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Artigos de revistas sobre o assunto "The Baptist hymn book"
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Gray, Judith. "Benjamin Lloyd’s Hymn Book: A Primitive Baptist Song Tradition". Journal of American Folklore 116, n.º 459 (1 de janeiro de 2003): 117–18. http://dx.doi.org/10.2307/4137946.
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Gray, Judith. "Benjamin Lloyd's Hymn Book: A Primitive Baptist Song Tradition (review)". Journal of American Folklore 116, n.º 459 (2003): 117–18. http://dx.doi.org/10.1353/jaf.2003.0009.
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Guenther, Alan M. "Ghazals, Bhajans and Hymns: Hindustani Christian Music in Nineteenth-Century North India". Studies in World Christianity 25, n.º 2 (agosto de 2019): 145–65. http://dx.doi.org/10.3366/swc.2019.0254.
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When American missionaries from the Methodist Episcopal Church arrived in India in the middle of the nineteenth century, they very soon published hymn-books to aid the Christian church in worship. But these publications were not solely the product of American Methodists nor simply the collection of foreign songs and music translated into Urdu. Rather, successive editions demonstrate the increasing participation of both foreigners and Indians, of missionaries from various denominations, of both men and women, and of even those not yet baptised as Christians. The tunes and poetry included were in both European and Indian forms. This hybrid nature is particularly apparent by the end of the century when the Methodist press published a hymn-book containing ghazals and bhajans in addition to hymns and Sunday school songs. The inclusion of a separate section of ghazals was evidence of the influence of the Muslim culture on the worship of Christians in North India. This mixing of cultures was an essential characteristic of the hymnody produced by the emerging church in the region and was used in both evangelism and worship. Indian and foreign evangelists relied on indigenous music to draw hearers and to communicate the Christian gospel.
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Thodberg, Christian. "Grundtvig og Gammel Testamente - den danske Bibel eller Septuaginta". Grundtvig-Studier 49, n.º 1 (1 de janeiro de 1998): 61–80. http://dx.doi.org/10.7146/grs.v49i1.16268.
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Grundtvig and the Old Testament - the Danish Bible or the SeptuagintBy Christian ThodbergThe article begins with an account of Grundtvig’s attitude to the Old Testament (OT). Gmndtvig does not have to presuppose the New Testament when dealing with OT, but can read it freely: it is the same God that acts in both books of the Bible, though in different ways, according to how he leads and maintains his people. The same freedom finds expression in Gmndtvig’s sermons where he moves about effortlessly in the whole of the Biblical universe.Some of these sermons are dominated by a solemn, Old Testament tone, especially those that follow a triadic stmcture: first the Old Testament prophecy is mentioned, in the middle its fulfilment in and with the coming of Christ is described, and finally follows the most important part, the fulfilment of the prophecy in the present, Grundtvig not failing to place his activity in the centre - but as a stage, naturally, in the course of the history of salvation.In Grundtvig’s hymns, too, this structure recurs, as in Blomstre som en Rosengaard, in which the triadic structure is connected with the so-called Vstructure, the right side of the »V« of the hymn describing the fulfilment of the prophecy. By means of the V-structure Thodberg shows how baptism is the focus of the hymn, and also that in his interpretation of Isaiah 35 as a prediction of baptism Grundtvig leans on the Septuagint rather than the contemporary Danish Bible translation. In the Danish Hymn Book, Blomstre som en Rosengaard is only a torso - baptism is not the essential thing here.The article mentions a number of other examples of influence from the Septuagint on Grundtvig’s hymns and sermons. Among these the hymn Hyggelig, rolig stands out since it contains a large number of phrases that refer to the Septuagint. This applies to stanza 4 in which Grundtvig shows how even the person most troubled by doubts and most deeply bereaved will have a foretaste of the Kingdom of God when approaching Heaven in his or her heart on the tone ladder of songs of praise. This is a rendering of Psalm 84 in the Septuagint. The article concludes that from the 1830s Grundtvig makes extensive use of the Septuagint when quoting from OT. The background is that Grundtvig regarded the Septuagint as more poetical than the Danish translation from 1736, and - more importantly - that in preferring the Septuagint Grundtvig follows Irenaeus by relying on the Bible of the New Testament and the Old Church.
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Haque, Amber. "Unveiling Islam". American Journal of Islam and Society 20, n.º 3-4 (1 de outubro de 2003): 213–15. http://dx.doi.org/10.35632/ajis.v20i3-4.1846.
