Literatura científica selecionada sobre o tema "Transmission practices in dance"
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Artigos de revistas sobre o assunto "Transmission practices in dance"
Belyakova, I. G., e A. L. Mileshko. "COMMUNICATIVE AND INTERCULTURAL ASPECTS OF DANCE IN THE SPACE OF INFORMATION CULTURE". Arts education and science 3, n.º 32 (2022): 57–65. http://dx.doi.org/10.36871/hon.202203007.
Texto completo da fonteGardner, Sally. "The Dancer, the Choreographer and Modern Dance Scholarship: A Critical Reading". Dance Research 25, n.º 1 (abril de 2007): 35–53. http://dx.doi.org/10.3366/dar.2007.0018.
Texto completo da fonteMARINESCU, ANGELICA. "What’s in a dance? Dalkhai: from a religious community ritual, to a pro-scenium performance". International Review of Social Research 11, n.º 1 (14 de dezembro de 2021): 298–313. http://dx.doi.org/10.48154/irsr.2021.0028.
Texto completo da fonteWoolley, Andrew. "From Arrangements to New Compositions: Seventeenth-Century French Dance Music in Portuguese and Spanish Keyboard Sources to 1720". De musica disserenda 16, n.º 1 (10 de março de 2020): 9–35. http://dx.doi.org/10.3986/dmd16.1.01.
Texto completo da fonteConroy, Renee M. "Lesley Main (ed.), Transmissions in Dance: Contemporary Staging Practices". Dance Research 37, n.º 2 (novembro de 2019): 265–66. http://dx.doi.org/10.3366/drs.2019.0278.
Texto completo da fonteNardone, Michael. "Skirmish at the Oasis: On Sonic Disobedience". Leonardo Music Journal 26 (dezembro de 2016): 92–96. http://dx.doi.org/10.1162/lmj_a_00983.
Texto completo da fonteLeach, James. "Ownership and transmission in contemporary dance and beyond: A short introduction to the special issue". International Journal of Cultural Property 29, n.º 2 (maio de 2022): 103–6. http://dx.doi.org/10.1017/s0940739122000182.
Texto completo da fonteCrawford, Sally. "Shifting the Beat: Exploring Tap Dance Performance and Identity on a Global Stage". Congress on Research in Dance Conference Proceedings 2014 (2014): 52–58. http://dx.doi.org/10.1017/cor.2014.7.
Texto completo da fonteBELIBOU, Alexandra. "Tibetan Sacred Dances". BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (20 de janeiro de 2021): 17–24. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.2.
Texto completo da fontePV, Suresh. "The Philosophy and Practice of Indian Classical Dance-Changes and Challenges with Digital Humanities". Journal of Natural & Ayurvedic Medicine 4, n.º 3 (6 de julho de 2020): 1–5. http://dx.doi.org/10.23880/jonam-16000260.
Texto completo da fonteTeses / dissertações sobre o assunto "Transmission practices in dance"
Sini, Alessandra. "« Danza di ricerca » : corporéités, espaces et discours en mouvement. : Les pratiques chorégraphiques de Fabrizio Favale, Michele Di Stefano, Alessandra Sini (Italie, 1995-2010)". Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2013.
Texto completo da fonteAt the crossroads of dance history and aesthetics, this thesis proposes an analytical and poetic approach to the research processes that Italian choreographers Fabrizio Favale, Michele Di Stefano and Alessandra Sini undertook between 1995 and 2010. Their singularities as well as the choreographic concepts and strategies they share, illustrate the vitality and critical scope of the artistic networks active in a significant period of recent Italian dance history. Among the expressions defining the contemporary dance experiences of the same period, the emic category “Danza di ricerca” is proposed here to identify a constant approach in their experimentations, which have transformed over time, through encounters and in relation to the cultural policies in which they are embedded. The embodied memory of the author of this thesis as a dancer, choreographer, spectator and witness is tested using the tools of choreographic, movement and transmission analysis provided by dance studies. The analysis of the choreographers' personal archives, the study of audiovisual, textual and graphic documents of performance events as well as interviews with the choreographers, some of the dancers from their companies and some personalities who played a significant role in their artistic careers, complete the collective portrait of a generation of choreographic artists who contributed to the development of Italian contemporary dance, in relation and resonance with international experiences
Thorndike, Ashley P. "Articulating Dance Improvisation: Knowledge Practices in the College Dance Studio". The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275069682.
Texto completo da fonteBrown, Carol. "Inscribing the body : feminist choreographic practices". Thesis, University of Surrey, 1994. http://epubs.surrey.ac.uk/619/.
Texto completo da fonteKonnyu, Kristin Julianna. "Dance as a therapeutic intervention : physical therapists' beliefs and practices". Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/1595.
