Conecte-se

Bibliografias temáticas / Theatre for all audiences / Livros

Siga este link para ver outros tipos de publicações sobre o tema: Theatre for all audiences.

Livros sobre o tema "Theatre for all audiences"

Autor: Grafiati

Publicado: 31 de agosto de 2024

Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos

Selecione um tipo de fonte:

Veja os 50 melhores livros para estudos sobre o assunto "Theatre for all audiences".

Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.

Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.

Veja os livros das mais diversas áreas científicas e compile uma bibliografia correta.

1

Snyder-Young, Dani, and Matt Omasta. Impacting Theatre Audiences. Routledge, 2022. http://dx.doi.org/10.4324/9781032214146.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

2

Asiedu, Awo Mana. West African theatre audiences: A study of Ghanaian and Nigerian audiences of literary theatre in English. University of Birmingham, 2003.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

3

O'Toole, John, Ricci-Jane Adams, Michael Anderson, Bruce Burton, and Robyn Ewing, eds. Young Audiences, Theatre and the Cultural Conversation. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-7609-8.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

4

Liston, Karen. An exploratory study into the attitudes of the Dublin population to theatre. UniversityCollege Dublin, 1990.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

5

Malomo, Jide. The theatre audience in Nigeria: A survey of audience attendance at the National Arts Theatre, Lagos. Ibadan, 2002.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

6

Freshwater, Helen. Theatre & audience. Palgrave Macmillan, 2009.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

7

Marisa, Smith, ed. Seattle Children's Theatre: Six plays for young audiences. Smith and Kraus, 1997.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

8

Bennett, Susan. Theatre audiences: A theory of production and reception. Routledge, 1990.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

9

Dieleman, Cock, Ricarda Franzen, Veronika Zangl, and Henk Danner. Dramaturgy. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724968.

Texto completo da fonte

Resumo:

The image of the dramaturg resembling a stuffy librarian, as opposed to the largely intuitive process of theatre making, belongs to the past. Contemporary theatre performances not only tell a story, but constantly reflect on the world in which that story takes place and is shown. As a result, dramaturgy has become part of the artistic process. Thus everybody involved in a theatre production is concerned with dramaturgical thinking, i.e. how to relate to material, process, audience and society. The dramaturg crosses borders between theory and practice, between theatre makers, performance and au

Estilos ABNT, Harvard, Vancouver, APA, etc.

10

1933-, Jennings Coleman A., ed. Theatre for young audiences: 20 great plays for children. St. Martin's Press, 1998.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

11

Krauss, Kenneth. Private readings/public texts: Playreaders' constructs of theatre audiences. Fairleigh Dickinson University Press, 1993.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

12

author, Siebenhaar Klaus, ed. European theatre and the public: Development, orientations and evidence. B&S Siebenhaar Verlag, 2016.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

13

Kantanen, Teuvo. Possibilities to approach theatre behaviour from the viewpoint of consumer behaviour. University of Vaasa, 1990.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

14

Meyer-Dinkgräfe, Daniel. Boulevard Comedy Theatre in Germany. Cambridge Scholars, 2005.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

15

Lowell, Swortzell, ed. Theatre for young audiences: Around the world in 21 plays. Applause, 1997.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

16

Lowell, Swortzell, ed. Around the world in 21 plays: Theatre for young audiences. Applause, 1997.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

17

Dudden, Faye E. Women in the American theatre: Actresses and audiences, 1790-1870. Yale University Press, 1994.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

18

Emmet, Kennedy, ed. Theatre, opera, and audiences in revolutionary Paris: Analysis and repertory. Greenwood Press, 1996.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

19

Chansky, Dorothy. Composing ourselves: The Little Theatre movement and the American audience. Southern Illinois University Press, 2004.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

20

Craddock, Kate, and Helen Freshwater. Theatre and its Audiences. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350339200.

Texto completo da fonte

Resumo:

Written in the aftermath of the Covid-19 crisis, this book brings the past, present and future of theatre-going together as it explores the nature of the relationships between performance practitioners, arts organisations and their audiences. Proposing that the pandemic forced a re-evaluation of what it means to be an audience, and combining historical and current cultural sector perspectives, the book reflects on how historical conventions have conditioned present day expectations of theatre-going in the UK. Helen Freshwater examines the ways in which developments in technology, architecture

Estilos ABNT, Harvard, Vancouver, APA, etc.

21

Bennett, Susan. Theatre Audiences. Routledge, 2013. http://dx.doi.org/10.4324/9781315005751.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

22

Bennett, Susan. Theatre Audiences. Taylor & Francis Group, 2013.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

23

Bennett, Susan. Theatre Audiences. Taylor & Francis Group, 2013.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

24

Bennett, Susan. Theatre Audiences. Taylor & Francis Group, 2013.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

25

Bennett, Susan. Theatre Audiences. Taylor & Francis Group, 2013.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

26

Sierz, Aleks, and Lia Ghilardi. The Time Traveller's Guide to British Theatre. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350429628.

Texto completo da fonte

Resumo:

British theatre is booming. But where do these beautiful buildings and exciting plays come from? And when did the story start? To find out we time travel back to the age of the first Queen Elizabeth in the 16th century, four hundred years ago when there was not a single theatre in the land. In the company of a series of well-characterized fictional guides, the eight chapters of the book explore how British theatre began, grew up and developed from the 1550s to the 1950s. The Time-Traveller's Guide to British Theatre tells the story of the movers and shakers, the buildings, the playwrights, the

Estilos ABNT, Harvard, Vancouver, APA, etc.