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Many books have been written on Muslims and Islam since 9/1 I. Amajority of them have tried to show Islam's negative side in an attempt toprove that Islam teaches violence and that Muslims love to engage injihad to become martyrs. Such contentions are generally made by antiMusliminterest groups, certain religious organizations, and politiciansunder the influence of such extremists. These people stir up anti-Muslimsentiments to influence public opinion and bend government policies infavor of such groups. This book is a similar attempt to gain popularity forthe authors and arouse anti-Muslim sentiment at a time that is trying formost Americans. The authors, Ergun Caner and Emir Caner, are brothers.The senior author is professor of theology at Criswell College, Dallas,Texas, and the second author teaches at the Baptist Seminary in WakeForest, North Carolina.The book contains a preface and introduction, I 6 chapters on variousaspects of Islam, and four appendices, including an index to the Qur'anand a glossary of Arabic terms. The preface is a story of the clash ofculturesbetween the authors' Muslim (Turkish) father and Swedish mother,which resulted in a divorce when the Caner brothers were still veryyoung. The father had visitation rights and would take Ergun and Emir tothe Islamic Center in Columbus, Ohio, on weekends "to do the prayers,celebrate Ramadhan and read the Qur'an." This was the children's onlyexposure to Islam, until Ergun was I 5 and visited a church after his bestfriend invited him to do so. Ergun found the people at church warm and"didn't mock when he stumbled through the hymns." He joined thegospel ministry in 1982 and has since been preaching (against Islam) inorder "to bring salvation for 1.2 billion Muslims." Thus the title of thebook is itself deceiving, as it conveys that a practicing Muslim became aChristian, when, in fact, the authors actually became Christians in theirearly teens and had almost no education in Islam.It is appalling that the introductory chapter opens with a threat from"Shaikh" Osama bin Laden to the Americans and blessings for those whogave their lives to k.ill the 9/1 I victims. The authors portray bin Laden asa typical Muslim who is out to get all people who refuse to accept Islam ...
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Ibude, Isaac Osakpamwan. "The Praise of God’s People: A Hymnological and Theological Analysis of ‘Praise to the Lord the Almighty’". East African Journal of Traditions, Culture and Religion 5, n.º 1 (15 de novembro de 2022): 98–103. http://dx.doi.org/10.37284/eajtcr.5.1.960.
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Congregational hymn singing in the praise of God has been a major aspect of liturgy among mission churches in Nigeria since the early nineteenth century. Over time there has been a consistent decline and or neglect in congregational hymn singing among Christian denominations. This paper is a hymnological as well as a theological interpretation and analysis of the hymn ‘Praise to the Lord the Almighty’ which aims at eliciting understanding and fostering congregational hymn singing in Faith Baptist Church Port Harcourt, Rivers State. A historical survey of the life of the author, hymn background, poetic and hymn tune analysis were carried out on the song to achieve an in-depth interpretation of the author’s ideology about praise to God. Findings reveal that there were three incommunicable aspects of the nature of God, nine reasons for the praise, and a call to praise God leading to a better understanding of the hymn and a commitment by the congregation to live daily a life of praise to God
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Purnomo, Agus Dody, Agustinus Nur Arief Hapsoro, Angel Brielle Yap e Chelsea Angelica Kahagi. "Himne sebagai Inspirasi Konsep Redesain Gereja Baptis Efrata di Bandung". Journal of Architecture and Human Experience 1, n.º 2 (26 de dezembro de 2023): 175–84. http://dx.doi.org/10.59810/archimane.v1i2.23.
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The Efrata Baptist Church in Bandung was established in 1967 planning renovations to increase the congregation's capacity. Building renovations put more emphasis on optimizing the existing buildings. For this reason, it is necessary to redesign, among others: seating capacity, interior atmosphere, baptismal pool, and building facades. The design objective is to prepare a church design that is functional and has a narrative of Christian values. The method uses a design method with a semiotic approach. The design stage starts from data collection, data analysis stage, synthesis stage to the application of the design concept. The redesign concept was inspired by the lyrics of the Cwm Rhondda hymn. This is because music and church cannot be separated. And one genre of church music that is familiar with the Baptist church is hymns. The lyrics of the Cwm Rhondda hymn are applied through the architectural elements of the church.
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Hall, Catherine. "A Jamaica of the Mind: Gender, Colonialism, and the Missionary Venture". Studies in Church History 34 (1998): 361–90. http://dx.doi.org/10.1017/s0424208400013759.
