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Artigos de revistas sobre o assunto "Translations into Portugese and French"
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Dias Sousa, Márcia. "Translations of the French comedy Bienvenue chez les Ch’tis into Portuguese". Entreculturas. Revista de Traducción y Comunicación Intercultural, n.º 12 (27 de fevereiro de 2022): 156–71. http://dx.doi.org/10.24310/entreculturasertci.vi12.13152.
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Audiovisual translation has been experiencing a growing complexification of its contours. The subtitling of the French comedy Bienvenue chez les Ch’tis into Portuguese is an interesting case study, for it shows the role of non-professional audiovisual translations and translators, as well as their impact over the (mis)understanding of the Other. We aim to contribute to such an acknowledgement through a doubly comparative analysis: (i) between two linguistic variants – the European Portuguese and the Brazilian Portuguese; and (ii) between professionally and non-professionally conducted translation practices. Most of all, we wish to realize whether the translational choices mirrored (or not) a cultural perspective over the Ch’tis community and whether the technical conditions influenced (or not) the translators’ work, mainly in terms of meaning conveyance.
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CARAPINHA, Conceição, Cornelia PLAG e Sara SOUSA. "Contributos para a descrição e tradução do marcador ainda por cima no português europeu contemporâneo". Studia Universitatis Babeș-Bolyai Philologia 68, n.º 4 (30 de dezembro de 2023): 15–31. http://dx.doi.org/10.24193/subbphilo.2023.4.01.
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"Contributions for the description and translation of the discourse marker ainda por cima in contemporary European Portuguese. Based on a cognitive-functional framework, this paper analyses the different uses of the discourse marker ainda por cima in contemporary European Portuguese and, in a second step, its translation into Spanish, French, English, and German. This analysis is based on data collected in two corpora, CETEMPúblico, which allowed the identification of the functions of the marker in European Portuguese, and Europarl, for the listing of its translations. The research carried out in the source language reveals that the marker has an elaborative value, and more specifically an additive value, always associated with an element of unexpectedness, prefacing a new argument that reinforces the conclusion to be reached, which may (or may not) be the strongest argument in an argumentative scale. The contrastive analysis, in turn, shows the great variety of translational solutions adopted and a value not mentioned in any of the monolingual analyses: the counter-argumentative. The text concludes that (i) the different meanings of the marker in Portuguese are quite close and present themselves in a continuum, linked by family resemblances; (ii) there are important challenges in translating DM; (iii) the analysis of translations may require a reinterpretation of the DM in the source text. Keywords: ainda por cima; discourse markers; translation; translation strategies; contrastive analysis."
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Bochaver, Svetlana Yu, e Ekaterina V. Tereshko. "What is a ‘rare’ language in translation? The experience of distance reading". Slovo.ru: Baltic accent 14, n.º 3 (2023): 112–24. http://dx.doi.org/10.5922/2225-5346-2023-3-8.
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This article examines the perception of ‘rare’ and ‘common’ languages through literary translations. The study is based on the materials from De Bezige Bij Publishing House in the Netherlands, comparing the periods of 2010—2013 and 2020—2023. A significant increase in the role of translators is reflected in the rise of translation share in the publishing house. There is an observed growth in the number of source languages for translation, with a decrease in the proportion of English. Translations from French, Italian, German, Scandinavian languages, Portuguese, and Japanese have emerged. A comparison with the Polyandria Russian Publishing House during the period of 2020—2023 reveals common and distinct source languages. Both publishers translate literature into Danish, Finnish, and French to a similar extent. The Russian publishing house represents Norwegian and Japanese to a greater extent, while the Dutch publishing house releases more translations from German, Swedish, Turkish, and Italian. The Russian publisher also includes Icelandic, Albanian, Korean, and Croatian, while the Dutch publisher includes Hebrew, Romanian, and Portuguese. Both publishers encompass a total of 20 source languages, which is a small number compared to the global linguistic diversity. Comparing the volumes of source languages also indicates differences in preferences. Central European languages are chosen in the Netherlands, while Norwegian and Icelandic are favored in Russia. These differences may be influenced by the cost of rights to works, editorial preferences, and translator availability. The analysis results indicate that neither typological similarity between the source language and the target language, nor association with a specific language group, influences the preference for translating books from a particular language. This highlights the importance of sociocultural factors.
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DeNipoti, Cláudio. "“The Vile Gallicisms, which Today Make Ugly Many Translations”: The Influence of the French Language on Iberian Translations from the Turn of the Eighteenth to the Nineteenth Century". Revista Brasileira de História 43, n.º 92 (abril de 2023): 93–114. http://dx.doi.org/10.1590/1806-93472023v43n92-07-i.
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ABSTRACT From the final decades of the Eighteenth century, in the speeches of Iberian literate elites, we can notice a systematic effort to diminish or avoid the influence of the French language on texts written in Portuguese and Spanish, originals or translations from French, particularly what is defined as “Gallicism”. Considering the enormous editorial volume of written, printed or translated books into French in the second half of the century, Iberian censors, translators, editors and commentators point to the presence of “French” words and constructions in the Portuguese and Castilian printed word. This study tries to see this issue in the light of the use of Gallicisms as part of the neologisms necessary to understand the advances in science and the arts in the Iberian Peninsula of the period.
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Boumann, K. "Terminologische Databank En Geautomatiseerde Informatie En Documentatie". Vertalen in theorie en praktijk 21 (1 de janeiro de 1985): 128–33. http://dx.doi.org/10.1075/ttwia.21.16bou.