Texto completo da fonteHildebrandt, Antje. "Expanding the object : post-conceptual dance and choreographic performance practices". Thesis, University of Wolverhampton, 2014. http://hdl.handle.net/2436/558802.
Texto completo da fonteGainer, Natalie. "Dancing Latinidad: Salsa Practices and Latino/a Identity at Brasil's Nightclub". Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/396279.
Texto completo da fonteM.A.
This thesis investigates Brasil’s Nightclub, a Philadelphia salsa club, as a site at which notions of Latino/a identity are produced and performed. Research for the thesis was conducted over the course of five months and was ethnographic in nature. From February 2016 until June 2016, the author attended Brasil’s Nightclub and collected participant observations and interviews. Findings reveal how the club accommodates multiple conflicting narratives of Latino/a identity and how these narratives are embodied through salsa dance practices.
Temple University--Theses
Murphy, Siobhan. "Practices of tactility remembering and performance". Connect to thesis, 2008. http://repository.unimelb.edu.au/10187/4379.
Texto completo da fontethe backs of things: This 35-minute work for two dancers had a public season mid-way through the candidature (September 8th – 11th 2005). A DVD documentation is submitted with the dissertation.
here, now: This 50-minute multi-modal performance was presented for assessment during a public season of six performances (March 22nd – 25th 2007). It is a solo piece in which I perform. The work was attended by the examiners and a DVD documentation is submitted with the dissertation.
The dissertation provides a ‘narrative of a practice’ focused on tactility, remembering and performance. It elucidates what has arisen through the dual modalities of performance-making and writing. The dissertation is not an exegesis of the performance folio. Rather, it is a critical and reflective account of the practice within which the performances reside.
The arc of emergent meaning in the narrative of practice comprises three phases: Precedents; Choreographic Tactility; and Intercorporeal Remembering. In the first phase, I discuss the precursors to my subsequent practice of tactility and remembering. I detail how I sought to diminish the effects of the objectifying gaze by staging a series of interventions into the visual field of the dance. In the second phase, I articulate my use of touch, naming it a practice of choreographic tactility. I outline the connectivity of touch and suggest that it fosters an understanding of the intercorporeal nature of selfhood. I posit practices of tactility as arenas for a relational ontology.
In the third phase, I take the notion of intercorporeality thus established and show how it engenders an embodied knowledge of remembering. I define a range of heuristic devices that I established so as to craft remembering in my performance practice. Finally, I draw the discussion of tactility and remembering towards what I term an ‘aesthetics of tactility’. I describe this as a performance domain where intercorporeal remembering is privileged. This is instantiated in the poetic remembering of here, now with which the dissertation closes.
Theodoridou, Danae. "Short (research) stories : drama and dramaturgy in experimental theatre and dance practices". Thesis, Roehampton University, 2013. http://hdl.handle.net/10142/283932.
Texto completo da fonteMasunah, Juju. "A case study of the multicultural practices of two United States dance educators implications for Indonesian K-9 dance education /". Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211764897.
Texto completo da fonteCurda, Barbara. "Enjeux identitaires, relationnels et esthétiques de la transmission de la danse Odissi en Inde. Le cas d'une école émergente à Bhubaneswar". Thesis, Clermont-Ferrand 2, 2013. http://www.theses.fr/2013CLF20063.
Texto completo da fonteThis thesis addresses the relation between social norms, pedagogical practices and aesthetics in Odissi dance in India. Despite the heterogeneous and even multicultural nature of its practitioners, Odissi, which appeared as a “classical dance” on the post-colonial stage during the country’s post-Independence era, is a vehicle for identity claims relative to the Indian State Orissa, renamed Odisha in 2011. The research was undertaken during successive fieldwork periods mainly in the state capital of Bhubaneswar, and more specifically in an emerging dance school.The social organisation of the community of practitioners, which manifests itself in the official genealogy of Odissi, is identified through an examination of historical narratives on the foundation years of the dance, and of mythical elements on which protagonists base their representations. From observation of dance practices in the school, it becomes clear that this social order is reactivated discursively by the master during daily training sessions. He literally uses identity ascriptions in his pedagogical activity, creating links between certain moral values, a relational ethics between practitioners, and dance practice. This mode of action certainly reinforces the hierarchical structure of the school. However, from the point of view of the practitioners, the institution of a moral sense of the situation is related to certain aesthetic qualities of the dance, which then appears as a mode of being rather than a mode of doing
Livros sobre o assunto "Transmission practices in dance"
Kämpfe, Vicky. Dance Practices as Research. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-30581-8.
Texto completo da fonteRavn, Susanne, e Leena Rouhiainen. Dance spaces: Practices of movement. Odense: University Press of Southern Denmark, 2012.
