Teses / dissertações sobre o tema "Trauma in romance novels"
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Philip, Laure. "The novels of French noblewomen émigrées in London in the 1790s : memory, trauma and female voice in the émigré novel". Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/80219/.
Texto completo da fonteBolfarine, Mariana. "Between \"Angels and Demons\": trauma in fictional representations of Roger Casement". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-15012016-140005/.
Texto completo da fonteA vida do controverso nacionalista irlandês Roger David Casement, condenado à morte por alta traição pela Coroa Britânica, inspirou a escrita obras de diversos gêneros literários: prosa, poesia, teatro e ensaios críticos. Esta tese de doutorado tem como objetivo investigar, sob a luz da teoria do trauma, tal como sugerido principalmente, mas não exclusivamente por Cathy Caruth, Ron Eyerman e Dominick La Capra, diferentes maneiras pelas quais a figura de Roger Casement pode ser associada a eventos traumáticos que selaram as relações Anglo-irlandesas. Dessa forma, foram selecionados trabalhos que lidam com a Vida de Casement, como ele age a favor e contra o trauma causado pelo imperialismo como herói vitoriano em The Lost World (1910) de Arthur Conan Doyle e como uma presença oblíqua na Revolta da Páscoa de 1916 em At Swim, Two Boys de (2001) Jamie ONeill; o trauma em torno de seu Julgamento e da descoberta dos Black Diaries que o levaram à forca por meio de sua representação como um homem completo em The Dream of the Celt (2012) de Mario Vargas Llosa e em The Dreaming of Roger Casement (2012) de Patrick Mason e, finalmente, o trauma não resolvido que persiste em sua Vida após a Morte, como um fantasma em Cries from Casement as his Bones are Brought to Dublin (1973) e como memória traumática em The Foxs Walk de Annabel Davis-Goff. Verificamos que as representações de Roger Casement nessas obras, ainda que de formas distintas, representam uma metáfora do processo traumático em si: Uma personificação da disjunção da temporalidade, [e] o surgimento do passado no presente (Whitehead), visto que sua presença continua a assombrar a história do mundo transatlântico.
Moura, Taís Leite de. "Transgressões em O Deus das Pequenas Coisas, de Arundhati Roy: níveis e motivações em contraponto". Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-03102018-134348/.
Texto completo da fonteIn The God of Small Things (1997), from Arundhati Roy, the transgressions are substantial throughout the narrative, as the majority of them are performed by marginalized characters. In order to comprehend more deeply the reasons which propel the narrative and the characters to such violations, they were divided into three levels in this work: post-colonial, socio-political and affective. The transgressions analyzed here are the ones performed by the characters Velutha, Ammu, Estha, Rahel and Sophie. The levels of the transgressions, their motivations and the concepts of individual and cultural trauma are all correlated so that the intentions of the narrative are elucidated. In the post-colonial level, the concepts of Panikkar (1969), Festino (2007), Forter (2014) and Outka (2011) are applied, whereas Sztompka (2000, 2004), Alexander (2000) and Joseph (2010) are used for the socio-political level; the affective level is observed with notions from Caruth (1995), Bose (1998) and Almeida (2002). The hypothesis of this work is that Roy focuses on the transgressions of minor characters not only to criticize particular elements from the Indian society but also to trigger the reaction of the readers. This is supported by her essays and speeches quoted along the analysis of the novel.
Heinemann, Karen Kruse. "Processing Trauma: Reading Art in 9/11 Novels". OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1473.
Texto completo da fonteBlanding, Cristen Celeste. "Interracial Romance Novels and the Resolution of Racial Difference". Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1131365873.
Texto completo da fonteWoodham, Kathryn. "Translating linguistic innovation in Francophone African novels". Thesis, University of Nottingham, 2007. http://eprints.nottingham.ac.uk/10465/.
Texto completo da fonteHackbarth, Viktoria. "Novels of female development in postwar Spain". [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319924.