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This paper is essentially a progress report on - the European Community terminology data bank, known as Eurodicautom, - the machine translation projects Systran and Eurotra - access to Community, European and American data banks. Eurodicom is now a fully developed electronic dictionary, containing about 334.000 terminological units (single words, phrases and abbreviations) in English, 318.000 in French, 239.000 in German, 150.000 in Italian, 145.000 in Danish, 136.000 in Dutch, 64.000 in Spanish, 10.000 in Portuguese and 700 in Latin (5 November 1984). Translations are accompanied by descriptieve, linguistic and documentary information (viz. definition, context, source, originating office, author, subject code and reliability rating). Eurodicautom is also available to the public on-line (for details apply to Echo, Customer Service, 15 avenue de La Faïencerie, L-1510 Luxemburg, tel. 352-20764). At present Systran provides machine translations for the Language pairs English-French, French-English and English-Italian. English-German is being introduced and French-German will become available shortly. Consideration is being given to developing systems from either French or English into Greek, Danish or Dutch. (Report Ian M. Pigott, 29 May 1984). Rapid post-editing (emphasis on accuracy or full post-editing (thorough revision) is always required. Work on Eurotra, a machine translation system of advanced design, is now well under way (Preparatory phase, 2 years, is all but terminated). Unlike Systran (language pairs, one way) Eurotra will be set up to supply translations from any source language available in the system into a number of target languages. The first results are due by 1989, after a phase of basic and applied linguistic research (2 years) and a phase of stabilization of the linguistic models and evaluation of results (18 months). There is a brief outline of the objectives and the programme of work in Council Decision 82/752/EEC, Official Journal of the European Communities, 1982 No L 317, pp. 19-23. Translators can now be assisted by Information Officers to consult titles, abstracts and full articles in some 140 Community, European and American data systems.
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Teletin, Andreea, e Veronica Manole. "Formes nominales d’adresse au vocatif et l’expression des relations sociales en roumain, portugais et français". Studia Universitatis Babeș-Bolyai Philologia 65, n.º 4 (30 de outubro de 2020): 383–400. http://dx.doi.org/10.24193/subbphilo.2020.4.23.
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"Vocative Nominal Address Forms and the Expression of Social Relations in Romanian, Portuguese, and French. In this paper we analyze the vocative, the grammatical case that speakers use to encode the interlocutor in discourse, based on several criteria: symmetrical or asymmetrical social relations, close or distant relations, written vs spoken communication, regional usages, etc. Our socio-pragmatic analysis based on vocatives used in the novel Wasted Morning by Gabriela Adameșteanu and the Portuguese and French translations identifies the values of these linguistic means according to the relational dynamics among characters, their social status, the level of education, and gender. Keywords: vocative, nominal address forms, Romanian, Portuguese, French."
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Hörster, Maria António Hörster, e Cornelia Plag. "The first translation of Freud in Portugal". Translation Matters 3, n.º 1 (2021): 41–57. http://dx.doi.org/10.21747/21844585/tm3_1a3.
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: The first translation of Freud published in Portugal appears to have been a version of the 1905 text Drei Abhandlungen zur Sexualtheorie, which came out in November 1932 named Sexualidade.Published by the Ática Pressin a collection entitled Scientia Vitæ, the translator's name –Osório de Oliveira –was,surprisingly,displayed in a prominent position on the title page. A comparison between this translation, Freud's original and a French version by Blanche Reverchon, that had come out shortly before, shows that it was a case of indirect translation, which reproduced many of the characteristics of the intermediary version. Forexample, while Freud's original enables the reader to follow the thought processes behind his hypotheses and scientific conclusions, both of the translated texts are much less tentative. This paper explores the circumstances surrounding the production of this Portuguese translation at that moment, the translational options made, and the effect of both on the text's reception. Particular attention is given to the domain of lexis –creation of neologisms, terminological consistency and coherence –and modalization, and whether the terminological options caught on and were reproduced in subsequent translations and commentaries.
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Zavala-Rojas, Diana, Danielly Sorato, Lidun Hareide e Knut Hofland. "The Multilingual Corpus of Survey Questionnaires: A tool for refining survey translation". Meta 67, n.º 1 (7 de setembro de 2022): 71–93. http://dx.doi.org/10.7202/1092191ar.
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This article describes the design and compilation of the Multilingual Corpus of Survey Questionnaires (MCSQ), the first publicly available corpus of international survey questionnaires. Version 3.0 (Rosalind Franklin) is compiled from questionnaires from the European Social Survey, the European Values Study, the Survey of Health, Ageing and Retirement in Europe, and the Wage Indicator Survey in the (British) English source language and their translations into eight languages (Catalan, Czech, French, German, Norwegian, Portuguese, Spanish and Russian). Documents in the corpus were translated with the objective of maximising data comparability across cultures. After contextualising aims and procedures in survey translation, this article presents examples of two types of problematic translation outcomes in survey questionnaires: The first type relates to the choice of idiomatic terms or fixed expressions in the source text. The second type relates to cases where the semantic variation of translation choices exceeds the scope allowed to maintain the psychometric properties across languages. With these examples, we aim to demonstrate how corpus linguistics can be used to analyse past translation outcomes and to improve the methodology for translating questionnaires.
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Kalewska, Anna. "António Feijó i Leopold Staff – poetyckie wizje Orientu na tle polsko-portugalskich relacji literackich i kulturalnych (od parnasizmu do palimpsestu)". Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 21 (23 de dezembro de 2021): 167–200. http://dx.doi.org/10.24917/20811853.21.10.
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The article aims to discuss the Chinese culture inspirations in Polish and Portuguese modernist poetry. In the context of Polish-Portuguese literary relationships, late Romantic, Symbolic, Parnassianism-related and Oriental tendencies are presented in the works of a Portuguese poet Antón Feijó (1859–1917), with references to a selected aspect of Leopold Staff’s works (1878–1957). A historical-literary analysis is accompanied by literary and cultural comparative studies. Within the comparative method of presenting the Parnassian palimpsests, as 'The Chinese Lyric Book' ('Cancioneiro Chinês', 1890) by António Feijó and 'Chinese Flute' ('Fletnia chińska', 1922) by Leopold Staff are categorised, the thesis about the independent status of the works in question was built. Modernist visions of the Orient, understood to date a paraphrase or an adaptation of Chinese poetry read in translations from French, gain the status of original works. In view of blurring the differences between the European adaptations – Portuguese poem and Polish poetic prose, based on Oriental motifs drawn from two different French sources (translations): Judith Gautier’s and Franz Touissant’s works – and the Chinese original, the methodological approach to the text as to a palimpsest is justified. Feijó’s “Chinese Poetry” and Oriental poetic landscapes in Staff’s prose are therefore independent literary works, analysed in parallel, as mirror reflections of the fascination with the Orient’s culture. The literary works in question fully deserve the title of cultural texts, the recipient of which will be a Polish reader, a lover of poetry inspired by French Parnassianism.
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Nord, Christiane. "Proper Names in Translations for Children". Meta 48, n.º 1-2 (24 de setembro de 2003): 182–96. http://dx.doi.org/10.7202/006966ar.
