Bibliografias temáticas / Television programs – Juvenile fiction

Literatura científica selecionada sobre o tema "Television programs – Juvenile fiction"

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Publicado: 25 de julho de 2024

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Artigos de revistas sobre o assunto "Television programs – Juvenile fiction"

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Lacalle, Charo. "Genre and Age in the Reception of Television Fiction". Comunicar 20, n.º 39 (1 de outubro de 2012): 111–18. http://dx.doi.org/10.3916/c39-2012-03-01.

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This article summarizes the main results of an investigation that is part of a project regarding the construction of youth and gender identity in television fiction. The methodology integrates reception analysis (focus group) with data obtained through an anonymous questionnaire, designed to contextualize the results of the qualitative research. Television fiction is the favourite macro-genre of young people, especially women. Broadly speaking, participants appreciate the greater proximity of Spanish fiction, which favours the different mechanisms of identification/projection activated during the reception process, and they acknowledge that TV fiction has a certain didactic nature. The research highlights the more intimate nature of female reception compared to the detachment of the male viewer, who watches fiction less frequently and assimilates it as pure entertainment. Age influences the different modes of reception, while the social class and origin of participants hardly have any impact. Confident, rebellious and ambivalent characters are found to be more interesting than the rest. By contrast, the structure of the story and a major part of the topics addressed by the programme are usually consigned to oblivion, highlighting the importance of selective memory in the interpretative process, as well as suggesting the limited nature of the effects of television fiction. El artículo resume los principales resultados de una investigación integrada en un proyecto más amplio sobre la construcción de la identidad juvenil y de género en la ficción televisiva. La metodología combina el análisis de la recepción («focus group») con los datos obtenidos mediante un cuestionario anónimo, destinados a contextualizar los resultados del estudio cualitativo. La ficción televisiva es el macrogénero preferido por los jóvenes, sobre todo por las mujeres. En general, los participantes aprecian la mayor proximidad de la ficción española, propiciadora de los diferentes mecanismos de identificación/proyección activados en los procesos de recepción, y le reconocen un cierto carácter didáctico. La investigación pone de manifiesto el carácter más intimista de la recepción femenina, frente al mayor distanciamiento de un espectador masculino mucho más inconstante, que asimila la ficción con el puro entretenimiento. La edad influye principalmente en las diferentes modalidades de recepción, mientras que apenas se constata la incidencia de la clase social ni del origen de los participantes. Los personajes seguros de sí mismos, rebeldes y ambivalentes, interesan más que el resto. Por el contrario, la estructura del relato y una buena parte de los temas del programa visionado se relegan generalmente al olvido, lo que revela el peso de la memoria selectiva en los procesos de interpretación y sugiere el carácter limitado de los efectos de la ficción televisiva.
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Fedele, Maddalena. "Young New Zealanders' Consumption of Television Fiction Programs: An Exploratory Study of Young People's Reception Habits". Media International Australia 152, n.º 1 (agosto de 2014): 16–26. http://dx.doi.org/10.1177/1329878x1415200104.

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This article presents part of the findings of an exploratory study of young people's consumption of television fiction programs, carried out in Aotearoa New Zealand. The paper focuses on young people's reception habits, describing those practices within the rest of their leisure activities. A questionnaire was administered to a convenience sample of 225 first-year Victoria University of Wellington students aged 17–30. Among the main results, young people's predilection for television fiction must be emphasised. Even if watching television is not one of the more frequent leisure activities for those surveyed, most of them report watching at least one or two different fiction programs every day, especially by themselves or with friends, and in domestic common spaces. They also show some multimedia and multi-tasking consumption strategies – such as watching fiction programs through different media, such as the TV set, DVDs and the internet – and carrying out simultaneous activities while watching.
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Roscoe, Jane. "Real Entertainment: New Factual Hybrid Television". Media International Australia 100, n.º 1 (agosto de 2001): 9–20. http://dx.doi.org/10.1177/1329878x0110000104.

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Popular factual entertainment has changed the face of broadcasting in Australia. Where once dramas, long-running serials and current affairs programs filled prime-time scehdules, we now have docu-soaps such as Popstars, and reality gameshows like Big Brother. While some have expressed concern about this shift to light entertainment in factual programming, it can be argued that such programs have brought a new audience to non-fiction and revitalised debates concerning the real. This paper examines some of the current trends in popular factual entertainment programming, considers their innovations and explores why they are so compelling.
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Wallace, Ed. "Television and Nutrition in Juvenile Detention Centers". Californian Journal of Health Promotion 3, n.º 2 (1 de junho de 2005): 125–29. http://dx.doi.org/10.32398/cjhp.v3i2.1769.