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Mary Ann Middleditch, a young woman of twenty in 1833, living in Wellingborough in Northamptonshire and working in a school, confided in her letters her passionate feelings about Jamaica and the emancipation of slaves. The daughter of a Baptist minister, she had grown up in the culture of dissent and antislavery and felt deeply identified with the slaves whose stories had become part of the books she read, the sermons she heard, the hymns she sang, the poems she quoted, and the missionary meetings she attended. In 1833, at the height of the antislavery agitation, Mary Ann followed the progress of William Knibb in Northamptonshire. Knibb, who was born in nearby Kettering, had gone to Jamaica as a Baptist missionary in 1824 and been radicalized by his encounter with slavery. In the aftermath of the slave rebellion of 1831, widely known as the Baptist War because of the associations between some of the slave leaders and the Baptist churches, the planters had organized against the missionaries, burnt their chapels and mission stations, persecuted and threatened those whom they saw as responsible. Faced with the realization that their mission could not coexist with slavery the Baptist missionaries in Jamaica sent William Knibb, their most eloquent spokesman, to England to present their case. Abandoning the established orthodoxy that missionaries must keep out of politics, Knibb openly declared his commitment to abolition. The effect was electric and his speeches, up and down the country, were vital to the effective organization of a powerful antislavery campaign which resulted in the Emancipation Act of 1833.
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Davison, Jeff. "The Lost Hymn Book". Expository Times 96, n.º 12 (agosto de 1985): 364. http://dx.doi.org/10.1177/001452468509601206.
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Harting-Corrêa, Alice L. "Make a Merry Noise! A Ninth-century Teacher Looks at Hymns". Studies in Church History 28 (1992): 79–86. http://dx.doi.org/10.1017/s0424208400012389.
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Forty years after Charlemagne’s imperial coronation, Walahfrid Strabo, thirty-three-year-old abbot of the monastery of Reichenau, wrote a history of mid-ninth-century Frankish liturgy: Libellas de exordiis et incrementis quarundam in observationibus ecclesiasticis rerum—A Little Book about the Origins and Development of Certain Aspects of the Liturgy. It was the first account of liturgical development, and the topics ranged widely over thirty-two chapters, from bells to baptism, language to litany. Most of the subjects were in a state of change or expansion. Where there was controversy—for example, should a priest celebrate the Eucharist more than once a day—the history of a practice would help to underline the essential elements and to demonstrate the Christian constants as opposed to cultural diversity. Where there was development, such as the increasing number of hymns available for the Liturgy of the Hours, the history of that practice was appropriate and timely.
Teses / dissertações sobre o assunto "The Baptist hymn book"
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Rigney, Ranelle. "The hymn-book controversy of 1882". Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
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Pratt, Andrew. "The origin of the Methodist Hymn Book". Thesis, University of Liverpool, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722134.
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Arrington, James N. "The Journey Home: A Root-metaphor Analysis of the 1840 Mormon Manchester Hymn Book". BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/412.
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In 1840, apostle missionaries for the Church of Jesus Christ of Latter-day Saints compiled, printed, and began distributing a hymnbook that eventually would become the basis for all subsequent LDS hymnbooks published in English in the nineteenth and twentieth centuries. This thesis, as a contribution to the literature of communication, book history, and hymnology, as well as the intellectual and cultural history of the early years of the LDS Church, focuses on analyzing the poetry of the 1840 Mormon Manchester hymnbook. Using qualitative root-metaphor analysis, the author identified and analyzed expressions, supporting an emergent journey root-metaphor. He then divided the expressions into eight categories, each describing important and distinct aspects of the Journey. These categories include the following: 1) the travelers, 2) the activities on the journey, 3) the way, 4) the destination, 5) the guide, 6) the invitation to come, 7) the motivations, and 8) the lost wanderers. This thesis is based on the assumption that cultures and religions can be understood through the stories they tell. The story of the journey as told through the poetry of the 1840 Manchester hymnbook illuminates one aspect of the religious experience of early members of the Church of Jesus Christ of Latter-day Saints. Taken together, the eight aspects of the journey root-metaphor identified in this thesis tell a story about LDS members as travelers on a journey home, who walk on a straight and narrow path, away from a dark and fallen world, through snares, darkness, and other dangers, toward a glorious destination where rest, joy, and other rewards await them. Ultimately the travelers must rise above this world and follow Christ to a place where they may live with God to serve and praise him ever more.
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Creason, Fred. "Core values and cooperative ministry the impact of an inductive study of the book of Acts on strategic planning in two Wyoming Southern Baptist associations /". Theological Research Exchange Network (TREN), 2005. http://www.tren.com/search.cfm?p090-0317.
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Ruhl, Deborah A. "Engaging the Heart: Orthodoxy and Experimentalism in William Gadsby’s A Selection of Hymns for Public Worship". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366221131.
