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1
Benini, Romain. "Chansons dites « populaires » imprimées à Paris entre 1848 et 1851,approche stylistique et métrique". Thesis, Lyon, École normale supérieure, 2014. http://www.theses.fr/2014ENSL0966.
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L’objectif du travail est d’aborder la chanson du XIXe siècle à partir de la notion de populaire : au cours de la première moitié du siècle, les deux objets (chanson et populaire) semblent devenir interdépendants, et contribuent chacun à la représentation de l’autre. Le populaire résistant à une définition stable, on a opté pour une contextualisation de sa compréhension, et son association avec le genre chanson, devenue presque évidente de nos jours, a donc été questionnée à partir d’un corpus numérisé de plus de 600 textes réunis en fonction de considérations d’ordre historique, bibliographique, et discursif. Après avoir explicité l’importance du texte dans l’analyse de la chanson et les critères de sélection du corpus, on s’est attaché à questionner le populaire comme notion, dans la synchronie avec les chansons étudiées, pour mieux comprendre les enjeux de cette dénomination, avant d’observer la représentation construite, par la chanson elle-Même, de son interdépendance avec le peuple. L’approche stylistique qui est proposée ensuite amène, avec la question de la singularité, celle de l’auctorialité, de sa validité pour l’analyse des chansons imprimées entre 1848 et 1851, ainsi que de ses représentations et des enjeux qu’elles suppose dans la situation et l’historicité de ces productions. En lien avec ces questions, le traitement des textes par auteur permet d’observer également les divers types de circulations, de reprises, et d’éléments communs dans le corpus constitué, ce qui soulève le problème d’une écriture à l’intérieur de laquelle certains éléments sont disponibles pour tous les acteurs et marquent l’appartenance à un champ discursif conscient et revendiqué (en l’occurrence celui des chansonniers populaires). C’est pour approcher plus précisément cette question des formes qui apparaissent comme collectives ainsi que celle de la complexité sémiologique de l’écriture chansonnière que l’analyse métrique est décisive, parce qu’elle apporte un outil méthodologique propre à dégager des récurrences massives à l’intérieur d’un corpus, récurrences qui peuvent renseigner sur la pratique et la perception de l’écriture versifiée en synchronie, et en regard desquelles d’autres configurations minoritaires sont envisageables dans leur hétérogénéitéThe main goal of this research is to study 19th Century song through the prism of the popular. During the first half of the 19th Century, both objects (song and the popular) seem to become interdependent, with each contributing to the representation of the other. Since no fixed definition can be provided for the popular, a contextualized understanding of this notion is preferred. Its association with the genre of song, which has become almost obvious nowadays, was analysed based on a digitalized corpus of more than 600 texts selected according to historical, bibliographical and discursive criteria. After positing the importance of the text in the study of song and justifying the selection criteria for the corpus, we discuss the notion of the popular at the time period under scrutiny, we assess this denomination in relation with the corpus and we observe how songs construct a representation of their interdependence with the people. Our stylistic approach accounts for the texts’ singularities but it also assesses how valid the notion of auctoriality is for songs printed between 1848 and 1851 and discusses the situated and dynamic representation of authorship. Analyzing texts according to their authors casts light on the issues of circulations, common elements and recurrences in the corpus. In a writing context where some elements are available for all the actors, common elements can be used to mark how a textual production belongs in a specific discursive domain (that of popular song writers in our case). Metrical analysis is a decisive methodology to analyse what appears as the collective character of these forms and the semiological complexity of song writing. It allows us to identify massive recurrences in the corpus, to clarify the practice and perception of verse writing in synchrony and to account for the heterogeneity of less frequent configurations as well
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Perez, Tisserant Emmanuelle. "« Nuestra California » : faire Californie entre deux constructions nationales et impériales (vers 1810-1850)". Paris, EHESS, 2014. https://halshs.archives-ouvertes.fr/tel-01142623.
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Le cas de la Californie met en évidence le caractère impérial de la construction nationale du Mexique et des États-Unis au début du XIXe siècle. Du point de vue du Mexique, l'égalité des Indiens proclamée par l'indépendance s'y avère difficilement réalisable. L'importance des missions conduit le gouvernement à repousser leur fin. Les Indiens ont aussi leurs propres revendications sur leur terre. Les colons et soldats sont d'abord attachés au système tel qu'il est. Mais certains gouverneurs et d'autres agents orientent un certain nombre de jeunes gens vers une carrière publique et la conception de la Californie comme un projet politique fondé sur la souveraineté du peuple et des États. Se forme alors une élite locale prête à se révolter quand elle estime ses droits bafoués. Ces révoltes sont comparables aux révoltes fédéralistes au Mexique mais aussi à celles de colonies de peuplement dans les empires. La culture politique et les liens avec le Mexique évoluent avec l'augmentation des circulations : à l'échelle régionale, le sud se rapproche du Mexique plus que le nord qui connaît une immigration de l'Oregon et des États-Unis. Du point de vue des États-Unis, l'espoir du consul à Monterey d'une demande d'annexion sans guerre est ruiné par l'initiative de migrants des années 1840, nourris des discours sur la « destinée manifeste », de défendre leurs droits à la terre et à une « vraie république » en Californie. Cette confrontation entre colons mexicains-californiens et migrants étatsuniens est celle de deux projets impériaux et nationaux sur un même territoire et illustre l'ambigüité de la revendication de souveraineté, de liberté et d'égalité sur un territoire conquisThe case of California brings to light the imperial character of nation-building in Mexico and the United States in the early 19th century. Concerning Mexico, the equality of Indians proclaimed by Independence proves itself a hard reach. The missions are so important to control the Indians that the government has to delay their end. Moreover, the Indians have their own perception of the meaning of equality and sovereignty on their land. Settlers and soldiers are at first still attached to the colonial System as it is. But Mexican governors and others convince a handful of young people to turn to a public career and the conception of California as a political project. A local elite comes to existence and is ready to revolt when they consider their rights flouted. Those revolts can be compared to other federalist revolts in Mexico as well as with settlers revolt in other settlers colonies. The political culture and the relationship with Mexico also evolves with the increase in circulations from the 1830s. The South becomes more connected to Mexico than the North, that becomes more connected to Oregon and the Western United States. Concerning the United States, the hopes of their consul at Monterey to promote a peaceful annexation is ruined by the attack of a frontier post by recent migrants in order to defend their right ; to the land and to a « true republic ». This confrontation between Mexican-Californians settlers and United States migrants is one of two national and imperial projects on a same territory and illustrates the ambiguity of claiming sovereignty, liberty and equality on a conquered territory
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Burgaud, Stéphanie. "Le rôle de la politique russe de Bismarck dans la voie prussienne vers l’unité allemande 1863-1871 : Die getäuschte Clio ?" Paris 4, 2007. http://www.theses.fr/2007PA040092.
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Depuis les mémoires d’Otto von Bismarck, ancien ministre-président de Prusse (1862-1871) puis chancelier du Reich allemand (1871-1890), l’histoire des relations internationales retient que l’unification allemande s’est faite autour de la Prusse grâce à la « neutralité bienveillante » russe dans ses trois guerres successives (contre le Danemark en 1864, l’Autriche en 1866 et la France en 1870). En soutenant la Russie pendant l’insurrection polonaise de 1863, Bismarck s’attirerait la reconnaissance tsariste et briserait le rapprochement france-russe. Les archives russes, aujourd’hui ouvertes au chercheur, montrent au contraire qu’en juillet 1866 culmine, sur la Neva, une politique conservatrice d’opposition aux menées bismarckiennes. Après son échec, elle tente de réaliser son but depuis la défaite de Crimée : se délier des clauses de la Paix de Paris (1856) concernant la neutralisation de la mer Noire. La démarche unilatérale, voulue par le ministre Gortchakov, avorte en septembre 1866, avant de réussir à l’automne 1870, à la faveur de la guerre franco-allemande. Cette relecture amène à réviser la place, grandement surévaluée jusqu’ici, de la Russie dans la géostratégie prussienne. En 1863, Bismarck cherche surtout un « coup » politique qui fasse entrer son pays dans le jeu européen. Puis il fait de la France la cible de sa diplomatie pour obtenir l’appui de Napoléon III dans la question allemande. Entre 1867 et 1870 enfin, il se garde de tout engagement ferme en faveur de la Russie en Orient pour éviter une guerre européenne ; en menant une politique d’équilibre, voire conciliante, avec l’Autriche, il veut obtenir que le conflit franco-allemand reste localiséSince the memoirs of Otto von Bismarck, Prussia’s former minister president (1862-1871) then chancellor of the German Reich (1871-1890), there has been a consensus among historians of international relations according to which German unity was made around Prussia thanks to the “benevolent neutrality” of Russia throughout its three successive wars (against Denmark in 1864, Austria in 1866 and France in 1870). By supporting Russia during the 1863 Polish uprising (Alvensleben Convention) Bismarck was to win her gratitude and put paid to Franco-Russian reconciliation. The Russian archives, finally open to researchers, show on the contrary that in July 1866 a conservative policy culminated on the Neva to thwart Bismarck’s manoeuvres. After the failure of such a policy, Russia tried to achieve the aim pursued since the Crimean defeat: free herself from the clauses of the Paris Peace Treaty (1856) pertaining to the neutralization of the Black Sea. The unilateral approach deliberately taken by minister Gortchakov as early as September 1866, failed, before it succeeded in the autumn of 1870, thanks to the Franco-German war. This rereading induces us to revise the greatly overestimated place of Russia in Prussia’s geostrategy. In 1863, Bismarck mostly sought to pull a political “stunt” to enable his country to join the European power game. Then he made France the target of his diplomacy to obtain the support of Napoleon III in the German question. Finally from 1867 to 1870, he carefully avoided any firm commitment for Russia in the East to avoid a European war; he preferred a balanced, even conciliatory policy with Austria to manage to keep the Franco-German conflict localized
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Rossiter, Ian. "Poetry and posies : the poetics of the family magazine 1840-1860". Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340313.
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Fortier, Anne-Marie. "Lectures de Rimbaud vers 1930". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56938.
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Rimbaud's life and works have been the subject of numerous readings ever since the poet's first appearance on the literary scene. This thesis is an attempt to reconstitute the multiple layers of interpretations which were grafted onto Rimbaud's life and works between 1883 and 1935 approximately. Successive readings keep a text alive and, in so doing, function also as prefaces. The concept of "preface" is thus expanded here to include the critical text.These strata consist of readings and commentaries influenced both by the historical and intellectual circumstances in which they were formed and by the progressive revelation of the text; added one to another without cancelling each other out, these layers continually enrich and transform the original, making both its meaning and its import denser, investing it with new significance and new values and thereby keeping it alive, in fact making it even more present with the passing of the years. Over the years, the focus of reflexion on Rimbaud has shifted from the study of his particular "case" to a more profound questioning, via Rimbaud, of poetry itself, its nature, its meaning, its scope. In the minds of the commentators, Rimbaud and poetry's destinies are intertwined; thus, they "read" them together as if the value and the meaning of the poetry's destiny were dependent on the destiny of Rimbaud.
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Lhermelier, Cyrille. "Lectures des Premiers vers de Germain Nouveau (1851-1920) : Paul Verlaine, Arthur Rimbaud, intertextualité, intermétricité". Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20004.
