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Livros sobre o tema "Whiteness"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 1 de agosto de 2024

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1

Ruth, Adams, e London Consortium, eds. Whiteness. London: Lawrence & Wishart, 2001.

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2

Tißberger, Martina. Critical Whiteness. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17223-7.

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3

Taylor, Gary. Buying whiteness. Basingstoke: Palgrave, 2003.

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4

Melville, Herman. The whiteness. Chérencé-Le-Héron, France?]: [publisher not identified], 2008.

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5

Hughes, David McDermott. Whiteness in Zimbabwe. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106338.

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6

Burrows, Victoria. Whiteness and Trauma. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230005792.

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7

Boucher, Leigh, Jane Carey e Katherine Ellinghaus, eds. Re-Orienting Whiteness. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230101289.

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8

Shaw, Wendy S., ed. Cities of Whiteness. Oxford UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470712931.

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9

Spracklen, Karl. Whiteness and Leisure. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137026705.

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10

Harvey, Jennifer. Whiteness and Morality. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604940.

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11

Hayes, Cleveland, e Nicholas D. Hartlep, eds. Unhooking from Whiteness. Rotterdam: SensePublishers, 2013. http://dx.doi.org/10.1007/978-94-6209-377-5.

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12

Hartlep, Nicholas D., e Cleveland Hayes, eds. Unhooking from Whiteness. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-527-2.

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13

Aileen, Moreton-Robinson, Casey Maryrose e Nicoll Fiona Jean, eds. Transnational whiteness matters. Lanham: Lexington Books, 2008.

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14

Garner, Steve. Whiteness: An introduction. Milton Park, Abingdon, Oxon: Routledge, 2007.

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15

Stevenson, Jane. Whiteness. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0010.

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The colour white was central to twenties aesthetics. Modernists associated it with purity, rigour, and absence of decoration: plain white privileges volume over surfaces. Modern baroque decorators used whiteness differently, to unify eclectically sourced objects. Their ‘amusing’ use of white combined multiple shades of near-white in different textures to create sophisticated effects. But, like the modernists, baroque decorators were more interested in shape than colour.

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16

Garner, Steve. Whiteness. Routledge, 2007. http://dx.doi.org/10.4324/9780203945599.

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17

Lund, Martin. Whiteness. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/13503.001.0001.

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The socially constructed phenomenon of whiteness: how it was created, how it changes, and how it protects and privileges people who are perceived as white. This volume in the MIT Press Essential Knowledge series examines the socially constructed phenomenon of whiteness, tracing its creation, its changing formation, and its power to privilege and protect people who are perceived as white. Whiteness, author Martin Lund explains, is not one single idea but a shifting, overarching category, a flexible cluster of historically, culturally, and geographically contingent ideals and standards that enable systems of hierarchical classification. Lund discusses words used to talk about whiteness, from white privilege to white fragility; the intersections of whiteness with race, class, and gender; whiteness in popular culture; and such ideas as “colorblindness” and “reverse racism,” which, he argues, actually uphold whiteness. Lund shows why it is important to keep talking and thinking about whiteness. The word “whiteness,” he writes, doesn't describe; it conjures something into being. Drawing on decades of critical whiteness studies and citing a range of examples (primarily from the United States and Sweden), Lund argues that whiteness is continually manufactured and sustained through language, laws, policies, science, and representations in media and popular culture. It is often positioned as normative, even universal. And despite its innocuous-seeming manifestations in sitcoms and superheroes, whiteness is always in the service of racial domination.

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18

Whiteness. MIT Press, 2022.

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19

Whiteness. Routledge, 2007.

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20

Lazarre, Jane. Beyond The Whiteness of Whiteness. Duke University Press, 1997. http://dx.doi.org/10.1215/9780822378167.

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21

Michael, Lucy, e Samantha Schulz, eds. Unsettling Whiteness. BRILL, 2014. http://dx.doi.org/10.1163/9781848882829.