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Alenius, Hanna. ""Wi anhålla, att få begagna wåra förfäders lärdom och underwisning, af wåra Gamla Psalmer." : Visitationshandlingarnas vittnesbörd om motståndet mot 1819 års psalmbok i övre Norrland under perioden 1819-1903". Thesis, Linköpings universitet, Institutionen för kultur och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-177708.
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Between 1810 and 1819, the Church of Sweden adopted three new books: the new handbook from 1811, archbishop Lindblom’s new explication of Martin Luther’s Small Catechism and Wallins new hymn book from 1819. A few years earlier, a Lutheran revival movement had arisen in upper Norrland. The members of the revival movement, generally named “new readers”, reacted strongly to the influence of Enlightenment inspired theology (neology) in the new books. In 1848, the opposition of the most radical new readers led them to separate from the Church. This master thesis examines the opposition to the new Swedish hymn book from 1819 in the area which since 1904 has been the diocese of Luleå. The study is limited to the period between 1819 and 1903. It is based on a qualitative problem-oriented source study through a close reading of the visitation documents for the parishes in the area. Opposition can be expressed in many ways and there can be many different indicators of it. The study’s inductive approach means that these indicators are not determined in advance, but rather are discovered through the close reading of the visitation documents. The main questions discussed in the thesis are: • How long did it take before the parishes in upper Norrland introduced the hymn book of 1819? • What signs of opposition to the new hymn book are found in the visitation documents, and for how long? • How did the opponents motivate their resistance to the hymn book of 1819? • How was the new Sami hymn book from 1849 which was partly a translation from parts of the Wallinian hymn book received? The study shows that it took a while before the new hymnal was introduced in most upper Norrland's Swedish-speaking parishes. More than half of those parishes had not introduced the new hymnal in 1829. This changed in many parishes during Bishop Franzén's visits in 1835. Opposition to the hymn book was largely expressed in parishes where the radical reading- movement had an influence. People expressed opposition to the hymn book in different ways during different phases. The opposition was usually explained in the visitation documents based on doctrinal reasons. The Sami hymnal, which was published in 1849 and which was partly based on the Wallinan hymnal, met with criticism from both the clergy in northern Lapland and the Sami. The priests criticized the translation, that it was difficult to understand for those who spoke the northern dialects. What the Sami were critical of is unknown. The study shows that the new hymn book seemed to have been used in all Swedish-speaking parishes before 1903, but in parallel with the hymn book from 1695 in at least two parishes. This parallel use lasted for a very long time, perhaps during the entire investigation period. The old hymn book continued to be important to many people in upper Norrland.
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Carmichael, Joseph Van. "The Hymns of Anne Steele in John Rippon's Selection of Hymns: A Theological Analysis in the Context of the English Particular Baptist Revival". Diss., 2012. http://hdl.handle.net/10392/4112.
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This dissertation examines the hymns of Particular Baptist hymn-writer, Anne Steele, as found in John Rippon's hymnal, A Selection of Hymns, from the Best Authors, including a Great Number of Originals; Intended to be an Appendix to Dr. Watts's Psalms and Hymns, first published in 1787. Through his Selection of Hymns, John Rippon disseminated the hymns of the golden age of Baptist and evangelical hymnody. By engaging in a theological analysis of the fifty-two hymns and Psalm paraphrases of Anne Steele included in the various editions of Rippon's phenomenally successful hymnal, this dissertation argues that Steele played a significant theological and spiritual role in British Baptist faith and life from the 1780s to the 1830s. Anne Steele's hymnody as mediated through Rippon's Selection of Hymns nurtured through song the revival in the English Particular Baptist community that occurred in the closing decades of the eighteenth century and continued through the first decades of the nineteenth century. Rippon's Selection of Hymns, a central vehicle of sung theology and piety in the Baptist context, especially within the revival and expansion of Particular Baptist faith and piety from the 1780s to the 1830s, met specific theological, pastoral, and devotional needs among the British Baptist community. Steele's inclusion in the Selection of Hymns was a key part of this influence and its impact on the person in the pew.
Chapter 1 introduces the English Hymn and considers recent scholarship on Anne Steele and John Rippon's Selection of Hymns.
Chapter 2 offers a biographical sketch of Steele.
Chapter 3 examines the cultural and religious setting of both Anne Steele's hymns and Rippon's popular and successful hymnal.
Chapter 4 considers Anne Steele's approach to her craft as a hymn-writer.
Chapter 5 examines the fifty two hymns of Steele found in Rippon's hymnal, especially as they demonstrate the theology of the Second London Confession and illustrate the characteristics of Evangelicalism.