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Ce travail est consacré à l'étude quasi exhaustive des Premiers poèmes de Germain Nouveau (1851-1920) qui recouvrent la période 1872-1879. Le fil conducteur en est l'approfondissement de l'analyse des liens poétiques et personnels que le poète entretint avec Paul Verlaine et Arthur Rimbaud. L'objectif est de montrer comment la passion de Nouveau pour les oeuvres de ces deux étoiles a déterminé son esthétique, mais également dansquelle mesure sa poésie est restée très personnelle, lui conférant une place de choix parmi les poètes de la décennie qui suivit la Guerre de 1870. Une première partie étudie les poèmes des années 1872-1873, qui pour laplupart paraissent dans la Renaissance littéraire et artistique. Ces textes sont déjà parsemés de références métriques et intertextuelles aux poèmes de Verlaine et Rimbaud. Un deuxième mouvement est consacré à la rencontre humaine et poétique entre Germain Nouveau et Arthur Rimbaud. Nous tentons d'y préciser la chronologie des événements, à Paris puis à Londres, à travers la correspondance de Nouveau et divers témoignages, dont celui de Jean Richepin. Notre recherche s'intéresse enfin aux poèmes ultérieurs à 1874, ou non datés, parfois en prose, qui, toujours pleins d'inventions et d'originalité, témoignent des centres d'intérêt du poète, parmi lesquels la Commune de Paris et son écrasement semblent tenir bonne placeThis work is devoted to the almost exhaustive study of early poems written by Germain Nouveau (1851-1920) covering the period 1872-1879. The common thread is the deepening of the analysis of poetic and personalrelationships that the poet has with Paul Verlaine and Arthur Rimbaud. The aim is to show how Nouveau’s passion for the works of these two stars has determined its aesthetic, but also how his poetry is still very personal, givinga prominent place among the poets of the decade that followed the war of 1870. The first part examines the poems in 1872-1873, most of which appeared in the literary and artistic renaissance. These texts are dotted with metric and intertextual references to Rimbaud and Verlaine’s poems. The second movement is dedicated to human and poetic meeting between Germain Nouveau and Arthur Rimbaud. We try to clarify the chronology of events, in Paris then in London, through Nouveau’s correspondence and various accounts, including the one of Jean Richepin. Our research is finally interested in subsequent poems to 1874 or undated, sometimes in prose, which, always full of invention and originality, show the Paris Commune and its crushing seem to hold a goodposition
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Carré, Coursaris Anne-Laure. "Construire en verre : de nouveaux matériaux pour l'architecture 1881-1937". Paris 4, 1998. http://www.theses.fr/1998PA040176.
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A la fin du XIXe siècle, la verrerie est restée une industrie traditionnelle. Les transformations commencent par l'élément pivot de la fabrication verrière : le four. Le verre utilisé dans la construction est de trois types. Le verre à vitres, soufflé à la bouche est le plus répandu. La glace, coulée et poue est le vitrage le plus luxueux. Enfin, le verre coule est un produit hybride, empruntant à la glace son mode de fabrication et au verre à vitre ses emplois. Ce troisième produit est à l'origine d'une "gamme" de produits verriers, développée à partir des années 1890. A la faveur des prescriptions hygiénistes, ils vont être recommandés partout où l'on recherche l'éclairage sans la vue. Les propriétés du verre, transparence, translucidité, réflexion, et ses qualités de matériau lisse. Lavable et sans joint en font un matériau particulièrement apprécié. Les moulages en verre, tuiles, dalles, pavés ou briques sont utilisés insérés dans des cadres métalliques. Mais le développement de la construction en béton armé leur offre des emplois plus structurels. L'image du verre dans l'architecture se transforme grâce à des réalisations où le verre n'est plus seulement vitrage, mais dallage translucide ou mur éclairant. La maison de verre devient possible. La période de l'entre-deux-guerres est un temps d'adaptations difficiles pour les verreries et les glaceries. Le soufflage à la bouche est enfin abandonné, mais malgré l'étirage mécanique, le verre à vitre ne rivalise pas pour autant avec la glace. Les surfaces de vitrage énormes, le pan de verre, sont une des caractéristiques de l'architecture des années 20,30. Mais les propriétés thermiques mal étudiées sont la cause de quelques déboires. Les produits moulés sont améliorés grâce au procédé de trempe mis au point par Saint-Gobain en 1928. Le pavillon construit par la compagnie en 1937 est l'illustration des nouvelles possibilités architecturales offertes par le verreAt the end of the 19th century glass making is still a traditional industry. The transformations begin with innovations in the pivotal element of glass production: the furnace. Three types of glass are used in construction. Window glass, blown by mouth is the most common type. High quality plate glass, cast and polished is the most expensive. Finally, rolled glass is a hybrid product which combines the fabrication techniques of the latter and the end use of the former this third type is at the base of a "range" of glazing products, developed from the 1890's onwards. Recommended by the hygienist movement, this last type will be specified in areas requiring indirect light. The properties of glass, transparent, translucid, reflective and its qualities as a smooth, jointless and washable material make it a very attractive product. Glass cast in the forms of roof tiles, paviours, blocks or bricks used with steel frames and the development of reinforced concrete techniques create opportunities for more structural uses. New uses beyond simple glazing such as in translucid floors or lighting walls transform the image of glass. The all glass house becomes possible. The period between the two world wars is a difficult time as manufacturers struggle to implement changes. Mouth blowing is finally abandoned but despite advances in mechanically drawn glass, rolled glass remains inferior in quality to plate glass. In the 20's and 30's larger glazing areas and glass walls form the new vocabulary of architects who neglect however the thermal properties of glass resulting in serious problems. Pressed glass products are improved in quality with the use of toughening techniques developed by Saint-Gobain in 1928. The pavilion built by the company in 1937 is a demonstration of the new possibilities for glass in architecture
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Kim, Gi-gook. "L'approche sémiostylistique des poèmes en vers chez Rimbaud". Paris 4, 1996. http://www.theses.fr/1996PA040030.
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L'analyse sémiostylistique que nous proposons dans le présent travail se situe dans le cadre d'un échange dialectique entre le texte et le lecteur, pour lire le texte de Rimbaud qui a été l'objet d'interprétations nombreuses et diverses, tenant à la nature des contenus de son œuvre. Nous avons divisé notre analyse en deux parties. Dans la première partie, consacrée à l'étude de la lecture sémantique, la perception de la lecture est fondée sur l'ensemble des signes dans le texte. Le travail de lecture comprend le point de vue critique qui consiste à décomposer chaque poème du début à la fin et à former des tableaux divisés en deux valeurs opposées, positive et négative, pour les deux actants, le "moi" et le "non-moi". La deuxième partie, dans laquelle nous procédons à une analyse fondée sur une lecture sémiotique, est divisée en deux chapitres. Le premier chapitre étudie les liens établissant entre les tableaux analysant l'ensemble des poèmes. Dans le second chapitre nous exposons de quelle manière la lecture sémiotique révèle une structure dialectique au sein des poèmes en vers par référence à la notion d'intertextualité : elle présente la permanence des caractéristiques éparpillées dans les poèmes. Notre travail sur les poèmes en vers chez Rimbaud est un travail de production dans la mesure ou une lecture productive permet de lire une structure dialectique, circulaire et progressive en déplaçant la question "que dit ce texte ?" en "comment ce texte dit ce qu'il dit ?"The semio-stylistics analysis, which is developed in this work, stands within a dialectical relation between the text and its reader. It aims at a new reading of Rimbaud’s text which formed the subject of many and various interpretations, because of the nature of his work. Our analysis is divided in two parts. In the first one, the semantics reading is dealth with. This reading is grounded on all the signs in the text. The reading contains a critical approach which, from the start until the end, splits each poem and built charts divided in two opposite values, positive and negative, for the two actants the "self" and the "non self". In the second part, we present an analysis grounded on a semiotics reading. It contains two chapters. The first chapter points out the existing links between the charts which analyses all the poems. In the second chapter, we show how the semiotics reading points out the dialectical structure within the poems in verse, referring to the notion of the intertextuality. It brings up the permanent features scattered in all the poems. Our work on Rimbaud’s poems in verse, is a productive reading, because the semio-stylistics reading allows the reader to understand the dialectical, circular and progressive structure. It moves the issue from "what does the text say" to "how the text says what it says"
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Kim, Byung-Ook. "Poésie et modernité : du "vers" au "non vers" chez Rimbaud et sa postérité". Paris 10, 1991. http://www.theses.fr/1991PA100099.
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Pereira, Eduardo Adilson Camilo. "Politica e cultura: as Revoltas dos Engenhos (1822), de Achada Falcão (1841) e de Ribeirão Manuel (1910)". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-04022011-093931/.
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Este trabalho tem como principal objetivo fazer uma reflexão sobre três revoltas dos rendeiros na ilha de Santiago em Cabo Verde, entre os anos de 1822 a 1910. Propõe mostrar a especificidade das revoltas dos Engenhos (1822), de Achada Falcão (1841) e de Ribeirão Manuel (1910), compreendendo além do panorama cultural, a importância das confrontações políticas, como elementos condicionadores dessas revoltas. Por outro lado, propõe demonstrar que além das causas econômicas e culturais apontadas pela historiografia, as revoltas foram buscar sua inspiração nas disputas políticas. Propõe ainda demonstrar como as elites políticas locais apropriaram das festas religiosas para mobilizar os rendeiros do interior da ilha de Santiago. Além disso, analisa como as revoltas dos rendeiros devem ser compreendidas a partir das reivindicações pelo livre acesso às terras cultivadas.This work has as objective principal to do a reflection on three tenant farmers revolts in Santiago\'s island in Cape Verde, among the years from 1822 to 1910. He/she/you intends to show the specificity of the revolts of Engenhos (1822), of Achada Falcão (1841) and of Ribeirão Manuel (1910), understanding besides the cultural panorama, the importance of the political confrontations, as conditioning elements of those riots. On the other hand, he intends to demonstrate that, besides the economical and cultural causes pointed for the historiography, the revolts went to look for your inspiration in the political disputes, for occasion of the elections for positions inside of the clienteles. He intends to demonstrate as the politics local elites they still adapted of the religious parties to mobilize the tenant farmers of the interior of Santiago\'s island. Besides, it analyzes as the revolts of the tenant farmers understood starting from starting the revindications for the free access to the cultivated lands.
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Luneau, Jean-François. "Félix Gaudin (1851-1930), peintre-verrier et mosaïste". Clermont-Ferrand 2, 2002. http://www.theses.fr/2002CLF20015.
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Félix Gaudin naît en 1851 à Paris. Brillant élève en lettres classiques, féru de photographie, il est influencé par son oncle Félix Narjoux, disciple de Viollet-le-Duc. Officier d'artillerie, il reprend en 1879 une manufacture de vitrail de Clermont-Ferrand, fondée en 1835 par Emile Thibaud, puis gérée par ses successeurs Charles des Granges et Louis de Carbonnel. Dirigeant douze employés, il s'occupe surtout de la vente des vitraux, use de la publicité, participe à des expositions artistiques ou industrielles et recrute des représentants parisiens. Le stock de cartons, richesse de l'atelier, induit une production routinière destinée à une clientèle religieuse. Pour y remédier, Gaudin engage des cartonniers extérieurs, Louis Steinheil ou Eugène Grasset. En 1890, il rachète à Paris le fonds d'Eugène Oudinot, dont la clientèle est constituée des architectes des Monuments historiques et des architectes diocésains. D'après les cartons de Grasset, Luc-Olivier Merson, Victor Tardieu ou Raphaël Freida, il crée des vitraux en usant des verres anglais et américains, les expédie aux Etats-Unis et en Amérique du sud. Sa présence aux Expositions universelles, ses collaborateurs de choix et les commandes pour des édifices publics le rendent célèbre. En 1900, il est élu président de la Chambre syndicale des Peintres-Verriers français. Cet atelier de six ouvriers à la gestion souple lui permet de franchir la crise de 1905. En 1909, il vend le fonds à son fils Jean qui poursuit l'essor international de la maison et développe l'activité mosaïque. Pendant sa retraite, il travaille encore à l'atelier, s'occupe des restaurations et remplace son fils malade entre 1914 et 1920. Il donne des conférences sur l'histoire du vitrail et publie un ouvrage de synthèse. Il meurt en 1930. L'analyse de l'oeuvre, d'après un catalogue de 1300 numéros, est précédée de l'étude de son entreprise. Sa carrière est confrontée à l'évolution économique du milieu des peintres-verriers français de son époque
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Cahen, Antoine. "Paul Huet et l'estampe : la période Romantique, vers 1825-1840 /". Paris : A. Cahen, 1996. http://catalogue.bnf.fr/ark:/12148/cb37022864p.
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Munakata, Kinuto. "Lyrisme et abstraction : Mallarmé, ouverture vers l'art contemporain". Paris 3, 1996. http://www.theses.fr/1996PA030119.
