Artigos de revistas sobre o tema "Transmission practices in dance"
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Belyakova, I. G., e A. L. Mileshko. "COMMUNICATIVE AND INTERCULTURAL ASPECTS OF DANCE IN THE SPACE OF INFORMATION CULTURE". Arts education and science 3, n.º 32 (2022): 57–65. http://dx.doi.org/10.36871/hon.202203007.
Texto completo da fonteGardner, Sally. "The Dancer, the Choreographer and Modern Dance Scholarship: A Critical Reading". Dance Research 25, n.º 1 (abril de 2007): 35–53. http://dx.doi.org/10.3366/dar.2007.0018.
Texto completo da fonteMARINESCU, ANGELICA. "What’s in a dance? Dalkhai: from a religious community ritual, to a pro-scenium performance". International Review of Social Research 11, n.º 1 (14 de dezembro de 2021): 298–313. http://dx.doi.org/10.48154/irsr.2021.0028.
Texto completo da fonteWoolley, Andrew. "From Arrangements to New Compositions: Seventeenth-Century French Dance Music in Portuguese and Spanish Keyboard Sources to 1720". De musica disserenda 16, n.º 1 (10 de março de 2020): 9–35. http://dx.doi.org/10.3986/dmd16.1.01.
Texto completo da fonteConroy, Renee M. "Lesley Main (ed.), Transmissions in Dance: Contemporary Staging Practices". Dance Research 37, n.º 2 (novembro de 2019): 265–66. http://dx.doi.org/10.3366/drs.2019.0278.
Texto completo da fonteNardone, Michael. "Skirmish at the Oasis: On Sonic Disobedience". Leonardo Music Journal 26 (dezembro de 2016): 92–96. http://dx.doi.org/10.1162/lmj_a_00983.
Texto completo da fonteLeach, James. "Ownership and transmission in contemporary dance and beyond: A short introduction to the special issue". International Journal of Cultural Property 29, n.º 2 (maio de 2022): 103–6. http://dx.doi.org/10.1017/s0940739122000182.
Texto completo da fonteCrawford, Sally. "Shifting the Beat: Exploring Tap Dance Performance and Identity on a Global Stage". Congress on Research in Dance Conference Proceedings 2014 (2014): 52–58. http://dx.doi.org/10.1017/cor.2014.7.
Texto completo da fonteBELIBOU, Alexandra. "Tibetan Sacred Dances". BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (20 de janeiro de 2021): 17–24. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.2.
Texto completo da fontePV, Suresh. "The Philosophy and Practice of Indian Classical Dance-Changes and Challenges with Digital Humanities". Journal of Natural & Ayurvedic Medicine 4, n.º 3 (6 de julho de 2020): 1–5. http://dx.doi.org/10.23880/jonam-16000260.
Texto completo da fonteShi, Weirui, e Arsenio Nicolas. "Enhancing Education and Literacy through the Transmission of Tibetan Folk Music Performing Art in Qinghai Province, China". International Journal of Education and Literacy Studies 11, n.º 4 (20 de outubro de 2023): 151–58. http://dx.doi.org/10.7575/aiac.ijels.v.11n.4p.151.
Texto completo da fonteLukavic, John P., e Chris Patrello. ""On behalf of the family"". Museum Anthropology Review 16, n.º 1-2 (5 de outubro de 2022): 115–34. http://dx.doi.org/10.14434/mar.v16i1.31650.
Texto completo da fonteRuprecht, Lucia. "Gesture, Interruption, Vibration: Rethinking Early Twentieth-Century Gestural Theory and Practice in Walter Benjamin, Rudolf von Laban, and Mary Wigman". Dance Research Journal 47, n.º 2 (27 de julho de 2015): 23–41. http://dx.doi.org/10.1017/s0149767715000200.
Texto completo da fonteFrasson, Elisa. "Teaching and practising gestures: An investigation of the work of Accademia sull’Arte del Gesto". Journal of Dance & Somatic Practices 15, n.º 1 (1 de junho de 2023): 107–17. http://dx.doi.org/10.1386/jdsp_00097_1.
Texto completo da fonteANNA, TOMAŃSKA, CHORBIŃSKI PAWEŁ, KLIMOWICZ-BODYS MAŁGORZATA e MILL PHILIP. "Communication among animals and bioacoustics studies on bees." Medycyna Weterynaryjna 80, n.º 05 (2024): 6873–2024. http://dx.doi.org/10.21521/mw.6873.
Texto completo da fonteIkiroma-Owiye, Somieari Jariel. "Traditional Theatrical Practices in a Receding Economy: A Focus on TombianaEgbelegbeFestival of Rivers State". AFRREV IJAH: An International Journal of Arts and Humanities 9, n.º 1 (28 de abril de 2020): 108–17. http://dx.doi.org/10.4314/ijah.v9i1.11.