Texto completo da fonteTitle from PDF t.p. (viewed on May 11, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3168. Adviser: Josep Miquel Sobrer.
Mackinnon, Jeremy E. "Speaking the unspeakable : war trauma in six contemporary novels". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm15821.pdf.
Texto completo da fonteKugler, Emily Meri Nitta. "Representations of race and romance in eighteenth-century English novels". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3258372.
Texto completo da fonteTitle from first page of PDF file (viewed May 29, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 264-272).
Johnson, Naomi Ruth Wood Julia T. "Consuming desires a feminist analysis of bestselling teen romance novels /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1455.
Texto completo da fonteTitle from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication Studies." Discipline: Communication Studies; Department/School: Communication Studies.
Crumbo, Daniel Jedediah, e Daniel Jedediah Crumbo. "The Comedy of Trauma: Confidence, Complicity, and Coercion in Modern Romance". Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/626362.
Texto completo da fonteHan, Heeju. "Galdosian novels adapted in film and television 1970-1998 /". [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3264320.
Texto completo da fonteSource: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1958. Adviser: Maryellen Bieder. "Title from dissertation home page (viewed Jan. 12, 2008)."
Taylor, Meyers Emily. "Transnational romance : the politics of desire in Caribbean novels by women /". Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://hdl.handle.net/1794/10232.
Texto completo da fonteMeyers, Emily Taylor 1979. "Transnational romance: The politics of desire in Caribbean novels by women". Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10232.
Texto completo da fonteWriters in the Caribbean, like writers throughout the postcolonial world, return to colonial texts to rewrite the myths that justified and maintained colonial control. Exemplary of a widespread, regional phenomenon that begins at mid-century, writers such as Aimé Césaire and George Lamming take up certain texts such as Shakespeare's The Tempest and recast them in their own image. Postcolonial literary theory reads this act of rewriting the canon as a political one that speaks back to power and often advocates for political and cultural independence. Towards the end of the twentieth century and at the beginning of the twenty-first century, Caribbean women writers begin a new wave of rewriting that continues in this tradition, but with certain differences, not least of which is a focused attention to gender and sexuality and to the literary legacies of romance. In the dissertation I consider a number of novels from throughout the region that rewrite the romance, including Jean Rhys's Wide Sargasso Sea (1966), Maryse Condé's La migration des coeurs (1995), Mayra Santos-Febres's Nuestra señora de la noche (2006), and Dionne Brand's In Another Place, Not Here (1996). Romance, perhaps more than any other literary form, exerts an allegorical force that exceeds the story of individual characters. The symbolic weight of romance imagines the possibilities of a social order--a social order dependent on the sexual behavior of its citizens. By rewriting the romance, Caribbean women reconsider the sexual politics that have linked women with metaphorical constructions of the nation while at the same time detailing the extent to which transnational forces, including colonization, impact the representation of love and desire in literary texts. Although ultimately these novels refuse the generic requirements of the traditional resolution for romance (the so-called happy ending), they nonetheless gesture towards a reordering of community and a revised notion of kinship that recognizes the weight of both gendered and sexual identities in the Caribbean.
Committee in charge: Karen McPherson, Chairperson, Romance Languages; David Vazquez, Member, English; Tania Triana, Member, Romance Languages; Judith Raiskin, Outside Member, Womens and Gender Studies
Ndomaina, Aiah K. "Repetition, Resistance, and Renewal: Postmodern and Postcolonial Narrative Strategies in Selected Francophone African Novels". The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392392192.
Texto completo da fonteMines, Patricia Kathleen. "The representation of evil in the late novels of Victor Hugo". Thesis, University of Warwick, 1993. http://wrap.warwick.ac.uk/104721/.
Texto completo da fonteHwangbo, Kyeong. "Trauma, narrative, and the marginal self in selected contemporary American novels". [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0007302.
Texto completo da fonteToscano, Angela Rose. "Resemblances: on the re-use of romance in three 18th-century novels". Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6512.
