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Bibliografias temáticas / Transgender erotica

Literatura científica selecionada sobre o tema "Transgender erotica"

Autor: Grafiati

Publicado: 25 de julho de 2024

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Artigos de revistas sobre o assunto "Transgender erotica"

1

Adair, Cassius, e Aren Aizura. "“The Transgender Craze Seducing Our [Sons]”; or, All the Trans Guys Are Just Dating Each Other". TSQ: Transgender Studies Quarterly 9, n.º 1 (1 de fevereiro de 2022): 44–64. http://dx.doi.org/10.1215/23289252-9475509.

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Abstract Recent antitrans discourses have critiqued trans masculinity in particular as a site of social panic and contagion for proto-trans adolescents. In extreme cases, this is framed as a seduction. Turning “seduction” from a social danger to a benefit, this essay theorizes masc4masc t4t erotics as a type of contagious gendering. The authors discuss the coming into identity that takes place via desire for trans people, including a sexual urge toward or attraction to people who look like the person one wants to be. They examine the cultural representations of ftm4ftm erotics, and what it means to think about these relationships now, in the face of their new emergence as cultural threat. The authors make a close reading of 2000s-era erotica and pornography to argue that Daddy/boy and group sex dynamics can be read as gender labor, affective and intersubjective work that produces gender and that in t4t erotics works within a framework of differentiated reciprocity. The article concludes by gesturing toward future possibilities for trans masc 4 trans masc politics and pleasures.

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2

Domínguez Galván, Zaradat. "Sexualidad y resistencia en Panfleto: Erótica y feminismo, de María Moreno". Moderna Språk 115, n.º 3 (4 de junho de 2021): 53–64. http://dx.doi.org/10.58221/mosp.v115i3.6817.

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María Moreno (1947) es una de las escritoras feministas más interesantes y aclamadas literariamente del panorama argentino actual. Vinculada a los movimientos feministas desde finales de los años setenta y al movimiento LGTBI+, ha emprendido una lucha dialéctica en sus crónicas y artículos contra el pensamiento moral y patriarcal del tiempo que le ha tocado vivir. Su libro Panfleto. Erótica y feminismo (2018) es una recopilación de textos publicados en periódicos y revistas a lo largo de cuarenta años, en ellos reflexiona sobre la diferencia sexual, la pornografía, la literatura erótica y el feminismo. En este artículo rastrearemos los planteamientos feministas de María Moreno, en cuanto a su defensa de una construcción propia del deseo femenino, así como del deseo homosexual y transgénero, placeres subalternos que han sido negados por el patriarcado, en una vindicación y conquista de nuevos goces que jadean en los márgenes. María Moreno (1947) is one of the most interesting and acclaimed feminist writers on the Argentine scene today. Linked to the feminist movements since the end of the seventies and to the LGTBI+ movement, she has undertaken a dialectical struggle in her chronicles and articles against the moral and patriarchal thinking of the time she has lived through. Her book Panfleto. Erotica y feminismo (2018) is a compilation of texts published in newspapers and magazines over forty years, in which she reflects on sexual difference, pornography, erotic literature and feminism. In this article we will trace the feminist approaches of Maria Moreno, in terms of her defense of a construction of feminine desire, as well as of homosexual and transgender desire, subaltern pleasures that have been denied by the patriarchy, in a vindication and conquest of new pleasures that pant on the margins.

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Quest, Seeley. "Contributing to VIBE, and Crip Arts Before and Since". Canadian Journal of Disability Studies 10, n.º 2 (8 de outubro de 2021): 316–23. http://dx.doi.org/10.15353/cjds.v10i2.807.

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4

Hsu, K. J., A. M. Rosenthal, D. I. Miller e J. M. Bailey. "Who are gynandromorphophilic men? Characterizing men with sexual interest in transgender women". Psychological Medicine 46, n.º 4 (26 de outubro de 2015): 819–27. http://dx.doi.org/10.1017/s0033291715002317.

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BackgroundGynandromorphophilia (GAMP) is sexual interest in gynandromorphs (GAMs; colloquially, shemales). GAMs possess a combination of male and female physical characteristics. Thus, GAMP presents a challenge to conventional understandings of sexual orientation as sexual attraction to the male v. female form. Speculation about GAMP men has included the ideas that they are homosexual, heterosexual, or especially, bisexual.MethodWe compared genital and subjective sexual arousal patterns of GAMP men with those of heterosexual and homosexual men. We also compared these groups on their self-ratings of sexual orientation and sexual interests.ResultsGAMP men had arousal patterns similar to those of heterosexual men and different from those of homosexual men. However, compared to heterosexual men, GAMP men were relatively more aroused by GAM erotic stimuli than by female erotic stimuli. GAMP men also scored higher than both heterosexual and homosexual men on a measure of autogynephilia.ConclusionsResults provide clear evidence that GAMP men are not homosexual. They also indicate that GAMP men are especially likely to eroticize the idea of being a woman.