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Abstract Drawing on a corpus of eight translations of Lewis Carroll’s Alice in Wonderland into five languages (German, French, Spanish, Brazilian Portuguese, Italian), the paper discusses the forms and functions of proper names in children’s books and some aspects of their translation. In Alice in Wonderland, we find three basic types of proper names: names explicitly referring to the real world of author and original addressees (e.g., Alice, her cat Dinah, historical figures like William the Conqueror), names implicitly referring to the real world of author and original addressees (e.g., Elsie, Lacie and Tillie, referring to the three Liddell sisters Lorina Charlotte, Alice and Edith Mathilda), and names referring to fictitious characters. An important function of proper names in fiction is to indicate in which culture the plot is set. It will be shown that the eight translators use various strategies to deal with proper names and that these strategies entail different communicative effects for the respective audiences.
Teses / dissertações sobre o assunto "Translations into Portugese and French"
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Jalabert, Adeline Marie. "Zazie dans le métro = violência na escrita de Raymond Queneau e nas traduções para o português do Brasil". [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269766.
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Orientador: Maria José Rodrigues Faria CoraciniDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: No romance Zazie dans le métro (1959), Raymond Queneau explora a linguagem coloquial, valendo-se da língua que chamou de neo-francês. O autor faz um verdadeiro "exercício de estilo" oral popular, em que mistura registros e faz paródias, imprimindo ao romance, além de um ritmo rápido, redundâncias, ortografia fonética, ausência de concordâncias gramaticais, arcaísmos etc. em franca oposição aos preconceitos em relação à língua oral. O oulipiano questiona a língua, provocando o leitor e obrigando-o a se distanciar da linguagem a que está habituado. Este trabalho propõe uma reflexão sobre a violência observada tanto no texto dito 'original' de Queneau, quanto na tradução e, em particular, na passagem do neo-francês à língua portuguesa do Brasil. Se a própria escrita de Zazie na língua original (o neo-francês) já é um exercício, da tradução espera-se um trabalho que podemos chamar de "trabalho dobrado". Para tanto, admite-se a violência na tradução, o que permite levantar várias questões relativas à língua, à cultura, à identidade, à dicotomia entre língua oral e língua escrita, entre obra original e obra traduzida, além de questionar os limites e as proibições, a criação literária, o trabalho do tradutor, as normas acadêmicas, o desafio da escrita e favorece a divulgação de obras literárias importantes
Abstract: In the novel Zazie dans le métro (1959), Raymond Queneau explores colloquial language, making use of what he called neo-French. The author makes a real popular and oral "exercise in style", mixing registers and parodies, making the novel fast paced and using redundancy, phonetic spelling, grammatically incorrect expressions, archaisms etc. in clear opposition to the prejudices about oral language. The oulipian questions language and culture provoking the reader and forcing him to distance himself from the language he is accustomed to. This work proposes a reflection on violence observed both in Queneau's 'original' text and in its translations, particularly between neo-French and Brazilian Portuguese. If the actual writing of Zazie in the original language (neo-French) was already an exercise, in translation, a kind of "double work" is expected. Admitting violence in translation allows us to raise several issues relating to language, culture, identity, the dichotomy between oral and written language, and between original work and translated work, to limits and prohibitions, literary creation, the work of the translator, academic standards, the challenge of writing and dissemination of important literary works
Mestrado
Teoria, Pratica e Ensino da Tradução
Mestre em Linguística Aplicada
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Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
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This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. It asks how far the process of anglicization required careful examination of the plays' initial French national context. The first part of the thesis presents three fundamental angles of interrogation addressing how the translators dealt with the form of the dramatic works according to theoretical and practical principles. It considers translators' responses to conventions of plot formation, translation methods, and prosody. The chapters are underpinned by comparative assessments of contextual theoretical writings in French and English in order to examine the plays in the light of the evolving theatrical tastes and literary practices occasioned by cross-Channel communication. The second part takes an alternative approach to assessing the earliest translations of Molière. Its four chapters are based on close analysis of culturally significant lexical terms which evoke comically contentious social themes. This enquiry charts the changes in translation-choices over the decades covered by the thesis corpus. The themes addressed, however, were relevant throughout the period in both France and England: marital discord caused by anxieties surrounding cuckoldry and gallantry, the problems of zealous religious ostentation, the dubious professional standing of medical practitioners, and bourgeois social pretension. This part assesses how the key terms in translation were chosen to resonate within the new semantic fields in English, a target language which was coming into close contact with new French terms.
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Greis, Yvone Soares dos Santos 1967. "Alector, narrativa fabulosa (1560) : tradução da narrativa fabulosa de Barthélemy Aneau e estudo crítico sobre a cidade imaginária de Orbe". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269947.