Texto completo da fonteDempster, Margaret M. "Writing, punishment and the self : a study of five twentieth-century French novels /". [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3268341.
Texto completo da fonteTitle from PDF t.p. (viewed Nov. 3, 2008). Source: Dissertation Abstracts International, Volume: 68-06, Section: A, page: . Adviser: Michael Berkvam.
Howell, Anna. "Insavoir and Representation in Comics| Modal and Temporal Intersections in Contemporary Francophone Familial and Historical Graphic Novels". Thesis, University of Louisiana at Lafayette, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3712439.
Texto completo da fonteFrench literary theorists Dominique Viart and Bruno Vercier identify the beginning of a new era for French literature in the 1980s, characterized by hypotheses, hesitations, and the general notion that truth and reality cannot be fully grasped by discourse. The 1980s can be considered as transitional for the comics medium as well. Art Spiegelman's Maus (first published in 1980, completed in 1991) demonstrated that comics are not only capable of representing difficult familial and historical pasts, but that visual narratives benefit from formal and aesthetic devices that are inherent to the ninth art's polysemiotic possibilities. In this dissertation, I study francophone comics in which a second- or third-generation individual seeks to understand a familial past that exceeds his or her personal experience and that has previously been silenced or repressed, either individually (by the primary witness) or collectively (by the political hegemony). In the research corpus, the narrator's search elicits modal and temporal intersectional spaces: representation and anti-representation in Chapter One, the past and the present in Chapter Two, the collective and the individual in Chapter Three, and the interplay between memory, history, and imagination in the concluding Chapter Four. In addition to an interdisciplinary theoretical framework, Viart's notion of insavoir [not-knowing] and Pierre Nora's concept of "sites of memory" act as overarching theoretical tools throughout the essay.
The thematic organization of intersectional spaces fosters the identification of recurrent devices as the individual discussions reinforce and nuance one another sequentially and retroactively. Aware of the inherent limitations of representation and the notion of cognitive insavoir, the authors of the research corpus attempt to communicate meaning instead of presupposing understanding or the ability to "know" a traumatic, violent, and repressed past (and the capability to represent such a history through text and image). Such recurrences are symptomatic of an emerging sub-category within the medium, wherein the figure of the intersection is pertinent and productive precisely because these works operate in multi-directional insavoir. Like novels in the literary era identified by Viart and Vericer, the resulting representations oppose binary thought, opting instead for narratives that are self-critical, uncomfortable, thought-provoking, and ultimately, perhaps, more true.
Key, Jonathan Benjamin. "Paranoia and irony in the Anglophone dectective narrative and the novels of Umberto Eco". Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/36967/.
Texto completo da fonteStayton, Corey. "Too Terrible to Relate: Dynamic Trauma in the Novels of Toni Morrison". DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2017. http://digitalcommons.auctr.edu/cauetds/69.
Texto completo da fonteKaplin, David. "The best policy : lying and national identity in Victorian and French novels /". [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3202897.
Texto completo da fonteDourado, Eliane Rodrigues. "Adaptações contemporâneas : um estudo sobre os clássicos literários em graphic novels". reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/17027.
