Literatura científica selecionada sobre o tema "Vidéastes – Et la télévision"
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Artigos de revistas sobre o assunto "Vidéastes – Et la télévision"
Caceres, Judith. "La success story des vidéastes". Télévision N° 13, n.º 1 (20 de outubro de 2023): 141–53. http://dx.doi.org/10.3917/telev.013.0141.
Texto completo da fonteRiboulet, Celia. "De campos y árboles para hablar de muertos. El videoarte contra la indiferencia de las representaciones mediáticas". CALLE14: revista de investigación en el campo del arte 10, n.º 16 (6 de novembro de 2015): 113. http://dx.doi.org/10.14483/10.14483/udistrital.jour.c14.2015.2.a10.
Texto completo da fonteHesse, Kurt R., e Sabine Koch. "Télévision et révolution". Hermès N° 13-14, n.º 1 (1994): 165. http://dx.doi.org/10.4267/2042/15523.
Texto completo da fonteGuy, Michel. "Décentralisation et télévision". Commentaire Numéro 49, n.º 1 (1990): 111. http://dx.doi.org/10.3917/comm.049.0111.
Texto completo da fonteCoulangeon, Philippe. "Lecture et télévision". Revue française de sociologie 48, n.º 4 (2007): 657. http://dx.doi.org/10.3917/rfs.484.0657.
Texto completo da fonteDesaulniers, Jean-Pierre. "Télévision et nationalisme". Communication 7, n.º 3 (1985): 24–36. http://dx.doi.org/10.3406/comin.1985.1329.
Texto completo da fonteRevel, Jean-François. "Télévision et culture". Commentaire Numéro 48, n.º 4 (21 de dezembro de 1989): 850–51. http://dx.doi.org/10.3917/comm.048.0850.
Texto completo da fonteGaillard, Isabelle. "Télévision et chronologies". Hypothèses 7, n.º 1 (2004): 171. http://dx.doi.org/10.3917/hyp.031.0171.
Texto completo da fonteSchiele, Bernard. "Vulgarisation et télévision". Social Science Information 25, n.º 1 (março de 1986): 189–206. http://dx.doi.org/10.1177/053901886025001009.
Texto completo da fonteLeconte, Bernard. "Télévision et communication". Études de communication, n.º 9 (1 de maio de 1987): 23–28. http://dx.doi.org/10.4000/edc.2879.
Texto completo da fonteTeses / dissertações sobre o assunto "Vidéastes – Et la télévision"
Chevalier, Fleur. "Formater pour mieux régner : vidéastes et performers à l’épreuve de la télédistribution en France, 1975-1998". Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080045.
Texto completo da fonteFrom the early 1960s, within the context of French television broadcasting, some artists seize opportunities to reach advanced technologies, allowing them to explore the aesthetic potential of the electronic image as well as to lead their own visual research. At the crossroads of experimental or activist cinema, avant-garde movements and kinetic art, all of these marginal practices tend to ignore the norm of the so-called realistic image and the deceptive verisimilitude which rule the audio-visual mainstream. How to find a place within a structure entirely devoted to the distribution of stereotyped products designed to attract the largest segment of TV consumers? How to infiltrate inside the gaps of an industry resolutely hostile to the slightest visual and ideological glitch? The diverse strategies of the artists who chose to work within the field of television broadcasting are highly influenced by the economic mutations that transformed the French audio-visual landscape, from the dismantling of the ORTF to the partial privatization of the TV network. Facing the rigidity of the standards dictated by the mass media, the concept of “détournement” – or “diversion” –quickly appears to be a solution to blend into the audio-visual environment while continuing to shape satirical “counter-images”. The wish to explore the cathode-ray image as a medium is then supplanted by the desire to hack into the media network and its rhetoric. Nevertheless, as soon as the image is regarded as a public space to colonize, it becomes difficult to escape the coercive economy of the entertainment world
Martino, Luiz Claudio. "Télévision et conscience". Paris 5, 1997. http://www.theses.fr/1997PA05H047.
