Bibliografias temáticas / Villa Monticello (Rome, Italy)

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Literatura científica selecionada sobre o tema "Villa Monticello (Rome, Italy)"

Autor: Grafiati
Publicado: 29 de julho de 2024
Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Villa Monticello (Rome, Italy)"

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Crupi, Vincenza, Barbara Fazio, Giacomo Fiocco, Giuliana Galli, Mauro Francesco La Russa, Maurizio Licchelli, Domenico Majolino et al. "Multi-analytical study of Roman frescoes from Villa dei Quintili (Rome, Italy)". Journal of Archaeological Science: Reports 21 (outubro de 2018): 422–32. http://dx.doi.org/10.1016/j.jasrep.2018.08.028.

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Collier, W. O. "The Villa of Cardinal Alessandro Albani, Hon.F.S.A." Antiquaries Journal 67, n.º 2 (setembro de 1987): 338–47. http://dx.doi.org/10.1017/s0003581500025440.

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Cardinal Alessandro Albani was probably the most renowned collector of antiquities in eighteenth century Italy. His Roman villa, planned to display them, was built at various dates here discussed in the light of Albani's antedecents, upbringing and career as diplomatist, antiquary and amateur architect. The stylistic origins of the villa are considered together with its influence on later architects, notably Percier and Fontaine and the brothers Adam. Excerpts are given from the course of visits to Roman sites by the cicerone James Byres which illustrate the climate of informed opinion on architecture in late eighteenth-century Rome, where the works of the Cardinal's painter Mengs and librarian Winckelmann were receiving wide acclaim.
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Alberti, R., V. Crupi, R. Frontoni, G. Galli, M. F. La Russa, M. Licchelli, D. Majolino et al. "Handheld XRF and Raman equipment for the in situ investigation of Roman finds in the Villa dei Quintili (Rome, Italy)". Journal of Analytical Atomic Spectrometry 32, n.º 1 (2017): 117–29. http://dx.doi.org/10.1039/c6ja00249h.

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A variety of fragments of frescoes coming from the Villa dei Quintili in Rome and dating back to the II century A.D. were subjected to, first of all, an X-ray fluorescence (XRF) analysis by optimizing a portable spectrometer for non-destructive investigation in the field of cultural heritage.
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Crupi, Vincenza, Giuliana Galli, Mauro Francesco La Russa, Francesca Longo, Giacomo Maisano, Domenico Majolino, Marco Malagodi et al. "Multi-technique investigation of Roman decorated plasters from Villa dei Quintili (Rome, Italy)". Applied Surface Science 349 (setembro de 2015): 924–30. http://dx.doi.org/10.1016/j.apsusc.2015.05.074.

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Gaeta, Mario. "Petrogenetic implications of Ba-sanidine in the Lionato Tuff (Colli Albani Volcanic District, Central Italy)". Mineralogical Magazine 62, n.º 5 (outubro de 1998): 697–701. http://dx.doi.org/10.1180/002646198547927.

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AbstractA vitric fiamme containing BaO-bearing sanidine (BaO = 11 wt.%) was sampled (via di Fioranello, Rome) in the pyroclastic products of the Lower Flow Unit (LFU) belonging to the Villa Senni Eruption Unit in the Colli Albani Volcanic District (Roman Comagmatic Province, Central Italy). The fiamme of the LFU is essentially made up of glass, in which scarce phenocrysts of BaO-bearing sanidine, leucite and Al2O3-bearing Ca-clinopyroxene occur. In this paper the various parameters controlling barium partitioning between alkali feldspar and LFU liquid, are discussed.
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Bartoli, Flavia, Luca D’Amato, Arianna Nucera, Giulia Albani Rocchetti e Giulia Caneva. "Understanding the Lost: Reconstruction of the Garden Design of Villa Peretti Montalto (Rome, Italy) for Urban Valorization". Plants 13, n.º 1 (26 de dezembro de 2023): 77. http://dx.doi.org/10.3390/plants13010077.