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Orientadores: Carlos Eduardo Ornelas Berriel, Marie-Luce DemonetTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O objetivo dessa tese é apresentar, em português, a tradução de Alector, histoire fabuleuse, obra de Barthelemy Aneau, publicada em 1560, em Lyon, por Pierre Fradin. A tradução dessa narrativa fabulosa inscreve-se no projeto de tradução de utopias literárias, como uma das linhas de pesquisa coordenada pelo professor Dr. Carlos Eduardo Ornelas Berriel, no Departamento de Teoria Literária do Instituto de Estudos da Linguagem da Universidade de Campinas, e foi co-orientada pela professora Dra Marie-Luce Demonet, do departamento de Letras Modernas, área Renascimento, do Centre d'Études Supérieures de la Renaissance, durante os dois anos de permanência na cidade de Tours, França (março de 2010 a março de 2012) e até o encerramento do doutorado. As evidências decorrentes de uma leitura linear dessa obra podem encobrir uma profusão de elementos que se distribuem em uma espiral de interesses de seu autor que vão do exercício da Retórica e defesa do vernáculo a um exercício da "ironia" pelo uso da palavra onde falta a liberdade para a sua expressão. Uma abordagem que desvie da linearidade parece ser uma das condições para se prosseguir nos desvendamentos de Alector. A hipótese de que personagens reais pudessem estar travestidos em personagens de ficção orientou a escolha metodológica: pesquisa bibliográfica e abordagem de diferentes centros de documentação, como os Arquivos da cidade de Bourges, Lyon, Paris, Vanves, Roma e Cidade do Vaticano. Intentou-se estabelecer vínculos entre a morte trágica de Barthélemy Aneau e as suspeitas de infiltração calvinista no Collège de la Trinité, onde Aneau foi "Principal" e justificar Alector como metáfora ou ironia de seu tempo. Essa tese organiza-se em duas partes: a Parte A cumpre oferecer um estudo crítico da cidade imaginária de Orbe. Essa parte constitui-se de três momentos: as análises de aspectos gerais da obra, principalmente o julgamento de Alector e o diálogo dos anciãos; a dimensão utópica da cidade orbitana; e, finalmente, a sua dimensão religiosa e a Parte B compreende o estudo que preparou a tradução e contém dois capítulos: o primeiro procura caracterizar a obra, discute o sentido da narrativa em seu contexto e apresenta seu autor, além de uma apresentação geral dos resultados das pesquisas realizadas nos arquivos; o segundo intenta refletir sobre o processo tradutório de Alector, visando a justificar a tradução filológica como uma das perspectivas possíveis de tratamento do corpus submetido ao trabalho de análise, a explicitar o referencial teórico, bem como as etapas de organização do trabalho de tradução. A conclusão retoma sucintamente a discussão apresentada nessas duas partes e vem seguida da tradução bilíngue de Alector, narrativa fabulosa. Os Anexos apresentam o repertório de documentos consultados nos Arquivos e bibliotecas na França, Itália e Cidade do Vaticano. As buscas nos Arquivos não revelaram nenhuma evidência que pudesse confirmar a hipótese anunciada, mas apontaram pistas para o prosseguimento da pesquisa: lacunas encontradas nos documentos da Nunciatura da França e documento inédito encontrado na Bibliothèque muncipale de Lyon sobre a morte do médico encarregado da "autópsia" do corpo de Barthélemy Aneau. Depois da tradução oferecida pelo médico inglês John Hammond, em 1590, espera-se que "Alector, narrativa fabulosa" possa contribuir a fomentar o interesse pelas utopias literárias produzidas durante o período do Renascimento
Abstract: This thesis presents the Portuguese translation of Alector, histoire fabuleuse by Barthelemy Aneau, published in Lyon in 1560 by Pierre Fradin. The translation of that fabulous story is part of the translation project of literary utopias and one of its research lines, supervised by Professor Carlos Eduardo Ornelas Berriel of the Department of Literary Theory of the Instituto de Estudos da Linguagem of the University of Campinas (São Paulo, Brazil); it was co-directed by Professor Marie-Luce Demonet of the Department of Modern Languages, Renaissance Studies, of the Centre d'Études Supérieures de la Renaissance during a two-year doctorate exchange program in the city of Tours, France (March 2010-March 2012). A linear reading of Alector could hide a variety of elements that are distributed in a spiral of interests by the author, ranging from the exercise of Rhetoric and the defense of the vernacular to a practice of 'irony' by the use of speech where freedom of expression lacks. Therefore, a non-linear approach seemed to be a prerequisite to progress in the research and in the interpretations of that work. The assumption that real people could hide behind the fictional characters guided our methodological choices: a survey of the literature and visits to several documentation centers, such as the archives of the city of Bourges, Lyon, Paris, Vanves, Rome, and the Vatican. We aimed to find a connection between the tragic death of Barthélemy Aneau and the suspected Calvinist infiltration at the Collège de la Trinité managed by Aneau and we wanted to demonstrate that Alector is a metaphor or irony of its time. Our thesis is made up of two parts: Part A contains a critical study of the imaginary town of Orbe and is made up of three sections: first, the analysis of the general aspects of the work, especially Alector's trial and the dialogue of the elder; second, the utopian dimension of the city of Orbe and third, its religious dimension. Part B contains the study that prepared the translation and features two sections: the first one characterizes the work, discusses the meaning of the narrative in its context, and introduces its author; it also contains the general analysis of the results of the research conducted at the archives. The second chapter reflects on the process of translating Alector and was developed to justify the philological translation as one of the possible ways of treating the analyzed corpus, to explain both the theoretical basis and the organizational stages of the translation. The conclusion briefly resumes the discussion presented in these two parts and is followed by the bilingual translation of Alector, histoire fabuleuse. The appendices list the documents we looked up at the archives and libraries in France, Italy, and the Vatican. Our research at the archives did not produce any proof that would confirm our hypothesis, but revealed leads for future research, such as the gaps found in the documents of the Nunciature in France or an unpublished document found at the Municipal Library of Lyon on the death of the physician in charge of the "autopsy" of Barthelemy Aneau's body. After the translation provided by the English doctor John Hammond in 1590, we hope that 'Alector, histoire fabuleuse' may contribute to raise interest in the literary utopias of the Renaissance
Doutorado
Teoria e Critica Literaria
Doutora em Teoria e História Literária
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Ryland, C. A. "Memorialisation and metapoetics in Paul Celan's translations of French surrealist poetry". Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1445830/.
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Contrary to assumptions within existing scholarship on Paul Celan's poetics, this thesis demonstrates that surrealist aesthetics were a significant discourse within Celan's poetics, in particular in die theories articulated in his Buchner Prize speech (1960). By mapping the points of convergence and divergence between specific surrealist ideas and particular elements of Celan's poetics, it demonstrates that the most significant point of contact between die two sets of aesthetics lies in the surrealist idea of a sustained tension between the unconscious and conscious realms, and between the past and die present, which elucidates Celan's well-known 'meridian' metaphor. The study thus develops new interpretations of Celan's theories, in particular in its assertion of the primacy of unconscious impulses in Celan's view of poetic language. Its conclusions thereby impact on an understanding not only of the specific status of the surrealist discourse in Celan's aesthetics, but also of the shifting relationship between poetic language and die poet's and readers' conscious and unconscious realities and of the intentional and unintentional cultural encounters that impact on linguistic and literary7 signification. The inquiry' focuses on verifiable and concrete points of contact between Celan's writings and surrealist texts, in the form of his translations of surrealist poems, his poetological notes and his correspondence. Recently published correspondence and theoretical writings by Celan reveal that he considered poetry to be composed in part as a result of unconscious impulses, which become visible during translation. Close readings of Celan's versions of surrealist poems demonstrate that these translations both illustrate and thematise this textual Unconscious, and so exhibit the metapoetic content of Celan's translations. By focusing in particular on the surrealist aspects of the original poems translated by Celan, and on Celan's transformation of these features into metapoetic figures, these readings therefore demonstrate the poetological significance of Celan's encounter with surrealism, and culminate in a new conceptualisation of his poetics of translation.