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Nos recherches sont centrees sur la valeur artistique et culturelle de mallarme dans le domaine du lyrisme et de l'abstraction, et poursuivies a travers ses relations avec les artistes modernes. Nous examinons d'abord les qualites abstraites et lyriques dans la creativite du poete construite autour d'un neant central et basee sur la musicalite. Ce contexte nous oriente naturellement vers l'etude des rapports entre le peintre manet et mallarme qui ont en commun la recherche de l'art pour lui-meme. Nous abordons ensuite les liens du poete avec les impressionnistes monet de degas et nous poursuivons notre etude en examinant les affinites etroites du poete avec les post-impressionnistes renoir et cezanne. Nous aboutissons en constatant que l'art du poete et l'art nouveau revelent une meme presence, sous des formes variees, du lyrisme et de l'astraction. Nous constations ainsi que, en parallele avec celles de debussy et de cezanne, la valeur du poete doit etre reconnue comme une des plus importantes bases de l'art actuel. Nous nous referons a la theorie de worringer et comprenons que la creativite lyrique et abstraite du poete liee aux differentes phases de creativite des autres artistes, se revele essentielle, primordiale pour l'art contemporain aussi bien sur le plan artistique que sur le plan culturel. Nous avons ainsi tente de mettre en evidence l'envergure unique de la creativite du poete, insuffisament eclaircie ou peut-etre mal comprise parce que confinee dans des limites litteraires, alors que sa valeur exceptionnelle imprime une enpreinte profonde dans la culture de son epoque et la notreOur studies are focussed on the artistic and cultural value of mallarme's work. They center on the fields of lyricism and abstraction and are pursued through the poet's relations with other artists. We begin a study of the abstract and lyrical qualities in the poet's creativity built around a core of nothingness and based on musicality. In this context, we are led to examine the relationship between manet and mallarme who share same interest in their research of art for itself. We then examine the bonds tying the poet to the impressionists monet and degas and pursue our research on his close ties with post impressionist painters like renoir and cezanne. We come to the conclusion that mallarme's art and the art nouveau, posess, under varied forms, a common lyricism and a common abstraction. Thus, we conclude that on the same level as debussy and cezanne, mallarme's value has to be acknowledged as one of the most important bases of nowaday's art. When we refer to worringer's theory, we understand that the poest's lyrical and abstract creativity tied with the varied phases of other artist's creativity, reveals itself as essential for contemporary art, in artistic fields as well as in cultural domains. In our work, we have tried to bring to light the unique magnitude of the poet's creativity, which when studied out of the limits of literary worlds, has not been sufficiently explained or understood, whereas its mark is deeply felt in the culture of mallarme's times as well as in our epoch
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Favier, Emmanuelle. "Rimbaud mis en scène : vers une dramaturgie du poétique". Paris 4, 2006. http://www.theses.fr/2006PA040029.
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Cette recherche porte sur les expériences théâtrales menées à partir de l'œuvre ou de la vie d'Arthur Rimbaud. Le corpus comprend donc aussi bien des reconstitutions de la biographie du poète, que des adaptations pour la scène de ses poèmes. La danse et la musique sont également abordées. La période couverte s'étend de la fin du XIXe siècle jusqu'à l'année 2005. Un examen des rapports qu'entretient le texte rimbaldien avec la théâtralité est d'abord mené. Ce travail d'exégèse permet de dégager quelques pistes, pour comprendre les mécanismes qui sont à l'œuvre dans le transfert générique du texte poétique à l'objet théâtral. Dans cette deuxième étape, la réflexion s'articule autour de trois notions : interprétation, adaptation et traduction, dans leur rapport au théâtre et à la poésie. Enfin, il s'agit de cerner comment Rimbaud peut accéder au statut de personnage, et comment, par ce geste, les hommes de théâtre contribuent à l'édification de son mytheThe present research explores theatrical experiments attempted with Arthur Rimbaud's work or life. The corpus therefore includes both reconstructions of the poet's biography, and scenic adaptations of his poems. Dance and music are also taken into account. The period considered extends from the end of the nineteenth century to the year 2005. It starts with a survey of the connections between the Rimbaldian text and theatricality. Such an exegetical work opens new alleys into the understanding of the generic transfer from the poetical text to the drama. With that second step, three notions are dealt with : interpretation, adaptation and translation, in their relation to drama and poetry. Lastly, the study focuses on the question of Rimbaud's ability to reach character status, and how, through those attempts on the stage, theatre people contribute to the construction of his myth
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Blankenhorn, Virginia Stevens. "Irish versification". Thesis, University of Edinburgh, 1986. http://hdl.handle.net/1842/28277.
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The only attempt at a systematic analysis and classification of Irish accentual verse -metres available to scholars remains that of Prof. Tadhg 6 Donnchadha ('T?rna') , the most recent editions of whose work are half a century old. The present thesis represents a second attempt at the same task, taking into account the contributions of Irish scholars and editors since 6 Donnchadha's time as well as those of more recent metrical scholarship generally. Following a survey of 6 Donnchadha's work and an assessment of its influence upon later editorial practice, an attempt is made to summarise the various schools of metrical scholarship which have emerged in the context of English poetry, with the aim of discovering what principles, if any, might be useful in the construction of a metrical theory for Irish accentual verse. This examination of foreign metrical models is justified on the grounds of the rhythmical similarity between English and Irish, both of which may be described as strongly 'stress -timed' languages. Linguistic phenomena are, indeed, central to the choice of an appropriate theoretical model, and Ch. 3 is devoted to a phenomenologically -based discussion of the role of rhythm in spoken Irish and its implications for verse -structure. Chapters 4 through 10 represent the central part of the thesis and are given over to a taxonomical survey of Irish verse -types, in which the principal criterion for inclusion in a given category is the number of stressed syllables in a line. Chapter 11 discusses the various stanzaic forms, both simple and complex, used by Irish poets, as well as certain supra -stanzaic organisational devices such as refrains and ceangal ver- ses. In this context also the form known as tri rann agus amhr?n, often likened to an Irish sonnet, is examined. The ornamentation of verse is the subject of the following chapter, with emphasis placed as much upon the position and function of ornament within the line /stanza as upon the character and linguistic significance of the types of ornament employed. A final chapter is devoted to discussion of the musical context of verse, with particular attention paid to the ways in which musical metre differs from verse -metre, and the implications of such differences for a system of versification primarily transmitted through a musical medium.
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Radrizzani, Ives. "Vers la fondation de l'intersubjectivité chez Fichte : des "Principes" à la "Nova methodo /". Paris : J. Vrin, 1993. http://catalogue.bnf.fr/ark:/12148/cb355810286.
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Pereira, Eduardo Adilson Camilo. "Os caminhos da revolta em Cabo Verde e a cultura de resistência: as Revoltas dos Engenhos (1822) e de Achada Falcão (1841)". Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-05072007-115223/.
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Este trabalho tem como principal objetivo fazer uma reflexão sobre duas revoltas dos rendeiros na Ilha de Santiago em Cabo Verde, entre os anos de 1822 a 1841. Propõe mostrar a especificidade das revoltas dos Engenhos (1822) e de Achada Falcão (1841), compreendendo além do panorama político da metrópole, a importância das legislações sobre a terra, como elementos condicionadores dessas revoltas que reinterpretadas no cotidiano pelos rendeiros, perpetuaram uma cultura de resistência, identificada nos festejos do batuco e da tabanca. Por outro lado, propõe demonstrar que, além das causas econômicas apontadas pela historiografia, as revoltas foram buscar sua inspiração nos rituais de representação praticados durante o cortejo da tabanca e nos festejos da batucoThe present work intends mainly to make a reflection about two tenant farmers revolts that took place in the island of Santiago in Cape Verde between 1822 and 1841. Aims to show the specificity of the revolt of Engenhos in 1822 and Achada Falcão in 1841, analyzing apart from the metropolis politic panorama, the importance of lands legislations, as elements that made contingents on such revolts that reinterpreted by the tenant farmers in everyday life, perpetrated a culture of resistance, identified in the \"batuco\" and \"tabanca\" regional celebrations. On the other hand, it proposes to demonstrate that, apart from the economic reasons pointed by the historiography, the revolts were found its inspirations in the rituals of representation practiced during the \"tabanca\" procession and during batuco festivity
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Vabre, Sylvie. "Roquefort Société : une industrie agro-alimentaire en Aveyron (vers 1840-1914)". Toulouse 2, 2010. http://www.theses.fr/2010TOU20042.
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De 1820 à 1914, la production de fromage dans le village de Roquefort passe de 300 à 9 250 tonnes. Cette croissance puise ses origines dans le nouvel engouement pour les fromages qui se développe au sein de la tranche aisée de la population des grandes capitales européennes. Dans l'ensemble des fromages affinés, le roquefort se distingue par son aspect et son goût : sa pâte est parsemée de bleu-vert et sa saveur due à l'utilisation majoritaire du lait de brebis transformé par le travail de l’affinage. Les succès commerciaux sont à l'origine de transformations radicales dans le village de Roquefort mais aussi dans le rayon d'approvisionnement. La Société civile des caves naît en 1851 de l'association de petits et grands propriétaires de caves du village et a pour objectif de regrouper les caves les plus froides qui affinent des fromages plus aptes aux longs voyages. Cette association devient une société anonyme en 1882 et figure parmi les grandes entreprises alimentaires françaises en 1914. Pour y parvenir, elle a transformé radicalement la fabrication et la commercialisation du fromage. De 1851 à 1914, elle s'emploie à capter et dynamiser la demande en deux étapes successives. De 1850 à 1880, la politique commerciale développée par la direction est entièrement tournée vers la distinction de son produit affiné dans les "meilleures caves". Puis, face à l'expansion des marchés et la grande dépression, elle s'emploie à transformer radicalement l'outil de production ainsi que le fromage pour obtenir un roquefort plus accessible aux nouveaux consommateurs. En 1914, la production est industrielle, le fromage mondialement connu est devenu un symbole françaisBetween 1820 and 1914, cheese manufacturing in the village of Roquefort grew from 300 to 9,250 tons. This large scale increase resulted from the new appetite for cheese within the upper middle classes of large European cities. Among all the ripened cheeses, Roquefort stands out by both its look and taste: its paste is speckled with blue and green veins; its taste is unique due to the use of sheep's milk, converted through the art of ripening. Trade success has transformed both the village and the supply area. The Société civile des Caves was founded in 1851 by several small and large owners, in order to bring together the coldest cellars of the village to produce cheese better able to travel. The association became a limited company in 1882 and was one of the largest French food processing businesses in 1914. Lt has deeply transformed the way cheese is manufactured and sold. From 1851 to 1914, the company tried to capture and increase consumer demand: first (between 1850-1880), the sales policy focused on the high quality of the product ripened in the best cellars. Then, faced with growing markets and the Great Depression, it attempted to transform both the manufacturing process and the product to bring a more affordable cheese to new consumers. By 1914, manufacturing had reached an industrial scale: Roquefort cheese has since become world famous and an international symbol of France
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Scheinhardt, Philippe. "Jules Verne : génétique et poïétique (1867-1877)". Paris 3, 2005. http://www.theses.fr/2005PA030011.
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Les manuscrits de Jules Verne constituent un champ d'investigation encore inexploré par la critique génétique. Cette thèse mobilise l'appareil méthodologique de la génétique qu'elle articule avec une interprétation poïétique selon deux axes d'approche. D'une part, elle interroge le contrat encyclopédique qui contraint la création littéraire des Voyages extraordinaires. La stratégie éditoriale de P. -J. Hetzel influe sur l'écriture des préfaces programmatiques qui fondent l'ambition du cycle romanesque. D'autre part, sur un corpus restreint à trois romans de la période comprise entre 1867 et 1877, elle examine quelles solutions poïétiques Jules Verne apporte au problème des limites du genre du " roman scientifique " : d'abord, au plan de la genèse scénarique, les choix en matière de configurations narratives ; ensuite, au plan de la genèse manuscriptique, les processus d'écriture qui instaurent les macrostructures de chaque œuvre, sous la tutelle de P. -J. HetzelJules Verne's manuscripts remain a field of investigation yet unexplored by genetic criticism, which combines the genetic methodological tool to poietic interpretation and follows two approaches. On the one hand, genetic criticism questions the encyclopaedic contract by which the literary creation of the Voyages Extraordinaires abides. PJ Hetzel's editorial strategy influences the writing of the programmatic prefaces which define the ultimate aim of the novelistic cycle. On the other hand, focusing on three novels written beetween 1867 and 1877, genetic criticism identifies which poietic solutions Jules Verne used to solve the limitations of the “scientific novel” genre : the choices in terms of narrative configuration on the scripting genesis level, and on the manuscriptic genesis level, the writing processes which define the macrostructures of each novel, under the supervision of PJ Hetzel
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Joulin-Martineau, Monique. "Henry Cros : 1840-1907 : une vision de la sculpture". Paris 1, 2008. http://www.theses.fr/2008PA010525.