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Urbanization and urban regeneration can significantly impact cultural heritage, but a greater knowledge of the past natural and historical features is needed to value the past and understand the present. The lost Villa Peretti Montalto in Rome, once located in the area that corresponds to the current front side of Termini station, deserves great attention due to its cultural value. This work aimed to provide a floristic and functional reconstruction of the gardens of the villa during the XVI and XVII Centuries. From several bibliographic and iconographic sources, a critical analysis and interpretation of plant names was conducted. A list of 87 species and their location in the different garden sectors, during different periods with their specific uses, is provided. The arboreal design was made by classical species in the Roman context, like Cupressus sempervirens, Pinus pinea, Quercus ilex, and Ulmus glabra. In addition, ancient lost varieties of fruit trees (mainly Pyrus communis and Ficus carica) and several species of conservation interest were found. The knowledge of the ancient flora in historical gardens could be a key tool in urban greenery planning and touristic and cultural valorization.
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Van Oyen, Astrid. "The moral architecture of villa storage in Italy in the 1st c. B.C." Journal of Roman Archaeology 28 (2015): 97–123. http://dx.doi.org/10.1017/s1047759415002421.

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The Late Republican villa acted as a scene for the projection and contestation of moral values. Villas continued a long-standing association between the physical appearance and the concept of the house, on the one hand, and the moral positioning of its owner, on the other. Ancestral homes in particular proved symbolically salient mechanisms for claims of identity. In a Late Republic characterised by the extension of citizenship and influx of new wealth, this moral and socio-political representation became more contested. Physically and conceptually at some distance from Rome, rural estates provided a canvas for self-definition by old landed aristocrats andnouveaux richesalike, on which the boundaries of an ever-changing ‘elite’ were sketched, as well as the sense of belonging to that élite.
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Corazziari, Enrico. "XV International Symposium on Gastrointestinal Motility, 5-9 November 1995, Hotel Villa Pamphili, Rome, Italy". Neurogastroenterology & Motility 6, n.º 4 (28 de junho de 2008): 321. http://dx.doi.org/10.1111/j.1365-2982.1994.tb00199.x.

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Meister, Maureen. "In Pursuit of an American Image: A History of the Italian Renaissance for Harvard Architecture Students at the Turn of the Twentieth Century". Prospects 28 (outubro de 2004): 185–202. http://dx.doi.org/10.1017/s0361233300001472.

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After a five-month sojourn in Rome, the author Henry James departed with “an acquired passion for the place.” The year was 1873, and he wrote eloquently of his ardor, expressing appreciation for the beauty in the “solemn vistas” of the Vatican, the “gorgeous” Gesù church, and the “wondrous” Villa Madama. Such were the impressions of a Bostonian who spent much of his adult life in Europe. By contrast, in June of 1885, the young Boston architect Herbert Langford Warren wrote to his brother about how he was “glad to be out of Italy.” He had just concluded a four-month tour there. He had also visited England and France, and he was convinced that the architecture and sculpture of those countries were superior to what he had seen in Italy, although he admired Italian Renaissance painting. When still in Rome, he told his brother how disagreeable he found the “Renaissance architecture in Italy contemporary with Michael Angelo and later under Palladio and Vignola,” preferring the work of English architects Inigo Jones and Wren. Warren appreciated some aspects of the Italian buildings of the 15th and early 16th centuries, but he considered the grandeur and opulence of later Renaissance architecture especially distasteful.
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Bartolini, Flaminia. "From Iconoclasm to Museum: Mussolini’s Villa in Rome as a Dictatorial Heritage Site". Martor. The Museum of the Romanian Peasant Anthropology Review 23 (15 de novembro de 2018): 163–73. http://dx.doi.org/10.57225/martor.2018.23.09.