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5

Huff, Billy. "Thinking Trans/Sex: Erotic Justice and the Trans-Subject". QED: A Journal in GLBTQ Worldmaking 10, n.º 1 (1 de fevereiro de 2023): 123–43. http://dx.doi.org/10.14321/qed.10.1.0123.

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Abstract My gender identity is trans-fag bottom boy. I characterize my trans-masculinity as a technologically enabled creation that gives embodied form to the fantasies that structure my desire. I cannot think my gender without recourse to my sexuality. In fact, I conceive of my transness as wholly motivated by the sexual. According to hegemonic trends in Transgender Studies and many political and community discourses, however, I am mistaken at best, and at worst, I am an impossibility. Gender and sexuality are commonly maintained as separate phenomena that emerge from distinct ontological and epistemological foundations. In this article, I trace the historical emergence of the contemporary conceptual frame that holds that gender and sexuality are separate aspects of being. I then argue that the separation of gender and sexuality is not a necessary or sufficient condition for transness. Finally, I discuss the consequences of not considering even the possibility that some trans- people cannot separate their felt sense of gender and sexuality. I conclude by offering thoughts about what might constitute erotic justice for trans- subjects.

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6

Levitt, Heidi M. "A Psychosocial Genealogy of LGBTQ+ Gender: An Empirically Based Theory of Gender and Gender Identity Cultures". Psychology of Women Quarterly 43, n.º 3 (14 de abril de 2019): 275–97. http://dx.doi.org/10.1177/0361684319834641.

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In this invited article, I present an inclusive theory of gender that clarifies its interconnections with gender identity, gender expression, and sexuality. To support this functionalist theory, I summarize findings from an extensive body of mixed methods research on lesbian, gay, bisexual, transgender, queer, and other (LGBTQ+) genders in the United States. I use a feminist-intersectional lens to empirically base and historically situate a theory of gender that is grounded in research of LGBTQ+ communities (butch, femme, bear, leathermen, transgender, drag queens, and family/house systems). I define genders as either sets of personal qualities within a culture associated with physiological sex or sets of qualities that evolve in reaction to limitations of existing genders. The evolution of genders functions to meet needs in four domains: (1) psychological: an experience of fit between a core aspect of self and a gender construct; (2) cultural: the creation of an LGBTQ+ culture that asserts sets of gender characteristics, which were denied and stigmatized within preexisting cultural norms; (3) interpersonal: the communicating of affiliation and status to enhance safety; and (4) sexual: an erotic embodiment of signifiers of these needs via an aesthetic that structures sexual attraction. I detail how each function affects identity, security, belonging, and personal and social values. Online slides for instructors who want to use this article for teaching are available on PWQ's website at http://journals.sagepub.com/page/pwq/suppl/index

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7

M’Baye, Babacar. "Afropolitan Sexual and Gender Identities in Colonial Senegal". Humanities 8, n.º 4 (19 de outubro de 2019): 166. http://dx.doi.org/10.3390/h8040166.

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Drawing from Achille Mbembe’s theorization of Afropolitanism as an opportunity for modern Africans “to experience several worlds” and develop flux, hybrid, and constantly mobile identities (“Afropolitanism” 29), this essay attempts to make an intervention into the ways in which this phenomenon appeared in colonial Senegalese culture. A neglected site of Afropolitanism was the colonial metropolis of Dakar which reflected subversive homosexual or transgender identities during the 1940s and 50s. Focusing on key writings such as Armand Corre’s book, L’ethnographie criminelle d’après les observations et les statistiques judiciaires recueillies dans les colonies françaises [criminal ethnography based on judiciary observations and statistics gathered from French colonies] (1894) and Michael Davidson’s travelogue, “Dakar” (1970), this essay wants to uncover a part of the silenced and neglected history of sexual and gender variances in colonial Senegalese culture. In these texts, one finds salient examples of Afropolitanism which were deployed as tools of resistance against homophobia and transphobia and as means of affirming erotic, sensual, and transgressive identities. In the end, colonial Senegalese culture transcended gender and sexual binaries in order to provide space for recognizing and examining Afropolitan sensibilities that have thus far been neglected in African studies scholarship.

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8

Reback, Cathy J., Rachel L. Kaplan, Talia M. Bettcher e Sherry Larkins. "The role of the illusion in the construction of erotic desire: narratives from heterosexual men who have occasional sex with transgender women". Culture, Health & Sexuality 18, n.º 8 (11 de março de 2016): 951–63. http://dx.doi.org/10.1080/13691058.2016.1150515.