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Bisdorff, Claire Janine. "Essayer des mots : translating French and English Caribbean literature". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609255.
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Laachir, Karima. "The ethics and politics of hospitality in contemporary French society : Beur literary translations". Thesis, University of Leeds, 2003. http://etheses.whiterose.ac.uk/1599/.
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The thesis examines the issue of the ethics and politics of hospitality in the French contemporary context in relation to the diasporic populations of the descendants of post-war North African immigrants or the 'Beur', using an approach which combines philosophy, sociology and literature. I argue that the concept of hospitality has been framed by the enduring effects of colonial legacy, the legacy of the 'camp-thinking' mentality marked by bio-cultural kinship and the ties of blood or 'race' as the basis for belonging to a nation. I maintain that hospitality is exactly the anti-logic of the camp-thinking mentality in its rejection of closure and overdetermination by keeping the political open to the ethical. Even though a hiatus between the ethics and the politics of hospitality exists, the two can not exist separately. I argue that this aporia does not mean paralysis, but in fact, it means the primacy of the ethics of hospitality over politics, and thus, keeps alive the danger of hostility in the making of the politics of hospitality by means of 'political invention' that respects the uniqueness of the Other and that does not exclude him/her every time a decision is taken. The language of deconstruction and its political and ethical rejection of nationalisms, borders and centres reflects the experience of those who are marginalised at the peripheries of societies, whom I call the hyphenated peoples or diasporic populations like the Beurs. But at the same time, this language enables them to assert and articulate their own existence, their own politics and identities in a way that opens new possibilities of resistance to violence and exclusion. Jacques Derrida's concepts of marginality, diaspora, translation and democracy-to-come express the experience of minority diasporic groups such as the Beurs in France. I attempt a close deconstructive reading of the Beur texts in order to trace their translations of the contradictions of French hospitality and the way the Beurs have been 'racialised' as an 'external group' threatening the supposed 'purity' of the French national culture by their physical, cultural and religious 'difference' though they are French citizens with strong affiliations with France. I argue that with their mixed origins and cultural multiplicity, the Beurs resist the authority of the 'constructed' and 'mythical' national purity and cultural determinis1n, since their position at the threshold between communities (the French and the North African immigrant communities) and national camps (the French and the North Africans) allows them to offer a basis for solidarity that transcends ethnic absolutism and national belonging. I argue in my thesis that it is the diasporic populations such as the Beurs in France that can open up hospitality to an attitude beyond nationalistic determinism and xenophobia.
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Cossy, Valerie. "A study of the early French translations of Jane Austen's novels in Switzerland (1813-1830)". Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319070.
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Stamenkovic, Zoran. "Culture-bound shifts in the first french and italian translations of Christopher Marlowe's Doctor Faustus". Thesis, Perpignan, 2018. http://www.theses.fr/2018PERP0052.
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La présente thèse compare le drame Le Docteur Faust de Christopher Marlowe (1604, 1616) avec la première traduction française faite par Jean-Pierre Antoine Bazy (1850) et la première traduction italienne faite par Eugenio Turiello (1898) en visant à identifier les changements textuels révélateurs du contexte culturelle et idéologique au moment où se produisent les deux textes cibles. Le Docteur Faust est un exemple emblématique de l’instabilité du texte dramatique source. Il nous est parvenu en deux versions (le texte A et le texte B) différentes du point de vue structurel, thématique et doctrinal. En revanche, aucune version ne permet pas une interprétation cohérente. Ce travail a pour propos d’examiner si les traductions de Bazy et de Turiello, qui proviennent de contextes géographiques, historiques et littéraires différents mais étroitement liés, multiplient les lectures plausibles ou bien si elles aboutissent à une vision plus constante. En outre, on s’interroge sur la cause des variations textuelles, généralement dénommées en traductologie les glissements. Tout d’abord, j’ai identifié une régularité des glissements qui se manifestent dans deux traductions en question. Puis, j’ai analysé les effets des glissements sur la structure et la signification générales des textes. Enfin, en adoptant une approche socioculturelle de l’analyse des traductions, j’ai exploré la manière dont les changements sont déterminés par l’idéologie des traducteurs et leur interprétation de l’original. Cela explique leur position au sein de l’espace politique et idéologique de chaque culture d’arrivée, ainsi que les normes traductrices et culturelles adoptées au cours de la traductionThe aim of this research is to compare Christopher Marlowe’s play Doctor Faustus (1604, 1616) with the first French translation by Jean-Pierre Antoine Bazy (1850) and the first Italian translation by Eugenio Turiello (1898) in search of the changes that are symptomatic of the cultural and ideological context of translation production. The case of Doctor Faustus represents the epitome of the instability of a dramatic source text. Two main versions of the play (the A-text and the B-text) differ in structural, thematic and doctrinal terms. At the same time, neither version delivers a coherent vision. The research seeks to examine whether Bazy’s and Turiello’s translation, belonging to different yet related geographical, historical and literary traditions, further multiply the potential readings of the original or whether they display a more consistent framework. In addition, we will analyse the causes of textual variation, commonly labelled in Translation Studies as shifts. First, we identified a pattern of shifts manifested in the target texts in question. Then, we discussed the ways in which the identified patterns of shifts affect the general meaning and the structure of the texts. Finally, adopting a socio-cultural approach, we showed how certain shifts are conditioned by the translators’ ideology and their interpretation of the original. This in turn reveals the positions they occupy within the political and ideological space of each target culture and the main cultural and translation norms operating in the recipient systems
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STAMENKOVIC, Zoran. "Culture-bound Shifts in the First French and Italian Translations of Christopher Marlowe's Doctor Faustus". Doctoral thesis, Università degli studi di Bergamo, 2018. http://hdl.handle.net/10446/126573.
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The aim of this research is to compare Christopher Marlowe’s play Doctor Faustus (1604, 1616) with the first French translation by Jean-Pierre Antoine Bazy (1850) and the first Italian translation by Eugenio Turiello (1898) in search of the changes that are symptomatic of the cultural and ideological context of translation production.