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Cette thèse est consacrée a Henry Cros. II fit partie des artistes à l'origine du décloisonnement des catégories entre les arts. Sa double formation lui permettait de maîtriser les technIques de la sculpture et de la peinture, mais, c'est en rompant avec la tradition, qu'il imposa sa vision de la sculpture. Ses recherches personnelles sur les matériaux utilisés dans l'antiquité l'amenèrent à explorer les possibilités de la cire en créant des sculptures inspirées du Moyen Age, qu'il moula et colora dans la masse, puis en peinture, en peignant à l'encaustique, souvent des portraits contemporains. Ensuite, il se tourna vers le verre antique et arriva à mettre au point la pâte de verre. Aussi ductile que la cire, cette matière qu'il moula et colora, toujours dans la masse, lui permit de faire la synthèse de la sculpture et de la. Peinture, comme le montrent ses oeuvres d'inspiration virgilienne : bas-reliefs aux couleurs tendres, masques, vases où la femme a souvent la première place.
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Chalmers, Claudine. "L'aventure française à San Francisco pendant la ruée vers l'or, 1848-1854". Nice, 1991. http://www.theses.fr/1991NICE2020.
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Des milliers de Français ont participé à la grande ruée vers l'or de Californie. En effet, la découverte de ses champs aurifères a coïncidé avec les troubles révolutionnaires qui secouent la France en 1848. Quelques résidents français déjà établis en Californie s'enrichissent aisément des 1848, dans les placers ou à San Francisco. Trois vagues distinctes d'émigrants de France viennent les rejoindre. Entre 1848 et 1849, ce sont les français du pacifique : rompus à la vie en pays étranger, ils fondent à San Francisco des entreprises solides et durables. Entre 1849 et 1851, des milliers d'"argonautes" arrivent directement de France par le Cap Horn : cultivés, entreprenants, très nombreux, ils communiquent à la ville leur gout très parisien de l'élégance, de la bonne chère et des divertissements. En 1852 et 1853, la "loterie des lingots d'or" expédie d'ardents républicains qui rêvent d'un nouveau départ. Avec leurs convois s'achève la grande aventure française à San Francisco durant la ruée vers l'or. Elle a laissé sa marque sur cette ville souvent appelée le "Paris du pacifique"Three major events combine, in 1848, to propel thousands of frenchmen to California : the annexation of the territory by the United States, the discovery of rich gold deposits north of San Francisco, and in France, the outbreak of a revolution and the emergence of a new social order. Besides a few french residents already settled in california who find easy fortunes in the placers or in San Francisco at the onset of the gold rush, three distinct groupes of frenchmen emigrate to California. Between 1848 and 1849, they come with the great rush from the pacific : these adaptable pioneers meet with great success in San Francisco where they create long-lasting businesses. Between 1849 and 1851, thousands of "argonauts" come directly from France around the Horn. Educated and enterprising, these numerous emigrants give the town their passion for entertainment, good food and elegance. Finally, in 1852 and 1853, the arrival of ardent "republican" emigrants sent by the "lottery of the golden ingots" marks the close of the great french adventure in San Francisco during the gold rush. It left enduring marks on the city often nicknamed the "paris of the pacific"
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Balloud, Simon. "Les hommes d'Eglise français dans la migration vers le Canada, 1842-1914". Thesis, La Rochelle, 2018. http://www.theses.fr/2018LAROF002.
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Tout au long du XIXe siècle et jusqu’au début du XXe siècle, des gens d’Église membres des communautés religieuses quittent la France pour rejoindre le Canada. Ils franchissent l’Océan Atlantique pour suivre la voie missionnaire, accomplir une carrière ecclésiastique et professionnelle, ou pour préserver une vocation religieuse menacée par la politique anticléricale d’un gouvernement. Ce phénomène particulier, négligé par l’histoire religieuse et l’histoire des migrations, alimente un système migratoire missionnaire transatlantique en marche depuis le début du XIXe siècle. À la croisée de plusieurs champs historiographiques, cette thèse propose l’étude de ce mouvement migratoire particulier, tant à l’échelle collective qu’individuelle, afin de comprendre la place qu’occupe le Canada dans le parcours migratoire des religieux français entre 1842 et 1914Throughout the nineteenth century and early twentieth century, Catholic community members of Roman Catholic religious orders left France to join Canada. They crossed the Atlantic Ocean to follow the call of missionary appeal, to pursue an ecclesiastical and professional career, or to save a religious vocation threatened by the anticlerical policy of the French government. This particular phenomenon, neglected in religious and migration history, fueled a transatlantic missionary migration system since the beginning of the nineteenth century. At the crossroads of several historiographical fields, this thesis addresses the study of this peculiar migratory movement, both at the collective and individual level, in order to understand the place occupied by Canada in the migratory path of French clerics between 1842 and 1914
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Santos, Harrison Arnaldo França dos. "A representação da Amazônia nas ilustrações de Júlio Verne ao Urtigão. 1881 – 1994". Universidade Federal do Amazonas, 2016. http://tede.ufam.edu.br/handle/tede/5468.
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This thesis is an analysis of the representations of the Amazon in the illustrations found in two different media, books and comic books, which are commonly found in everyday social actors in the Amazon region. The study is directed to the process of circulation of images encompassing the entire communication chain, which starts in the design of ideas for those who have the power of representation, through what is represented to the target audience that produces its own conclusions of what They note showing that they are not passive readers. In addition, the research addresses the struggles the statements of identities between regional historical figures who do not recognize themselves in drawings produced and social agents responsible for the choices that will be represented, the ideological discourses that support these choices and what they mean. The time frame studied is slightly larger than a century, it begins around 1880 and extends until the last decade of the twentieth century, at a first impression may seem too broad, but it is divided into three distinct historical periods and present the same kind of drawings to represent the Amazon. Thus, the reason for the realization of this historical research was due to the need to discuss how to handle the understanding by the observers of images and pictures drawn in order to represent the Amazon considering that each receptor individual has a luggage cultural that influence the result.
Esta dissertação é uma análise sobre as representações da Amazônia nas ilustrações encontradas em dois suportes distintos, os livros e as revistas em quadrinhos, que são comumente encontrados no cotidiano dos atores sociais da região amazônica. O estudo está direcionado para o processo de circulação das imagens englobando toda a cadeia comunicativa, que é iniciado na concepção das ideias por aqueles que detém o poder da representação, passando por aquilo que é representado até o público alvo que produz as próprias conclusões daquilo que observam demonstrando que não são leitores passivos. Além disso, a pesquisa aborda as lutas pelas afirmações das identidades entre as figuras históricas regionais que não se reconhecem nos desenhos produzidos e os agentes sociais responsáveis pelas escolhas do que será representado, os discursos ideológicos que embasam essas escolhas e o que elas significam. O recorte temporal estudado é um pouco maior que um século, ele tem início a cerca de 1880 e se estende até a última década do século XX, em uma primeira impressão pode parecer demasiado amplo, mas ele está dividido em três períodos históricos distintos e apresentam o mesmo tipo de desenhos para representar a Amazônia. Sendo assim, a razão para a realização desta pesquisa historiográfica deu-se pela necessidade de discutir a maneira como se processa o entendimento por parte dos observadores das imagens e das imagens desenhadas com o objetivo de representar a Amazônia considerando que cada indivíduo receptor possui uma bagagem cultural que influenciará no resultado.
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Reichová, Tereza. "Hledání podoby Filmového družstva, verze 2.0". Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-263234.
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This thesis with the sumptuous working title Film Cooperative, Version 2.0 is the result of my two-year background research for the purpose of establishing a cooperative entity. I proceed from the generally positive perception of present cooperativism abroad but I apply my research on the specific situation in the Czech Republic. Although it is marked by a rich cooperative history during the so called “First Republic,” the current approach to the cooperativist model is rather negative particularly due to the adverse role that collectivization played in the second half of the 20th century.
Therefore I focus on cases from the Czech context, both from the past and present. Since film cooperativism has not yet taken roots in our country, we would be its pioneers. In my work I therefore look for past and present models from other sectors that could help stimulate it. I conclude my thesis by inspiration from alternative models of thinking about the world where finance is not the driving model but a carrier into a better world.
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Suslak, Fiona Nanette. "Signs, interpretation and storytelling in Medieval French and German Tristan verse narratives". Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10660.
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This thesis provides a comparative analysis of late-twelfth and early-thirteenth century Tristan verse narratives from the French- and German-speaking worlds, in order to gain a more nuanced picture of how these specific writers reflect contemporary debates on interpretation and fictionality in their own works. While there is a vast body of critical literature on these texts, and a large amount of this scholarship examines the way that interpretation functions in these works, critics have so far not adequately considered how the Tristan texts from this period as a body engage with contemporary medieval debates on the relationship between truth, lies and fiction, particularly in relation to fiction as a new category for vernacular literary culture. Therefore, this thesis analyses how literary practice during this period is reflected in these texts, particularly regarding truth, lies, interpretation and authority. The first part of the thesis thoroughly studies the use of verbal and visual signs in the texts, focusing on the way that characters both construct and interpret those signs. The second part of the thesis examines storytelling in these texts. This focuses firstly on the narrators’ interjections into their works, discussing for example their relationship to their sources. Secondly, this analyses how the characters within the texts tell stories to each other, particularly those relating to their own pasts. Together, these two parts argue that interpretation and authority are key concerns for the writers of these texts. In conclusion, this thesis proposes that the writers of the Tristan verse narratives are participating in a dialogue about literary practice, interpretation and authority as they attempt to engage with the new narrative mode of literary vernacular romance.
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Rahmouni, Karim. "L' état beylical et le droit : une transition vers la modernité ? (1705-1881)". Aix-Marseille 3, 2007. http://www.theses.fr/2007AIX32007.
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Foucrier, Annick. "La France, les Français et la Californie avant la ruée vers l'or (1786-1848)". Paris, EHESS, 1991. http://www.theses.fr/1991EHES0005.
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Les relations de la france, des francais et de la californie de 1786 (passage de laperouse a monterey) a 1848 (rattachement aux etats-unis) sont etudiees dans leurs dimensions economique, socio-culturelle et politique. Les francais vont d'abord cherche en californie des fourrures de loutres marines pour les vendre en chine, puis des approvisionnements pour les baleiniers ou pour les etablissements militaires francais installes a partir de 1842 aux iles marquises et a tahiti. Les voyageurs francais decrivent les misions, installees par les espagnols, a partir de 1769, pour convertir les indiens, puis apres l'independance du mexique, le mouvement de secularisation des biens des misions qui contribue a faire du pays une region de grands domaines d'elevage, les "ranchos". La californie occupe une place strategique dans le pacifique-nord, aux limites des empires espagnol, russe et anglais, et suscite les convoitises des etats-unis. La france s'interesse aussi au sort de la californie a partir de 1836, et un consulat francais est cree a monterey en 1842. Pendant les annees 1840, les puissances maritimes menent un jeu complexe qui se termine en 1848 avec l'annexion de la californie par les etats-unis. Plusieurs chapitres sont consacres aux francais installes en californie, a leurs origines sociales et regionales, a leurs activites professionnelles, a leur integration et a leur participation a la vie politique californienneThe relationships of france, the french and california from 1786 (when laperouse called at monterey) to 1848 (the annexation by the united states) are studied from economical, social, cultural and political viewpoints. The french first came to california to trade sea otter furs, to be sold in china, then to buy supplies for whalers or for the french steelements in the marquesas and tahiti islawds. These travelers described the missions, built by the spanish beginning in 1769 to convert indians, and after the mexican independence, they observed the secularization of mision lands which turned california into a cattle breeding country, divided into large ranchos. Being situated at the borders of the spanish, russian and english empires, california held a strategic place, and its harbors were coveted by the united states. From 1836, france too was interested in the future of california, and in 1842 a french consulate was created at monterey. The complex play of the maritime powers in the 1840s ends in 1848 with the annexation of california by the united states. Several chapters deal with the french who lived in california, their origins (social and regional), their trades, their integration and their participation in the political life of the country
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Rodrigues, Rodrigo Borkowski. "Danos do percevejo-barriga-verde dichelops melacanthus (dallas, 1851) (hemiptera: pentatomidae) na cultura do milho". Universidade Federal de Santa Maria, 2011. http://repositorio.ufsm.br/handle/1/5048.
