Literatura científica selecionada sobre o tema "Théâtre – Mise en scène"
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Artigos de revistas sobre o assunto "Théâtre – Mise en scène"
Thomasseau, Jean-Marie. "Les manuscrits de la mise en scène". L’Annuaire théâtral, n.º 29 (4 de maio de 2010): 101–22. http://dx.doi.org/10.7202/041458ar.
Texto completo da fonteVasseur-Legangneux, Patricia. "La mise en scène des Bacchantes par Ingmar Bergman". Kentron 14, n.º 1 (1998): 173–87. http://dx.doi.org/10.3406/kent.1998.1598.
Texto completo da fonteBonnefon, Gérard. "Du « théâtre de l’hystérie » au « théâtre du handicap »". psychologie clinique, n.º 52 (2021): 130–41. http://dx.doi.org/10.1051/psyc/202152130.
Texto completo da fonteNolette, Nicole. "Le Projet Rideau Project : le théâtre « co-lingue », le bilinguisme officiel et le va-et-vient de la traduction". Meta 59, n.º 3 (11 de fevereiro de 2015): 654–72. http://dx.doi.org/10.7202/1028662ar.
Texto completo da fonteMahdavi Zadeh, Mojgan. "La mise en scène des pièces de théâtre européennes par Ali Raffi en Iran et Circulation des savoirs entre la France et l’Iran". ALTERNATIVE FRANCOPHONE 2, n.º 5 (13 de fevereiro de 2020): 6–20. http://dx.doi.org/10.29173/af29394.
Texto completo da fonteJacques, Hélène. "Un théâtre d’acteurs vidéographiques : Les aveugles de Denis Marleau". Intermédialités, n.º 6 (10 de agosto de 2011): 79–94. http://dx.doi.org/10.7202/1005507ar.
Texto completo da fonteMarty-Bruzy, Claude. "La sémiotique de la mise en scène". Objets 21, n.º 3 (12 de abril de 2005): 119–28. http://dx.doi.org/10.7202/500875ar.
Texto completo da fonteDries, Luk Van den. "Expansion du Regiebuch. Refigurations du carnet du mise-en scène dans le théâtre contemporain". Manuscrítica: Revista de Crítica Genética, n.º 34 (8 de agosto de 2018): 17–29. http://dx.doi.org/10.11606/issn.2596-2477.i34p17-29.
Texto completo da fonteNánay, István. "En deçà et au-delà du tournant de millénaire". Pratiques & travaux, n.º 47 (16 de agosto de 2011): 173–85. http://dx.doi.org/10.7202/1005622ar.
Texto completo da fonteFrench, French. "Le texte, comme un phénix… Approche des écritures de plateau". Voix Plurielles 17, n.º 2 (12 de dezembro de 2020): 25–43. http://dx.doi.org/10.26522/vp.v17i2.2598.
Texto completo da fonteTeses / dissertações sobre o assunto "Théâtre – Mise en scène"
Fernandes, Marie-Pierre. "Marguerite Duras : écriture et mise en scène au théâtre". Paris 3, 1987. http://www.theses.fr/1987PA030232.
Texto completo da fonteThis research is divided into two parts which are at the time separate and complementary. - the book travailler avec duras tells about the story of how la musica deuxieme was produced in 1985 by marguerite duras at the rond-point theater, starring miou miou and sami frey. The book provides a look at a creative process which mixes writing staging and the relationships in a working theater group. Included in the book are interviews with the author, the actors, the set designer, r. Plate and the lighting designer, g. Soubirou. The musica deuxieme is the revival of the 1965 musica transformed and extended to a second act. - the second part of the work describes the january 1984 experience at the same theater of m. D's lectures. M. D. Staged the reading of her recent literary texts (l'homme assis dans le couloir, l'homme atlantique, aurelia,la jeune fille et l'enfant, le dialogue de rome, cesaree) read by c. Sellers, n. Hiss, g. Desarthe. The second part also analyses m. D's staging instructions for the reading of her novel les yeux bleus cheveux noirs, written in 1986. It appears that the staged reading is a way for m. D to reconcile pure literature and theater, both the impact of the book and the picture in the living space of the theater house
Hernúñez, Pollux. "La mise en scène dans la Rome antique". Paris 4, 1987. http://www.theses.fr/1987PA040038.