27

Emeljanow. London Theatre Audiences. University of Cambridge ESOL Examinations, 2000.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

28

Impacting Theatre Audiences. Taylor & Francis Group, 2022.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

29

Brook, Peter. Peter Brook: Threads of Time. Methuen Drama, 1998. http://dx.doi.org/10.5040/9781350058408.

Texto completo da fonte

Resumo:

"First there was the master conjurer adept at musicals, farces, opera and Shakespeare. Then there was the philosopher-king … who has devoted his energies to a quest for a theatre that was simple in form and rich in meaning." - Michael Billington The theatre's greatest contemporary director tells the story of his life. Peter Brook was the modern stage's greatest inventor. For over 50 years he held audiences spellbound with his critically acclaimed productions. This is his account of his life. Born in 1925 in London, at 21 Brook became the enfant terrible of British theatre, directing major post

Estilos ABNT, Harvard, Vancouver, APA, etc.

30

Swortzell, Lowell. Theatre for Young Audiences. Applause Theatre Book Publishers,U.S., 1999.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

31

Semmes, Clovis E. The Problem of Race and Chicago’s Great Tivoli Theater. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037023.003.0003.

Texto completo da fonte

Resumo:

This chapter historicizes the building of “the great palace theaters” of the early twentieth century, paying particular attention to real-life racial politics. Inspired by the architectural designs of the Chateau de Versailles, the Tivoli Theater was located in Washington Park with its 85 percent white population. The theater, originally built in 1921 for white neighborhood residents, employed a number of black men and women in service capacities. Due to gradual demographic shifts, Tivoli Theater management pursued a policy of separate seating for audiences for the live performances and film e

Estilos ABNT, Harvard, Vancouver, APA, etc.

32

Graham, Janet. Professional Theatre for Young Audiences. Arizona State Univ Dept of, 1988.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

33

Theatre Double Game. University of North Carolina Press, 2011.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

34

Woodruff, Paul. Staging Wisdom through Hamlet. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190698515.003.0003.

Texto completo da fonte

Resumo:

Hamlet illustrates how wisdom can be staged in theater. It ought to be impossible, because theater is watching, and wisdom can't be watched at all. Moreover, people spouting wisdom are rarely worth watching. Successful theater makes fun of those who spout wisdom (such as Polonius) and engages its audiences constantly with humor or emotion, leaving no space for the reflection that leads to wisdom. So how could a play present wisdom successfully in performance? Plato concluded that the playwrights of his time could put nothing but fake wisdom on stage. Plato was wrong: although divine wisdom is

Estilos ABNT, Harvard, Vancouver, APA, etc.

35

Theatre and Audience (Theatre &). Palgrave Macmillan, 2009.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

36

Anderson, Michael, Bruce Burton, Robyn Ewing, John O'Toole, and Ricci-Jane Adams. Young Audiences, Theatre and the Cultural Conversation. Ingramcontent, 2013.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

37

Omasta, Matt, and Dani Snyder-Young. Impacting Theatre Audiences: Methods for Studying Change. Taylor & Francis Group, 2022.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

38

Omasta, Matt, and Dani Snyder-Young. Impacting Theatre Audiences: Methods for Studying Change. Routledge, 2022.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

39

Anderson, Michael, Bruce Burton, Robyn Ewing, John O'Toole, and Ricci-Jane Adams. Young Audiences, Theatre and the Cultural Conversation. Springer London, Limited, 2013.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

40

Omasta, Matt, and Dani Snyder-Young. Impacting Theatre Audiences: Methods for Studying Change. Taylor & Francis Group, 2022.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

41

Anderson, Michael, Bruce Burton, Robyn Ewing, John O'Toole, and Ricci-Jane Adams. Young Audiences, Theatre and the Cultural Conversation. Springer Netherlands, 2016.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

42

Maguire, Tom, and Karian Schuitema. Theatre for Young Audiences: A Critical Handbook. Institute of Education Press (IOE Press), 2013.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

43

Omasta, Matt, and Dani Snyder-Young. Impacting Theatre Audiences: Methods for Studying Change. Taylor & Francis Group, 2022.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

44

Oily Cart Impossible Theatre For Young Audiences. Trentham Books, 2012.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

45

Guide to UK Theatre for Young Audiences. Aurora Metro Publications Limited, 2010.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

46

Theatre for Young Audiences: A Critical Handbook. Institute of Education Press (IOE Press), 2012.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

47

Aveyard, Karina. “Our Place”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0018.

Texto completo da fonte

Resumo:

This chapter examines the role of film and cinema as a force in women's lives by focusing on women as cinema audiences. More specifically, it considers the experiences of a modern-day group of women who patronize and actively support the First Avenue Cinema, a 1950s single-screen film theater located in the coastal town of Sawtell in New South Wales, Australia. The chapter first provides a brief background on the geographic and economic contours of Sawtell before turning to First Avenue Cinema and its women audiences, paying attention to how it positions itself as a social space that local wom

Estilos ABNT, Harvard, Vancouver, APA, etc.

48

Jr, Stanton B. Garner. Kinesthetic Spectatorship in the Theatre: Phenomenology, Cognition, Movement. Palgrave Macmillan, 2018.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

49

Creating Worlds: How to Make Immersive Theatre. Hern Books, Limited, Nick, 2017.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

50

Creating Worlds: How to Make Immersive Theatre. Hern Books, Limited, Nick, 2017.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Oferecemos descontos em todos os planos premium para autores cujas obras estão incluídas em seleções literárias temáticas. Contate-nos para obter um código promocional único!