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In the last couple of years, public attitudes towards Fascist material legacies in Italy have been at the centre of a heated debate in the academic world, which has by now grown to involve the press and social media. This paper will look specifically at how this is reflected in a museum display at a heritage site that was once Mussolini’s residence in Rome. The underlying question of this paper is what role museums as heritage sites play in the renegotiation of a problematic past, and whether they can also have an active role in either supporting or challenging the official narrative. As heritage is socially constructed and defined through present circumstances, the narratives of this particular museum reveal a conflicting past as mirrored by the national narrative. The paper also questions whether public perception of this site has changed over time and considers how the recent transformation into a museum signifies a shift from the post-war interpretation, which may or may not reflect a high-level political agenda.
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Teses / dissertações sobre o assunto "Villa Monticello (Rome, Italy)"

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Ottimofiore, Eduardo. "Invisible history: An environmental history of Villa Ada and Monte Antenne : A tale of the land that is now a city park in Rome, Italy". Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-401798.

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Starting from a simple observation of apparent neglect, this thesis aims to explore the heritage of the land of Villa Ada, a city park in Rome Italy. To do so, this study relates historical narratives regarding this piece of land, from the earliest human presence to formation of the current park. The narratives help engage the reader with the past of this land, and to anchor it into the current landscape. An online survey was conducted to address how the park is perceived today and what meaning the visitors and neighbors associate to it. By connecting the past to the present, and then looking forward, this thesis can contribute in opening a discussion about Villa Ada’s fate and the strategies that can be implemented for its effective long-term management.
Partendo da una semplice osservazione di apparente abbandono, questa tesi mira ad esplorare il patrimonio del terreno di Villa Ada, un parco urbano di Roma. Per fare ciò, questo studio mette in relazione narrazioni storico-ambientali riguardanti questo terreno, dalla prima presenza umana alla formazione del parco attuale. Le narrazioni aiutano a coinvolgere il lettore con il passato di questa terra e ad ancorarlo nel paesaggio attuale. Nel contesto di questo studio, è stato condotto un questionario online per valutare come il parco è percepito oggi e quale significato i visitatori e i vicini vi associno. Collegando il passato al presente, e quindi guardando avanti, questa tesi può contribuire ad aprire una discussione sul futuro di Villa Ada e sulle strategie che potrebbero essere attuate per una gestione efficace a lungo termine.
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Adams, Geoff W. (Geoffrey William). "The nature of the villa suburbana in Latium and Campania : literary and spatial analysis of social and potential entertainment functions from the 2nd century BC to the 2nd century AD / Geoff Adams". 2005. http://hdl.handle.net/2440/22281.

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Bibliography: p. 294-339.
2 v. in 1 (xiv, 339 leaves, xxiv, 174 leaves) : ill. (some col.), plans ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, School of Humanities, 2005
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Livros sobre o assunto "Villa Monticello (Rome, Italy)"

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Clark, Eleanor. Rome and a villa. New York: HarperPerennial, 1992.

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Carla, Benocci, ed. Villa Celimontana. Torino: Nuova ERI, 1991.

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Clark, Eleanor. Rome and a villa: Memoir. South Royalton, Vt: Steerforth Italia, 2000.

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4

Gianfranco, Malafarina, ed. La Villa Farnesina a Roma =: The Villa Farnesina in Rome. Modena: F. C. Panini, 2003.

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5

Antonio, Idini, ed. Villa Abamelek. Milano: Mazzotta, 2001.

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6

Benocci, Carla. Villa Ludovisi. Roma: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 2010.

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Luciano, Tubello, ed. Restauri a Roma: Santa Cecilia, Villa Doria Pamphili, Sant'Eusebio. Roma: Editalia, 1988.

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Benocci, Carla. Villa Aldobrandini a Roma. Roma: Àrgos, 1992.

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Rowland, Ingrid D. (Ingrid Drake), Rowland, Ingrid D. (Ingrid Drake) e Guerra Mario 1964-, eds. Villa Taverna. Roma: Palombi editori, 2012.