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A presente pesquisa debruçou-se sobre aspectos significativos da construção de Graphic Novels adaptadas de clássicos literários, que se colocam como um fenômeno neste início de século XXI. As análises tiveram a intenção de comprovar a legitimidade dessas publicações como obras de arte autênticas, que se utilizam da poética da imagem a fim de traduzir o enredo do original que contemplam. Foram analisados onze títulos de temáticas diversas. Entre impropérios da vida cotidiana, guerra, memória, loucura, diferenças sociais e religiosas e construção da identidade nacional, os enredos figuram personagens próximas à realidade, que permitem ao leitor uma espécie de identificação direta. Essas questões da experiência humana são responsáveis pelo sucesso dessa forma artística. Com recursos peculiares, as Graphic Novels são capazes de expor em seu enredo várias técnicas que permitem ao leitor observar o mundo a partir de uma criticidade proporcionada por essas narrativas. Isso traduz o refinamento resguardado pela adaptação capaz de intensificar o crescimento do público leitor dessas publicações, responsáveis por movimentação considerável no mercado editorial do século XXI. ____________________________________________________________________________________ ABSTRACT
The current research leaned over significant aspects in the making of adapted Graphic Novels from literary Classics, which configure itself as phenomenon in this early XXI century. The analyses intended to confirm the legitimacy of these publications as authentic state of the art works that use image as poetry in a way that translate the original story contemplated. Eleven titles were analyzed from different themes. Among them, profanity of daily life, war, memory, madness, social and religious differences and the making of national identity, the stories portray characters close to reality, allowing the reader to relate directly with the work. These questions about human experiences are responsible for the success of this artistic field of work. With peculiars resources, these graphic novels are capable of exposing in its stories several techniques that allow the reader to observe the world beyond an articulated narrative. This translates the boasted refinement by the adaptation capable of intensify the increase in audience of these works now responsible for considerable gains in the XXI century editorial market.
Stoeckl, Sarah, e Sarah Stoeckl. "Static Chaos: The Great War and Modern Novels of Sterility". Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12377.
Texto completo da fonteDuce, Cristy Lee. "In love and war : the politics of romance in four 21st-century Pakistani novels". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, 2011, 2011. http://hdl.handle.net/10133/3127.
Texto completo da fontev, 85 leaves ; 29 cm
Gardner, Barbara J. "Speaking Voices in Postcolonial Indian Novels from Orientalism to Outsourcing". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/85.
Texto completo da fonteStow, Emily. "Is it really all about the mother? family systems theory in women-authored, post-Civil War Spanish novels /". [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3229578.
Texto completo da fonte"Title from dissertation home page (viewed July 3, 2007)." Source: Dissertation Abstracts International, Volume: 67-08, Section: A, page: 3003. Adviser: Maryellen Bieder.
Barletta, Sandra Anne. "A first kiss is still a first kiss : romancing the mid-life reader and heroine". Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/19205/1/Sandra_Barletta_-_A_Basic_Renovation.pdf.
Texto completo da fonteBarletta, Sandra Anne. "A first kiss is still a first kiss : romancing the mid-life reader and heroine". Queensland University of Technology, 2008. http://eprints.qut.edu.au/19205/.
Texto completo da fonteGillespie, Robin. "The Pursuit of a “Happy Ending”: Chuck Palahniuk’s Novels and the Search for Human Connection". Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275653893.
Texto completo da fonteAckermann, Zeno. "Working at "Romance" poetics and ideology in novels of the antebellum American South 1824-1854 /". [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=970611404.
Texto completo da fonteRogers, Natasha. "The representation of trauma in narrative : a study of six late twentieth century novels". Thesis, University of Warwick, 2004. http://wrap.warwick.ac.uk/4070/.
Texto completo da fonteChildress, Kirby. "A Phenomenology of Closet Trauma: Visual Empathy in Contemporary French Film and Graphic Novels". The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1618915090413157.
Texto completo da fonteHarrison, Antony Patrick. "Trauma and mythologies of the Old West in the Western novels of Cormac McCarthy". Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/trauma-and-mythologies-of-the-old-west-in-the-western-novels-of-cormac-mccarthy(4a7fb132-e8fb-401d-8a51-14721496e2f8).html.
Texto completo da fonteBarclay, Fiona J. "Postcolonial France? : the problematisation of Frenchness through North African immigration : a literary study of metropolitan novels 1980-2000". Thesis, University of Glasgow, 2006. http://theses.gla.ac.uk/3248/.
Texto completo da fonteRussell, Shannon. "Dangerous Young Men: Themes of Female Sexuality and Masculinity in Paranormal Romance Novels for Young Adults". Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31631.