Encontre o texto completo da fonteSieni, Virgilio. La trasmissione del gesto =: The transmission of the gesture = La transmission du geste. Firenze: M&m, 2009.
Encontre o texto completo da fonteSam, Samdani G., ed. Heat transfer technologies and practices. New York: McGraw-Hill, 1996.
Encontre o texto completo da fonteMelanie, Bales, e Nettl-Fiol Rebecca 1953-, eds. The body eclectic: Evolving practices in dance training. Urbana: University of Illinois Press, 2008.
Encontre o texto completo da fonteMelanie, Bales, e Nettl-Fiol Rebecca 1953-, eds. The body eclectic: Evolving practices in dance training. Urbana: University of Illinois Press, 2008.
Encontre o texto completo da fonteDinges, Martin. The transmission of health practices (c. 1500 to 2000). Stuttgart: Franz Steiner Verlag, 2011.
Encontre o texto completo da fonteSAE Transmission and Drivetrain Committee., ed. Design practices: Passenger car automatic transmissions. 2a ed. Warrendale, PA: Society of Automotive Engineers, 1988.
Encontre o texto completo da fonteSAE Transmission/Axle/Driveline Forum Committee., ed. Design practices--passenger car automatic transmissions. 3a ed. Warrendale, PA: Society of Automotive Engineers, 1994.
Encontre o texto completo da fonteSAE Transmission/Axle/Driveline Forum Committee. Design practices--passenger car automatic transmissions. 4a ed. Warrendale, Pa: Society of Automotive Engineers, 2012.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Transmission practices in dance"
Sachsenmaier, Stefanie. "Silent Transformations in Choreography—Making Over Time: Rosemary Butcher’s Practice of ‘Looking Back and Ahead’". In Transmissions in Dance, 163–88. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64873-6_8.
Texto completo da fonteMarkula, Pirkko, e Marianne Clark. "Dance practices". In Routledge Handbook of Physical Cultural Studies, 93–101. Abingdon, Oxon; New York, NY: Routledge, 2017. | Series:: Routledge, 2017. http://dx.doi.org/10.4324/9781315745664-10.
Texto completo da fonteKämpfe, Vicky. "The Living Heritage of Dance: Dance Archives in Practice". In Dance Practices as Research, 127–44. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-30581-8_5.
Texto completo da fonteMidgelow, Vida L. "Improvisation Practices and Dramaturgical Consciousness: A Workshop". In Dance Dramaturgy, 106–23. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137373229_6.
Texto completo da fonteCandelario, Rosemary, e Matthew Henley. "Research Ethics, Orientations, and Practices". In Dance Research Methodologies, 20–38. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003145615-3.
Texto completo da fonteTaylor-Guthartz, Lindsey. "Transmission, mimesis, and gender". In Female Faith Practices, 105–22. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003228431-11.
Texto completo da fonteKämpfe, Vicky. "Conclusion: Perspectives for the Living Heritage of Dance". In Dance Practices as Research, 145–55. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-30581-8_6.
Texto completo da fonteKämpfe, Vicky. "Performative Methods as an Approach to Dance Practice". In Dance Practices as Research, 95–126. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-30581-8_4.
Texto completo da fonteKämpfe, Vicky. "The Intangible in the Context of Performative Situations". In Dance Practices as Research, 43–60. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-30581-8_2.
Texto completo da fonteKämpfe, Vicky. "The Cultural Heritage of Dance and Research Practice". In Dance Practices as Research, 1–42. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-30581-8_1.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Transmission practices in dance"
Dagnino, Francesca, Michela Ott, Francesca Pozzi e Erdal Yilmaz. "SERIOUS GAMES DESIGN: REFLECTIONS FROM AN EXPERIENCE IN THE FIELD OF INTANGIBLE CULTURAL HERITAGE EDUCATION". In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-099.
Texto completo da fonteCorreia, Nuno N., e William Primett. "Best Practices for Technology-Mediated Audience Interaction in Dance Performances". In MOCO '24: 9th International Conference on Movement and Computing. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3658852.3659083.
Texto completo da fonteGarg, N. K., D. K. Palwalia e Harish Sharma. "Transmission pricing practices: A review". In 2013 Nirma University International Conference on Engineering (NUiCONE). IEEE, 2013. http://dx.doi.org/10.1109/nuicone.2013.6780147.
Texto completo da fontePortniagina, A. M. "Inclusive Dance Practices For Social And Cultural Adaptation Of People With Disabilities". In International Conference on Economic and Social Trends for Sustainability of Modern Society. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.03.88.