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Benocci, Carla. Villa Lazzaroni: A Tor di Quinto. [Milan]: L'Arcaedizioni, 1993.

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Capítulos de livros sobre o assunto "Villa Monticello (Rome, Italy)"

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Lillie, Amanda. "The Humanist Villa Revisited". In Language and Images of Renaissance Italy, 193–215. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198203186.003.0010.

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Abstract The accepted view of the early Renaissance villa—that is the one embraced by Georgina Masson, Andre Chaste!, Ludwig Heydenreich and James Ackerman, and to a lesser extent by David Coffin and Cristoph Frommel—is an idealized one, ‘a fantasy impervious to reality’, as Ackerman has described it in his recent book on The Villa.1 The fantasy has an impeccable ancient pedigree, for it can be traced back to Greece of the eighth century BC in the Works and Days of Hesiod, and it flourished in the Rome of Caesar and Augustus with the agricultural treatises of Varro and Columella, not to mention the pastoral verse of Horace and Vergil.
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Fentress, Elizabeth, e Caroline Goodson. "Structures of Power: From Imperial Villa to Monastic Estate at Villamagna, Italy". In Power and Place in Europe in the Early Middle Ages, 271–301. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266588.003.0013.

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In early medieval Italy, some settlements were anchored on Roman sites which provided authority and legitimacy for their post-Roman inhabitants. This chapter examines the use and reuse of an ancient imperial site through the case study of Villamagna, near Anagni in Central-Southern Italy. We argue that the estate of Villa Magna, founded in the 2nd century, remained an imperial property through the 7th century and was transferred to the bishopric of Rome before the 9th century. The history of the estate between the late 5th and the 12th century and the evidence for changes of ownership is discussed. The use of the villa’s physical structures, the maintenance of its agricultural terrain and the remains of its architectural materials to project power over the surrounding landscape can be seen as a case of imperial ownership, over time, providing an unbreakable stability and anchoring a centre of power even through changed historical contexts.
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Thomas, Joshua J. "Garden Paintings in Rome and the Bay of Naples". In Art, Science, and the Natural World in the Ancient Mediterranean, 300 BC to AD 100, 247–90. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844897.003.0007.

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This chapter examines the garden paintings produced in Latium and Campania during the Late Republic and Early Empire, including the famous examples from the Villa of Livia at Prima Porta and the House of the Golden Bracelet at Pompeii. These compositions have often been interpreted in ‘symbolic’ terms, with individual birds and plants understood as visual allegories for more wide-reaching political, religious, or cultural concerns. Here it is argued that the paintings owed more to the garden culture that blossomed in Italy from the mid Republican period onwards, attested by a range of textual and archaeological sources. This connection with Italian garden culture invites a consideration of when and where such paintings were first conceived. It is suggested that inspiration from the Hellenistic East should not be ruled out.
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Donini, L. M., C. Cannella e C. Savina. "Appetite and ageing * *This work was supported by ‘Villa delle Querce’ Clinical Rehabilitation Institute of Nemi (Rome, Italy)." In Food for the Ageing Population, 43–72. Elsevier, 2009. http://dx.doi.org/10.1533/9781845695484.1.43.

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Trabalhos de conferências sobre o assunto "Villa Monticello (Rome, Italy)"

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Kumbaric, Alma, Flavia Bartoli, Zohreh Hosseini e Giulia Caneva. "Identification of plant elements represented in the suburban Villa della Piscina di Centocelle (Rome, Italy) as a source of reconstruction of the ancient gardens". In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.174.

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Kumbaric, Alma, Flavia Bartoli, Zohreh Hosseini e Giulia Caneva. "Identification of plant elements represented in the suburban Villa della Piscina di Centocelle (Rome, Italy) as a source of reconstruction of the ancient gardens". In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.174.

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