Chapter 6 summarizes the picture of Steele that emerges from a consideration of her hymns in Rippon's hymnal and considers her influence on the revival of the Particular Baptist community.
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Matějovský, Ondřej. "Odraz učení o sedmi svátostech v liturgickém díle Tobiáše Závorky Lipenského". Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388819.
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This master's thesis named Seven Sacraments Reflection in Tobias Zavorka Lipensky's Liturgical Work, deals with the transcription and analysis of liturgical acts which reflect seven sacraments of the Catholic Church. The appropriate texts were taken from Zavorka's agenda The Rule of Church Service, the hymn-book The Songs of Divine Praise and the song-book Funeral Chanting. The master thesis begins with brief Zavorka's curriculum vitae of Zavorka, who was the neo-utraquistic priest and Dean of the region of Doubravnik, and a description of his works. The main focus of the thesis is to describe the specifics of the special or sacramental liturgical acts that demonstrate the character of Zavorka's theological and liturgical work.
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Smyčková, Kateřina. "Analýza repertoáru Kancionálku aneb Písní křesťanských". Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306517.
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This thesis focuses on the analysis of anonymous Kancionálek (printed in Prague at K. F. Rosenmüller between 1712-1727). The thesis shows, based on survey sources, his relationship to other hymn-books and his possible sources (non-Catholic "litterati" hymn- book and other). Main part of the thesis analyzes the modifications of the old repertoire and overall concept of the hymn-book: purpose is to describe the editorial strategies for creating a small non-noted hymn-book for broad masses of people. The appendix consists of catalog of all the songs, that are included in Kancionálek.
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POLÍVKOVÁ, Milada. "Užití moderní duchovní hudby v liturgii katolické církve v českých zemích". Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-47387.
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The dissertation concerns the use of modern music during liturgy. The first chapter is devoted to a music mentioned in the Bible. Church documents about the music in liturgy are investigated in the second and third chapter. Fourth chapter describes musical instruments and their use. Fifth chapter brings knowledge about modern scared music in Czech countries from beginning till today. Sixth chapter describes particular genres of modern sacred music. The specification of genres begins with spirituals and gospel music. These songs are traditional sacred music from Africa and America. The chapter continues with church jazz and rock. These genres originate from traditional sacred music. The next is church folk and songs from Taizé. Sixth chapter ends with music with electronic instruments. Seventh chapter describes hymn-books from totalitarianism till the present. The dissertation closes with eighth chapter with the tittle Prognosis in the future which is about modern sacred music in future.
Livros sobre o assunto "The Baptist hymn book"
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1944-, Cauthen Joyce H., ed. Benjamin Lloyd's hymn book: A primitive Baptist song tradition. Montgomery, Ala: Alabama Folklife Association, 1999.
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Wilson, Edward F. Shingwank hymn book. Sault Ste. Marie [Ont.]: Printed by Indian boys at the Shingwauk Home, 1986.
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Wilson, Edward F. Shingwank hymn book. Sault Ste. Marie [Ont.]: Printed by Indian boys at the Shingwauk Home, 1986.
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1828-1893, Horden John, ed. [Indian hymn book]. Moose [Factory, Ont: s.n.], 1994.
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(Canada), Methodist Church, ed. Methodist hymn-book. Toronto: Methodist Book and Pub. House, 1986.
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Fuller, John. The shell hymn book. Beeston: Shoestring Press, 2009.
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Baptist Hymn Book. Creative Media Partners, LLC, 2023.
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Society, American Baptist Publication. Baptist Hymn Book. Creative Media Partners, LLC, 2015.
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Society, American Baptist Publication. Baptist Hymn Book. Creative Media Partners, LLC, 2018.
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Wm C. (William Calmes) 1790-1 Buck. Baptist Hymn Book. Creative Media Partners, LLC, 2022.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "The Baptist hymn book"
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Haykin, Michael A. G., e C. Jeffrey Robinson. "12. Particular Baptist Debates about Communion and Hymn-Singing". In Drawn into Controversie, 284–308. Göttingen: Vandenhoeck & Ruprecht, 2011. http://dx.doi.org/10.13109/9783666569456.284.
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Benson, John, e James Jaffe. "John Flesher (ed.), The New and Enlarged Hymn Book for the Use of the Primitive Methodists (1853)". In Coal in Victorian Britain, Part II, Volume 4, 227–44. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003552796-17.
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Thomassen, Einar. "Saving Letter, Saving Book: The Hymn of the Pearl, the 23rd Ode of Solomon and the Gospel of Truth". In JAOC Judaïsme antique et origines du christianisme, 437–52. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.jaoc-eb.5.115384.
