B4501534X.
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Forsyth, Michael. "Julia Kavanagh in her times : novelist and biographer, 1824-1877". Thesis, n.p, 1999. http://oro.open.ac.ukk/18817/.
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Currie, Susan. "Writing women into the law in Queensland". Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16395/1/Susan_Currie_Thesis.pdf.
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Writing Women into the Law in Queensland consists, as well as an exegesis, of profiles of seven significant women in the law in Queensland which have been published in A Woman's Place: 100 years of women lawyers edited by Susan Purdon and Aladin Rahemtula and published by the Supreme Court of Queensland Library in November 2005. Those women are Leneen Forde, Chancellor of Griffith University and former Governor of Queensland; Kate Holmes, Justice of the Supreme Court and now of the Court of Appeal; Leanne Clare, the first female Director of Public Prosecutions; Barbara Newton, the first female Public Defender; Carmel MacDonald, President of the Aboriginal Land Tribunals and the first female law lecturer in Queensland; Fleur Kingham, formerly Deputy President of the land and Resources Tribunal and now Judge of the District Court and Catherine Pirie, the first Magistrate of Torres Strait descent. The accompanying exegesis investigates the development of the creative work out of the tensions between the aims of the work, its political context, the multiple positions of the biographer, and the collaborative and collective nature of the enterprise.
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Currie, Susan. "Writing women into the law in Queensland". Queensland University of Technology, 2006. http://eprints.qut.edu.au/16395/.
Texto completo da fonteResumo:
Writing Women into the Law in Queensland consists, as well as an exegesis, of profiles of seven significant women in the law in Queensland which have been published in A Woman's Place: 100 years of women lawyers edited by Susan Purdon and Aladin Rahemtula and published by the Supreme Court of Queensland Library in November 2005. Those women are Leneen Forde, Chancellor of Griffith University and former Governor of Queensland; Kate Holmes, Justice of the Supreme Court and now of the Court of Appeal; Leanne Clare, the first female Director of Public Prosecutions; Barbara Newton, the first female Public Defender; Carmel MacDonald, President of the Aboriginal Land Tribunals and the first female law lecturer in Queensland; Fleur Kingham, formerly Deputy President of the land and Resources Tribunal and now Judge of the District Court and Catherine Pirie, the first Magistrate of Torres Strait descent. The accompanying exegesis investigates the development of the creative work out of the tensions between the aims of the work, its political context, the multiple positions of the biographer, and the collaborative and collective nature of the enterprise.
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Dowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.
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Wong, Sui-sum Grace, e 黃瑞琛. "Conceptualizing transnationalism and transculturalilsm in Chinese American women narratives and memoirs: JadeSnow Wong, Ruthanne Lum McCunn, and Amy Tan". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227983.
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