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22

Frankenberg, Ruth, ed. Displacing Whiteness. Duke University Press, 1997. http://dx.doi.org/10.1215/9780822382270.

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23

Marston, Kendra. Postfeminist Whiteness. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430296.001.0001.

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This book is the first extended study into the politics of whiteness inherent within postfeminist popular cinema. It analyses a selection of Hollywood films dating from the turn of the millennium, arguing that the character of the ‘melancholic white woman’ operates as a trope through which to explore the excesses of late capitalism and a crisis of faith in the American dream. Melancholia can function as a form of social capital for these characters yet betrays its proximity to a gendered history of emotion and psychopathology. This figure is alternately idealised or scapegoated depending on how well she navigates the perils of postfeminist ideology. Furthermore, the book considers how performances of melancholia and mental distress can confer benefits for Hollywood actresses and female auteurs on the labour market, which in turn has contributed to the maintenance of white hegemony within the mainstream US film industry. Case studies in the book include Black Swan (Darren Aronofksy 2010), Gone Girl (David Fincher 2014) and Alice in Wonderland (Tim Burton 2010).

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24

Seshadri-Crooks, Kalpana. Desiring Whiteness. Routledge, 2002. http://dx.doi.org/10.4324/9780203454787.

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25

Bell, Marcus. Whiteness Interrupted. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021933.

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In Whiteness Interrupted Marcus Bell presents a revealing portrait of white teachers in majority-black schools in which he examines the limitations of understandings of how white racial identity is formed. Through in-depth interviews with dozens of white teachers from a racially segregated, urban school district in Upstate New York, Bell outlines how whiteness is constructed based on localized interactions and takes a different form in predominantly black spaces. He finds that in response to racial stress in a difficult teaching environment, white teachers conceptualized whiteness as a stigmatized category predicated on white victimization. When discussing race outside majority-black spaces, Bell's subjects characterized American society as postracial, in which race seldom affects outcomes. Conversely, in discussing their experiences within predominantly black spaces, they rejected the idea of white privilege, often angrily, and instead focused on what they saw as the racial privilege of blackness. Throughout, Bell underscores the significance of white victimization narratives in black spaces and their repercussions as the United States becomes a majority-minority society.

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26

Bell, Marcus. Whiteness Interrupted. Duke University Press, 2021. http://dx.doi.org/10.1515/9781478021933.

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27

Mellette, Justin. Peculiar Whiteness. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832535.001.0001.

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Peculiar Whiteness argues for deeper consideration of the complexities surrounding the disparate treatment of poor whites throughout southern literature and attests to how broad such experiences have been. While the history of prejudice against this group is not the same as the legacy of violence perpetrated against people of color in America, individuals regarded as ‘white trash’ have suffered a dehumanizing process in the writings of various white authors. Poor white characters are frequently maligned as grotesque and anxiety-inducing, especially when they are aligned in close proximity to blacks or with other troubling conditions such as physical difference. Thus, as a symbol, much has been asked of poor whites, and various iterations of the label (e.g., ‘white trash,’ tenant farmers, or even people with a little less money than average) have been subject to a broad spectrum of judgment, pity, compassion, fear, and anxiety. Peculiar Whiteness engages key issues in contemporary critical race studies, whiteness studies, and southern studies, both literary and historical. Through discussions of authors including Charles Chesnutt, Thomas Dixon, Erskine Caldwell, William Faulkner, and Flannery O’Connor, the book analyzes how we see how whites in a position of power work to maintain their status, often by finding ways to re-categorize and marginalize people who might not otherwise have seemed to fall under the auspices or boundaries of ‘white trash.’

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28

Marston, Kendra. Postfeminist Whiteness. Edinburgh University Press, 2018. http://dx.doi.org/10.1515/9781474430319.

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29

Hill, Mike. After Whiteness. New York University Press, 2022. http://dx.doi.org/10.18574/nyu/9780814744598.001.0001.

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30

Norris, Kristopher. Witnessing Whiteness. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190055813.001.0001.

