Bibliografias temáticas / The souls of black folk (Du Bois)

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Literatura científica selecionada sobre o tema "The souls of black folk (Du Bois)"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 29 de julho de 2024

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Artigos de revistas sobre o assunto "The souls of black folk (Du Bois)"

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Grieve-Carlson, Timothy R. "Du Bois Between Two Worlds: The Magical Sources of The Souls of Black Folk". Magic, Ritual, and Witchcraft 18, n.º 1 (março de 2023): 32–53. http://dx.doi.org/10.1353/mrw.2023.a906601.

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Abstract: This essay explores W. E. B. Du Bois’s use of magical sources in his 1903 book The Souls of Black Folk . I argue that Du Bois’s metaphor of the ‘Veil’ refers directly to Black magical traditions, or Conjure, alongside to the scriptural, literary, and philosophical allusions that Du Bois weaves throughout the metaphor of the Veil in Souls . Du Bois had the Conjurer in mind when he described the Black subject in America as a “seventh son, born with a veil, and gifted with second-sight in this American world.” I argue that Du Bois turns to Conjure for the Conjurer’s unique position of ontological displacement, social precarity, and special insight. Like the Conjurer, Du Bois’s Veiled subject exists between two worlds.
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Jirran, Raymond. "Blight & Gooding-Williams, Eds., The Souls Of Black Folk By W.E.B Du Bois". Teaching History: A Journal of Methods 25, n.º 2 (1 de setembro de 2000): 106–7. http://dx.doi.org/10.33043/th.25.2.106-107.

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The Souls of Black Folk by W.E.B. Du Bois is the classic explanation of racial bifurcation in the United States. The book is about the twoness of being black, trying to take advantage of what is good in the status quo while at the same time taking advantage of not being part of the status quo. Du Bois points out that a veil covers the bifurcation.
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Walker, L. E. "Double Consciousness in Today’s Black America". Stance: An International Undergraduate Philosophy Journal 12 (2019): 116–24. http://dx.doi.org/10.5840/stance20191211.

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In The Souls of Black Folk, W.E.B. Du Bois introduces double consciousness as a result of racial prejudice and oppression. Explained as a state of confliction felt by black Americans, Du Bois presents double consciousness as integral to understanding the black experience. Later philosophers question the importance of double consciousness to current race discussions, but this paper contends that double consciousness provides valuable insights into black and white relations. To do this, I will utilize the modern slang term, “Oreo,” to highlight how a perceived incompatibility between blacks and whites could prevent America from achieving a greater unity.
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Walker, L. E. "Double Consciousness in Today's Black America". Stance: an international undergraduate philosophy journal 12, n.º 1 (25 de setembro de 2019): 116–25. http://dx.doi.org/10.33043/s.12.1.116-125.

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In The Souls of Black Folk, W.E.B. Du Bois introduces double consciousness as a result of racial prejudice and oppression. Explained as a state of confliction felt by black Americans, Du Bois presents double consciousness as integral to understanding the black experience. Later philosophers question the importance of double consciousness to current race discussions, but this paper contends that double consciousness provides valuable insights into black and white relations. To do this, I will utilize the modern slang term, “Oreo,” to highlight how a perceived incompatibility between blacks and whites could prevent America from achieving a greater unity.
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Phillips, Michelle H. "The Children of Double Consciousness: From The Souls of Black Folk to the Brownies' Book". PMLA/Publications of the Modern Language Association of America 128, n.º 3 (maio de 2013): 590–607. http://dx.doi.org/10.1632/pmla.2013.128.3.590.

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In The Souls of Black Folk (1903) W. E. B. Du Bois suggests that the history of double consciousness lies in childhood as the crisis that brings an end to the “days of rollicking boyhood.” Yet in his children's literature, written in the teens and twenties, Du Bois returns to the scene of double consciousness in an effort to transform this experience. In the children's numbers of the Crisis and in the Brownies' Book, Du Bois confronts a new problem for the twentieth century: how to raise black children in the face of disillusionment and despair. Collectively, Du Bois's works for children respond to this problem by crossing the line that separates youth and age. The systematic dualities of innocence and violence in these writings represent a revised effort to guide the black child's entry into double consciousness and to repurpose double consciousness as a model for a resilient black subjectivity beginning in childhood.
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Price, Melanye T. "In the Shadow of Du Bois: Afro-Modern Political Thought in America. By Robert Gooding-Williams". Perspectives on Politics 8, n.º 3 (23 de agosto de 2010): 899–901. http://dx.doi.org/10.1017/s1537592710001374.