Texto completo da fonteFrançois, Philippe. "L'idée de télévision protestante : principe protestant et télévision d'auteur". Université Marc Bloch (Strasbourg) (1971-2008), 1996. http://www.theses.fr/1996STR20061.
Texto completo da fonteDefined theoretically and heuristically as programmes or films produced for television in accordance with tillich understanding of the protestant principle, protestant television benefits from the nouvelle vague cinema and discussions on the notion of author ("la politique des auteurs"). Literary and film works of three protestant authors namely alexandre astruc, roger leenhardt and jean-luc godard, have created a framework for audiovisual space considered from a protestant point of view. Thesis : protestant television is a television created by authors who film authors - the author being he who transforms a critical intention into creation
Kim, Mi Hyun. "La télévision et la politique". Aix-Marseille 3, 1992. http://www.theses.fr/1992AIX32021.
Texto completo da fonteTelevision and politics the strong relationship between television and politics stems out of legal framework set forth by politicans for television and of the powers bestowed on television by the same politicians. The evolution of french and south korean broacasting law illustrate television dependence on political authorities because of its communicational qualities. Television as a medium obeys to its own rules, riles with are under tje cmpse scritiny of political communication theories. In spite of being the most democratic object, television is undermiming democracy itself whilst it has the means to uphold this ideal. Key-word : television, south korea, france, broadcasting law, political communication, electoral campaigns, effects, debates, democracy
Macé, Éric. "Sociologie de la télévision, sociologie de l'expérience : individus et télévision de masse". Paris, EHESS, 1994. http://www.theses.fr/1994EHES0022.
Texto completo da fonteThe purpose of this study is to understand the nature of the relation between individuals and mass television. We show that television's success with widespread audience is based on the "connivance" between television programs that integrate the uncertainties and tensions of the social experience felt by its wide audeince, and socially dominated individuals who find in this programs a cultural field of subjectivity. The first part of the study presents an analysis that goes beyond the gap, recurrent in media sociology, between theories of alienation througt cultural industries and theories of audience gratification. The second part is devoted to an empirical observation of the making of successful programs, and to a reception analysis with seven socially differentiated groups. We show that individuals never dissociated their relation to television from the larger framework of their social experience. The third part aims at determining the political dimension of individual relation to television. We show, through a case study
Bigeon, Christine. "Choix d'orientation, genre et télévision : Devenir footballeuse ou maïeuticien grâce à la télévision ?" Phd thesis, Conservatoire national des arts et metiers - CNAM, 2012. http://tel.archives-ouvertes.fr/tel-00738838.
Texto completo da fonteSalas, Alfonso de. "Communication commerciale et télévision : droit européen et comparé". Paris 2, 1997. http://www.theses.fr/1997PA020018.
Texto completo da fonteTudoret, Patrick. "De la paléo-télévision à la sur-télévision : vie et mort de l'émission littéraire". Paris 1, 2007. http://www.theses.fr/2007PA010265.
Texto completo da fontePetey, Mathilde. "Les enjeux de l'écriture télévisuelle documentaire : figures et lectures". Besançon, 2002. http://www.theses.fr/2002BESA1024.
Texto completo da fonteReynold, de Seresin Diane. "De l'industriel à la communication : la télévision, industrie et commerce d'ondes". Paris 10, 1988. http://www.theses.fr/1988PA100004.
Texto completo da fonteLivros sobre o assunto "Vidéastes – Et la télévision"
Arnaud, Mercier, e France La documentation française, eds. Télévision et politique. Paris: Documentation Française, 2004.
Encontre o texto completo da fonteBohec, Jacques Le. Elections et télévision. Grenoble: Presses Universitaires de Grenoble, 2007.
Encontre o texto completo da fonteLecomte, Patrick. Communication, télévision et démocratie. Lyon: Presses universitaires de Lyon, 1993.