Texto completo da fonteBarry, Lisa Jane. "Critique groups : a technique for the author’s toolbox?" Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/32148/1/Lisa_Barry_Thesis.pdf.
Texto completo da fonteCastelan, Ivair Carlos. "Trieste, inaptidão e ciúme: três componentes fundantes do romance sveviano". Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-06052015-173049/.
Texto completo da fonteThe main goal of this work is to produce an attentive reading that demonstrates the importance of jealousy shaping the narrative web in Italo Svevo\'s novels: Una vita (1892), Senilità (1898) e La coscienza di Zeno (1923). Following the chronological order of each piece, the intent is to unveil the amorous relationships by uncovering the manner jealousy is presented in characters\' histories. The diverse theories lecturing on jealousy -though may diverge in some aspects- end up converging in one: the triple aspect of the feeling, the triangle for its geometrical shape that very well represents it. However, jealousy will be taken in this study, most of all, enlightened by the french philosopher theory of René Girard. Furthermore, this thesis also deals with two important matters of Svevo\'s work, intrinsically linked to jealousy: the Triestian enviroment, where main characters\' storyline and inaptitude flourish.
Hansson, Louise. "Stereotypes below the Surface : A Comparative Study of Three Popular Young Adult Novels in the Romantic Fantasy Genre". Thesis, Stockholms universitet, Engelska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131462.
Texto completo da fonteIbarra, Rogelia Lily. "Redefining hegemonic divisions of space representations of nation in the novels of Gertrudis Gómez de Avellaneda and Emilia Pardo Bázan /". [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3386687.
Texto completo da fonteTitle from PDF t.p. (viewed on Jul 15, 2010). Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4699. Adviser: Maryellen Bieder.
Williams, Anjali Joline. ""Strange contrasts" : intersubjectivity and the cohesion of romance in the novels of Charlotte Brontë and Jean Rhys /". For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2005. http://uclibs.org/PID/11984.
Texto completo da fonteWalton, Marion Nicole. "Empire, nation, gender and romance : the novels of Cynthia Stockley (1872-1936) and Gertrude Page (1873-1922)". Master's thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/9568.
Texto completo da fonteAs the first detailed study of the Southern Rhodesian romantic. novels of Cynthia Stockley (Lilian Julia Webb) and Gertrude Page (Gertrude Dobbin), this dissertation presents biographical information about the two writers as well as an analysis of the historical reception and discursive context of the novels - focusing primarily on the novels as rewritings of the gendered discourses of the British "New Imperialism" and of a nascent Rhodesian nationalism. Their novels reveal ambivalences about and conflicts between feminism and maternalism, heroic and bourgeois versions of the romance genre, and bourgeois imperialism and the representation of feminine sexuality.
Bliss, Adrienne L. "Trauma and the psychological grotesque in the novels of Laura Hendrie, Laura Kasischke, and Gloria Naylor". Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1317741.
Texto completo da fonteDepartment of English
Kim, Bong-Gwang. "The Politics of Romance: Henry James's Social (Un)Conscious". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277823/.
Texto completo da fonteSwarnakar, Sudha. "The fallen woman in twentieth-century English and Brazilian novels : a comparative analysis of D.H. Lawrence and Jorge Amado". Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/4261/.
Texto completo da fonteCassell, Cara MaryJo. "The "Infernal World": Imagination in Charlotte Brontë's Four Novels". Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/english_diss/14.
Texto completo da fonteCorreia, Maria Aline de Andrade. "O estudo do espelhamento como experiência limiar nos Graphic Novels : Berço de corvos, de Zaragoza e Plà, Espelho e Sombra, de Suzy Lee". reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/16808.