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In this book, Robert Gooding-Williams uses the seminal work of W. E. B. Du Bois, The Souls of Black Folks (1903) to outline Du Bois' dominant influence in defining the boundaries of black politics. Du Bois' statement about the color line, still quoted more than a century after its publication, is just one example of the enduring impact of Souls and other works on the ways in which black politics scholars conceptualize, measure, and make prescriptions for black political progress. However, his import as a dominant voice in black political thought belies the fact that there was ideological and fervent opposition to his view concerning how blacks could overcome racial oppression. Unlike Du Bois, however, many of those opponents are less known or simply ignored by contemporary black scholars.
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Jeffers, Chike. "Du Bois on Government and Democratic Debate". Monist 107, n.º 1 (1 de janeiro de 2024): 1–12. http://dx.doi.org/10.1093/monist/onad027.

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Abstract I argue that the second chapter of W.E.B. Du Bois’s The Souls of Black Folk has been underappreciated as a work of political philosophy, as Du Bois offers us in it a way of understanding what a government is and how to evaluate when a government is good. I relate Du Bois’s account of governmental leadership in that chapter to his critique of Booker T. Washington as a nongovernmental leader in chapter 3 of Souls. While doing this, I also pay attention to Du Bois’s account of democratic debate in chapter 3.
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Schafer, A. R. "W. E. B. Du Bois and The Souls of Black Folk". Journal of American History 101, n.º 1 (22 de maio de 2014): 286–87. http://dx.doi.org/10.1093/jahist/jau309.

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Turner, Jack. "SHADOWS OF DU BOIS". Du Bois Review: Social Science Research on Race 8, n.º 2 (2011): 379–82. http://dx.doi.org/10.1017/s1742058x11000294.

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Political theory is catching up to Du Bois. More than a century after the publication of The Souls of Black Folk ([1903] 1997), political theorists have begun to realize that “the problem of the color-line” (pp. 45, 61) is constitutive of modernity. That it has taken this long for political theorists to recognize what Du Bois saw so clearly more than a century ago reflects the field's all-too-frequent parochialism. At the same time, the field is home to dissenting voices which insist that we cannot understand modern politics without confronting the White supremacist character of the modern West.
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Gooding-Williams, Robert. "Response to Melanye T. Price's review of In the Shadow of Du Bois: Afro-Modern Political Thought in America". Perspectives on Politics 8, n.º 3 (23 de agosto de 2010): 901. http://dx.doi.org/10.1017/s1537592710001386.

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In In the Shadow of Du Bois, I argue that Du Bois' early political thought, as mainly expressed in The Souls of Black Folk, turns on three critical claims: 1) that African American politics is a practice of group leadership—thus, a practice of group rule, or governance, for Du Bois interprets leadership as a form of rule, or governance; 2) that African American politics should take the form of political expressivism, such that it expresses the spiritual identity of the black folk; and 3) that African American struggles to counter white supremacy are best understood as struggles against social exclusion. In her review of In the Shadow, Melanye Price notes that the “book emphasizes” claims 1 and 2, yet neglects to discuss its treatment of 3, which is no less critical to the book's argument and to which I will return.
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Teses / dissertações sobre o assunto "The souls of black folk (Du Bois)"

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Perez, Roy. "Off the hyphen : race consciousness in Du Bois and U.S. Latina/o cultural theory". Honors in the Major Thesis, University of Central Florida, 2003. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/414.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
English Literature
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Chambers, Christopher Scott. "The souls of some black folk black gay men's experience of race, sexuality and identity /". [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0007004.

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Bailey, Ebony Lynne. "Re(Making) the Folk: The Folk in Early African American Folklore Studies and Postbellum, Pre-Harlem Literature". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594919307993345.

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Feder, Peter H. "Mythic reinscriptions in W. E. B. Du Bois's The souls of black folk, James Weldon Johnson's The autobiography of an ex-coloured man, and Ralph Ellison's invisible man". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39042.pdf.

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Mosley, Matthew. "The Feminine Representation of Booker T. Washington and W.E.B. DuBois in Langston Hughes' Not Without Laughter". ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1176.

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Langston Hughes' novel Not Without Laughter works within the historically narrow framework of African American uplift ideology. Hughes implies Booker T. Washington's racial uplift ideology from Up From Slavery within Aunt Hager Williams. In addition, Hughes implies W.E.B. DuBois' racial uplift ideology from Souls of Black Folk within Tempy Siles. In both characters, he criticizes the ideologies. In addition, the ideologies work toward an initial construction of masculinity for Sandy, the protagonist, and ultimately undermine an argument for gender equality.
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Dufour-Lauzon, Émilie. "La genèse de The Souls of Black Folk : le chapitre initial de la vie intellectuelle de W. E. B. Du Bois, 1885-1903". Thèse, 2015. http://hdl.handle.net/1866/13769.

