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Livros sobre o tema "United Productions of America"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 29 de julho de 2024

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1

Robert, Burn Reed, e American Nuclear Society, eds. Research, training, test, and production reactor directory, United States of America. 3^a ed. La Grange Park, Ill: American Nuclear Society, 1988.

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2

Nathan, Abrams, e Hughes Julie, eds. Containing America: Cultural production and consumption in Fifties America. Birmingham, UK: University of Birmingham Press, 2000.

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3

Hazen, Dan C. The production and bibliographic control of Latin American preservation microforms in the United States. Washington, D.C. (1785 Massachusetts Ave., N.W., Suite 313, Washington 20036): Commission on Preservation and Access, 1991.

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4

Helyer, Rebecca. Production and processing of beef and lamb in New Zealand and the United States of America. Uckfield, Sussex: Nuffield Farming Scholarships Trust, 1999.

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5

L, Dertouzos Michael, ed. Made in America: Regaining the productivity edge. New York: HarperPerennial, 1990.

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6

L, Dertouzos Michael, ed. Made in America: Regaining the productive edge. Cambridge, Mass: MIT Press, 1989.

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7

Jenkins, Barbara. The paradox of continental production: National investment policies in North America. Ithaca: Cornell University Press, 1992.

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8

Pearce, William J. Altered states: A history of drug use in America ; a production of WXXI-TV ; producer, Ann Spurling. Princeton, N.J: Films for the Humanities & Sciences, 2003.

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9

Smith, Cameron McPherson. The organization of production among sedentary foragers of the southern Pacific northwest coast. Oxford: Archaeopress, 2008.

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10

Honduras. Narcotic drugs, combat production and illicit trafficking: Agreement between the United States of America and Honduras, signed at Tegucigalpa November 14, 1988. Washington, D.C: Dept. of State, 1993.

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11

United States. Congress. Senate. Committee on Indian Affairs (1993- ). Providing for the settlement of the claims of the Confederated Tribes of the Colville Reservation concerning their contribution to the production of hydropower by the Grand Coulee Dam, and for other purposes: Report (to accompany S. 2259). [Washington, D.C.?: U.S. G.P.O., 1994.

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12

United States. Congress. Senate. Committee on Indian Affairs (1993- ). Providing for the settlement of the claims of the Confederated Tribes of the Colville Reservation concerning their contribution to the production of hydropower by the Grand Coulee Dam, and for other purposes: Report (to accompany S. 2259). [Washington, D.C.?: U.S. G.P.O., 1994.

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13

O, Maher Thomas, e Illinois. Dept. of Transportation, eds. The Dash Reeves site: A Middle Woodland village and lithic production center in the American Bottom. Urbana: Published for the Illinois Dept. of Transportation by the University of Illinois Press, 2001.

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14

Rick, Tejada-Flores, Telles Ray, Paradigm Productions, Public Broadcasting Service (U.S.) e Independent Television Service, eds. The fight in the fields: Cšar Chàvez and the Farmworkers' Struggle : a film by Rick Tejada-Flores and Ray Telles from Paradigm Productions. [Alexandria, Va.?]: PBS, 1997.

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15

Bishop, Davenport, ed. A New gazetteer, or, Geographical dictionary of North America and the West Indies: Containing I.--A general description of North America. II.--A general description of the United States; the Declaration of Independence and constitution of the United States. III.--A description of all the states, counties, cities ... connected with North America; with the extent, boundaries and natural productions of each state ... : containing likewise many tables relating to the commerce, population, revenue, debt, and various institutions of the United States. Baltimore: G. M'Dowell, 1986.

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16

United States. Congress. Senate. Select Committee on Indian Affairs. Establishing within the Bureau of Indian Affairs a program to improve the management of rangelands and farmlands and the production of agricultural resources on Indian lands, and for other purposes: Report (to accompany S. 2977). [Washington, D.C.?: U.S. G.P.O., 1992.

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17

Hurley, Michael. United States of America. London: Raintree, 2012.

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18

(Firm), Bartholomew. United States of America. Edinburgh: Bartholomew, 1993.

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19

Talbott, Hudson. United tweets of America. New York: G.P. Putnam's Sons, 2008.

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20

Hafner, Dorinda. United tastes of America. New York: Ballantine Books, 1998.

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21

Elliott, Brian. United States of America. Melbourne: Macmillan, Australia, 1988.

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22

Hintz, Martin. United States of America. New York: Children's Press, 2003.

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23

Barclays Bank Group. Economics Department., ed. United States of America. Poole: Barclays Economics Department, 1998.

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24

1941-, Elliott Brian, e Clifford Education, eds. United States of America. London: Macmillan, 1988.

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25

Barclays Bank Group. Economics Department., ed. United States of America. Poole: Barclays Economics Department, 1997.

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26

Bottini, Cinzia. Redesigning Animation: United Productions of America. CRC Press LLC, 2018.