Texto completo da fonteFor eight centuries roman drama has evolved in all its forms: farce, comedy, tragedy, mime, pantomime. The plays that have come down to us (Plautus, Terence, Seneca) and other evidence, either written or archeological, allow us to recreate the particular nature of the different elements of production: the stage, the sets, the machines, masks, costumes, props, acting, speech, song, music. Modern drama can only profit from the archeological re-production of roman plays
Duquenet-Krämer, Patricia. "Le théâtre contemporain en France: défier la mise en scène?" Universität Leipzig, 2002. https://ul.qucosa.de/id/qucosa%3A33529.
Texto completo da fonteSabo, Dusan. "Langage de la mise en scène : méthode des actions scéniques paradoxales". Paris 10, 2000. http://www.theses.fr/2000PA100074.
Texto completo da fonteProust, Sophie. "La direction d'acteurs : dans la mise en scène théâtrale contemporaine". Paris 8, 2002. http://www.theses.fr/2002PA082154.
Texto completo da fonteBased on my experience as an intern and assistant director for Denis Marleau, Matthias Langhoff, Yves Beaunesne and Robert Wilson between 1997 and 1999, this research defines, in four parts, the director's work with actors during rehearsals for the creation of a production. It indexes the premises necessary to the direction of actors in a creative process, places the director's work with the performers beyond a simple binary relationship, and develops the manifestations of language specific to the director of actors and the functioning of the direction of actors. The appendixes contain, in particular, interviews with Matthias Langhoff, Stéphane Braunschweig, Claude Régy, Ferruccio Soleri et François Chat, as well as rehearsal notes
Antoine, Vincent. "Théâtre et théâtralité du mouvement Dada : mise en scène d'une subversion". Montpellier 3, 2001. http://www.theses.fr/2001MON30041.
Texto completo da fonteHaydar, Mohamed. "Pratiques et mises en scène du théâtre pour enfants". Lille 3, 2010. http://www.theses.fr/2010LIL30044.
Texto completo da fonteFace of the educational ideas and theories which always trying to control and organized the child attitude, our work tray to showing how much is important to developed the liberty, the imagination, the vitality and the craziness in his attitude. The very rich imagination of the children has always many questions face of the real and social live. The fantasy and the dramatically imagination are like a solution for his fear and for those questions. Theatrical creation made for young must find the conventional language between writer, actor, director (creator) and the children (receiver). We are trying here to studying how the childhood period and attitude (physical and mental attitude) can be a source of theatrical and artistic searched and method of working at the repetition. It is a sort of approach between the children mentality and impulsion and the working of Artaud, Mayerhold, Boal on the actor playing and impulsion. Also, it's an approach with the performance of dancer, of the clown and of the storyteller. Searching in the children's theatre and working for young public means that the actor, director and all participant in the creation will facing and approving a lot of artistic, philosophic, ideological and existential questions and ideas. It is really a sort of experimental working and training for the artist in the absolute and not only a simple creation for children
Huertas, Juana. "Relations entre musique et scène dans une esthétique du théâtre lyrique : le théâtre mental". Paris 8, 2013. http://octaviana.fr/document/182435849#?c=0&m=0&s=0&cv=0.
Texto completo da fonteSince always and more today, the relations between the music and the scene with the opera house raise difficulties with the representation of work insofar as the crucial issue is not other than the direction. In order to hear us on the value of the esthetics of the mental theatre as solution with the problems of interpretation, we will work out a definition of the opera house by strongly supporting us on there flection of Adorno exposed in Relations between music and painting, but also on that of Ricœur, Deleuze, Ehrenzweig and others. The second part is devoted to the general esthetics of the achievements of Wieland Wagner, Heiner Müller and Danièle Huillet and followed Jean-Marie Straub by the analysis of the relations between the musico-dramatic text and the production of our three objects of study in distinct examples. Resulting from different fields, we will see how and why their scenic achievements join our definition of the opera house presented initially, then we will show in what these three esthetics share the same fate: the mental theatre
Vasseur-Legangneux, Patricia. "Le théâtre antique : une utopie théâtrale, recherche sur les mises en scène contemporaines des tragédies grecques". Paris 3, 2001. http://www.theses.fr/2001PA030068.