Texto completo da fonteMANI MARAN, DURGA DEVI. "How do I Communicate Sringara Rasa (the Emotion Love) Through Pulaneri Vazhakku (Mode of ‘Sensing’)? Experimental Research Study, Practice-Based". International Review of Social Research 11, n.º 1 (14 de dezembro de 2021): 254–73. http://dx.doi.org/10.48154/irsr.2021.0025.
Texto completo da fonteAlbright, Ann Cooper. "CORD Awards Panel 2014: “Celebrating the Scholarship of Deidre Sklar”". Congress on Research in Dance Conference Proceedings 2015 (2015): 5–7. http://dx.doi.org/10.1017/cor.2015.2.
Texto completo da fonteTurgeon, Laurier. "Food Heritage and the Construction of Territory". Ethnologies 36, n.º 1-2 (12 de outubro de 2016): 467–83. http://dx.doi.org/10.7202/1037618ar.
Texto completo da fonteFriskie, Seren Micheal. "The Healing Power of Storytelling: Finding Identity Through Narrative". Arbutus Review 11, n.º 1 (13 de julho de 2020): 19–27. http://dx.doi.org/10.18357/tar111202019324.
Texto completo da fonteZaborskaya, Dar'ya, Stanislav Olenev e Yan' Chzhao. "Semiotic Codes of Chinese Culture". Bulletin of Kemerovo State University. Series: Humanities and Social Sciences 2023, n.º 2 (4 de julho de 2023): 141–48. http://dx.doi.org/10.21603/2542-1840-2023-7-2-141-148.
Texto completo da fonteMorris, Geraldine. "TRANSMISSIONS IN DANCE: CONTEMPORARY STAGING PRACTICES edited by Lesley Main. 2017. London: Palgrave Macmillan. 231 pp., 28 illustrations. $51.50 eBook. $82.37 cloth. $89.68 paper. eBook ISBN: 9783319648736. Cloth ISBN: 9783319648729. Paper ISBN: 9783319878911." Dance Research Journal 52, n.º 1 (abril de 2020): 72–75. http://dx.doi.org/10.1017/s0149767720000078.
Texto completo da fonteZaložnik, Jasmina. "Fugitive Dance". Maska 36, n.º 209 (1 de setembro de 2022): 148–58. http://dx.doi.org/10.1386/maska_00121_1.
Texto completo da fonteStaro, Placida. "Singing in Dance Diffusion and Transmission". Studia Musicologica Academiae Scientiarum Hungaricae 33, n.º 1/4 (1991): 249. http://dx.doi.org/10.2307/902448.
Texto completo da fonteHawke, Jamie J., e Shannon S. D. Bredin. "Examining the Preferences and Priorities of Dance Educators for Dance Science Information: A Pilot Study". Journal of Dance Medicine & Science 27, n.º 2 (junho de 2023): 107–15. http://dx.doi.org/10.1177/1089313x231178079.
Texto completo da fonteEddy, Martha. "Somatic Practices and Dance: Global Influences". Dance Research Journal 34, n.º 2 (2002): 46. http://dx.doi.org/10.2307/1478459.
Texto completo da fonteFogarty, Mary. "Musical Tastes in Popular Dance Practices". Congress on Research in Dance Conference Proceedings 2012 (2012): 70–75. http://dx.doi.org/10.1017/cor.2012.7.
Texto completo da fonteAlferov, Sergey V. "VOICING THE MOVE: DISCURSIVE PRACTICES OF SCOTTISH DANCE INSTRUCTION". Вестник антропологии (Herald of Anthropology), n.º 2 (54) (10 de junho de 2021): 177–97. http://dx.doi.org/10.33876/2311-0546/2021-54-2/177-197.
Texto completo da fonteShen, Bingyan, e Kyunghoi Kim. "Cultural Characteristics and Social Values of Mongolian Folk Dance: Focusing on the Dance Drama “The Cavalry”". Korean Society of Culture and Convergence 45, n.º 11 (30 de novembro de 2023): 465–73. http://dx.doi.org/10.33645/cnc.2023.11.45.11.465.
Texto completo da fonteBayless, Martha. "The Fuller Brooch and Anglo-Saxon depictions of dance". Anglo-Saxon England 45 (dezembro de 2016): 183–212. http://dx.doi.org/10.1017/s0263675100080261.
Texto completo da fonteChoo, Nayoung, e Gwilyun An. "A Study on the Change Process of Halmi Dance in the Act of Halmi and Yeonggam of the Mask Dance Suyeong Yaryu". National Gugak Center 46 (31 de outubro de 2022): 219–36. http://dx.doi.org/10.29028/jngc.2022.46.219.
Texto completo da fonteLepecki, André. "Dance Discourses: Keywords In Dance Research". Dance Research Journal 44, n.º 1 (2012): 95–99. http://dx.doi.org/10.1017/s0149767712000010.
Texto completo da fonteGiguere, Miriam. "Dance Trends: The Dance of E-Communication: E-Mail and Forum Practices". Dance Education in Practice 4, n.º 1 (2 de janeiro de 2018): 32–34. http://dx.doi.org/10.1080/23734833.2018.1417216.