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O objetivo principal dessa pesquisa esteve centrado em mostrar e analisar o fenômeno do espelhamento em alguns romances gráficos da atualidade. O corpus ficou delimitado em três textos: Berço de corvos, que é uma releitura da novela Cuna de cuervos, da jovem escritora espanhola Zaragoza, para a linguagem dos quadrinhos, feito pelo também jovem desenhista espanhol Didac Plà. Os outros dois textos, Espelho e Sombra, fazem parte da trilogia de Suzy Lee, essa já conhecida pelas suas ilustrações em textos direcionados para crianças, os quais ela mesma convencionou chamar de “trilogia da margem”. De certa forma, nesses textos, o espelhamento aparece, de maneira geral, em momentos de muita reflexão, dúvida, embates de caráter ou mudanças de atitude para as personagens elencadas; portanto, ele se torna um fenômeno que representa a fronteira, o limiar, a passagem, seja no sentido psíquico ou de delimitação dos espaços na narrativa. Para esta pesquisa, então, será analisado o tema do espelhamento como um representante da experiência limiar para as personagens e, nesse entendimento, como uma dialogia entre os mundos possíveis. Dessa forma, a análise também se desenvolverá em torno do trato com a imagem e seus elementos, item hermenêutico importante para a conjugação híbrida do verbal e do não verbal na estrutura arquitetônica de uma Graphic Novel. A base teórica para o estudo desses dois elementos estruturais, e para o tema do espelhamento, estará centrada, mas não exclusivamente, na teoria do crítico russo Mikhail Bakhtin e nos seus conceitos de fronteira, experiência limiar, autonomia e autoconsciência. ____________________________________________________________________________________ ABSTRACT
The main objective of this research was centered in to analyze the phenomenon of mirroring in some Graphic Novels today. The corpus was bounded on three texts: Cradle of crows, which is a retelling of the novel Cuna de cuervos, the young Spanish writer Zaragoza, for the language of comics, also made by the young Spanish designer Didac Plà. The other two texts, Mirror and Shadow, part of Suzy Lee trilogy, this already known for her illustrations in texts aimed at children, which she herself conventionally called "Border Trilogy". Somehow, in these texts, mirroring appears, generally, at moments of much reflection, doubt, cashes of ethos or changes in listed characters attitude, so, it becomes a phenomenon which represents the line, the threshold, the transition psychic sense or delimitation of the spaces in the narrative. Then, this research will be considered mirroring theme as an agent of the threshold experience for characters and, by this way, as a dialogism between possible worlds. By this way, the analysis also will develop around the deal with the image and its elements, hermeneutic important item for the hybrid combination of verbal and non-verbal into the architectural structure of a Graphic Novel. The theoretical basis for these two structural elements studying, and for the mirroring theme will be concentrated, but not exclusively, on the theory of critic Russian Mikhail Bakhtin and on his concepts of border, threshold experience, autonomy and self-conscience.
Peden, McParland Andrea. "Trapped in her lover's arms, the problem of courtship and romance in selected novels by L. M. Montgomery". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ33428.pdf.
Texto completo da fontePereira, Alice de Araujo Nascimento. "A (her)story of ones own: fiction and autobiography in Julia Alvarezs novels". Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3447.
Texto completo da fonteMigrant women writers often write autobiographical novels intertwining their personal histories with fiction. These writers use their personal experiences to discuss collective matters related to different types of displacement associated with the diasporic process. Mass migration has significantly grown after the World War II, especially from former colonized countries to developed centers, increasing both contact and conflict between cultures. This dissertation intends to analyze the autobiographical novels How the García Girls Lost their Accents (1991) and Yo! (1997) by Dominican-American author Julia Alvarez. The Alvarez family migrated to the U.S.A. in 1960 because of political persecution. In her novels, the writer deals with the traumas of dislocation and with the growing up process of girls caught between different cultural values. I intend to discuss how Alvarez problematizes through her autobiographical practice issues related to migration, such as gender roles, cultural hybridity, discrimination, shattered memories and fragmented identities. I also examine how these narratives contest conventions of both autobiographical and fictional genres, blurring the boundaries between the private and the political, between facts and fiction