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Kisliuk, Michelle. "Continuations Managing Missionaries And Modernity". In Seize The Dance!, 167–98. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195308693.003.0009.
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Abstract This final chapter is intended not to conclude but to sharpen a focus on process and change. As both a reprise and an extension of issues within the book, here I describe comparative travel and follow-up research trips between May 1989 and September 1995, which took some unforeseen turns. During my final months of research in 1989, I journeyed west toward Nola and Bayanga. I was eager to meet BaAka from this region, who call themselves BaAka Bambenjele, because as far away as Bagandou these BaAka have something of a reputation as exceptional dancers and singers.1 As I expected from hearsay in Bagandou, though, around the large town of Nola, Centrafrican Baptists had been active with the pygmies for years. I stayed in Nola for a few days with a local Peace Corps worker named Susan. On Sunday, Susan’s neighbor Jean-Pierre-the pastor I’d interviewed the previous day (described in chapter 8)-took us to a service among BaAka who live along the road outside town. This Baptist service did not have the ad hoc leeway of the service at Dzanga; the pastor led the prayers, mostly in Sango, and these BaAka-much more familiar with Sango and long exposed to missionaries-followed obediently. Nevertheless, I found the musical aspects intriguing. Like the Grace Brethren, the Baptists have been in Centrafrique since the early 1920s, but like many other Christian sects, their hymns in Sango have been “Africanized;’ with syncopated phrasing and parallel harmonies in intervals of thirds, fourths, and fifths, accompanied by lively but unvarying drum rhythms that emphasize one central downbeat. Most striking, though, is that BaAka here have been Christians long enough to have developed at least one hymn in their own language, and I was startled to hear them sing it in overlapping, pygmy fashion (CD 2:11). Unlike the other hymns, this one had words buried within layers of interlaced phrases, with harmonies in seconds and vowel sounds of “oh”s and “eh”s (though without the trademark “eeya”s). Although the form of this song was not as dynamic as most BaAka singing, it carried an unmistakably BaAka sensibility. This was the first time I’d seen BaAka reconfigure Christian material into their own style.
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Elliott, J. K. "Zacharias". In The Apocryphal Jesus, 112–13. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198263845.003.0010.
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Abstract Zacharias (or Zechariah or Zachariah), a Jewish priest, appears in Luke 1 and receives a vision promising him and his aged wife, Elizabeth, a son. That son is John the Baptist. Zacharias celebrates the child ‘s birth with the hymn known to Christianity as the Benedictus. So much for the New Testament references to Zacharias. But, like many such figures in the New Testament, Zacharias became the subject of later tradition. At the end of the Protevangelium of James, a book largely given over to the birth and childhood of the Virgin Mary and to the birth of Jesus, the story changes from the escape of the infant John and his mother at the time of Herod ‘s Massacre of the Innocents to a scene in which John ‘s priestly father, Zacharias, is murdered in the Jerusalem Temple by command of Herod. It is likely that the story was a late appendix to the Protevangelium and is an elaboration of Jesus ‘ prophecy to the Jews in Matthew 23: 35: ‘On you will fall the guilt of all the innocent blood spilt on the ground, from the blood of innocent Abel to the blood of Zechariah, son of Berachiah, whom you murdered between the sanctuary and the altar. ‘ Whoever that Zechariah was, the apocryphal tradition obviously identified him with the Baptist ‘s father and thus created the story below which would be seen as a fulfilment of the prophecy. It is interesting to note that after Zacharias ‘ murder his successor as priest is said to be Simeon, another character taken from Luke ‘s infancy narrative.
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Noll, Mark A. "Francis Asbury and the Methodists". In America's Book, 73–96. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197623466.003.0005.
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Led by their indefatigable itinerant bishop, Francis Asbury, the Methodists spread like wildfire in the early republic. Unlike Baptists, Presbyterians, Episcopalians, and Unitarians, Methodists largely eschewed politics to focus on personal conversion and small group religious nurture. Methodists were the era’s most effective revivalists and also the group that best contained the fires of revival through the structures of the Methodist Discipline. Hymns played a crucial role in spreading the Methodist message and strengthening local Methodist fellowship. The Methodist avoidance of political partisanship looks commendable from a contemporary angle. Their great early success, however, included successful evangelization of southern whites; their defense of the slave system eventually led them to compromise their earlier stand against the institution.
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"hymn-book, n." In Oxford English Dictionary. 3a ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/6591459571.
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"Hymn to Osiris". In New Reading Book of Middle Egyptian Texts, 65–68. Peeters Publishers, 2022. http://dx.doi.org/10.2307/jj.3919383.25.