Texto completo da fonteLee, M. K., e C. W. Pak. "Maintenance practices for transmission overhead lines". In 9th IET International Conference on Advances in Power System Control, Operation and Management (APSCOM 2012). Institution of Engineering and Technology, 2012. http://dx.doi.org/10.1049/cp.2012.2158.
Texto completo da fontePegram, J. B., H. E. Orton e R. Samm. "Worldwide underground distribution cable practices". In 1999 IEEE Transmission and Distribution Conference (Cat. No. 99CH36333). IEEE, 1999. http://dx.doi.org/10.1109/tdc.1999.755317.
Texto completo da fonteDesPortes, Kayla, Kathleen McDermott, Yoav Bergner, Francisco Enrique Vicente Castro, Sauda Musharrat e Aakruti Lunia. "DanceBits 'It tells you to see us': Supporting Dance Practices with an Educational Computing Kit". In TEI '24: Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3623509.3633350.
Texto completo da fonteMarshall, Eric. "Eskom transmission live line maintenance techniques and practices". In 2014 11th International Conference on Live Maintenance (ICOLIM). IEEE, 2014. http://dx.doi.org/10.1109/icolim.2014.6934328.
Texto completo da fonteGomez, P., e S. Salloum. "Grounding Practices - Considerations for Oil Plants". In 2006 IEEE/PES Transmission & Distribution Conference and Exposition: Latin America. IEEE, 2006. http://dx.doi.org/10.1109/tdcla.2006.311455.
Texto completo da fonteChodubski, Michael. "Simulating Residual Stress at Critical Features of Straightened Hollow Transmission Shafts". In ASME 2022 17th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/msec2022-84977.
Texto completo da fonteRelatórios de organizações sobre o assunto "Transmission practices in dance"
programme, CLARISSA. The Need for an ‘Association’ to Improve Night Entertainment Business Management Practices to Reduce Worst Forms of Child Labour. Institute of Development Studies, junho de 2024. http://dx.doi.org/10.19088/clarissa.2024.035.
Texto completo da fonteRegenscheid, Andrew, e Geoff Beier. Security best practices for the electronic transmission of election materials for UOCAVA voters. Gaithersburg, MD: National Institute of Standards and Technology, 2011. http://dx.doi.org/10.6028/nist.ir.7711.
Texto completo da fonteEto, Joseph H., e Guilia Gallo. Regional Transmission Planning: A review of practices following FERC Order Nos. 890 and 1000. Office of Scientific and Technical Information (OSTI), novembro de 2017. http://dx.doi.org/10.2172/1411666.
Texto completo da fonteNunez. L51586 A Review of Gas Industry Pipeline Coating Practices. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), julho de 1988. http://dx.doi.org/10.55274/r0010647.
Texto completo da fonteZhou, Shengru, David J. Hurlbut, Lori A. Bird e Qin Wang. Transmission Challenges and Best Practices for Cost-Effective Renewable Energy Delivery across State and Provincial Boundaries. Office of Scientific and Technical Information (OSTI), agosto de 2017. http://dx.doi.org/10.2172/1377266.
Texto completo da fonteZhou, Shengru, David J. Hurlbut, Lori A. Bird e Qin Wang. Transmission Challenges and Best Practices for Cost-Effective Renewable Energy Delivery across State and Provincial Boundaries. Office of Scientific and Technical Information (OSTI), agosto de 2017. http://dx.doi.org/10.2172/1377267.
Texto completo da fonteZhou, Shengru, David J. Hurlbut, Lori A. Bird e Qin Wang. Transmission Challenges and Best Practices for Cost-Effective Renewable Energy Delivery across State and Provincial Boundaries. Office of Scientific and Technical Information (OSTI), agosto de 2017. http://dx.doi.org/10.2172/1377269.
Texto completo da fonteZhou, Shengru, David J. Hurlbut, Lori A. Bird e Qin Wang. Transmission Challenges and Best Practices for Cost-Effective Renewable Energy Delivery across State and Provincial Boundaries. Office of Scientific and Technical Information (OSTI), agosto de 2017. http://dx.doi.org/10.2172/1377271.
Texto completo da fonteZhou, Shengru, David J. Hurlbut, Lori A. Bird e Qin Wang. Transmission Challenges and Best Practices for Cost-Effective Renewable Energy Delivery across State and Provincial Boundaries. Office of Scientific and Technical Information (OSTI), agosto de 2017. http://dx.doi.org/10.2172/1377272.
Texto completo da fonteZhou, Shengru, David J. Hurlbut, Lori A. Bird e Qin Wang. Transmission Challenges and Best Practices for Cost-Effective Renewable Energy Delivery across State and Provincial Boundaries. Office of Scientific and Technical Information (OSTI), agosto de 2017. http://dx.doi.org/10.2172/1377273.
Texto completo da fonte