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Conselho Nacional de Desenvolvimento Científico e TecnológicoThe research objective was to evaluate the damage caused by D. melacanthus in the initial phase of the maize crop. Two field trials were conducted in Rondonópolis, Mato Grosso, and two greenhouse trials occurred in Santa Maria, Rio Grande do Sul. In all experiments artificial infestation of cages was done using laboratory reared stink bugs. In all experiments the experimental design adopted was randomized blocks. In the field trials, the experimental units were 1m x 1m x 1m cages with six corn plants each. One of the trials evaluated the combinations of population levels and coexistence periods of green belly stink bugs adults with the crop and the other one aimed to estimate the economic threshold level of D. melacanthus in corn. In both trials 21 days after emergence (DAE), the number of plants damage by stink bugs (PD) and the plant height were evaluated. The plants height were measured at harvesting, the shoot of dry mass(SDM)was determined , as well as the number of ears per plot (EN), the number of rows per ear (RE), number of kernels per row (KR), the 1,000-grain weight (TGW) and the grain production. In addition a greenhouse trial was done to evaluate the effect of seed treatment with insecticide thiamethoxan on the injuries to maize in the initial phase caused by D. melacanthus. The other trial aimed to compare the damage caused by nymphs and adults D. melacanthus in the initial phase of corn plants. In both experiments the height and dry mass accumulation of roots and shoots were measured. The obtained data was submited to variance analysis, regression tests or mean comparation besides the estimation of the Pearson correlation coefficients for the evaluated characters. The stink bugs damages in the initial phase were reflected at the end of the cycle in most of evaluated characters. The losses were greater when the coexistence period occurred just after the crop emergence, rising with the increase of the coexistence period and the density levels. High correlation was found between height at 21 DAE with SDM, grain production and yield components (EN, RE and KR). The number of ears per plot was the most affected character by the stink bugs attack. The economic threshold level obtained of D. melacanthus in maize was 0.50 stink bugs per m2. The seed treatment with thiamethoxan reduced the damage caused by the stink bugs and provided normal development of plants even when subjected to higher population levels of stink bugs. Four nymphs of D. melacanthus cause injury to corn in initial phase at intensities similar to those caused by an adult.
Este trabalho objetivou estudar os danos causados por D. melacanthus na fase inicial de desenvolvimento da cultura do milho. Foram conduzidos dois experimentos de campo em Rondonópolis, MT, e dois em vasos em Santa Maria, RS. Nos trabalhos foi realizada infestação artificial de gaiolas com percevejos criados em laboratório. Os experimentos foram conduzidos no delineamento experimental de blocos ao acaso. Nos trabalhos de campo, as unidades experimentais consistiram de gaiolas teladas contendo seis plantas de milho. Em um trabalho foram avaliadas combinações de níveis populacionais e períodos de convivência de adultos do percevejo-barriga-verde com a cultura. O outro objetivou determinar o nível de dano econômico de D. melacanthus na cultura do milho. Em ambos foram avaliadas aos 21 dias após a emergência (DAE) o número de plantas com sintomas de ataque de percevejos (PA) e realizada a medição da estatura das plantas. Na colheita foi medida a estatura de plantas e determinada a massa seca de parte aérea (MSPA), o número de espigas por parcela (NE), o número de fileiras por espiga (NF) e número de grãos por fileira (NG), a massa de mil grãos (MMG) e a produção de grãos. Um dos trabalhos em vasos objetivou estudar o efeito do tratamento de sementes com o inseticida Tiametoxam sobre os danos de D. melacanthus em plantas jovens de milho. Outro trabalho estudou comparativamente o potencial de danos de ninfas e adultos desses percevejos. Em ambos os experimentos foi avaliada a estatura e acúmulo massa seca de raízes e parte aérea. Os dados obtidos foram submetidos à análise de variância e análise de regressão ou comparação de médias além de serem estimados os coeficientes de correlação de Pearson. Os danos de percevejos na fase inicial foram refletidos no final do ciclo da cultura na maioria dos caracteres avaliados. Os prejuízos foram maiores quando o período de convivência ocorreu logo após a emergência da cultura, aumentando com o acréscimo no período de convivência e na densidade populacional de percevejos. Foi constatada elevada correlação da estatura aos 21 DAE com MSPA, produção de grãos e componentes de rendimento da cultura (NE, NF e NG). O número de espigas por parcela foi o caracter produtivo mais afetado pelo ataque de percevejos. O nível de dano econômico de D. melacanthus na cultura do milho obtido foi de 0,50 percevejos m-2. O tratamento de sementes com Tiametoxam reduziu os danos causados pelos percevejos e proporcionou desenvolvimento normal das plantas mesmo quando submetidas ao maior nível populacional de percevejos testados. Quatro ninfas de D. melacanthus causam injúrias a plantas jovens de milho em intensidade semelhante às causadas por um adulto.
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Ambroselli, Maximilien. "George Desvallières, Georges Rouault, Léon Bloy : vers un art "néo-chrétien" ? (1901-1914)". Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H027.
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Fruits d’une observation directe de la vie nocturne, les nouvelles peintures que George Desvallières et Georges Rouault exposent au Salon d’automne à partir de 1903 s’imprègnent peu à peu d’un christianisme implicite, en traduisant un profond sentiment de pitié ressenti à l’égard des prostituées et des forains. L’émergence de ce nouveau type de production, à laquelle se trouve rapidement associée la figure du Christ souffrant, semble encouragée par la forte personnalité de l’écrivain Léon Bloy, rencontré par les deux peintres en avril 1904. En privilégiant l’impact émotionnel, Desvallières et Rouault mettent en place une nouvelle iconographie à la plastique singulière et résolument expressive qui parait s’inscrire dans une démarche sociale de dénonciation des monstruosités masquées du monde, et qui participe en ce début de siècle à la remise en cause de l’art « sulpicien ». Le terme de « néo-chrétiens » est employé par Desvallières pour qualifier l’ensemble « des intellectuels, des poètes, des savants et des artistes » qui portent en eux le désir d’un renouvellement de l’art religieux. Depuis l’échec qu’a connu en 1901 la tentative de Joris-Karl Huysmans à Ligugé, à laquelle s’est joint Rouault, il semble que Desvallières soit devenu le principal acteur de ce renouvellement, tant par sa peinture que dans ses écrits. Outre un nouvel art chrétien plus moderne et édificateur, il milite pour la constitution d’une nouvelle école d’art religieux placée sous la protection de Notre-Dame de Paris. Si ce projet n’aboutit pas dans l’immédiat, il suscite l’intérêt de Maurice Denis et est sans conteste à l’origine de la création des Ateliers d’art sacré en 1919Arising as direct fruits of keen nightlife observation, the new paintings George Desvallières and Georges Rouault exhibit at the Salon d'Automne from 1903 are gradually pervaded by an implicit Christianity, translating a deep sense of pity felt on prostitutes and showmen. The emergence of this new type of production, which is quickly associated with the figure of suffering Christ, seems to be encouraged by the strong personality of the writer Léon Bloy, met by the two painters in April 1904. By privileging the emotional impact, Desvallières and Rouault set up a new iconography with singular and resolutely expressive plastic that seems to be part of a social approach to denounce the masked monstrosities of the world, and which participates in the questioning of the Sulpician art at the beginning of the century. The term "neo-Christian" is used by Desvallières to describe all "intellectuals, poets, scholar and artists" longing for a renewal of religious art. Since the failure of Joris-Karl Huysmans' attempt at Ligugé in 1901, to which Rouault has joined, it seems that Desvallières has become the main actor of this renewal, both in his painting and writings. In addition to a renewed Christian art, more modern and constructive, he is advocating for the creation of a new school of religious art placed under the protection of Notre-Dame de Paris. Despite the fact this project would not succeed right away, it arouses the interest of Maurice Denis and is undoubtedly at the origin of the creation of Workshops of Sacred Art in 1919
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Passos, Angela Alves dos. "Memórias da Escola Normal Regional Ponche Verde". Universidade Federal de Pelotas, 2010. http://repositorio.ufpel.edu.br/handle/ri/1848.
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Previous issue date: 2010-03-19The principal objetive this study was to build part of memories from Instituto Estadual de Educação Ponche Verde, situated in municipality of Piratini RS. The search priorited the investigation the course about formation of teachers, in special the Normal Regional (1954 1971) and the Physical Education post in practice in this education space. The search was developed having with theoretical-methodology reference the conception of history of Michael Foucault, the studies of memory and the beginning methodologies of Oral History. This way, was utilized written fontain (institutions documents, registers, reports, decrees, laws, newspaper reports of city), old photographs and oral declaration of old members of school. The conclusion of search marked how the course about formations de teachers Normal Regional Ponche Verde was a center to irradiate of education and of culture, in city and in a region, that performed by beginning of moral, well-breds and of adhesion to public interests and welfare and, with assistance of Physical Education (gymnastics method) helped in a constitution of a disciplined body and cordial for the discourse and the socials norms effective in different epochs.
O objetivo principal deste estudo foi construir as memórias do Instituto Estadual de Educação Ponche, situado no município de Piratini RS. A pesquisa priorizou investigar o Curso Formação de Professores, em especial o Normal Regional (1954 -1971) e a Educação Física posta em prática neste espaço educativo. A pesquisa foi desenvolvida tendo como referência teórico-metodológica a concepção de história de Michel Foucault, os estudos de memória e os princípios metodológicos da História Oral. Assim, foram utilizadas fontes escritas (documentos institucionais, atas, relatórios, decretos, leis, reportagens de jornais da cidade, etc.), fontes imagéticas e depoimentos orais de antigos membros da escola. A conclusão da pesquisa assinalou como o Curso Normal Regional Ponche Verde foi um centro irradiador de educação e da cultura, na cidade e na região, que atuou pautado por princípios de moral, bons costumes e do civismo e, com o auxílio da Educação Física (métodos ginásticos) ajudou na constituição de um corpo disciplinado e cordial aos discursos e as normas sociais vigentes nas diferentes épocas.
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Laftas, Fatima Zohra. "Les yeux tournés vers l'orient : Représentations symboliques et enjeux poétiques du harem et du sérail dans La Peau de chagrin (1831), La Fille aux yeux d'or (1835) et Splendeurs et misères des courtisanes (1838-1847) d'Honoré de Balzac et "Ligeia" (1838) et "The Thousand-and-second tale of scheherazade" (1845) d'Edgar Allan Poe". Electronic Thesis or Diss., Université Côte d'Azur, 2022. http://theses.univ-cotedazur.fr/2022COAZ2022.
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Le harem et le sérail, deux espaces souvent confondus dans la sémantique occidentale mais aussi orientale, ont donné naissance à un topos et des fantasmes ayant nourri le discours sur l'Orient des écrivains, artistes, voyageurs et diplomates à partir du XVIe siècle. Ces derniers l'ont essentiellement dépeint comme étant le lieu de la soumission et de la domination absolues, incarnées à travers la polygamie du maître et la sujétion des femmes qui ont cours au harem, reflétant sur le plan politique le rapport entre le sultan et ses sujets. Héritiers de cette représentation stéréotypée de l'Orient qui a perduré au XIXe siècle, Honoré de Balzac et Edgar Allan Poe, qui n'ont jamais voyagé en Orient, s'en sont à leur tour emparé pour décrire les bouleversements majeurs traversés par leurs sociétés respectives. Il s'agissait aussi pour eux de produire des récits se distinguant par une hybridité culturelle, thématique, générique et structurelle. Les œuvres de Balzac La Peau de chagrin (1831), La Fille aux yeux d'or (1835) et Splendeurs et misères des courtisanes (1838-1847) et le conte de Poe « Ligeia » (1838) ainsi que sa réécriture « The Thousand-and-Second Tale of Scheherazade » (1845) se présentent comme des « intrigues de sérail » occidentalisées qui se dévoilent à travers un parcours herméneutique balisé par les références au monde oriental, agencées sur une structure circulaire s'inspirant aussi bien du labyrinthe de type spiralaire que du motif arabesqueThe harem and the seraglio, two spaces often misleaded in the western semantic, produced a topos and fantasies which strenghened the writers, travelers and diplomats discourses about East since XVIth century. They mostly depicted it as the place of a complete submission and domination, embodied through master's polygamy and women's subjection in the harem, mirroring the relationship between the sultan and his subjects on a political level. Influenced by this stereotypical representation of the East which persisted in the XIXth century, Honoré de Balzac and Edgar Allan Poe, who both never went to East, used it to depict the big changes of their own societies and to produce original writings marked by a cultural, topical, generic and structural hybridity. Balzac's works The Wild Ass's Skin (1831), The Girl with the Golden Eyes (1835) and The Splendors and Miseries of the Courtesans (1838-1847) and Poe's tale « Ligeia » (1838) and his rewriting « The Thousand-and-Second Tale of Scheherazade » (1845) are westerned harem's narratives which reveal their hidden sens through a hermeneutical path marked by the references to the Eastern world and which are combined from a circular structure inspired by the spiral maze's model and by the arabesque pattern
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Stile, Concetta. "Il processo di cambiamento nelle pubbliche amministrazioni e il percorso verso l'eccellenza: il caso del comune di Pisa". Doctoral thesis, Universita degli studi di Salerno, 2014. http://hdl.handle.net/10556/1841.