The case of Doctor Faustus represents the epitome of the instability of a dramatic source text. Two main versions of the play (the so-called A-text and the B-text) differ in structural, thematic and doctrinal terms. At the same time, neither version delivers a coherent vision. The research seeks to examine whether Bazy’s and Turiello’s translation, emerging at 50-year intervals and belonging to different yet related geographical, historical and literary traditions, further multiply the potential readings of the original or whether they display a more consistent framework. In addition, we will analyse the causes of textual variation. The regularities of the translators’ behaviour and their intervention in translation are manifested across a consistent trend of changes, technically labelled as shifts. First, we will apply a comparative model of translation analysis in order to identify the shifts that occur in the process of linguistic rendering. Then, we will discuss the ways in which the identified patterns of shifts affect the general meaning and the structure of the target texts in question.
Finally, adopting a socio-cultural approach, we will show how certain shifts are conditioned by different cultural and ideological factors operating in the recipient systems. This will confirm or reveal the translators’ own ideology and the interpretation of the original, which is in turn indicative of their positions within the complex political and ideological space that surrounds them.
The results demonstrate that the two translations represent the ideological extremes in the general reception of the Faust myth and that they mirror a different point in the cultural and political evolution of nineteenth-century Europe.
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Bosseaux, Charlotte Isabelle Aline. "Translation and narration : a corpus-based study of French translations of two novels by Virginia Woolf". Thesis, University College London (University of London), 2004. http://discovery.ucl.ac.uk/1446703/.
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Narratology does not usually distinguish between original and translated fiction and narratologicai models do not pay any attention to the translator as a discursive subject. Since the 1990's, the visibility of translators in translated narrative texts has been increasingly discussed and researchers like Schiavi (1996) and Hermans (1996) introduced the concept of the translator's voice, which attempts to recognise the 'other' voice in translation, i.e. the presence of the translator. Corpus-based studies have also focused on recurrent features of translated language (see, for example. Baker 1993, Kenny 2001; Laviosa 1997; Olohan and Baker 2000), and corpus techniques and tools are being employed to identify the translators' 'style' in their translations (Baker 2000). The present thesis seeks to explore the nature of the translator's discursive presence by investigating certain narratologicai aspects of the relation between originals and translations. Until recently comparative analysis between originals and their translations have mainly relied on manual examinations; the present study will demonstrate that corpus-based translation studies and its tools can gready facilitate and sharpen the process of comparison. My work uses a parallel corpus composed of two English novels and their French translations; Virginia Woolf's To The Lighthouse (1927) and its three translations (Promenade au Phare, 1929, translated by Michel Lanoire; Voyage au Phare, 1993, by Magali Merle; Vers le Phare, 1996, by Francoise Pellan), and The Waves (1931), and its two translations (Les leagues, 1937, translated by Marguerite Yourcenar and Les agues, 1993, translated by Cecile Wajsbrot). The relevant texts have been scanned and put in machine-readable form and I study them using corpus-analysis tools and techniques (WordSmith Tools, Multiconcord). My investigation is particularly concerned with the potential problems involved in the translation of linguisdc features that constitute the notion of point of view, i.e. deixis, modality, transitivity and free indirect discourse, and seeks to determine whether and how the translator's choices affect the transfer of narratologicai structures.
Livros sobre o assunto "Translations into Portugese and French"
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Ukraïnka, Lesi͡a. Lesia Ukraïnka in translations: English, German, Spanish, French, Croatian, Portuguese, Italian. Editado por Ishchuk-Pazuni︠a︡k Natalii︠a︡, Romanenchuk Bohdan, Commemorative Committee to Honor Lesi︠a︡ Ukraïnka e Ukrainian Canadian Women's Committee. Philadelphia: Commemorative Committee to Honor Lesia Ukraïnka, 1988.
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Andrade, Oswald de. Mon coeur balance ; Leur âme. São Paulo: Editora Globo, 1991.
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1803-1866, Gozlan Léon, Barbier Jules 1825-1901 e Machado de Assis 1839-1908, eds. Tres peças francesas. Belo Horizonte: Crisálida, 2009.
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Paul, Mestas Jean, ed. Reflexos da poesia contemporânea do Brasil, França, Itália e Portugal. Lisboa: Universitária Editora, 2000.
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Brazil) Encontro de Tradutores de Obras Francesas no Brasil (2nd 2009 São Paulo. A tradução de obras francesas no Brasil. São Paulo, SP, Brasil: Annablume, 2011.
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Cayron, Claire. Sésame, pour la traduction: Une nouvelle de Miguel Torga. [Bordeaux, France]: Mascaret, 1987.
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Stoenesco, Dominique, e Iva Flores. Chasseurs de rêves: Contes et nouvelles d'Angola. Paris: Présence Africaine, 2012.
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Lacerda, Roberto Cortes de. Dicionário de provérbios: Francês, português, inglês. Lisboa: Contexto, 2000.
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Lacerda, Roberto Cortes de. Dicionário de provérbios: Inglês-português, português-inglês. Rio de Janeiro: Elsevier, 2005.
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Lacerda, Helena da Rosa Cortes de., Abreu Estela dos Santos e Lamaison Didier 1947-, eds. Dicionário de provérbios: Francês, português, inglês. [Rio de Janeiro, Brazil]: Ministério da Cultura, Fundação Biblioteca Nacional, Departamento Nacional do Livro, 1999.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Translations into Portugese and French"
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Baretto Gomide, Bruno. "Translating Russian Literature in Brazil". In Translating Russian Literature in the Global Context, 573–92. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.36.
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In this chapter, I study the history of translating Russian literature in Brazil from the 1930s to the 1970s. This period witnessed the formation of a network between the publishing market, cultural journalism, local translators, émigré translators and the University of São Paulo. I comment on the following aspects: 1) the first (1930s) translations made directly from Russian, for Iurii Zel’tsov, a Jewish-Russian emigrant publisher from Riga; 2) debates during the 1940s on the role of the “French” paradigm of treatment of Russian texts and on the need to professionalize the work of translators from the Russian language; 3) the central role of the series of Dostoevsky’s works by the publisher José Olympio; 4) the debate around Lila Guerrero’s translations of Maiakovskii 5) Boris Schnaiderman’s early translations and the creation of the Russian literature course at the University of São Paulo; 6) the connection of this Brazilian scene to a transnational network of translators (Robel, Ripellino and others). The essay concludes with a commentary on Boris Schnaiderman’s 1974 Habilitation thesis (his translation of Dostoevsky’s story ‘Mr Prokarchin’), which consolidated his style of translating Russian literature into Brazilian Portuguese.
