Literatura científica selecionada sobre o tema "The Traditional and National Music of Scotland"
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Artigos de revistas sobre o assunto "The Traditional and National Music of Scotland"
Pettegree, Jane. "Volunteer Bands and Local Identity in Caithness at the Time of the Second Reform Act". Scottish Studies 40 (24 de janeiro de 2024): 83–110. http://dx.doi.org/10.2218/ss.v40.9291.
Texto completo da fonteRusnali, Andi Nur Aisyah, e Mujammilatul Halimah. "Self Actualization of MOSMA Participants in Maintaining Cultural Identity in Scotland, United Kingdom". Palakka : Media and Islamic Communication 5, n.º 1 (28 de junho de 2024): 26–42. http://dx.doi.org/10.30863/palakka.v5i1.6174.
Texto completo da fonteMartynova, V. I. "Concerto for Oboe and Orchestra in the Works by Modern Time Composers: Aspects of Genre Stylistics". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, n.º 54 (10 de dezembro de 2019): 71–93. http://dx.doi.org/10.34064/khnum1-54.05.
Texto completo da fonteRisk, Laura. "Community-based Traditional Music in Scotland: A Pedagogy of Participation, Josephine L. Miller (2022)". International Journal of Community Music 16, n.º 3 (1 de setembro de 2023): 341–45. http://dx.doi.org/10.1386/ijcm_00092_1.
Texto completo da fonteGelbart, Matthew. "ALLAN RAMSAY, THE IDEA OF ‘SCOTTISH MUSIC’ AND THE BEGINNINGS OF ‘NATIONAL MUSIC’ IN EUROPE". Eighteenth Century Music 9, n.º 1 (27 de janeiro de 2012): 81–108. http://dx.doi.org/10.1017/s1478570611000352.
Texto completo da fonteWei, Yuanjun, e Yan Gao. "Research on the Protection Strategy of Traditional Culture of National Music in Shanxi Province from the Perspective of Intangible Cultural Heritage". Journal of Education and Educational Research 5, n.º 2 (1 de setembro de 2023): 36–39. http://dx.doi.org/10.54097/jeer.v5i2.12202.
Texto completo da fonteMacIntyre, Peter D., Jessica Ross e Heather Sparling. "Flow Experiences and Willingness to Communicate: Connecting Scottish Gaelic Language and Traditional Music". Journal of Language and Social Psychology 38, n.º 4 (12 de agosto de 2019): 536–45. http://dx.doi.org/10.1177/0261927x19867364.
Texto completo da fonteEngström, Robin. "The body politic of independent Scotland". Metaphor and the Social World 8, n.º 2 (23 de outubro de 2018): 184–206. http://dx.doi.org/10.1075/msw.17009.eng.
Texto completo da fonteSymon, Peter. "Music and national identity in Scotland: a study of Jock Tamson's Bairns". Popular Music 16, n.º 2 (maio de 1997): 203–16. http://dx.doi.org/10.1017/s0261143000000374.
Texto completo da fonteLi, Jing. "The Inheritance Form of Chinese Traditional Music under College Music Education System". Region - Educational Research and Reviews 1, n.º 2 (2 de janeiro de 2020): 6. http://dx.doi.org/10.32629/rerr.v1i2.69.
Texto completo da fonteTeses / dissertações sobre o assunto "The Traditional and National Music of Scotland"
Stevenson, Lesley. "'Scotland the Real' : the representation of traditional music in Scottish tourism". Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1297/.
Texto completo da fontePaek, Inok. "Transmission processes in Korean traditional music : contemporary musical practice and national identity". Thesis, Queen's University Belfast, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425202.
Texto completo da fonteRoy, Diane Carole. "Performing abroad: ‘Lucnica Slovak National Folklore Ballet’ in Melbourne, 2007". Phd thesis, 2011. http://hdl.handle.net/1885/8868.
Texto completo da fonteWilliams, Joseph. "Rhizomatic thinking and traditional music as difference-in-itself : a virtual historical revision of England's Victorian/Edwardian folk revival". Thesis, 2019. http://hdl.handle.net/1959.7/uws:54511.
