Bibliografias temáticas / Villa Borsig (Berlin, Germany)

Literatura científica selecionada sobre o tema "Villa Borsig (Berlin, Germany)"

Autor: Grafiati
Publicado: 25 de julho de 2024

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Artigos de revistas sobre o assunto "Villa Borsig (Berlin, Germany)"

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Engels, Dagmar. "Foundations of Imperial Hegemony: Western Education, Public Health and Police in India and Africa, 1859 to Independence. Conference held by the German Historical Institute, London, at the Villa Borsig, Berlin, 1st-3rd June 1989". South Asia Research 9, n.º 2 (novembro de 1989): 156–61. http://dx.doi.org/10.1177/026272808900900206.

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von Krosigk, Klaus. "The scenic park — a task for the preservation of historical gardens, Berlin (West) June 26 — June 29, 1989, Villa Borsig". Landscape Research 15, n.º 1 (março de 1990): 29–30. http://dx.doi.org/10.1080/01426399008706304.

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SATO, EDUARDO. "Cannibalizing Bach: Villa-Lobos in Europe, 1936". Twentieth-Century Music, 11 de agosto de 2023, 1–33. http://dx.doi.org/10.1017/s1478572223000129.

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Abstract During the 1930s, Heitor Villa-Lobos concentrated his efforts on coordinating Brazilian musical education. As such, he changed his compositional style and did not travel to Europe again until 1936. This article examines Villa-Lobos's trip to Europe in 1936, drawing on Florencia Garramuño's call to ‘incorporate avant-garde voyages as founding moments’ for an autochthonous national character in music. During his journey, Villa-Lobos represented Brazil in different settings: as a deputy at the International Congress of Music Education in Prague and as a composer in under-the-radar political negotiations with Nazi Germany in Berlin. Considering the authoritarian Vargas Regime, Brazilian modernism, and the dialectical relation between nationalism and internationalism, I argue that this trip served as a catalyst for a new creative phase, culminating in the series of Bachianas brasileiras, a resignification of J. S. Bach's music and legacy in the context of his interpretation of Brazilian Antropofagia (cultural cannibalism).
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"SYNCHRONY AND DIACHRONY OF ANCIENT GREEK: LANGUAGE, LINGUISTICS AND PHILOLOGY. ESSAYS IN HONOR OF EMILIO CRESPO. Edited by Georgios K.Giannakis, LuzConti, Jesúsde la Villa and RaquelFornieles. Trends in Classics—Supplementary Volumes, 112. Berlin, Germany: de Gruyter, 2021. Pp. xxxv + 492. Hardcover, $149.00." Religious Studies Review 47, n.º 4 (dezembro de 2021): 528. http://dx.doi.org/10.1111/rsr.15539.

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Livros sobre o assunto "Villa Borsig (Berlin, Germany)"

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Hafner, Katie. Das Haus an der Brücke: Die Villa Schöningen in Potsdam und ihre Bewohner. Wilhelmshorst: Märkischer Verlag, 2004.

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2

Hafner, Katie. The house at the bridge: A story of modern Germany. New York: Scribner, 1995.

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3

Tuchel, Johannes. Am Grossen Wannsee 56-58: Von der Villa Minoux zum Haus der Wannsee-Konferenz. Berlin: Hentrich, 1992.

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The villa, the lake, the meeting: Wannsee and the Final Solution. London, England: Penguin Books, 2003.

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5

1868-1940, Behrens Peter, Rheidt Klaus, Lutz Barbara Anna e Deutsches Archäologisches Institut, eds. Peter Behrens, Theodor Wiegand und die Villa in Dahlem. Mainz am Rhein: P. von Zabern, 2004.

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Martin, Faass, Wandrey Petra 1969- e Braun Ernst 1945-, eds. Martha Liebermann (1857-1943): Lebensbilder : [im Rahmen der Sonderausstellung "Martha Liebermann ..." in der Liebermann-Villa am Wannsee, Berlin, 25. November 2007 bis 25. Februar 2008]. Berlin: Liebermann-Villa am Wannsee, 2007.

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7

Roseman, Mark. LA Villa, El Lago, LA Reunion. Rba Libros, 2003.

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8

Roseman, Mark. Villa, the Lake, the Meeting: Wannsee and the Final Solution. Penguin Books, Limited, 2003.

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9

The villa, the lake, the meeting: Wannsee and the final solution. London: Allen Lane/Penguin, 2002.

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Capítulos de livros sobre o assunto "Villa Borsig (Berlin, Germany)"

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Ninagawa, Junko. "Bruno Taut's Colors in Architecture". In Advances in Religious and Cultural Studies, 162–83. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9438-4.ch009.

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Leading German architect, Bruno Taut, was most active between World War I and World War II. He was noticed for his value of colors after his baptism into the Expressionist movement. Then Taut was fascinated by the Garden City movement, which originated in Utopian Socialism thoughts of England. After World War I, which he stood against as a pacifist, Taut got a chance to experiment with color architecture in the old city of Magdeburg, Germany. However, Taut was removed due to arguments and objections against his concepts. He then developed nature-conscious apartments around Berlin, Germany, before Nazi hostilities forced him to flee to Japan in May 1933. In Japan, Taut's focus had no chance but to shift from architecture to written observations on color. Before his move from Japan in 1936, Taut left the Hyuga Villa, a rare and significant color architecture. Taut lived the remainder of his life in Istanbul, designing many structures before dying in 1938.
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