Literatura científica selecionada sobre o tema "Vases attiques"
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Artigos de revistas sobre o assunto "Vases attiques"
Guiraud, Hélène. "Images d'athlètes sur des vases Attiques". Pallas 34, n.º 1 (1988): 77–98. http://dx.doi.org/10.3406/palla.1988.1595.
Texto completo da fonteLaurens, Annie-France, e Martine Schwaller. "Vases attiques importés sur l'oppidum d'Ensérune : essai d'approche anthropologique". Revue des Études Anciennes 89, n.º 3 (1987): 385–95. http://dx.doi.org/10.3406/rea.1987.4301.
Texto completo da fonteLa Genière, Juliette de. "Vases attiques à Agrigente au temps de Bacchylide et de Pindare". Comptes-rendus des séances de l année - Académie des inscriptions et belles-lettres 139, n.º 4 (1995): 1005–21. http://dx.doi.org/10.3406/crai.1995.15548.
Texto completo da fonteMintsi, Efthymia. "Hypnos et Thanatos sur les vases attiques (520-470 av. J.-C.)". Histoire de l'art 15, n.º 1 (1991): 9–20. http://dx.doi.org/10.3406/hista.1991.2466.
Texto completo da fonteRouet, Philippe. "Aux origines de la céramologie grecque : l’étude des vases attiques avant Beazley". Histoire de l'art 29, n.º 1 (1995): 3–12. http://dx.doi.org/10.3406/hista.1995.2651.
Texto completo da fonteKei, Nikolina. "François Lissarrague : observer, dessiner, étudier les vases attiques. Pour une anthropologie des images grecques". Écrire l'histoire, n.º 23 (12 de outubro de 2023): 219–22. http://dx.doi.org/10.4000/elh.3648.
Texto completo da fonteGuiraud, Hélène. "La vie quotidienne des femmes à Athènes : à propos de vases attiques du Ve siècle". Pallas 32, n.º 1 (1985): 41–57. http://dx.doi.org/10.3406/palla.1985.1158.
Texto completo da fonteVollkommer, Rainer. "Héraklès et le taureau : l'identification de la scène sur les vases attiques de la deuxième moitié du Ve siècle". Bulletin de correspondance hellénique 111, n.º 1 (1987): 147–55. http://dx.doi.org/10.3406/bch.1987.1768.
Texto completo da fonteColonna, Cécile, e Marie-Amélie Bernard. "“Ottimi frammenti di vasi e tazze” : Athènes – Tarquinia – Paris, l’historique des fragments de vases attiques de la collection de Luynes". Revue des Études Grecques 130, n.º 1 (2017): 123–232. http://dx.doi.org/10.3406/reg.2017.8442.
Texto completo da fonteCampenon, Christine. "La place de la Péninsule Ibérique dans le commerce des vases attiques à figures rouges autour de 400 avant J.-C". Revue des Études Anciennes 89, n.º 3 (1987): 179–91. http://dx.doi.org/10.3406/rea.1987.4283.
Texto completo da fonteTeses / dissertações sobre o assunto "Vases attiques"
Rouet, Philippe. "Attribuer classer. Sur l'historiographie moderne des vases attiques (18e-20e siecles)". Paris, EHESS, 1996. http://www.theses.fr/1996EHES0320.
Texto completo da fonteThis research deals with the history of the interpretation of greek vases and compares the works of the french archaeologist edmond pottier (1855-1934), who organized the corpus vasorum antiquorum (cva), and the english scholar sir john beazley (18851970), who attributed most athenian vases. This comparison allows us to build an opposition between two main tendencies in ceramic studies: the first considers vases mostly as art objects, and puts forward an history of the painters and artistic personalities, the second insists more on the historic and documentary value of the vases, and on correct classification. In eight chapters, we trace back the history of these conceptions. The first one deals with the rediscovery of ancient vases in the eighteenth century. Chapter ii analyses the research done on the artists before beazley's time. Chapter iii introduces pottier's works, mainly his catalogue of ancient terracotta vases from the louvre and his contribution to the dictionnaire des antiquites grecques et romaines. Connoisseurship is the main subject of chapter iv: it is compared with the field of renaissance painting art history. Chapter v is concerned with beazley's intellectual background, while the following chapter examines closely his method. The reception of beazley in france is studied in chapter vii through pottier's criticism. The last chapter analyzes pottier's initial project for the cva, which is a universal repertory of all the ancient vases in public museums and private collections
Renaud, Denis. "Les œnochoes attiques à figures rouges : production, distribution, iconographie". Master's thesis, Université Laval, 1989. http://hdl.handle.net/20.500.11794/33528.