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Sorá, Gustavo, e Alejandro Dujovne. "Translating Western Social and Human Sciences in Argentina: A Comparative Study of Translations from French, English, German, Italian and Portuguese". In The Social and Human Sciences in Global Power Relations, 267–93. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73299-2_10.
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Dechamps, Christina. "Glossaire terminologique collaboratif et Data-Driven Learning dans le cadre de la traduction du lexique artistique". In Nuove strategie per la traduzione del lessico artistico, 133–45. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0061-5.10.
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This chapter focuses on the role of corpora, in particular the LBC corpus (Lessico dei Beni Culturali), in the training of (future) translators. First, a variety of teaching methodologies, such as «task», «Learners’ Bilingual Lexicography/Terminography», «Corpus-Based/ Data-Driven Learning», and «strategic competence» will be re-examined, taking into account the use of corpora at all stages of translators’ training. The article will then illustrate a case study involving two translation classes focusing on architecture and art history (including Gothic and Renaissance art). These have led to the writing of a bilingual glossary (Portuguese-French and French-Portuguese), a collaborative and ongoing project for students in translation.
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Whistler, Daniel, Ayşe Yuva, Kirill Chepurin e Adi Efal-Lautenschläger. "French Translations and Editions". In International Archives of the History of Ideas Archives internationales d'histoire des idées, 125–42. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-39322-8_4.
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Brown, Robert D., e Robert DeMaria. "Translations of French Verses on Skating". In The Complete Poems of Samuel Johnson, 588–90. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003273257-104.
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Schwarzbach, Bertram Eugene. "Chapter Twenty-two. Three French Bible Translations". In Hebrew Bible / Old Testament: The History of Its Interpretation, 553–75. Göttingen: Vandenhoeck & Ruprecht, 2008. http://dx.doi.org/10.13109/9783666539824.553.
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Sabiron, Céline. "4. Translating the French in the French Translations of Jane Eyre". In Prismatic Jane Eyre, 244–67. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0319.07.
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Following the concepts and theories developed by translation and reception specialists, this essay combines literary, linguistic, and translatological approaches in a study five French translators’ responses to Brontë’s use of French in Jane Eyre. Translation within the novel is presented as both necessary (for the English-speaking readership) and impossible in order to preserve the ‘effet de réel’, and also for cultural, ideological, and ontological reasons. However, Brontë’s pedagogical approach to textual deciphering is not translated into the French versions of her work, so that French readers are not educated into reading and producing textual meaning. Her vision of a multiple language system viewed as a continuum, her dream of freeing languages, that is Jane Eyre’s literary agenda, ends up lost in translation.
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Saenger, Michael. "Comic Translations in All’s Well That Ends Well". In Shakespeare and the French Borders of English, 125–45. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137357397_6.
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Gehmacher, Johanna. "Féminisme: Translations, Transfers, and Transformations". In Translation History, 153–86. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42763-3_6.
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AbstractThis chapter examines Käthe Schirmacher’s most successful book, Die moderne Frauenbewegung (1905, 2nd edition 1909), and compares it with its less comprehensive precursor, Le féminisme aux États-Unis, en France, dans la Grande-Bretagne, en Suède, et en Russie (1898), and the German book’s English translation The Modern Woman’s Rights Movement. A Historical Survey (1912). Drawing on a conceptual history approach, it analyses strategies of transfer, self-translation, and translation between these books; the chapter also discusses the transfers and transformations of the French key term ‘féminisme’ in a broader context and traces the translations of the term in German and English and of the German term ‘Frauenbewegung’ in English and French. In so doing it complicates the history of the term ‘feminism’ and argues that it changed its meaning more than once between languages and over time before becoming a clearly defined and established concept.
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Gürses, Sabri. "Pushkin’s Journey Through Turkish Translations". In Translating Russian Literature in the Global Context, 509–24. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.33.
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The reception of Russian literature into the Turkish language has been a slow and complicated process; originally introduced alongside French literature, Russian authors came to be accepted as a model of European literature by Turkish readers. Pushkin was one of the first authors to be translated. This chapter observes his translational journey into Turkish during Soviet and Russian times.
Trabalhos de conferências sobre o assunto "Translations into Portugese and French"
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Morozova, I. V. "FRENCH TRANSLATIONS OF V. KOLUPAEV’S SHORT PROSE: IMAGE OF OUTER SPACE". In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-98.
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Sulem, Elior, Omri Abend e Ari Rappoport. "Conceptual Annotations Preserve Structure Across Translations: A French-English Case Study". In Proceedings of the 1st Workshop on Semantics-Driven Statistical Machine Translation (S2MT 2015). Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.18653/v1/w15-3502.
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Mihaila, Ramona. "TRANSCULTURAL CONTEXTS: NETWORKS OF LITERARY TRANSLATIONS". In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-167.
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While in the Western societies the act of translating was a phenomenon that had a powerful tradition which started long before the sixteenth century, in the Romanian Principalities the first timid attempts were recorded at the beginning of the nineteenth century. Taking into account the translations accomplished by the nineteenth Romanian women writers and the large range of languages (French, Italian, Greek, Latin, German, English, Spanish) they used, I have tried to “discover” and “revive” as many women writers as I could, first of all by focusing all my attention on the works of the neglected women (writers) translators. The present research, which limits only to Romanian women writers that translated writings of foreign women authors, needs also a special attention to finding biographical data about the translators since a lot of them used pen names (few writers used even more than three pen names) or signed their writing or translations only with the initial letters of their names, especially for the works published in installments. There is a significant amount of research in order to bring to light all the translated works since most of them can be found only in (incomplete) issues of journals, almanacs, literary magazines, theatre’s journals, or manuscripts. By using the international database Women Writers in History we may involve researchers and students from many European countries in contributing with important information concerning their women writers. There are also negotiations with national libraries in 25 countries around Europe in order to get partners for this database which offers open access.
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Şəmsi qızı Məmmədova, Xumar. "Nakhchivan literary atmosphere and literary translation". In OF THE V INTERNATIONAL SCIENTIFIC RESEARCH CONFERENCE. https://aem.az/, 2021. http://dx.doi.org/10.36719/2663-4619/2021/02/03.