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En 1903, paraît le magnum opus de William Edward Burghardt Du Bois, The Souls of Black Folk. Ce dernier écrit cet ouvrage en poursuivant trois objectifs. Primo, il souhaite démontrer que Booker T. Washington et ses supporters font fausse route en défendant l’idée selon laquelle les Afro-américains pourront accéder à un avenir meilleur en échangeant leurs droits politiques contre des opportunités économiques. Secundo, Du Bois cherche à faire la lumière sur les talents distinctifs et les grandes réalisations de son peuple afin de convaincre les Blancs que les Noirs ne leur sont pas biologiquement ou moralement inférieurs et, par conséquent, que l’égalité raciale doit être totale et immédiate. Tertio, il veut persuader les Américains de devenir de meilleurs citoyens, en renouant avec les idéaux de leur République et en vivant en fonction de principes moraux élevés. L’écriture de Souls marque un tournant majeur dans la vie intellectuelle de son auteur, car il renonce à cette époque au discours conciliatoire qu’il avait tenu dans sa jeunesse. Les idées qu’il défend dans son livre ont germé quelques années plus tôt, au contact de certains de ses professeurs de l’Université de Berlin, d’Alexander Crummell et surtout, en effectuant une étude de terrain sur la communauté noire de Philadelphie. Du Bois réalise alors l’ampleur des injustices dont sont victimes les Noirs et contre lesquelles la bonne volonté et le travail acharné ne peuvent rien.
William Edward Burghardt Du Bois published The Souls of Black Folk in 1903. Du Bois pursued three different goals when he wrote his masterpiece. First, he argued that Booker T. Washington’s strategy of trading political rights for economic opportunities was not the best way to improve the condition of African Americans. Second, Du Bois highlighted the accomplishments and distinctive abilities of his people in order to undermine the pretended biological and moral superiority of Whites that often justified the pushback against equal rights for all. Third, Du Bois wished to inspire Americans to become better citizens by compelling his fellow countrymen to embrace the Founding Fathers’ ideals and higher moral standards. The writing of The Souls of Black Folk marks an important shift in Du Bois’ intellectual life because he recants the accommodationist rhetoric of his youth during this period. Some of the ideas introduced in The Souls of Black Folk can be traced back to the influence of Alexander Crummell and of Du Bois’ teachers at the University of Berlin. However, it is Du Bois’s field work in the black community of Philadelphia that made him realize both the degree of the inequalities faced by African Americans and the fact that hard work and enthusiasm are not enough to overcome such significant disparities.
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Nestor, Amy Ruth. "Straying aside/bodying athwart without the lines of traumatic history in Walt Whitman's 'Specimen Days' and W. E. B. Du Bois' 'The Souls of Black Folk' /". 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174299.

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Thesis (Ph.D.)--State University of New York at Buffalo, 2005.
Title from PDF title page (viewed on Feb. 3, 2006) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Tim Dean. Includes bibliographical references.
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Feder, Peter H. "Mythic reinscriptions in W.E.B. Du Bois's The souls of Black folk, James Weldon Johnson's The autobiography of an ex-coloured man, and Ralph Ellison's Invisible man". Thesis, 1999. http://spectrum.library.concordia.ca/703/1/MQ39042.pdf.

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Those mythic structures which have significantly defined and supported the idea of "America" have consistently ignored the contribution, or even the very existence of the American black population. Meaningful participation in the promise of these myths, loosely bound up in the notion of The American Dream, and defined in texts such as the Declaration of Independence and the Constitution, has been systematically denied to America's black population. W. E. B. Du Bois's The Souls of Black Folk initiated a vigorous literary attempt to recuperate black self-esteem, to independently fashion black identity, and to create an environment in which blacks and whites could contribute equally in future prosperity and progress. To forward his agenda, Du Bois undertakes a relentless deconstruction of prevalent white American traditional and mythic misconceptions, and imaginatively proposes alternative mythological constructs. This study investigates Du Bois's representation of the significance of myth to the black experience in America, and the discursive response contained in subsequent African-American texts: namely, in James Weldon Johnson's Autobiography of an Ex-Coloured Man and Ralph Ellison's Invisible Man.
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Livros sobre o assunto "The souls of black folk (Du Bois)"

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Crouch, Stanley. Reconsidering the souls of black folk. Philadelphia, PA: Running Press, 2003.

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Du Bois, W. E. B. Souls of Black Folk. Norton, 1999: W. W. Norton & Company, 1999.

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Du Bois, W. E. B. Du Bois: The Souls of Black Folk. OK Publishing, 2022.