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2011 - 2012La ricerca si propone di analizzare, attraverso lo studio di un caso pratico riguardante una Amministrazione Comunale italiana che ha intrapreso con successo il percorso verso l'eccellenza utilizzando il Common Assessment framework, gli innumerevoli processi di riforma che hanno investito la pubblica amministrazione nel suo complesso... [a cura dell'autore]
XI n.s.
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Larguèche, Aladin. "Vers une histoire des intellectuels norvégiens : pratiques littéraires, nationalisme et sécularisation à Christiania (1811-1869)". Phd thesis, Université Toulouse le Mirail - Toulouse II, 2013. http://tel.archives-ouvertes.fr/tel-00877258.
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Le présent texte propose de questionner le postulat couramment admis selon lequel l'émergence des intellectuels nationalistes au XIXe siècle est parallèle à une déchristianisation de la vie sociale et culturelle, en se focalisant sur l'ensemble des littérateurs norvégiens publiant dans la période 1811-1869. C'est plus spécifiquement les rapports entre Belles-lettres, construction nationale et sécularisation qui constituent le cœur de cette enquête, avec une attention portée sur la principale arène de la vie scientifique norvégienne : l'université de Christiania. Après avoir recensé les contraintes matérielles, politiques et religieuses qui conditionnent le développement de la vie culturelle dans la capitale du jeune royaume, l'auteur propose une analyse socio-historique systématique de tous les littérateurs norvégiens, ainsi qu'un échantillonnage des auteurs les plus productifs afin de déterminer l'évolution des rapports des écrivains, amateurs de Belles-lettres, nationalistes ou scandinavistes, avec le fait religieux et l'Église d'État norvégienne. La notion de "pratique littéraire" permet d'aborder la littérature comme un phénomène social multiforme, au croisement entre l'histoire de l'éducation, histoire des idées, histoire religieuse et sociologie de la littérature, et permet de comprendre les mutations essentielles et les ambigüités indépassables de l'identité sociale des intellectuels contemporains
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Bernard, Stéphanie. "De Thomas Hardy à Joseph Conrad : vers une écriture de la modernité". Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/vallon_s.
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Thomas Hardy est le plus souvent considéré comme un auteur victorien. Cependant, son dernier roman intitulé Jude the Obscure annonce la modernité qui éclot à l'aube du vingtième siècle, lorsque l'auteur se tourne vers la poésie et qu'un autre écrivain, nommé Joseph Conrad, rédige ce roman aux mille voix qu'est Lord Jim. Derrière leurs œuvres se profile la réécriture de la tragédie qui renaît sous les espèces du tragique. Tess of the D'Urbervilles, à la tonalité pastorale parfois, rappelle les tragédies familiales des grands auteurs grecs. Avec Jude the Obscure, la ville a remplacé la campagne, la société a inéluctablement pris la place des dieux. Cette chute du divin s'affirme dans Lord Jim où le romantisme côtoie l'éclatement de la représentation dans une écriture moderne, puis plus nettement encore au travers des paysages blancs et froids de Under Western Eyes. Ces œuvres, tant par leurs différences que par leurs ressemblances, mettent en lumière le renouvellement qu'opère la modernité sur les genres et les formes du passé. Le style tragique utilise la lettre pour mieux la faire voler en éclat et s'oriente sur le pan de la voix : celle de l'écrivain qui se fait poète, celle de Jude qui se laisse bercer par son imaginaire, ou encore celle de l'indicible vérité qui borde l'horreur et surprend le lecteur occidental du texte conradienThomas Hardy is usually considered a Victorian writer. Nonetheless, his last novel entitled Jude the Obscure announced the era of modernity which started with the twentieth century, just before he abandoned fiction to become a poet, while Joseph Conrad was writing that deep-resounding novel entitled Lord Jim. With rising modernity in the background, it appears that their works allowed for the rewriting of tragedy, now revived as the tragic. Tess of the D'Urbervilles, whose tone may sound pastoral, recalls traditional Greek tragedies. In Jude the Obscure, urban settings have replaced the countryside, and society has definitely been substituted for the gods. Such a defeat of the divine is brought even further with Conrad : in Lord Jim, the romantic undertones are incessantly balanced by the explosion of the conventions of representation; the modern age is clearly perceptible in the white and cold landscapes of Under Western Eyes. These four novels, through their similarities and differences, show how modernity operates on genres and old forms of writing by regenerating them. The tragic as a style uses the letter the better to shatter it : so it does when the voice of the poet can be heard through the murmurs of Jude's imagination, or when unspeakable truth comes close to the horror and startles the Western reader of the Conradian text
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Gilson, Bernard. "Vers un développement de la philosophie dialectique". Paris 4, 1995. http://www.theses.fr/1995PA040407.
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La présente étude récapitule et conclut : 1) l'essor de la dialectique moderne et la philosophie du droit ; 2) la révision bergsonienne de la philosophie de l'esprit. Se référant à Descartes et aux postcartésiens, elle porte sur Kant, Fichte, Schelling, Hegel, Bergson. Elle envisage les systèmes historiquement, mais de façon sélective et en les appréciant, ce qui permet d'esquisser un développement de la philosophie dialectique générale et juridique. La substance infinie applique le néant à l'être et crée l'être fini déterminé, puis domine ontologiquement les substances finies. Bergson explique l'esprit et la matière comme la tension et l'extension. La philosophie dialectique peut ainsi repartir. Elle appelle une synthèse entre l'autodétermination individuelle et le processus dialectique général fini. La dialectique constitue et dépasse l'usage régulateur des idées, à la fois abstrait et concret. Les relations entre les personnes rationnelles se développent sur la base de finalités idéales relativement ouvertes. Celles-ci impliquent la tache de leur réalisation, qui transcende l'individu dans le monde extérieur et la signification générale. Il en ca de la sorte en morale et en droit. Kant et Fichte affirment à juste titre le principe du contrat social, que Hegel rejette à tort. Là réside la position du problème, non la solution. Malgré les tendances de l'anti phénoménologie, la progression humaine s'inspire des idées humaines du vrai et du bien, donc de l'unité analogique de l'être divers, sans identifier le fini à l'infini[…] With reference to Descartes and the postcartesians, it bears on Kant, Fichte, Schelling, Hegel, Bergson. It considers the systems historically, but with a selective approach and an assessment, so that a development of dialectical philosophy can be outlined in general and legal terms. The infinite substance applies ought to being and creates finite determinate being, then towers ontologically above the finite substances. Bergson explains spirit and matter as tension and extension. Thus dialectical philosophy can proceed anew. It calls for a synthesis between individual self-determination and the general finite dialectical process. Dialectic constitutes the regulatory use of ideas, with its abstract as well as concrete aspects, and reaches beyond it. Relationships between rational persons develop on the basis of relatively open ideal purposes. These imply the task of carrying them into effect, which transcends the individual in the outside world and general meaning. Such is the case as regards morality and law. Kant and Fichte rightly uphold the principle of the social contract, which Hegel erroneously rejects. The problem is thereby defined, not solved
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Bernard, Stéphanie Paccaud-Huguet Josiane. "De Thomas Hardy à Joseph Conrad vers une écriture de la modernité /". Lyon : Université Lumière Lyon 2, 2004. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2004/vallon_s.
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Borey, Pierre-Jean. "Vers une lecture politique de Whitehead : relativité et subversion". Paris 10, 2007. http://www.theses.fr/2007PA100047.
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Cette thèse s’efforce de dégager une lecture politique de l’oeuvre de Whitehead, en partant d’une interprétation du principe de relativité. Un premier moment réhabilite l’importance du Dieu Imperium, en concurrence avec le Dieu Eros, dans l’articulation problématique des quatre figures du divin. Avec cette notion de transcendance, c’est encore la notion de rupture qui est soulignée, à l’encontre d’une lecture traditionnellement plus bergsonienne. Un second moment dessine, par l’analyse de la notion de vecteur, le double aspect de l’image-schème. L’analyse du statut de l’image s’achève par celle de l’ordre des Obligations Catégoriales, véritable procédure d’inversion contrôlée; en particulier, la catégorie de la transmutation, lieu même de la valorisation par les apparences. Le dernier moment, synthèse théologico-esthétique, conduit à un double aspect anarchiste/politique. Whitehead, pendant même qu'il étend le principe d'analogie rationnelle au principe de relativité, fait d’autant plus apparaître, dans cet effort de proportionnalité, la part trop minorée de la déraison dans le monde humainThis doctoral thesis try to read Whitehead’s work in a political angle, on the basis of an interpretation of the principle of relativity. In a first place, the problematic articulation of four figures of divinity leads to restore Imperium god importance, in opposition with Eros god. With this notion of transcendence, notion of break is yet emphasized, in contrast with bergsonian usual reading. In a second place, by vector’ s notion analysis, a two way aspect of ‘image-scheme’ is becoming apparent. The tidy up of categoreal obligations end scheme’s status analysis, as a real checking reversal procedure, especially the category of transmutation, the very place of increase in value by playing with appearance. Finally, to collate theology and aesthetic leads to ‘anarchist/political two way aspect’. As Whitehead extend the rational analogy principle to principle of relativity he perversely express more clearly this aspect of irrationality in human world, usually unfortunaly evaded
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Pertille, José Pinheiro. "Faculdade do espírito e riqueza material : face e verso do conceito "vermögen" na filosofia de Hegel". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2005. http://hdl.handle.net/10183/5491.
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Bonfá, Carlos Eduardo Marcos [UNESP]. "A modernidade poética em Cesário Verde e Gomes Leal". Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/91505.
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bonfa_cem_me_arafcl.pdf: 672836 bytes, checksum: bb53d1e83d99548577295f4b30496aea (MD5)Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Este trabalho pretende apontar e analisar elementos que confirmem o pioneirismo dos poetas portugueses Cesário Verde (1855-86) e Gomes Leal (1848- 1921) em relação à modernidade poética em Portugal, contribuindo para a ampliação da fortuna crítica dos dois autores e, sobretudo, da de Gomes Leal, poeta muito importante e ainda insuficientemente conhecido nos meios universitários brasileiros. A análise contemplará os principais temas da poesia moderna – a relação dúbia com o universo urbano-industrial, a femme fatale, a despersonalização e a identificação dos contrários – e a sua expressão formal na poesia de Cesário e de Gomes Leal. Ficarão mais evidentes, neste quadro, as relações que se estabelecem entre as duas poéticas.
This project will focus on and analyse those elements which confirm the pioneering quality of the Portuguese poets Cesário Verde (1855-86) and Gomes Leal (1848-1921) in relation to poetic modernism in Portugal, contributing, in this way, to the development of the critical profile of these two authors and, above all, of Gomes Leal, a very important poet who is yet insufficiently known in Brazilian university circles. The analysis will turn on the principal themes of modern poetry – the dubious relationship with the urban-industrial complex, the personality of the femme fatale, the de-personalization of the poetic “I”, and the identity of opposites – and its formal expression in the poetry of Cesário and Gomes Leal. Within this framework, the relationships which can be established between the two poetical oeuvres will become more evident.
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Devauchelle, Karine. "Approche métrique de la structure interne du vers complexe dans la poésie de Théodore de Banville, 1823-1891". Nantes, 2003. http://www.theses.fr/2003NANT3008.
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Après une brève présentation de la méthode métrico- ponctuo-métrique, du corpus banvillien et des bases de données, la première partie exploite les résultats de l'application de l'analyse distributionnelle. La seconde partie est consacrée aux vers atypiques présentant un des critères métrico-métriques sur leur 6ème syllabe. Ces vers sont étudiés par période selon une double perspective à la fois métrique, dans laquelle il s'agit de mettre à jour des régularités systématiques, et littéraire, dans laquelle est abordée la question de l'intérêt stylistique du décalage forme / sens, en particulier au niveau de la césure. La troisième partie consiste en une analyse comparative des vers X6 des recueils avec ceux d'un échantillon représentatif de l'œuvre théâtrale de Banville. Enfin, il est fait un recensement des vers présentant un des critères métrico-métriques sur leur dernière syllabe métrique et une comparaison de la teneur de ces critères avec ceux des X6 (poésie et théâtre)Following a brief presentation describing the chosen method of corpus banvillien and of the resources (database), the first part exploits the results of the application of the distributional analysis. The second part is devoted to the case of the atypical verses which contain one of the métrico-metrique criterion on their 6th syllable. These verses are studied by period according to a double perspective, at times metrical, in which, one needs to update some systematic regularities, and 'literary' in which one broaches the question of the interval between the phrase and the metre. The 3rd section consists of a comparative analysis of the X6 verse, encountered in the collections, with those found in a representative sample of Banville's theatrical work. To close, there is a census of the verses displaying one of the criteria métrico-métriques on their last metrical syllable and a comparison of the content of the criterions with those of the X6 (poetic and theatrical)
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Imbert, Jeanne. "Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893)". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040145.