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9

Velásquez Sepúlveda, Ana María, e Bernardo Useche. "Characterization Of The Erotic Function In Transgender People Who Consult The Clinical Sexology Services Of Caldas University Manizales, Colombia, South America 2016-2017". Journal of Sexual Medicine 14, n.º 5 (maio de 2017): e327. http://dx.doi.org/10.1016/j.jsxm.2017.04.553.

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10

Kyrölä, Kata. "Reading Border through Desire: Queer Indigenous Theory, Nordic Settler Colonialism, and Trans Aesthetics". Camera Obscura 38, n.º 3 (1 de dezembro de 2023): 77–105. http://dx.doi.org/10.1215/02705346-10772589.

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Abstract This article examines the Swedish fantasy-horror-romance film Gräns (Border, dir. Ali Abbasi, 2018) through queer Indigenous thought and the notion of trans aesthetics, exploring how the film may sensitize its viewers to seeing and feeling with gender variance, queer desire, and the trauma of settler colonialism. Drawing on Eve Tuck's call for desire-based research, the article asks what is at stake in queer, trans, and decolonial readings of films that are not necessarily identifiable as such at the surface level. Border centers on a love story between two gender-fluid trolls who pass as human and whose kin have been subjected to genocide, dislocation, and mutilation, but the film's reception largely misses the connection to the treatment of Indigenous Sámi people and transgender people within Nordic settler states. The article argues that Border's ecstatic depiction of gender-fluid desires, bodies, and sex, alongside its examination of the psychic consequences of settler colonial violence, make it a thus far unique film in the Nordic context — even though this examination happens through the distancing effect of trolls as metaphorical Natives. The main characters embody wrongness in the settler nation-state, in heteronormative society, and ultimately in the delimiting category of the human, but the film imagines rightness in nature as a queer, gender-fluid space where all creatures can just be. Through employing notions of trans aesthetics, the (non)sovereign erotic, refusal, and haunting, the article proposes desire-based readings of cinema that envision ways of feeling and existing beyond humancentric, settler, binary notions of gender and sexuality.

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Mais fontes

Livros sobre o assunto "Transgender erotica"

1

Hanne, Blank, e Kaldera Raven, eds. Best transgender erotica. Cambridge, Mass: Circlet, 2002.

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2

M, Christian, ed. Transgender erotica: Trans figures. Binghamton, N.Y: Southern Tier Editions, Harrington Park Press, 2005.

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3

Conlon, Shia, e Roby Redgrave, eds. Trans Sexuality. Helsinki, Finland: Almanac Press, 2023.

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4

Medeiros, Fernanda. Margem. Porto Alegre, RS: Cactus, 2017.

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5

Vornik, B. M. Seksualy: Kto oni? Moskva: Biblio-Globus, 2016.

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6

Renarde, Giselle. The red satin collection: A holiday romance. 2^a ed. [S.l: G. Renarde], 2013.

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7

Mac, Amos. Translady Fanzine. New York, N.Y: Amos Mac, 2011.

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8

Hall, Justin, ed. No straight lines: Four decades of queer comics. Seattle, USA: Fantagraphics Books, 2011.

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9

Stryker, Susan. Queer pulp: Perverted passions from the golden age of the paperback. San Francisco: Chronicle Books, 2001.

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10

1954-, Nelson Emmanuel S., ed. Encyclopedia of contemporary LGBTQ literature of the United States. Santa Barbara, Calif: Greenwood Press, 2009.

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Capítulos de livros sobre o assunto "Transgender erotica"

1

Josephson, Tristan. "Desiring the Nation: Transgender Trauma in Asylum Declarations". In Mobile Desires: The Politics and Erotics of Mobility Justice, 67–79. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137464217_6.

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2

Haywood, Chris. "Erotic Outlaws: Tactile Looks, Women Desiring Women and Transgender Bodies". In Sex Clubs, 159–83. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14050-1_7.

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3

Bychowski, M. W. "The Transgender Turn". In Trans Historical, 95–113. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501759086.003.0005.

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This chapter looks into the transgender turn case of Eleanor Rykener. It explains how transgender studies turn into a critique of cisgender identity history. Medieval studies' transgender turn originated from Time Magazine's call for trans people's social and legal rights. The chapter discusses the cisgender turn before tackling the transgender turn. It includes how medieval sodomy and modern queer identity fell in line with trans erotics, which is the particulars of transgender sex and sexuality. Eleanor's case has been re-evaluated following the transgender turn to medieval studies. Scholars are requested to stop dead naming Eleanor in future studies as well.

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4

Morcom, Anna. "Transgender Erotic Performers in South Asia". In Illicit Worlds of Indian Dance, 87–107. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199343539.003.0004.

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