Texto completo da fonteMontréal Trigonix inc. 2018
Chazalon, Christine Ludi. "Les vases attiques à figures noires de la collection Bourbon du Musée archéologique national de Naples". Montpellier 3, 2002. http://www.theses.fr/2002MON30065.
Texto completo da fonteCollard, Hélène. "Montrer l'invisible : recherche sur la mise en image de la présence divine au sein de l'espace rituel sur les vases attiques". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0014.
Texto completo da fonteIn the Greek world, an important mode of divine perception, although this is not the only one, is the visual perception. This was especially made possible by means of images, which are part of the visible but enable to “show the invisible” and, therefore, to embody the divine. To shed light on the issue of divine representation in the Greek religious system, this study intends to provide an analysis of various processes for imaging the divine presence within a specific artistic production: attic vase-painting of the sixth and fifth centuries BC. While figurative representation of the gods could take many forms, vase-painting is a particularly interesting case study for it works on a proper mode and then offers a specific sight on the way the Greeks perceived the world and themselves. By reading and analysing these images, this study also address some broader issues, as the possible cultual referent of these pictures, the relationship established through the ritual between worshipers and deities, and the picture the Greeks had of their gods and of the ways in which they could manifest themselves
Souche, Olivares Hélène. "La mousikè sur les vases attiques (VIe et Ve siècles av. J. -C. ) : pratiques différenciées selon les sexes de lecture, d'écriture, de musique et de danse". Rouen, 2005. http://www.theses.fr/2005ROUEL511.
Texto completo da fonteThis research consist in the elaboration of a corpus of attic vases produced between the 6th and 5th century before J. - C. Representing the practice of mousikè. This study uses the concept of gender to analyse these images. The mythological models, the representation of the educational processes which build the sexual identity as well as moments of conviviality between men or women at the adulthood are the different study's themes. The artists paint men with lyra and women dancing. This representation of the practices of the mousikè doesn't fit with reality but raises rather of collective imaginary and seems at last give to women the techniques of the body and to men those techniques related to speech and thought
Niddam, Noémie. "Objets dans le champ et champs de l'objet dans la peinture sur vase à figures rouges attiques autour du Ve siècle av. J. -C". Paris 1, 2009. http://www.theses.fr/2009PA010563.
Texto completo da fonteGranger, Clara. "Héraclès dans l'imaginaire grec : iconographie et procédés de représentation aux époques archaïque et classique". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2140.
Texto completo da fonteHerakles is one of the most important figures in the literature and art of ancient Greece, and he is the subject of a huge mythology as complex as varied. Herakles’ story is developed in the oral traditions and transcribed in the texts, as well as widely put in image. He is profusely represented in attic ceramics, which constitute a polysemic support, making all the variations that allow his complex figure. First, a vase could be seen in differents ways and views : from a simple reception to a more elaborate thought, according to the abilities and the culture of the spectators. Then, Heracles is the only character in Greek mythology who has such an ambiguous nature, of heroes and gods. So the Greek artists have adapted, on various media, from architecture to ceramic, a large number of his deeds, highlighting one quality or an other, depending on which episode is represented. Obviously, in order to interpreting the image of Herakles in the archaic and the classical periods of Greek antiquity, the particular context of a city, the political situation and the object must all be considered
Fless, Friederike. "Rotfigurige Keramik als Handelsware : Erwerb und Gebrauch attischer Vasen im mediterranen und pontischen Raum während des 4. Jhs. v.Chr. /". Rahden/Westfalen : M. Leidorf, 2002. http://catalogue.bnf.fr/ark:/12148/cb39277746b.
Texto completo da fonteCampenon, Christine. "Études sur la céramique attique a la fin du Ve siecle et au premier quart du IVe siècle". Paris 10, 1987. http://www.theses.fr/1987PA100051.