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Édouard Dujardin (1861-1949), fondateur de la Revue wagnérienne et de la Revue Indépendante de littérature et d’art, n’a pas été seulement un théoricien du symbolisme, il en a été le praticien. Son œuvre littéraire entre 1885 et 1893 explore aussi bien le vers que la prose, en retrace les questionnements. Résolument engagée dans l’avant-Garde, elle ne s’attaque pas seulement à l’édifice du réalisme, elle remet en cause le modèle de la mimèsis dans une recherche formelle intense. Ainsi l’œuvre de Dujardin se fait-Elle, de manière exemplaire, témoin de cette crise du vers que traversait l’univers des lettres. Genres, formes et confrontation entre les arts délimitent ce parcours en trois parties, qui ne suit pas un plan linéaire ou chronologique, mais un questionnement spécifique déterminé par chaque ouvrage. Pour cette raison, nous avons commencé par son théâtre, qui soulevait la question de l’identité du personnage. Le prénom Antonia nous a ainsi servi de fil conducteur pour aborder la relation vers et prose, telle qu’elle se manifeste soit dans le poème en prose soit dans le vers libre. Dans une seconde partie, nous avons interrogé les formes, la prose poétique de ses nouvelles et de son roman, qui répondent partiellement aux critères définissant le poème en prose. Enfin, dans le cadre de la confrontation entre les arts, nous nous sommes intéressés au phénomène textuel Les Lauriers sont coupés, considéré par la critique comme un procédé de « monologue intérieur », puis au rapport entre poésie et musique par l’étude de l’ouvrage Litanies mélopées pour chant et piano, qui met en vis-À-Vis poème et musiqueEdouard Dujardin (1861-1949), the founder of Revue wagnérienne (the Wagnerian Journal) and Revue Indépendante de littérature et d’art (the independent journal of literature and art) has not only been a theoretician on symbolism but also a practitioner. His literary work between 1885 and 1893 explores verse as well as prose and traces back its questionings. Being resolutely engaged in the avant-Garde, it does not only tackle the structure of realism but also questions the model of mimesis in a sort of formal and intense research. It thus happens that Dujardin’s literary work testifies, in an exemplary way for that matter, to the crisis in verse that the literary universe was undergoing. Genres, forms and confrontations of different forms of arts define this course in three parts which does not follow a linear plan nor a chronological one but rather a specific questioning determined by each literary work. This is the reason why we started by studying his drama which raised the question of the character’s identity. The name of Antonia was thus used as a thread to tackle the relationship between prose and verse, as shown in the poem in prose or in free verse.In a second part, we questioned the forms-The poetic prose of his short stories and of his novel- which partly fulfil the criteria of the poem in verse. Lastly, in the context of the confrontation between the different types of arts, we focused on the text viewed as a phenomenon- Les Lauriers sont coupes- considered by critics as a form of “stream of consciousness” then on the connection between poetry and music through the study of the work Litanies, “mélopées” for piano and song, which confronts poem and music
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Gateau, Hélène. "Extraction biocompatible par les champs électriques pulsés des molécules d'intérêt de la microalgue verte Haematococcus pluvialis (Flotow 1844)". Thesis, Le Mans, 2017. http://www.theses.fr/2017LEMA1042.
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Les champs électriques pulsés (CEP) offrent un réel intérêt dans le cadre de la traite des microalgues. En effet, ils permettent l'extraction sélective des composés hydrosolubles ou l'utilisation de solvants biocompatibles pour récolter les molécules hydrophobes. La viabilité des microalgues peut ainsi être conservée. L'objectif de ce travail de thèse est de définir des conditions de traitement permettant à la fois l'extraction des composés d'intérêt et le maintien de la viabilité des microalgues. Le modèle d'étude est la microalgue verte Haematococcus pluvialis. Au stade végétatif, celle-ci contient près d'un tiers de son poids de matière sèche en protéines et en conditions stressantes, elle accumule de l'astaxanthine, un caroténoïde à haute valeur ajoutée.L'application de CEP de 1 kV.cm-1 permet de collecter 50 % des protéines extractibles par broyage avec des microbilles. La mesure de cinq paramètres biologiques suite à ce traitement a mis en évidence que les cellules retrouvaient un état physiologique comparable à celui de microalgues non traitées au bout de 72 h. Cette condition de traitement constitue donc un bon compromis entre l'extraction des protéines et la survie des microalgues, ce qui renforce la faisabilité d'une traite de microalgues par CEP.Dans le cadre de l'extraction de l'astaxanthine, la paroi très résistante des kystes constitue le principal verrou à lever. Une optimisation des conditions de traitement (en particulier de la force des impulsions) et du stade cellulaire traité représentent les deux principales perspectives à étudier pour que l'utilisation des CEP dans le cadre de l'extraction de l'astaxanthine soit pertinentePulsed electric fields (PEF) offer a real interest for microalgae milking. Indeed, they allow the selective extraction of water-soluble compounds or the use of biocompatible solvents to harvest the hydrophobic molecules. The viability of microalgae can thus be maintained. The aim of this PhD thesis work is to define the treatment conditions allowing both the extraction of compounds of interest and the maintenance of the microalgae viability. The biological model is the green microalga Haematococcus pluvialis. At the vegetative stage, it contains nearly one third of its dry matter weight in proteins and under stressful conditions, it accumulates astaxanthin, a high added value carotenoid.The application of PEF of 1 kV.cm-1 allows to collect 50% of the proteins extractable by bead milling. The measurement of five biological parameters highlights that treated cells recover a physiological state comparable to that of untreated microalgae after 72h. This treatment condition constitutes therefore a good compromise between the protein extraction and the survival of the microalgae, which reinforces the feasibility of microalgae milking by PEF.Within the context of astaxanthin extraction, the high resistance of the cell wall of the cysts constitutes the main limitation. Optimization of the treatment conditions (particularly pulse strength) and the cellular stage to treat represent the two main perspectives to study for the use of PEF for astaxanthin extraction to be relevant
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Portelli, Giovanni <1986>. "La Società orientata al riciclo: il percorso giapponese verso un futuro sostenibile". Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1848.
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E’ indubbio che nell’ultimo ventennio il Giappone abbia compiuto enormi passi dal punto di vista della protezione e dell’interesse verso il proprio ambiente, come dimostra la legislazione ambientale oggi vigente. Non è però chiaro se a questa “legalizzazione” della sensibilità ambientale corrisponda una vera e propria interiorizzazione da parte del cittadino, visto che poi è l’attuatore finale di tali norme. Lo scopo del mio lavoro vuole essere quello di comprendere il ruolo che quest’ultimo ha avuto nelle varie fasi storiche di questo processo e se la svolta avvenuta sia stata, come in altri casi, calata “dall’alto” oppure se ci sia effettivamente stata una volontà “dal basso” per avere un sistema sostenibile.
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RICCOBONO, Marta. "«Nella dovuta decenza e modestia» : versi civili e ricezione critica di quattro autrici siciliane del Risorgimento". Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/91148.
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Mussa, Carlos. "Les conflits au Mozambique : la longue marche vers la liberté, 1930-1992". Poitiers, 2006. http://www.theses.fr/2006POIT5024.
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Ce travail, intitulé "Les conflits au Mozambique : la longue marche vers la liberté, 1930-1992", étudie l'histoire contemporaine du Mozambique. Il analyse les principaux conflits au Mozambique pendant la période 1930-1992. La recherche présentée est divisée en trois parties. La première partie est intitulée "Le renforcement du pouvoir colonial et l'émergence du nationalisme au Mozambique, 1930-1963". La deuxième partie a pour titre "La guerre d'indépendance mozambicaine, 1964-1974". La troisième partie, intitulée "L'échec du socialisme au Mozambique, 1977-1992", analyse les conflits qui sont nés pendant les premières années de l'indépendance du pays, y compris la guerre civile mozambicaine et ses résultatsThis study designed to respond to the present student generation's needs and questions regarding the nature of the conflicts in Mozambique today. The objective is first, to make a study about the colonialism and the Mozambican nationalism (1930-1963), the struggle of independance and the civil war in Mozambique (1964-1974). This text has three parts : the history of the colonialism and the Mozambican nationalism (1930-1963), the history of the independence struggle in Mozambique and its conflicts (1964-1974), the history of the civil war in Mozambique and the Mozambican socialism (1977-1992)
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Teixeira, Alex de Matos. "Valor nutricional do capim-elefante verde em diferentes idades de corte". Universidade Federal de Minas Gerais, 2013. http://hdl.handle.net/1843/BUOS-96ZGUK.
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This study was undertaken to evaluate the nutritional value of fresh elephant grass harvested with different regrowth ages (56, 84 and 112 days). To achieve this objective three experiments were carried out: in situ digestion kinetics (experiment I), semi-automated in vitro gas production technique (experiment II), and indirect calorimetry assay (experiment III). The elephant grass harvested with 56 days of regrowth had higher values of dry matter (22.52%) and crude protein (45.09%) readily digested fraction. The rates of dry matter digestion were 4.08, 3.29 and 2.25%/hour for 56, 84 and 112 days of regrowth, respectively. The crude protein potentially digestible fraction ranged from 56.52 to 84.80% for the grass harvested with 56 and 112 days, respectively. The neutral detergent fiber rate of digestion decreased with maturity, ranging from 3.89 to 2.03%/hour. Maturity of the grass affected negatively rumen fermentation kinetics evaluated through the semi-automated in vitro gas production technique. The grass harvested with 56 days had higher cumulative gas production (210.50 ml/g dry matter) and dry matter disappearance (63.8%) at 96 hours of incubation, and the other regrowth ages of the grass did not differ between themselves. The maximum potential of gas production varied between 187.98 and 200.13 ml/g of dry matter. Sheep fed elephant grass with 56 days of regrowth had higher dry matter and gross, digestible and metabolizable energy intakes, and the other regrowth ages did not differ between themselves. Net energy intake ranged from 88.07 to 137.35 Kcal/BW0.75/day. The energy balances of the sheep from all treatments were positive. Sheep fed elephant grass harvested with 56 days of regrowth had the lowest energy loss in feces; however had the greatest energy losses as methane and heat. The energy losses as feces, urine, methane and heat varied from 29.89 to 42.03%, 1.78% to 2.33, 4.21 to 6.11% and 6.83 to 19 53% of gross energy intake, respectively. The highest values of gross energy metabolizability (0.62) and net energy use efficiency for maintenance (0.86) was obtained for elephant grass harvested with 56 and 112 days of regrowth. The sheep fed elephant grass harvested with 56 days of regrowth had higher oxygen consumption and produced more carbon dioxide and methane. Methane emissions by sheep in g/kg of digestible dry matter (27.2 g / kg) and digestible neutral detergent fiber (22.4 g / kg) did not differ with increasing grass regrowth age. Due to higher total potentially digestible fraction and energy digestibility elephant grass harvested with 56 days of regrowth had a higher nutritional value. In conclusion, elephant grass should be harvest with 56 days of regrowth for better nutrient use as fresh forage.Objetivou-se com este trabalho determinar o valor nutricional do capim-elefante verde cortado aos 56, 84 e 112 dias de crescimento. Para tal foi conduzido experimento com a técnica de incubação in situ (experimento I) e outro com a técnica in vitro semi-automática de produção de gases (experimento II) e ensaio de calorimetria indireta (experimento III). O capim-elefante colhido aos 56 dias apresentou maiores valores para a fração rapidamente degradável no rúmen da matéria seca (22,52%) e da proteína bruta (45,09%). As taxas constantes de degradação da matéria seca foram de 4,08; 3,29 e 2,25%/hora para o capim cortado aos 56, 84 e 112 dias, respectivamente. A degradabilidade potencial da proteina bruta variou entre 56,52 e 84,80% para o capim colhido aos 56 e 112 dias, respectivamente. A taxa constante de degradação da fibra insolúvel em detergente neutro reduziu em função do avanço da idade de corte, variando de 3,89 a 2,03%/hora. Houve efeito negativo do estádio de maturação da planta sobre a cinética de fermentação ruminal avaliado por meio da técnica in vitro semi-automática de produção de gases. O capim cortado aos 56 dias apresentou maior valor de produção cumulativa de gases (210,50 ml/g de matéria seca) e de degradabilidade da matéria seca (63,8%) após 96 horas de fermentação, sendo os capins colhidos nas demais idades semelhantes. O potencial máximo de produção de gases variou entre 187,98 e 200,13 ml/g de matéria seca. O consumo de matéria seca, energia bruta, digestível e metabolizável de ovinos alimentados com o capim cortado aos 56 dias foi superior aos demais tratamentos que não variaram entre si. O consumo de energia líquida variou entre 88,07 e 137,35 Kcal/UTM/dia. Todos os balanços de energia foram positivos. A menor perda de energia nas fezes e as maiores perdas na forma de metano e incremento calórico foram encontradas para animais alimentados com o capim cortado aos 56 dias de idade. As perdas de energia na forma de fezes, urina, metano e incremento calórico variaram entre 29,89 e 42,03%; 1,78 e 2,33%; 4,21 e 6,11%; 6,83 e 19,53% da energia bruta ingerida, respectivamente. Os maiores valores de metabolizabilidade da energia bruta (0,62) e eficiência de utilização da energia líquida para mantença (0,86) foram obtidos para o capim-elefante cortado aos 56 e 112 dias de crescimento, respectivamente. Os animais alimentados com o capim colhido após 56 dias de rebrota consumiram mais oxigênio e produziram mais dióxido de carbono e metano. As emissões de metano em gramas por quilo de matéria seca digestível (27,2 g/Kg) e fibra insolúvel em detergente neutro digestível (22,4 g/Kg) foram semelhantes entre as idades de corte. Em função do maior potencial de degradação ruminal e digestibilidade da energia, o capim-elefante cortado aos 56 dias apresentou maior valor nutricional. Sendo assim, o momento ideal para a utilização do capim-elefante como forrageira para corte ocorre aos 56 dias de crescimento.