Texto completo da fonteNa, In wha. "Matières et techniques du costume de scène dans la mise en scène théâtrale contemporaine en France". Paris 3, 2004. http://www.theses.fr/2004PA030040.
Texto completo da fonteOur study is made of three parts which analyze stage costumes in the material and technical point of view. They will concern the history of materials' utilization, the analysis of the influence of technical advances and then some particular cases. The first part aims to examine the material and technical evolution of costumes. The second part is dedicated to the analysis of several material processes and the techniques used for the material-effect such as coloration, volume setting, choice of a specific material and texturation. These technical and practical analyses are necessary for the points of view of the third part. At last, we analyze stage practice from five particular cases. In each of them, the historical, material and dramatic contexts were examined because different material-effects were looked for
Livros sobre o assunto "Théâtre – Mise en scène"
Feldhendler, Daniel. Théâtre en miroirs: L'histoire de vie mise en scène. Paris: Téraèdre, 2005.
Encontre o texto completo da fonteUgo, Ronfani, Wackers-Espinosa Karin, Vincent Jean-Pierre 1942- e Gregori Maria G, eds. Une Vie pour le théâtre: Entretiens avec Ugo Ronfani. Paris: P. Belfond, 1989.
Encontre o texto completo da fontePisano, Giusy, e Jean-Marc Larrue. Les archives de la mise en scène: Hypermédialités du théâtre. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2014.
Encontre o texto completo da fonteRégie théâtrale et mise en scène: L'Association des régisseurs de théâtre (1911-1939). Villeneuve d'Ascq, France: Presses universitaires du Septentrion, 2014.
Encontre o texto completo da fonteBablet, Denis. Esthétique générale du décor de théâtre de 1870 à 1914. Paris: Éditions du Centre national de la recherche scientifique, 1989.
Encontre o texto completo da fonteJoinnault, Brigitte. Antoine Vitez: La mise en scène des textes non dramatiques : théâtre-document, théâtre-récit, théâtre-musique. Paris: L'Entretemps éditions, 2019.
Encontre o texto completo da fonteChevaly, Maurice. Le théâtre. Gémenos, France: Autres temps, 2006.
Encontre o texto completo da fonteAlice, Folco, e Martinez Ariane, eds. La mise en scène théâtrale: De 1800 à nos jours. Paris: Presses universitaires de France, 2010.
Encontre o texto completo da fonteUn théâtre & des adolescents. Clermont-Ferrand: Presses universitaires Blaise-Pascal, 2006.
Encontre o texto completo da fonteMarcos, Malavia, e Roland Muriel, eds. De la mise en scène à la mise en sens: Au croisement de la mise en scène de théâtre et de la médecine. Paris: Harmattan, 2009.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Théâtre – Mise en scène"
kydd, Elspeth. "Mise-en-Scène". In The Critical Practice of Film, 143–65. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_7.
Texto completo da fonteMunari, Alberto. "Mise en Scène". In The Future of Piagetian Theory, 1–17. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4684-4925-9_1.
Texto completo da fonteEvans, Peter William. "Mise en scène". In Written on the Wind, 29–49. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-84457-866-5_4.
Texto completo da fonteKirsten, Guido. "Mise en Scène". In Handbuch Filmanalyse, 65–81. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-13339-9_9.
Texto completo da fonteKirsten, Guido. "Mise en Scène". In Handbuch Filmanalyse, 1–17. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-13352-8_9-1.
Texto completo da fonteDanielian, Jeff, Uriah Donnelly e William Schaff. "Mise-en-Scène". In The Reel Classroom, 19–25. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003238881-3.
