Literatura científica selecionada sobre o tema "Traductions françaises de comédies au XIXe siècle"
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Artigos de revistas sobre o assunto "Traductions françaises de comédies au XIXe siècle"
Fallahnejad, Naeimeh. "L’influence du théâtre français sur le théâtre persan moderne à la fin du XIXe siècle : le rôle des traductions et des traducteurs". ALTERNATIVE FRANCOPHONE 1, n.º 8 (24 de setembro de 2015): 86–99. http://dx.doi.org/10.29173/af25600.
Texto completo da fonteMahdavi Zadeh, Mojgan. "La mise en scène des pièces de théâtre européennes par Ali Raffi en Iran et Circulation des savoirs entre la France et l’Iran". ALTERNATIVE FRANCOPHONE 2, n.º 5 (13 de fevereiro de 2020): 6–20. http://dx.doi.org/10.29173/af29394.
Texto completo da fonteHenri-Lepage, Savoyane. "Traduction et réception d’une auteure victorienne en France : le cas de George Eliot1". TTR : traduction, terminologie, rédaction 16, n.º 2 (15 de abril de 2005): 103–35. http://dx.doi.org/10.7202/010717ar.
Texto completo da fonteÁlvarez Rubio, María Del R. "Entre la imitación y la adaptación: traducciones de las Fábulas literarias de Tomás de Iriarte en Francia (1802-1849)". Çédille 11 (1 de abril de 2015): 31. http://dx.doi.org/10.21071/ced.v11i.5582.
Texto completo da fonteEspagne, Michel. "La fonction de la traduction dans les transferts culturels franco-allemands aux XVIIIe et XIXe siècles. Le problème des traducteurs germanophones". Revue d'histoire littéraire de la France o 97, n.º 3 (1 de março de 1997): 413–27. http://dx.doi.org/10.3917/rhlf.g1997.97n3.0413.
Texto completo da fontePrungnaud, Joëlle. "La traduction du roman gothique anglais en France au tournant du XVIIIe siècle". TTR : traduction, terminologie, rédaction 7, n.º 1 (27 de fevereiro de 2007): 11–46. http://dx.doi.org/10.7202/037167ar.
Texto completo da fonteArmaganian-Le Vu, Gayaneh. "Золотой век поэтического двуязычия: французские переводы Баратынского". Modernités russes, n.º 19 (27 de abril de 2021). http://dx.doi.org/10.35562/modernites-russes.326.
Texto completo da fonteTeses / dissertações sobre o assunto "Traductions françaises de comédies au XIXe siècle"
Cataldi, Gemma. "Représentatiοns et traductiοns de La Calandra du cardinal Bibbiena : prοblèmes de réceptiοn en France d'une pièce au cοmique licencieux". Electronic Thesis or Diss., Normandie, 2024. http://www.theses.fr/2024NORMC012.
Texto completo da fonteThe objective of this thesis is the study of the reception of the staging and translation of Cardinal Bibbiena’s La Calandra in France from the 16th to 19th centuries. It firstly explores how this play was received in France, then seeks to understand how its licentious comedy, taken from the living language of the stories of Decameron, was conveyed in the 19th century French translations. Through examination of the work’s first performance in Urbino in 1513, then Lione’s 1548 version, it subsequently seeks to demonstrate how the comedy of the dialogue was communicated in the two French translations: the first by Theodore Muret in 1835 and the second by Alcide Bonneau in 1887. The process of the reception of La Calandra in the centuries examined, which resulted from rich and varied phenomena, is evidenced in detail
Lo, Shih-Lung. "La Chine dans le théâtre français du XIXe siècle". Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030030/document.