Encontre o texto completo da fonteBehr, Irmtraud. Télévision et Internet: Le parlé et l'écrit. Asnières: Publications de l'nstitut d'Alemand, 2001.
Encontre o texto completo da fonteTerrel, Isabelle. Comment financer: Cinéma et télévision. Paris: Dixit éditions, 2012.
Encontre o texto completo da fonteMontréal, Groupe Domotique de. Familles et télévision: Documents exploratoires. [Québec]: Le Conseil, 1991.
Encontre o texto completo da fonteLafferty, Peter. La radio et la télévision. Paris: Épigones, 1997.
Encontre o texto completo da fonteH, Caron André, Daoust Julie, Caron André H, Croteau Sylvie C e Groupe de recherche sur les jeunes et les médias, eds. Télévision jeunesse d'ici et d'ailleurs. [Montréal]: GRJM, 1991.
Encontre o texto completo da fonteBerros, Jesús Bermejo. Mon enfant et la télévision. Bruxelles: De Boeck, 2008.
Encontre o texto completo da fonteThouvenel, Éric, e Priska Morrissey. Les arts et la télévision: Discours et pratiques. Rennes: Presses universitaires de Rennes, 2019.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Vidéastes – Et la télévision"
Neather, E. J. "Société Française — Cinéma et Télévision". In Work Out French GCSE, 90–96. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-09452-3_12.
Texto completo da fonteNeather, E. J., e Isabelle Rodrigues. "Société Française — Cinéma et Télévision". In Work Out French, 75–81. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07971-1_11.
Texto completo da fonte"Les difficultés de la télévision conventionnelle et l’explosion de la câblodistribution". In Télévision, 19–50. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18ph0xk.7.
Texto completo da fonteNel, Noël. "Télévision et Citoyenneté". In 20 anos de Jornalismo contra a Indiferença, 215–31. Imprensa da Universidade de Coimbra, 2015. http://dx.doi.org/10.14195/978-989-26-0873-0_13.
Texto completo da fonteCaradec, Vincent. "Vieillesse et télévision". In Regards croisés sur les pratiques culturelles, 303–18. Ministère de la Culture - DEPS, 2003. http://dx.doi.org/10.3917/deps.donna.2003.01.0303.
Texto completo da fonte"La télévision". In La publicité: stratégie et placement média, 343–95. Les Presses de l’Université de Laval, 2015. http://dx.doi.org/10.1515/9782763723655-010.
Texto completo da fonteCollings, Tim. "ViewControl™: Using Technology to Control Your Television Diet". In Violence et télévision, 177–82. Presses Sorbonne Nouvelle, 1997. http://dx.doi.org/10.4000/books.psn.4863.
Texto completo da fontePaquette, Guy. "Profil de la violence à la télévision canadienne". In Violence et télévision, 111–43. Presses Sorbonne Nouvelle, 1997. http://dx.doi.org/10.4000/books.psn.4856.
Texto completo da fonteSpicer, Keith. "Au-delà du code de déontologie, la stratégie anti-violence au Canada". In Violence et télévision, 169–76. Presses Sorbonne Nouvelle, 1997. http://dx.doi.org/10.4000/books.psn.4861.
Texto completo da fonteCaron, André, e Dominique Meunier. "L'imagerie télévisuelle des jeunes Nord-Américains : différents portraits de l'écoute et réglementation". In Violence et télévision, 145–67. Presses Sorbonne Nouvelle, 1997. http://dx.doi.org/10.4000/books.psn.4858.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Vidéastes – Et la télévision"
Sidre, Oriane. "Kenji Miyazawa, de l’écrivain au personnage : variations des portraits dans les œuvres de fiction au cinéma, à la télévision et en jeu vidéo". In Portraits et autoportraits des écrivains sur écrans. Fabula, 2020. http://dx.doi.org/10.58282/colloques.6581.
Texto completo da fonte