Texto completo da fonteKulkarni, Nayan. "Mise-en-Scène". In Mediated Identities in the Futures of Place: Emerging Practices and Spatial Cultures, 57–74. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-06237-8_4.
Texto completo da fonteDiaz, Sylvain. "Le théâtre documentaire : théâtre de la révolution, théâtre révolutionnaire". In La Révolution mise en scène, 299–309. Presses universitaires de Rennes, 2012. http://dx.doi.org/10.4000/books.pur.79346.
Texto completo da fontePORCHER, Titaua. "Réécriture et mise en scène de mythes en Licence de Lettres". In Théâtre Mythologique, 109–20. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.4772.
Texto completo da fonteBouchardon, Marianne. "Maeterlinck et la mise en scène : palinodies épistolaires". In Correspondance et théâtre, 201–14. Presses universitaires de Rennes, 2012. http://dx.doi.org/10.4000/books.pur.55331.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Théâtre – Mise en scène"
Kempf, Lucie. "Celui par qui le scandale arriva... Les mises en scène de Meyerhold au Théâtre dramatique de V.F. Komissarjevskaia (1906-07)". In Théâtre et scandale (I). Fabula, 2019. http://dx.doi.org/10.58282/colloques.5944.
Texto completo da fonteThouret, François Lecercle et Clotilde. "Introduction. Une autre histoire de la scène occidentale". In Théâtre et scandale (I). Fabula, 2019. http://dx.doi.org/10.58282/colloques.6293.
Texto completo da fonteSchweitzer, Zoé. "La scène cannibale de Blasted à Thyestes : le scandaleux fait-il scandale ?" In Théâtre et scandale (I). Fabula, 2019. http://dx.doi.org/10.58282/colloques.5832.
Texto completo da fonteZanin, Enrica. "La nudité sur la scène de la première modernité : une vision scandaleuse qui ne scandalise point ?" In Théâtre et scandale (I). Fabula, 2019. http://dx.doi.org/10.58282/colloques.5836.
Texto completo da fonteDeldjoo, Yashar, Mehdi Elahi, Massimo Quadrana, Paolo Cremonesi e Franca Garzotto. "Toward Effective Movie Recommendations Based on Mise-en-Scène Film Styles". In CHItaly 2015: 11th biannual Conference of the Italian SIGCHI Chapter. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2808435.2808460.
Texto completo da fonteKlein, Étienne. "La mise en scène des sciences par temps de Covid-19". In Ruptures des pratiques et dynamique du débat. Les SHS face à la crise Covid-19. MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/aiqf6260.
Texto completo da fonteKvisgaard, Adam, Sune Ollgaard Klem, Thomas Lund Nielsen, Eoin Ivan Rafferty, Niels Christian Nilsson, Emil Rosenlund Hoeg e Rolf Nordahl. "Frames to Zones: Applying Mise-en-Scène Techniques in Cinematic Virtual Reality". In 2019 IEEE 5th Workshop on Everyday Virtual Reality (WEVR). IEEE, 2019. http://dx.doi.org/10.1109/wevr.2019.8809592.
Texto completo da fonteGuthrie, Jason. "“You’re Tearing Me Apart”: Deconstructing Mise-en-Scène in Rebel Without A Cause". In MEIEA Educators Summit 2019. Music and Entertainment Industry Educators Association, 2019. http://dx.doi.org/10.25101/19.13.
Texto completo da fonteWulandhani, Dominick, e Andika Wijaya. "Mise-en-Scène Analysis on Heteronormativity in Queer Narrative “San Junipero” from Black Mirror". In International University Symposium on Humanities and Arts (INUSHARTS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200729.028.
Texto completo da fonteDesmeules, Marie-Eve. "L’enseignement du théâtre en contexte circassien : repenser son rapport au corps et à la scène." In Colóquio Internacional De Pedagogia Do Teatro. Campinas - SP, Brazil: Galoa, 2018. http://dx.doi.org/10.17648/colipete-2018-86087.
Texto completo da fonte