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Gonthier, Sylvain. "La ruée vers l'or de la Beauce : 1840-1887 : activité minière et propriété foncière de la rivière Gilbert". Master's thesis, Université Laval, 2004. http://hdl.handle.net/20.500.11794/17840.
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Maia, Juliano de Castro. "Crescimento e produtividade da mamoneira sob adubação verde, associada à adubação orgânica". Universidade Federal de Minas Gerais, 2012. http://hdl.handle.net/1843/NCAP-9BMG4H.
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Mamoneira due to the versatility of the use of its oil, come arousing the interest of producers and entrepreneurs from all the country.It is a rustic culture, adapted to the different conditions of climate and soil of Brazil.Several studies have shown that this culture responds well to soil fertilization and irrigation.The present research was developed with the objective to evaluate the productivity of mamoneira grown under green manure, associated with organic manure.The experiment was conducted at the FazendaRiacho, municipality of Claro dos Poções - MG, being the experiment area irrigated.The experimental design used was the randomized blocks with treatments arranged in a factorial design, with 2 additional treatments 2 x 5 + 2, being the first factor the use or not of green manure, the second factor 5 doses of chicken manure, equivalent to 0, 50, 100, 150 and 200% of recommended dose of nitrogen for the crop and 2 additional treatments, compounds of recommended chemical fertilization and spontaneous vegetation as cover plant.We evaluated growth and productivity parameters of mamoneira.The obtained results demonstrate the positive effect of green manure about the growth characteristics evaluated and about the productivity of plants, which is equivalent to that obtained with chemical manure and with organic manure recommended.A mamoneira, em função da versatilidade do uso do seu óleo, vem despertando interesse de produtores e empresários de todo o país. Trata-se de uma cultura rústica, adaptada às diversas condições de clima e solo do Brasil. Diversos estudos demonstram que essa cultura responde bem à adubação do solo e à irrigação. A presente pesquisa foi desenvolvida com o objetivo de avaliar a produtividade da mamoneira cultivada sob adubação verde,associada à adubação orgânica. O experimento foi desenvolvido na Fazenda Riacho, município de Claro dos Poções MG, sendo a área do experimento irrigada. O delineamento experimental usado foi o de blocos ao acaso, com os tratamentos dispostos em esquema fatorial, com 2 tratamentos adicionais 2 x 5 + 2,sendo o primeiro fator o uso ou não de adubo verde, o segundo fator5 doses de esterco de galinha, equivalentes a 0, 50, 100, 150 e 200% da dose de nitrogênio recomendada para a culturae 2 tratamentos adicionais, compostos de adubação química recomendada e vegetação espontânea como planta de cobertura. Foram avaliados parâmetros de crescimento e produtividade da mamoneira. Os resultados obtidos demonstram efeito positivo da adubação verde sobre as características de crescimento avaliadas e sobre a produtividade das plantas,a qual é equivalenteàobtida com a adubação química e com a adubação orgânica recomendadas.
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Ishibashi, Masataka. "Description de la Terre comme projet éditorial : "Voyages extraordinaires" de Jules Verne et système de l'éditeur Hetzel". Paris 8, 2007. http://octaviana.fr/document/143289594#?c=0&m=0&s=0&cv=0.
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Sous le régime des droits d'auteur, l'auteur et l'éditeur ne peuvent pas se passer l'un de l'autre. Le droit d'auteur est celui de vendre le droit d'aimer la personne de l'auteur incarnée dans l'œuvre, et c'est seulement cet amour qui peut concrétiser la dialectique entre les publics présent et futur sur lequel repose l'autonomie du champ littéraire. Le rôle de l'illustration est primordial dans cette reconfiguration de la littérature. Un dispositif éditorial que Hetzel institue pour les "Voyages extraordinaires" en combinant les deux éditions illustrée et non illustrée permet de renforcer cette interdépendance de l'auteur et de l'éditeur. Les "Voyages extraordinaires" sont à la fois la cause et le résultat de ce "système". C’est grâce au succès des premiers romans de la série que Hetzel peut installer ce dernier. Dans ces romans, la force centripète du savoir global s'oppose à la force centrifuge du savoir local et nous fait sentir un "tout" entre les deux. Parallèlement, en démystifiant le côté néfaste du savoir global censé révélé au "point suprême" (pôle Nord, centre de la terre, etc. ), Verne conjure son angoisse de la science, celle qu'il partage avec le public. Pour forcer l'auteur à la dépendance envers le public, le "système" organise ce dynamisme entre la France comme centre absent et le reste du monde, amplement décrit, pour aboutir à une tentative de décrire toute la surface terrestreIn the system of royalties, the author and publisher are mutually dependent. The royalties represent the right to love the author as incarnated in his work, and it is only this love which can give body to the dialectic between present and future publics: the autonomy of literary endeavour is based on this dialectic. The illustration has primary importance in this reconfiguration of literature in nineteenth century French literature. An editorial system that Hetzel institutes for the "Extraordinary Voyages" by combining the two editions, illustrated and unillustrated, enables him to increase this interdependence of author and publisher. The "Extraordinary Voyages" are the cause and the result of this "system". It is thanks to the success of the first novels of the series that Hetzel can install it. In these novels, the centripetal force of total knowledge is opposed to the centrifugal force of local knowledge and makes us feel a "whole" between the two. In parallel, by demystifying the negative side of the total knowledge revealed at the "supreme points" (North Pole, centre of the earth, etc. ), Verne banishes both his own anxiety about science and that of the public. To force the author to be dependent on the public, the "system" organizes this dynamism between France as absent centre and the presentation of the rest of the world. This culminates in the series as an attempt to describe the entire terrestrial surface
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Santana, Andre Portugal. "Galhas do Parque Estadual Serra Verde: produção de conhecimento e estratégias de interpretação ambiental". Universidade Federal de Minas Gerais, 2014. http://hdl.handle.net/1843/BUOS-9K2G85.
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Galls are generated by the interaction of a host plant and a gall inducer, usually an insect, with a high biological diversity worldwide, and among the botanical families. A major part of this diversity is still unknown to science and inventories on various areas may increase the scientific knowledge about these intriguing interactions. The Neotropical region is rich in species and protected areas, such as the Parque Estadual Serra Verde, which has been used an area of studies to increase the scientific knowledge about its biota, as well of to identify its conservation status. Current inventory revealed 75 morphospecies of galls in the park, which can be considered a high biological diversity when compared to other similar areas. Moreover, mostly of the gall inducers are unknown to science. Another important aspect is the Park moderate botanical diversity, which strengthens its importance for biological conservation. The diversity of galls reveals the richness of host plants and gall inducers, and also that of the generated forms, the morphotypes. These morphotypes are defined by the final gall form, which is a result of structural changes in plant tissues induced by the feeding activity of the inducers. This activity generates changes both in tissue and subcellular levels. The distribution and the degree of esterification of the pectins in the cell wall, as well as its association with proteins are involved in the structural and functional changes. The analysis, and morphological and anatomical description of three distinct gall morphotypes and their host organs, together with immunocytochemical studies with monoclonal antibodies JIM5, JIM7, LM1, LM2, LM5, and LM6 showed that the distribution of pectins and proteins is not related to the functionality of the cecidogenous tissues or to the final gall form, but in a patterns divergent. Another important step is the assessment of all this scientific knowledge to the society, which reinforces the importance of science and of the conservation status of the park. This protected area has a large potential public around it, which enjoy its ecological trails. Devices for environmental interpretation, a trekking trail, photograph exhibition, identification charts and an article, were created to turn scientific knowledge into an accessible language enabling scientific popularization. The environmental interpretation increases environmental awareness and thus elevates the conservation status of the park, since it becomes more respected and accepted by the society. The ecological, biological, anatomical, and educational aspects of this study reveal the importance of the existence and preservation of the Parque Estadual Serra Verde as a model of study on the exciting and diverse universe of galls.Galhas são estruturas oriundas da interação planta hospedeira-organismo indutor, geralmente um inseto, com alta diversidade biológica em todo mundo e entre as famílias botânicas. Grande parte desta diversidade encontra-se ainda desconhecida para a ciência e estudos de levantamentos em diversas áreas aumentam o conhecimento científico destas intrigantes relações. A região neotropical é rica em espécies e unidades de conservação, como o Parque Estadual Serra Verde, o qual vem sendo área de estudos científicos no intuito de aumentar o conhecimento de sua biota e identificar o status de conservação da mesma. O levantamento de galhas do parque revelou 75 morfoespécies, considerada uma alta diversidade biológica quando comparada a outras áreas similares. Estas estruturas têm agentes indutores, em sua maioria, desconhecidos para a ciência. Outro importante aspecto revelado é a diversidade botânica moderada o que reforça sua importância conservacionista. A diversidade de galhas reflete a riqueza de plantas hospedeiras e indutores, e também a riqueza de formas geradas, os morfotipos. Estes morfotipos são definidos pela forma final da galha, a qual é resultado de alterações estruturais nos tecidos vegetais induzidas pela atividade alimentar dos indutores. Tal atividade gera alterações tanto em nível tecidual quanto subcelular. A distribuição e o grau de esterificação das pectinas na parede celular, bem como sua associação com proteínas são variáveis envolvidas nas mudanças estruturais e funcionais. A análise e descrição morfoanatômica de três morfotipos distintos de galhas e de seus órgãos hospedeiros, aliadas a estudos imunocitoquímicos com os anticorpos monoclonais JIM5, JIM7, LM1, LM2, LM5, e LM6 permitiu concluir que a distribuição de pectinas e proteínas apresentam padrões divergentes não sendo relacionados nem com a funcionalidade dos novos tecidos cecidogênicos nem com a forma final adquirida. Outro passo importante é a divulgação de todo este conhecimento científico para a sociedade, com o intuito de reforçar a importância da ciência e da conservação do parque. Esta unidade de conservação apresenta grande público potencial em seu entorno que usufrui de suas trilhas ecológicas. Os dispositivos de interpretação ambiental, trilha-trekking, pranchas de campo, artigo educativo e exposição de fotos, foram criados para traduzir o conhecimento científico permitindo sua divulgação. A interpretação ambiental aumenta a conscientização ambiental e, consequentemente, eleva o status de conservação do parque uma vez que este passa a ser mais respeitado e aceito pela sociedade. Os aspectos ecológicos, biológicos, anatômicos e educacionais deste estudo revelam a importância da existência e conservação do Parque Estadual Serra Verde utilizando como modelo o universo instigante e diverso das galhas.