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"Baptist Trustee Minutes". In New York's Burned-over District, editado por Spencer W. McBride e Jennifer Hull Dorsey, 170–76. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501770531.003.0022.
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This chapter discusses the First Baptist Church of Covert, New York, which was founded in 1803 and grew steadily from then. It recounts the meetings of the society's trustees, which included managing the church's finances and the appointment of individuals to fill necessary roles. It also mentions that the society's business was related to membership matters, such as admitting new Baptists to the church and dismissing others from fellowship. The chapter features the excerpt from the trustees' minute book from 1832 and 1833, which is considered an example of the type of issues addressed by the trustees of Baptist churches in the region. It includes an entry of the minute book detailing how the First Baptist Church of Covert met by special appointment on January 7, 1832.
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Gillingham, S. E. "The Psalter: Hymn-Book, Prayer-Book, or Anthology?" In The Poems and Psalms of the Hebrew Bible, 232–55. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780192132420.003.0011.
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Abstract A. Looking at the Psalter as a Whole The previous two chapters focused on the psalms as individual poems, with a particular ‘setting-in-life’ or a ‘setting-in-liturgy’- either that of the public Temple liturgy, or the private lives of individuals. They have a different orientation from other Old Testament poems which are more integrated with narrative, and so have a ‘setting-in-literature’.
Trabalhos de conferências sobre o assunto "The Baptist hymn book"
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Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 3 Discussions". In 21st International Ship and Offshore Structures Congress Volume 3 Discussions. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-discussion-vol-3.
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Committee I.1: Environment Alexander Babanin (Chair); Mariana Bernardino; Franz von Bock und Polach; Ricardo Campos,; Jun Ding; Sanne van Essen; Tomaso Gaggero; Maryam Haroutunian; Vanessa Katsardi; Alexander Nilva; Arttu Polojarvi; Erik Vanem; Jungyong Wang; Huidong Zhang; Tingyao Zhu Floor Discussers: Florian Sprenger; Carlos Guedes Soares; Henk den Besten Committee I.2: Loads Ole Andreas Hermundstad (Chair); Shuhong Chai; Guillaume de Hauteclocque; Sheng Dong; Chih-Chung Fang; Thomas B. Johannessen; Celso Morooka; Masayoshi Oka; Jasna Prpić-Oršić; Alessandro Sacchet; Mahmud Sazidy; Bahadir Ugurlu; Roberto Vettor; Peter Wellens Official Discusser: Hayden Marcollo Committee II-1: Quasi-Static Response James Underwood (Chair); Erick Alley; Jerolim Andrić Dario Boote; Zhen Gao; Ad Van Hoeve; Jasmin Jelovica; Yasumi Kawamura; Yooil Kim; Jian Hu Liu; Sime Malenica; Heikki Remes; Asokendu Samanta; Krzysztof Woloszyk; Deqing Yang Official Discusser: Prof. T. Yoshikwa Committee II.2: Dynamic Response Gaute Storhaug (Chair); Daniele Dessi; Sharad Dhavalikar; Ingo Drummen; Michael Holtmann; Young-Cheol Huh; Lorenzo Moro; Andre Paiva; Svein Sævik; Rong-Juin Shyu; Shan Wang; Sue Wang; WenWei Wu; Yasuhira Yamada; Guiyong Zhang Floor Discussers: Ling Zhu; Tomoki Takami; Anriette (Annie) Bekker; Bruce Quinton; Robert Sielski Committee III.1: Ultimate Strength Paul E. Hess (Chair); Chen An; Lars Brubak; Xiao Chen; Jinn Tong Chiu; Jurek Czujko; Ionel Darie; Guoqing Feng; Marco Gaiotti; Beom Seon Jang; Adnan Kefal; Sukron Makmun; Jonas Ringsberg; Jani Romanoff; Saad Saad-Eldeen; Ingrid Schipperen; Kristjan