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Witnessing Whiteness analyzes the current racial climate of American Christianity and argues for a new ethics of responsibility to confront white supremacy. Examining the current manifestations of racism in American churches, exploring the theological roots of white supremacy, and reflecting on the ways whiteness impacts even well-meaning, progressive white theologians, this book diagnoses the ways that all of white theology and white Christian practice are implicated in white supremacy. By identifying the roots of white supremacy within the church’s theology and practice, the book argues that the Christian church has a particular—and particularly acute—responsibility to address it. Witnessing Whiteness uncovers this responsibility ethic at the convergence of two prominent streams in theological ethics: traditionalist (white) witness theology and black liberation theology. Then, employing their shared resources and attending to the criticisms liberation theology directs at traditionalism, it proposes concrete practices to challenge the white church’s and white theology’s complicity in white supremacy.

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31

Aanerud, Rebecca, T. Muraleedharan, Angie Chabram-Dernersesian e bell hooks. Displacing Whiteness. Editado por Ruth Frankenberg. Duke University Press, 1997. http://dx.doi.org/10.1515/9780822382270.

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32

Levine-Rasky, Cynthia. Whiteness Fractured. Taylor & Francis Group, 2016.

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33

On Whiteness. Inter-Disciplinary Press, 2012.

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34

Muller, Reto. Manufacturing Whiteness. PublishAmerica, 2001.

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35

Levine-Rasky, Cynthia. Whiteness Fractured. Taylor & Francis Group, 2016.

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36

Michael, Lucy, e Samantha Schulz. Unsettling Whiteness. Inter-Disciplinary Press, 2014.

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37

Levine-Rasky, Cynthia. Whiteness Fractured. Taylor & Francis Group, 2016.

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38

Levine-Rasky, Cynthia. Whiteness Fractured. Taylor & Francis Group, 2016.

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39

Levine-Rasky, Cynthia. Whiteness Fractured. Taylor & Francis Group, 2016.

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40

Zihuatanejo, Joaquin. Occupy Whiteness. Deep Vellum Publishing, 2024.

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41

Whiteness Fractured. Taylor & Francis Group, 2013.

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42

Critical Whiteness. Springer Nature, 2017.

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43

Staging whiteness. Middletown, Conn: Wesleyan University Press, 2005.

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44

Desiring Whiteness. Routledge, 2002.

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45

Schmitt, Mark, e Evangelia Kindinger. Intersections of Whiteness. Taylor & Francis Group, 2020.

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46

Schmitt, Mark, e Evangelia Kindinger. Intersections of Whiteness. Taylor & Francis Group, 2019.

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47

Spracklen, K. Whiteness and Leisure. Palgrave Macmillan, 2013.

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48

Behar, Clarissa, e Anastasia Chung, eds. Images of Whiteness. BRILL, 2013. http://dx.doi.org/10.1163/9781848882225.

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49

Fisher, Jennifer. Ballet and Whiteness. Editado por Anthony Shay e Barbara Sellers-Young. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.008.

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This chapter examines the history and practice of skin color prejudices in the ballet world, especially as they relate to conceptions of “whiteness.” The ethnic roots of ballet (Kealiinohomoku) and Africanist influences on George Balanchine, which led him to invent a new kind of classicism (Dixon Gottschild), are considered, as is the dance world’s reception of these topics. It is suggested that Balanchine might have been a strong force for the integration of ballet had he not been limited by his racially hidebound context. It is also suggested that ballet might always be “the kingdom of the pale” unless the ballet world moves beyond superficial ways of seeing.

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50

Roediger, David R. Whiteness and Race. Editado por Ronald H. Bayor. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199766031.013.012.

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This article situates the growing literature on European immigration to the United States and white racial identity in the larger body of research on immigration history and in inspirations from literature and social theory. It places the new work, debates among those producing it, and critical responses to it within historiography and recent political debates. Differences over the utility of the idea that immigrants “became white” in the United States are especially emphasized, as are the ways that class, law, and gender intersect with race. Suggestions for further research are offered in conclusion.

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