Texto completo da fonteVan, Niekerk Letitia. "Intimidation as a factor in the liberation struggle in South Africa with special reference to Bela Bela (Warmbaths) : an anthropological perspective". Diss., 1999. http://hdl.handle.net/10500/17744.
Texto completo da fonteINTIMIDASIE AS 'N FAKTOR IN DIE VRYHEIDSTRYD IN SUID-AFRIKA MET SPESIALE VERWYSING NA BELA BELA (WARMBAD): 'N ANTROPOLOGIESE PERSPEK.TIEF Kulturele vernuwmg ts 'n universele verskynsel. Anthony Wallace se model van kulturele vernuwing of -aanpassing bied 'n raamwerk vir die verduideliking en interpretasie van die fases waardeur kulturele vernuwingsbewegings van 'n godsdienstige, politieke of ander aard ontwikkel. In hierdie studie word daar uitsluitlik gefokus op vernuwingsbewegings van 'n politieke aard. Aangesien deelname aan die aktiwiteite van kulturele vernuwings- en aanpassingsbewegings nie noodwendig vrywillig geskied nie, het leiers van hierdie bewegings gebruik gemaak van tegnieke en metodes van intimidasie om deelname en vernuwing op die massas af te dwing. In SuidAfrika is politieke vernuwing onder andere teweeggebring deur die ANC as politieke bevrydingsbeweging. Die ANC het gebruik gemaak van gewelddadige (harde of direkte) sowel as nie-geweldadige (sagte of indirekte) intimidasie om mense, ongeag hulle etniese aanhorigheid, te dwing om die beweging se oogmerke aktief te ondersteun om politieke verandering te weeg te bring. As dee! van die strategie om deur intimidasie mense tot deelname aan massa-aksies soos optogte, betogings en massa-vergaderings te dwing, het die ANC gebruik gemaak van bepaalde kultuur verskynsels en -komponente wat eie is aan die lewensbeskouinge en lewenswyse van Bantoe-sprekendes. Kultuurkomponente wat suksesvol benut is deur die leiers en lede van bevrydingsbewegings omvat, onder andere verskynsels soos kommunaliteit, groep solidariteit, die regspraak, liedere en danse. Hierdie kultuurkomponente en verskynsels is verander en aangepas om ten eerste eenheid en deelname te bewerkstellig en te verseker en uiteindelik om die hoofdoelwit van politieke bevryding te bereik.
Anthropology and Archaeology
M.A. (Anthropology)
Livros sobre o assunto "The Traditional and National Music of Scotland"
Francis, David. Traditional music in Scotland: Education, information, advocacy. Edinburgh: Scottish Arts Council, 1999.
Encontre o texto completo da fonteGnielinski, Anneliese Von. Traditional music instruments of Tanzania in the National Museum. [Dar es Salaam]: The Museum, 1985.
Encontre o texto completo da fonteTanchʻe, Hanʾguk Ŭmak Yŏnju, ed. The National Center for Korean Traditional Performing Arts. Seoul, Republic of Korea: National Center for Korean Traditional Performing Arts, Ministry of Culture & Tourism, 1999.
Encontre o texto completo da fonteBroad, Stephen. What's going on?: A national audit of youth music in Scotland. Edinburgh: Scottish Arts Council, 2003.
Encontre o texto completo da fonteJones, Edward Huws. The Ceilidh collection: Traditional fiddle tunes from England, Ireland and Scotland. London: Boosey & Hawkes, 2017.
Encontre o texto completo da fontePurser, John. Scotland's music: A history of the traditional and classical music of Scotland from earliest times to the present day. Edinburgh: Mainstream Pub. in conjunction with BBC Scotland, 1992.
Encontre o texto completo da fonte(Korea), Kungnip Kugagwŏn, ed. Kŏnwŏn 1400-yŏn, kaewŏn 50-yŏn Kungnip Kugagwŏnsa: The National Center for Korean Traditional Performing Arts. Sŏul-si: Kungnip Kugagwŏn, 2001.
Encontre o texto completo da fonteStudwell, William E. The national and religious song reader: Patriotic, traditional, and sacred songs from around the world. New York: Haworth Press, 1996.
Encontre o texto completo da fonteBritish Broadcasting Corporation. Sound Archives. The national music of England, Ireland, Scotland and Wales: Historic music instruments including musical automata; with sections of general and historical musical interest. London: BBC, 1989.