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The presented article discusses the issues of Nakhchivan literary environment and literary translation. It is noted that translation is a creation in itself, and the activities of representatives of the Nakhchivan literary environment in this area are exemplary. In general, during the independence period, some experience was gained in the literary environment of Nakhchivan, translations from German, English and French by our poets and writers Hamid Arzulu, Shirmammad Gulubeyli, Shamil Zaman who is famous as poet, prose-writer and translator were delivered to readers in the form of books and works were published in the press. The examples presented in the article once again prove the perfection of the writers' translation activities, their translations from German, English and French provide the Azerbaijani reader with full information about the society, people and their life of these peoples. Key words: Nakhchivan, literary atmosphere, literary translation, prose, poetry
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Correard, Nicolas. "¿Lazarillo Libertin? Sobre la primera recepción en Europa del Norte: traducciones e inspiraciones anticlericales". In Simposio internacional El Lazarillo y sus continuadores: Facultad de Ciencias de la Educación, 10 y 11 de octubre de 2019, Universidade da Coruña: [Actas]. Servicio de Publicaciones. Universidade da Coruña, 2021. http://dx.doi.org/10.17979/spudc.9788497497657.29.
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It has often been argued that the picaresque genre derived from the Lazarillo castigado, if not from the Guzmán de Alfarache, more than from the original Lazarillo. Such an assumption neglects the fact that the first French and English translations did rely on the 1554 text, whose influence, conveyed by the 1555 sequel also translated in French in 1598, did last until the early 17th century. Probably designed in an Erasmian circle, the anticlerical satire, enhanced by provoking allusions to certain catholic dogmas, did not pass unnoticed: the marginal comments of the translations, for instance, testify for a strong interest for this theme. It is no wonder, therefore, if the first satirical narratives freely inspired by the Lazarillo, such like The Unfortunate Traveller by Nashe, the Euphormio Lusinini Satyricon by Barclay, or the Première journée by Viau, adapted its religious satire to their own actuality: in the context of the rise of libertine thinking, characters of Jesuits and Puritans could become new targets for novelistic scenes based on an obviously “lazarillesque” model.
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Muhammadiyeva, Dilafruz. "CREATING AN ELECTRONIC PLATFORM OF “BABURNAMA” IS THE DEMAND OF THE TIMES". In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/kdvn8331.
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This article discusses the principles of creating a perfect Boburnoma corpus. Gathering the achievements in Babur studies, defining the problems, showing its place in the development of world culture, the growing interest in Babur's personality, activities, and creativity on a global scale, and the emergence of new researches in Babur studies require the creation of this corpus.Creating an electronic database on Babur's life and activities, processing texts on the basis of artificial intelligence; Creating a corpus of parallel texts related to the translations of “Baburnama”, conducting a search based on various symbols, explaining the social-political, cultural-educational features of the “Baburnama” text; It was analyzed that the next generation needs to study translations and researches related to Bobur studies in Uzbek, Turkish, Azerbaijani, Kazakh, Kyrgyz, Russian, English, German, and French languages, which is the basis for creating the “Baburnama”corpus.
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AVORNICESEI, Oana-Florina. "JAPANESE PROVERBS BETWEEN EQUIVALENCE AND COMPARATIVE TRANSLATION FROM JAPANESE AND ENGLISH INTO ROMANIAN. AN ANALYSIS FROM THE SEMANTIC AND PRAGMATIC POINT OF VIEW". In Synergies in Communication. Editura ASE, 2022. http://dx.doi.org/10.24818/sic/2021/04.03.
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The current paper takes a comparative look at a selection of Japanese proverbs and their translation into English to their Romanian equivalents. The English translation belongs to David Galeff, the author of the book ‘Japanese Proverbs. Wit and Wisdom’ from which stems the selection of proverbs which are the object of the current analysis. The Romanian translation applies two methods. It tries to find an equivalent in Romanian, both in terms of wit i.e. wording or sense and in terms of wisdom i.e. meaning or reference. As such the two perspectives of analysis are semantic and pragmatic. The aim is firstly to find an equivalent in meaning and reference to a relevant wisdom inspired by reality and life. If such an equivalent is not found, alternative translations are attempted using other translation procedures, such as modulation or even adaptation. The theoretical framework used is the one Vinay and Dalbernet outlined in their ‘Comparative Stylistics of French and English: A Methodology for Translation’. This is a translational attempt to look towards the East and towards the West and see how different and how similar they are in the way they understand life and express that understanding. The aim of the analysis is to see to what extent it can identify corresponding ways of wording or equivalent forms of expression in Romanian for the wit and the wisdom incapsulated in the Japanese proverbs, via the English language
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Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING". In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.
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The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern times. Such analysis of the discourse of theoretical and literary nature, and of the pictoricity, refers to Bernard Berenson's multilingual considerations about canonical authors in English, Italian, French, German language, belonging to the Neoclassical and Romantic period, as well as to the contemporary era, as conceptualized in his autobiographical works, in correlation with his writings on Italian figurative art. The scope of this presentation is to discern and articulate Berenson's aesthetic ideas evoking literary and artistic modernity, that are infused with crucial notions of translational theory and conveyed through the methodology of close reading and comprising at the same time, in an omnicomprehensive manner, a plurality of tendencies intrinsic to social paradigms of cultural studies. Unexplored premises reflecting Berenson's vision of Italian culture, most notably of a visual stamp, will be analyzed through author's understandings of such adaptive translations or volumes to be subsequently translated in Italian, and through their intertwined intertextual applications, significantly contributing to further critical and hermeneutic reception thereof. Particular attention is drawn to its instancing in the field of Romantic literary production (Emerson, Byron), originally underscoring the specificities of each literary genre and expressive mode, of the narrative, lyric or theatrical nature, as well as concomitantly involving parallel notions as adapted variants within visual arts, and in such a way expressing theoretical views pertainable to Italian artworks too. Other analogous elements relevant to literary expression in the most varied cultural sectors such as philosophy, music, civilisational history (Goethe, Hegel, Kant, Wagner, Chateaubriand, Rousseau, Mme de Staël, Taine) are furnished, as well as the examples of the resonances of non-western cultures, with the objective of exploring the effect among readership bringing also to the renewal of Italian tradition.