Texto completo da fontePeacock, Allison. "Intuitive fitness—Experiential Modalities in Dance Readiness". Public 33, n.º 67 (1 de abril de 2023): 48–57. http://dx.doi.org/10.1386/public_00141_1.
Texto completo da fonteAquino, John Michael D. "Management Practices and Holistic Development of Dance Troupe in Selected Secondary Schools". International Journal of Social Learning (IJSL) 2, n.º 2 (6 de abril de 2022): 186–200. http://dx.doi.org/10.47134/ijsl.v2i2.109.
Texto completo da fonteWhatley, Sarah. "Embodied cultural property: Contemporary and traditional dance practices". International Journal of Cultural Property 29, n.º 2 (maio de 2022): 171–81. http://dx.doi.org/10.1017/s0940739122000108.
Texto completo da fonteAlmeida, Doris Dornelles de, e Peter Bent Hansen. "Strategic Management Practices in Brazilian Dance Companies: Between Art and Cultural Industry". Revista Ibero-Americana de Estratégia 12, n.º 3 (1 de setembro de 2013): 125–50. http://dx.doi.org/10.5585/ijsm.v12i3.1863.
Texto completo da fonteMacaulay, Vanessa. "Narratives in Black British Dance: Embodied Practices". Contemporary Theatre Review 29, n.º 2 (3 de abril de 2019): 210–11. http://dx.doi.org/10.1080/10486801.2019.1601428.
Texto completo da fonteScharff-Olson, Michele R., Henry N. Williford e Jennifer A. Brown. "Injuries Associated with Current Dance-Exercise Practices". Journal of Dance Medicine & Science 3, n.º 4 (dezembro de 1999): 144–50. http://dx.doi.org/10.1177/1089313x9900300403.
Texto completo da fonteBuchanan Murray, Melonie, e Steven Ross Murray. "The performance of gender in American dance". Journal of Kinesiology & Wellness 6, n.º 1 (13 de agosto de 2019): 4–11. http://dx.doi.org/10.56980/jkw.v6i1.15.
Texto completo da fonteGanser, Elisa. "Dance as Yoga: Ritual Offering and Imitation Dei in the Physical Practices of Classical Indian Theatre". Journal of Yoga Studies 4 (10 de abril de 2023): 137–71. http://dx.doi.org/10.34000/joys.2023.v4.004.
Texto completo da fonteBondea, Vivien. "Relations of dance culture and social structure in a Moldavian rural community". Arta 32, n.º 2(AAV) (dezembro de 2023): 66–71. http://dx.doi.org/10.52603/arta.2023.32-2.10.
Texto completo da fonteNilsson, Mats. "Dance Transmission, a Question of Learning or Teaching?" Studia Musicologica Academiae Scientiarum Hungaricae 33, n.º 1/4 (1991): 279. http://dx.doi.org/10.2307/902449.
Texto completo da fonteHong, Tea-Han. "The Meaning and Transmission of Seoul-gut Dance-". Journal of Namdo folklore 43 (31 de dezembro de 2021): 325–47. http://dx.doi.org/10.46247/nf.43.11.
Texto completo da fonteGinot, Isabelle. "From Shusterman's Somaesthetics to a Radical Epistemology of Somatics". Dance Research Journal 42, n.º 1 (2010): 12–29. http://dx.doi.org/10.1017/s0149767700000802.
Texto completo da fonteStirling, Christabel. "‘Beyond the Dance Floor’? Gendered Publics and Creative Practices in Electronic Dance Music". Contemporary Music Review 35, n.º 1 (2 de janeiro de 2016): 130–49. http://dx.doi.org/10.1080/07494467.2016.1176772.
Texto completo da fonteJärvinen, Hanna, Lena Hammergren, Elizabeth Svarstad, Petri Hoppu e Astrid von Rosen. "Choreographing Histories: Critical Perspectives on Dance Histories in Nordic Dance Practices and Scholarship". Nordic Journal of Dance 14, n.º 1 (1 de junho de 2023): 31–47. http://dx.doi.org/10.2478/njd-2023-0004.
Texto completo da fonteFiskvik, Anne. "Renegotiating Identity Markers in Contemporary Halling Practices". Dance Research Journal 52, n.º 1 (abril de 2020): 45–57. http://dx.doi.org/10.1017/s0149767720000054.
Texto completo da fonteLana, Iris. "The Batsheva Dance Company Archive Project". Dance Research 38, n.º 2 (novembro de 2020): 168–86. http://dx.doi.org/10.3366/drs.2020.0306.
Texto completo da fonteZhuGe, Xulong, e Haibin Cao. "Data Sharing Method of College Dance Teaching Resource Database Based on PSO Algorithm". Computational Intelligence and Neuroscience 2022 (17 de agosto de 2022): 1–9. http://dx.doi.org/10.1155/2022/2162981.
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