Encontre o texto completo da fonteCicchini, Emily Jane Ball. Edward, the owl, and the Calico Cat: A play / by Emily Cicchini, with traditional folk music of America, Scotland, England, and Wales. Woodstock, Ill: Dramatic Pub., 2005.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "The Traditional and National Music of Scotland"
Collinson, Francis. "The Vocal Music of Lowland Scotland". In The Traditional and National Music of Scotland, 119–58. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-5.
Texto completo da fonteCollinson, Francis. "The Music of the Pipes". In The Traditional and National Music of Scotland, 174–98. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-7.
Texto completo da fonteCollinson, Francis. "The Music of Orkney and Shetland". In The Traditional and National Music of Scotland, 252–60. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-10.
Texto completo da fonteCollinson, Francis. "The Bagpipes". In The Traditional and National Music of Scotland, 159–73. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-6.
Texto completo da fonteCollinson, Francis. "The Gaelic Labour Songs". In The Traditional and National Music of Scotland, 67–118. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-4.
Texto completo da fonteCollinson, Francis. "The Gaelic Long Tunes for the Psalms". In The Traditional and National Music of Scotland, 261–64. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-11.
Texto completo da fonteCollinson, Francis. "The Fiddle". In The Traditional and National Music of Scotland, 199–227. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-8.
Texto completo da fonteCollinson, Francis. "Gaelic and Lowland Scots Song". In The Traditional and National Music of Scotland, 32–66. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-3.
Texto completo da fonteCollinson, Francis. "Conclusion: The Reader's Part". In The Traditional and National Music of Scotland, 265–68. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-12.
Texto completo da fonteCollinson, Francis. "Introduction". In The Traditional and National Music of Scotland, 1–3. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-1.
Texto completo da fonteTrabalhos de conferências sobre o assunto "The Traditional and National Music of Scotland"
Sahnov, A., A. Klyuev e Yuliya Litvinova. "SCOTLAND AND ITS GEOGRAPHICAL NAMES THROUGH LINGUISTICS". In Manager of the Year. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/my2021_281-286.
Texto completo da fonteJing, Yuanyuan. "Research and Protection of the National Traditional Music near Gansu with the background ofqSilk Road Economic Zoneq". In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.6.
Texto completo da fonteZhang, Xinlei, Chao Zheng, Yichen Zeng, Xinhao Zhan, Li Cheng Xie e Bingkun Qiu. "Visualization and Visual Communication of Tibetan Music". In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003369.
Texto completo da fonteLoureiro, Mauricio. "The First Brazilian Symposium on Computer Music presents Brazilian computer music potentials - Caxambu, MG, 1994". In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10463.
Texto completo da fonteIonica, Svetlana. "State I for soprano and instrumental group by Vlad Burlea – composition and dramaturgical features". In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.22.
Texto completo da fonteBalaban, Larisa, e Diana Bunea. "Scientific project valorisation and conservation by digitization of the colections of academic and traditional music from the Republic of Moldova (2021–2023)". In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.01.
Texto completo da fonteNarynskaia, Anna Antonovna. "Non-traditional religious organizations in the modern society of the Republic of Korea". In All-Russian Scientific Conference. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-99342.
Texto completo da fontePintong, Sarawuth. "Revitalizing The National Folk Play: The Tiger Hunting Folk Play". In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002046.
Texto completo da fonteTcacenco, Victoria. "Genres of jazz origin in moldovan music from the first half of the 20th century: Ragtime by Ștefan Neaga". In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.02.
Texto completo da fonteVan, Kesin. "Bel Canto's Influence on the Development of Modern Chinese Opera Singing". In All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-98545.
Texto completo da fonteRelatórios de organizações sobre o assunto "The Traditional and National Music of Scotland"
Lefevre, Bruno, e Philippe Bouquillion. Communications, media and internet concentration in France, 2019-2021. Global Media and Internet Concentration Project, Carleton University, 2024. http://dx.doi.org/10.22215/gmicp/2024.2.
Texto completo da fonteCrispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, agosto de 2018. http://dx.doi.org/10.22501/nmh-ar.503395.
Texto completo da fonte