Tabri; Yikun Wang; Daisuke Yanagihara Official Discusser: Jørgen Amdahl Committee III.2: Fatigue and Fracture Yordan Garbatov (Chair); Sigmund K Ås; Henk Den Besten; Philipp Haselbach; Adrian Kahl; Dale Karr; Myung Hyun Kim; Junjie Liu; Marcelo Igor Lourenço de Souza; Wengang Mao; Eeva Mikkola; Naoki Osawa; Fredhi Agung Prasetyo; Mauro Sicchiero; Suhas Vhanmane; Marta Vicente del Amo; Jingxia Yue Official Discusser Weicheng Cui Floor Discussers: Robert Sielski; Sören Ehlers; Stephane Paboeuf; Teresa Magoga Committee IV.1: Design Principles and Criteria Matthew Collette (Chair); Piero Caridis; Petar Georgiev; Torfinn Hørte; Han Koo Jeong; Rafet emek Kurt; Igor Ilnytskiy; Tetsuo Okada; Charles Randall; Zbigniew Sekulski; Matteo Sidari; Zhihu Zhan; Ling Zhu Official Discusser: Enrico Rizzuto Committee IV.2: Design Methods Andrea Ivaldi (Chair); Abbas Bayatfar; Jean-David Caprace; Gennadiy Egorov; Svein Erling Heggelund; Shinichi Hirakawa; Jung Min Kwon; Dan Mcgreer; Pero Prebeg; Robert Sielski; Mark Slagmolen; Adam Sobey; Wenyong Tang; Jiameng Wu Official Discusser: Mario Dogliani Committee V.1: Accidental Limit States Bruce Quinton; Gaetano De Luca; Topan Firmandha; Mihkel Körgesaar; Hervé Le Sourne; Ken Nahshon; Gabriele Notaro; Kourosh Parsa; Smiljko Rudan; Katsuyuki Suzuki; Osiris Valdez Banda; CareyWalters; Deyu Wang; Zhaolong Yu Official Discusser: Manolis Samuelides Committee V.2: Experimental Methods Sören Ehlers (Chair); Nagi Abdussamie; Kim Branner; ShiXiao Fu; Martijn Hoogeland; Kari Kolari; Paul Lara; Constantine Michailides; Hideaki Murayama; Cesare Rizzo; Jung Kwan Seo; Patrick Kaeding Official Discusser: Giles Thomas Committee V.3: Materials and Fabrication Technology Lennart Josefson (Chair); Konstantinos Anyfantis; Bianca de Carvalho Pinheiro; Bai-Qiao Chen; Pingsha Dong; Nicole Ferrari; Koji Gotoh; James Huang; Matthias Krause; Kun Liu; Stephane Paboeuf; Stephen van Duin; Fang Wang; Albert Zamarin Official Discusser: Frank Roland Floor Discussers Alessandro Caleo; Agnes Marie Horn; Krzysztof Woloszyk; Robert Sielski Committee V.4: Offshore Renewable Energy Atanasios Kolios (Chair); Kyong-Hwan Kim; Chen Hsing Cheng; Elif Oguz; Pablo Morato; Freeman Ralph; Chuang Fang; Chunyan Ji; Marc Le Boulluec; Thomas Choisnet; Luca Greco; Tomoaki Utsunomiya; Kourosh Rezanejad; Charles Rawson; Jose Miguel Rodrigues Official Discusser: Amy Robertson Committee V.5: Special Vessels Darren Truelock (Chair); Jason Lavroff; Dustin Pearson; Zbigniew (Jan) Czaban; Hanbing Luo; Fuhua Wang; Ivan Catipovic; Ermina Begovic; Yukichi Takaoka; Claudia Loureiro; Chang Yong Song; Esther Garcia; Alexander Egorov; Jean-Baptiste Souppez; Pradeep Sensharma; Rachel Nicholls-Lee Official Discusser: Jaye Falls Floor Discussers: Jasmin Jelovica; Stephane Paboeuf; Sören Ehlers Committee V.6: Ocean Space Utilization Sebastian Schreier (Chair); Felice Arena; Harry Bingham; Nuno Fonseca; Zhiqiang Hu; Debabrata Karmakar; Ekaterina Kim; Hui Li; Pengfei Liu; Motohiko Murai; Spiro J Pahos; Chao Tian; George Wang Official Discusser: Hideyuki Suzuki Floor Discussers: Robert Sielski; Sue Wang; Sarat Mohapatra; Gaute Storhaug; Henk den Besten Committee V.7: Structural Longevity Iraklis Lazakis (Chair); Bernt Leira; Nianzhong Chen; Geovana Drumond; Chi-Fang Lee; Paul Jurisic; Bin Liu; Alysson Mondoro; Pooria Pahlavan; Xinghua Shi; Ha Cheol Song; Tadashi Sugimura; Christian Jochum; Tommaso Coppola Official Discusser: Timo de Beer Floor Discusser: Krzysztof Woloszyk Committee V.8: Subsea Technology Agnes Marie Horn (Chair); Tauhid Rahman; Ilson Pasqualino; Menglan Duan; Zhuang Kang; Michael Rye Andersen; Yoshihiro Konno; Chunsik Shim; Angelo Teixeira; Selda Oterkus; Blair Thornton; Brajendra Mishra Official Discusser: Segen F. 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