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27

Redesigning Animation: United Productions of America. CRC Press LLC, 2018.

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28

Redesigning Animation: United Productions of America. Taylor & Francis Group, 2018.

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29

Redesigning Animation: United Productions of America. CRC Press LLC, 2018.

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30

Bottini, Cinzia. Redesigning Animation: United Productions of America. CRC Press LLC, 2018.

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31

Bottini, Cinzia. Redesigning Animation: United Productions of America. Taylor & Francis Group, 2018.

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32

Henderson, Mary C. Theater in America: 200 Years of Plays, Players, and Productions. Harry N Abrams, 1991.

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33

Harrington, John. Irish Theatre and the United States. Editado por Nicholas Grene e Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.38.

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Since well before the Abbey Theatre set its sights on America in 1911, Irish theatre has had strong ties with American theatre culture. Over the course of the twentieth century, touring productions of Irish plays have continued to have an impact on American theatre culture. From Eugene O’Neill on, Irish ethnicity within the US has been explored and defined by Irish-American theatre-makers, who have taken Irish theatre in directions that sometimes diverge in significant ways from Irish theatre produced in Ireland. At the same time, as Sam Shepard’s recent collaboration with the Abbey Theatre suggests, American theatre has had a notable impact on Irish stages. This chapter will look at the complex interactions linking Irish-produced theatre in America, indigenous Irish American theatre, and the role of American theatre in shaping Irish theatre culture.

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34

Making Italian America: Consumer Culture and the Production of Ethnic Identities. Fordham University Press, 2014.

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35

Cinotto, Simone. Making Italian America: Consumer Culture and the Production of Ethnic Identities. Fordham University Press, 2014.

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36

Cinotto, Simone. Making Italian America: Consumer Culture and the Production of Ethnic Identities. Fordham University Press, 2014.

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37

Making Italian America: Consumer Culture and the Production of Ethnic Identities. Oxford University Press, Incorporated, 2014.

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38

Abraham, Adam. When Magoo Flew: The Rise and Fall of Animation Studio Upa. Wesleyan University Press, 2012.

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39

Sheumaker, Helen, e Shirley Wajda, eds. Material Culture in America. ABC-CLIO, Inc., 2007. http://dx.doi.org/10.5040/9798400683640.

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The first encyclopedia to look at the study of material culture (objects, images, spaces technology, production, and consumption), and what it reveals about historical and contemporary life in the United States. Reaching back 400 years, Material Life in America: An Encyclopedia is the first reference showing what the study of material culture reveals about American society—revelations not accessible through traditional sources and methods. In nearly 200 entries, the encyclopedia traces the history of artifacts, concepts and ideas, industries, peoples and cultures, cultural productions, historical forces, periods and styles, religious and secular rituals and traditions, and much more. Everyone from researchers and curators to students and general readers will find example after example of how the objects and environments created or altered by humans reveal as much about American life as diaries, documents, and texts.

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40

Berlin, Ira, e Philip D. Morgan. Slaves' Economy: Independent Production by Slaves in the Americas. Taylor & Francis Group, 2016.

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41

Berlin, Ira, e Philip D. Morgan. Slaves' Economy: Independent Production by Slaves in the Americas. Taylor & Francis Group, 2016.

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42

Berlin, Ira, e Philip D. Morgan. Slaves' Economy: Independent Production by Slaves in the Americas. Taylor & Francis Group, 2016.

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43

Berlin, Ira, e Philip D. Morgan. Slaves' Economy: Independent Production by Slaves in the Americas. Taylor & Francis Group, 2016.

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44

Cameron, Ardis. Looking for America: The Visual Production of Nation and People. Wiley & Sons, Incorporated, John, 2008.

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45

Cameron, Ardis. Looking for America: The Visual Production of Nation and People. Wiley & Sons, Incorporated, John, 2008.

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46

Cameron, Ardis. Looking for America: The Visual Production of Nation and People. Wiley & Sons, Incorporated, John, 1991.

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47

Business of America: The Cultural Production of a Post-War Nation. Pluto Press, 2010.

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48

Making Italian America Consumer Culture And The Production Of Ethnic Identities. Fordham University Press, 2014.

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49

Annabelle, Möckesch. Part 1 Comparative Overview of Concepts of Attorney–Client Privilege, 2 United States of America. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198795865.003.0002.

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This chapter presents the federal law on attorney–client privilege and work-product protection in the United States. Attorney–client privilege being a defence to document production, witness examination, and other methods of taking evidence should not be presented isolated from the context in which it arises. In order to properly understand the privilege law of the United States, this chapter commences by briefly outlining the course of a lawsuit and the taking of evidence with a particular focus on document production and witness examination.

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50

American Plays and Musicals on Screen: 650 Stage Productions and Their Film and Television Adaptations. McFarland & Company, Incorporated Publishers, 2014.

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