Texto completo da fonteFrom 1789 to 1905, China is one of the most exotic topics represented on the French theater stage. This China can evoke the imagination inherited from the eighteenth-century “chinoiseries” taste. And moreover, it witnesses the nineteenth-century Sino-French socio-political events, which are never detached from the rising colonialism or even the Orientalism.This work attempts to build up a repertoire of Chinese-subject plays, and to analyze the production and the reception of the Chinese image on the French theatre stage during the nineteenth century. The corpus of the entire repertoire can be divided into three categories: the French playwright’s creation, the plays translated or adapted from Chinese literary works, and the performances given by Chinese actors. Chronologically organized, each chapter in this work follows the decisive Sino-French bilateral events. The first three chapters examine the Chinese and Oriental elements which have been applied to the French theatre in the previous centuries, and which are reinvented and appropriated under the influence of Sinology, a new scientific discipline institutionalized in the first half of the nineteenth century. The last three chapters develop with the two Opium Wars, the Sino-French War in Vietnam, the Boxer’s rebellion, as well as the birth of the concept of the “yellow peril.”For the playwrights and the artists, this “China” is therefore familiar but strange, approachable but intangible, cliché but ever-changing, exhausted but exploitable. All these contradictions contribute to create a kaleidoscopic China on the French theatre stage
Bogé-Rousseau, Patricia. "Traduire et retraduire au XIXe siècle : le cas de "Quentin Durward", roman historique de Sir Walter Scott, et de ses traductions par Auguste-Jean-Baptiste Defauconpret". Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20082.
Texto completo da fonteThis dissertation aims to analyse four translations of Walter Scott’s novel Quentin Durward (1823), all translated by the same translator, Auguste-Jean-Baptiste Defauconpret. We consider determining whether the translator was the sole participant in the retranslation process, whether the three French versions that followed the first translation of 1823 are genuine retranslations or mere corrections, and whether or not the successive modifications to the first translation are oriented towards the source text. In the first part of the dissertation, some translation studies concepts are proposed, particularly the retranslation phenomenon, of which we offer an overview, before we evoke the Brownlie and the Koskinen & Paloposki theories, and the reasons why a retranslation can be envisaged. Secondly, we describe the translational, literary and publishing contexts in the beginning of the 19th century. The second part of the dissertation is dedicated to Walter Scott, Defauconpret and the novel whose translations are analysed. Their reception by the critics and the readership is discussed in particular. The analysis of the corpus follows in the last part of our work, in which we mainly study the footnotes and the scoticisms that represent characteristic features of Walter Scott literature
Carré, Nathalie. "Langue et identité sur la route : conscience de soi et rapport au monde au travers des premiers "récits de voyage" swahili à la fin du XIXe siècle : Les Safari za Wasuaheli de Carl Velten et la Maisha de Tippu Tip". Paris 13, 2011. http://scbd-sto.univ-paris13.fr/secure/ederasme_th_2011_carré.pdf.
Texto completo da fonteAt the very beginning of the XXe century, in a heavy colonial setting, two German – Carl Velten and Heinrich Brode – released the first travelogues ever written in an African language (Arabic excepted) : Kiswahili. Born between orality and textuality, between arabic and latin scripts, the texts bear influences of both Swahili and colonial worlds. The Ph D. Offers the first French translation of the texts (Maisha excepted). Beside from the translation, the analysis’ part – at a crossroad between four languages – also crosses history and ethnology. Its main axis remains comparative literature with a strong structuralist frame. It deals with three major questions : do the African travelogues cast a new light on European explorations writings as a literary genre ? How does one translate the Self and the Other through one’s own language ? Was “Kiswahili on the road”, spoken as it was all along the old caravan tracks, able to bring forth literature, as a lingua franca has never done, and is its influence still visible up to nowadays ?
Capítulos de livros sobre o assunto "Traductions françaises de comédies au XIXe siècle"
Grimberg, Michel. "Esthétique et idéologie dans les préfaces allemandes aux traductions de comédies françaises au XVIIIe siècle". In Transkulturalität nationaler Räume in Europa (18. bis 19. Jahrhundert). Übersetzungen, Kulturtransfer und Vermittlungsinstanzen, 361–78. Göttingen: V&R unipress, 2017. http://dx.doi.org/10.14220/9783737004794.361.
Texto completo da fonte