Texto completo da fontePart one of the thesis deals with the production of attic red-figured vases, from 450 to 320 B. C. It consists of a survey of four types of shapes (skaters - chapter 1 -, oinochoai – chapter 2 -, drinking vessel – chapter 3 -, lekythoi – chapter 4 -) : typology of the different varieties, peculiarities and common features and development of the shapes. Concluding part one, some considerations on the development of the shapes. Concluding part one, some considerations on the evolution of the fashion, of the conditions of production (development of mass-production? More specialized workshops?), on the relationships betwen attic red-figured vases, black pottery and metalwork. The second part of the thesis deals with the trade of attic red-figured ceramics. Chapter one: geographical distribution of the different kinds of vases studied in part one. Secondly, catalogue of the shapes found in the main market-places of Mediterranean sea: specific regional features. Finally, the problem of the conditions of trade: development of mass-production and distribution. In appendix, a survey on dating (the main chronological references and their value)
Nadal, Eléonore. "Poséidon, les chevaux, la terre et l'eau : l'iconographie de Poséidon dans les céramiques attique et italiote". Toulouse 2, 2004. http://www.theses.fr/2004TOU20101.
Texto completo da fonteThe iconography of Poseidon on Attic and South Italian vases reveals several aspects similar to those attributed to him by Greek mythology and religion. During the VIth Century, he belongs to divine gatherings, witnessing some historical changes in Athens, often related to Athena, the aristocratic and warrior world. At the same time, initiate the most important series of his iconographic corpus, which illustrate his links with horses, horsemen, and his action as Earth-Shaker through images of the Gigantomachy, unveiling his chthonic side. In the Vth century, the sea god comes in the forefront during the Persian wars and the Athenian hegemony on the Egean sea. Then start the erotic meetings of the god, mostly with Amymone, they continue in South Italian ceramic, showing the god of earthly waters and fecundity, whereas other vases offer the vision of the god who has founded important peoples of the Greek world, and that of South Italian cultural identity
Livros sobre o assunto "Vases attiques"
Fournier-Christol, Claudie. Catalogue des olpés attiques du Louvre de 550 à 480 environ. Paris: De Boccard, 1990.
Encontre o texto completo da fonteMangold, Meret. Guide d'imagerie antique: La chute de Troie sur les vases attiques. Gollion: Infolio, 2005.
Encontre o texto completo da fonteRudolf, Wachter. Töpfer - Maler - Schreiber: Inschriften auf attischen Vasen : l = Potiers - peintres - scribes : inscriptions sur vases attiques = Potters -- painters -- scribes : inscriptions on attic vases. Kilchberg: Akanthus Verlag für Archäologie, 2016.
Encontre o texto completo da fonteCampenon, Christine. La céramique attique à figures rouges, autour de 400 avant J.-C.: Les principales formes, évolution et production. Paris: De Boccard, 1994.
Encontre o texto completo da fonteCollard, Hélène. Montrer l'invisible: Rituel et présentification du divin dans l'imagerie attique. Liège: Presses universitaires de Liège, 2016.
Encontre o texto completo da fonteTonglet, Delphine. Le kyathos attique de madame Teithurnai: Échanges artisanaux et interactions culturelles entre Grecs et Etrusques en Méditerranée archaïque. Bruxelles: CREA Patrimoine, 2018.
Encontre o texto completo da fonteLissarrague, F. L' autre guerrier: Archers, peltastes, cavaliers dans l'imagerie attique. Paris: La Découverte, 1990.
Encontre o texto completo da fonteBadinou, Panayota. La laine et le parfum: Épinetra et alabastres, forme, iconographie et fonction : recherche de céramique attique féminine. Leuven: Peeters, 2003.
Encontre o texto completo da fonteAndras, Marton, e Judit Haas-Lebegyev. Ceramique Minoenne et Mycenienne; Ceramique Geometrique Attique et Beotienne (Par J. Haas-Lebegyev), Vases Corinthiens (Par A. Marton). L'Erma di Bretschneider, 2017.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Vases attiques"
Zachari, Vasiliki. "Puissance divine au figuré. À propos de quelques vases attiques représentant Apollon à l’autel". In Bibliothèque de l'Ecole des Hautes Etudes, Sciences Religieuses, 125–43. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.behe-eb.5.114080.
Texto completo da fonteJoncheray, Claire. "Les inscriptions grecques peintes sur les vases attiques dans les nécropoles de Felsina". In Écritures, cultures, sociétés dans les nécropoles d’Italie ancienne, 161–79. Ausonius Éditions, 2009. http://dx.doi.org/10.4000/books.ausonius.4382.
Texto completo da fonteMaffre, Jean-Jacques. "Céramiques attiques du IVe siècle av. J.-C. en Cyrénaïque : amphores panathénaïques de Cyrène et vases à vernis noir d’Apollonia". In La céramique attique du IVe siècle en Méditerranée occidentale, 265–69. Publications du Centre Jean Bérard, 2000. http://dx.doi.org/10.4000/books.pcjb.1965.
Texto completo da fonte