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Du Bois, W. E. B. The Souls of Black Folk: W.E.B. Du Bois. CreateSpace Independent Publishing Platform, 2017.

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Xidias, Jason. Souls of Black Folk. Taylor & Francis Group, 2017.

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Xidias, Jason. Souls of Black Folk. Taylor & Francis Group, 2017.

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Du Bois, W. E. B. Souls of Black Folk. Independently Published, 2020.

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Du Bois, W. E. B. Souls of Black Folk. Lerner Publishing Group, 2016.

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Du Bois, W. E. B. Souls of Black Folk. Tandem Library, 2001.

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Du Bois, W. E. B. Souls of Black Folk. Independently Published, 2020.

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Capítulos de livros sobre o assunto "The souls of black folk (Du Bois)"

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Malkani, Bharat. "The Souls of Black Folk, by W.E.B. Du Bois". In Leading Works in Law and Social Justice, 191–206. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Analysing leading works in law: Routledge, 2021. http://dx.doi.org/10.4324/9780429287572-14.

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Ensslen, Klaus. "Du Bois, William Edward Burghardt: The Souls of Black Folk". In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5203-1.

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Schaffer, Robert G. "W.E.B. Du Bois’ The Souls of Black Folk as an Example of the Tragic". In The Orchestration of the Arts — A Creative Symbiosis of Existential Powers, 265–74. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3411-0_18.

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DuRocher, Kristina. "William Edward Burghardt Du Bois, “of Mr. Booker T. Washington and Others” From The Souls of Black Folk". In Ida B. Wells, 189–92. New York, NY: Routledge, [2016]: Routledge, 2016. http://dx.doi.org/10.4324/9781315767024-ch-106.

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Du Bois, W. E. B. "The Souls of Black Folk". In Social Theory Re-Wired, 341–45. 3a ed. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003320609-43.

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"W. E. B. Du Bois". In Incommunicable, 41–51. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059240-003.

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W. E. B. Du Bois’s The Souls of Black Folk powerfully countered Locke’s claims for the universal primordiality of communicability and disrupted its basis in whiteness. Du Bois analyzed how racialized media forms and everyday racist acts require Black people to practice double-consciousness, “always looking at oneself through the eyes of others.” In discussing “the Veil,” the chapter follows his analysis of how racism produces white incommunicability vis-à-vis Black social worlds. Du Bois layers his texts with stylistic and generic shifts, analyzing and performing the entanglement of communicability with incommunicability. Rethinking the chapter in which Du Bois recounts the death of his eighteen-month-old child, the discussion reflects on how health inequities did not figure explicitly into his systematic cartography of racism in The Souls of Black Folk. It addresses the contradictory way he analyzed them in The Philadelphia Negro.
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Hack, Daniel. "The Citational Soul of Black Folk: W.E.B. Du Bois". In Reaping Something New, 176–204. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691196930.003.0007.

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This chapter turns to W. E. B. Du Bois's The Souls of Black Folk and its deployment of nineteenth-century British literature. Du Bois himself tends to attract the adjective “Victorian” as a descriptor—of his intellectual formation, his prose style, his aesthetic, his morality—with greater frequency than virtually any other figure in the African American literary and intellectual tradition. The chapter shows that critics have been too quick to generalize about the presence of nineteenth-century British literature in Souls. They have rarely asked why Du Bois selected the specific authors, texts, and passages he cites or how these citations contribute to and intervene in a tradition of African American citation and intertextuality. Addressing these questions not only nuances our understanding of Du Bois's rhetorical strategy but also leads us to reconsider a seemingly settled question in the scholarship on Souls: the role Du Bois assigns culture in the fight for racial equality.
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Snorton, C. Riley. "Reading the “Trans-” in Transatlantic Literature". In Black on Both Sides. University of Minnesota Press, 2017. http://dx.doi.org/10.5749/minnesota/9781517901721.003.0004.

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Chapter 3 takes up the trans/gender implications of The Three Negro Classics, which is a compilation of Booker T. Washington’s Up from Slavery, W.E.B. Du Bois’ The Souls of Black Folk, and James Weldon Johnson’s Autobiography of an Ex-Colored Man.
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Zamir, Shamoon. "The Souls of Black Folk: Thought and Afterthought". In The Cambridge Companion to W. E. B. Du Bois, 7–36. Cambridge University Press, 2008. http://dx.doi.org/10.1017/ccol9780521871518.002.

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"V Of the Training of Black Folk". In W. E. B. Du Bois Souls of Black Folk, 69–72. Rutgers University Press, 2023. http://dx.doi.org/10.36019/9781978824690-006.

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