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Background: We sought to improve the ability of incarcerated juveniles to critically evaluate media food messages through an educational program that focused on nutrition. Methods: Surveys were administered to two groups of inmates of both sexes (seven to 16 years). The program consisted of forty-one 50 minute sessions (three times per week for 15 weeks) focusing on media and nutrition. Results: None of the participants identified accurate nutrition information before the intervention. After the program, the intervention group (n = 16) identified inconsistencies between nutrition labeling and media messages better than the controls (n = 17). Intervention inmates also expressed a greater interest in learning more about nutrition and had a better understanding of how diet is a factor in health. Conclusions: Health professionals can design health promotion programs that have a positive impact on the inmates’ life while they are in custody, or after their release.
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Dubois, Lise. "La représentation du vieillissement à la télévision: Des images de négation et d'exclusion dans une logique de mise en marché". Canadian Journal on Aging / La Revue canadienne du vieillissement 16, n.º 2 (1997): 354–72. http://dx.doi.org/10.1017/s0714980800014392.

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AbstractThis paper is about the television representation of aging and the ensuing social discourse. We analysed the content of 756 hours of television (3 weeks from 2 television networks: Société Radio-Canada and TVA in March 1992). We found that television discourse in different types of programs (information, talkshows, fiction, advertising) uses many strategies that deny the aging process and, in doing so, reassure the public about aging. Television also talks about the exclusion of the elderly in our society. But, at the same time, it must charm these potential consumers. Old people watching several hours of television daily know that they are excluded from society, except as consumers.
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김우준. "The Effect of Exposure to Violent Television Programs on Juvenile Delinquent Behavior". Journal of Korean Public Police and Security Studies 8, n.º 1 (maio de 2011): 305–26. http://dx.doi.org/10.25023/kapsa.8.1.201105.305.

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Peruško, Zrinjka, e Antonija Čuvalo. "Comparing Socialist and Post-Socialist Television Culture". Television Histories in (Post)Socialist Europe 3, n.º 5 (24 de junho de 2014): 131. http://dx.doi.org/10.18146/2213-0969.2014.jethc063.

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This article builds a theoretical model for comparative analysis of media culture based on the notion of genre, and applies it to a comparative analysis of television as a cultural form in socialist and post-socialist Croatia. The paper explores how the shares and generic composition of program modes of information, entertainment and fiction change in time, and how the contribution of different genres to program flow and modes varies with the changes of political, economic and technological context. Longitudinal trends in television flows are comparatively evaluated in relation to trends in genre developments in Europe and their relationship to the changes in the cultural role of television. The results show a decrease in the information and an increase in the fiction mode between socialism and democracy, with some similarities of the Croatian and western television culture in relation to genre and mode composition and flow, albeit with a belated introduction of neo television genres. Notwithstanding the limited freedom of expression and ideological content, which necessarily influenced socialist media culture, television as a cultural form in Croatia developed in concert with the global program flows. The article is based on original content analysis of television schedules where the unit of analysis is a televisions program listing. The analogue television universe is represented by longitudinal data for 1959, 1969, 1979, 1989, 1999, and 2009. The stratified systematic sample (N=3934) for each chosen year consists of two constructed weeks from a universe of all listed programs broadcast on all free to air television channels with a national reach license.
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Vandekerckhove, Reinhild, Annick De Houwer e Aline Remael. "Between language policy and linguistic reality". Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 19, n.º 4 (1 de dezembro de 2009): 609–28. http://dx.doi.org/10.1075/prag.19.4.05van.

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This paper focuses on a relatively new and much discussed phenomenon on Flemish television: The practice of intralingual subtitling of Dutch, i.e. Dutch subtitling of native speakers of (varieties of) Dutch. Our study investigates the linguistic determinants of intralingual subtitling and subsequently confronts actual subtitling practice with viewer needs. The analyses reveal a striking inconsistency between intralingual subtitling practice in fiction versus non-fiction programs. This appears to be symptomatic of a tension between the official language policy in Flanders and present day linguistic reality. As such, subtitling practice subtly reflects the existence of shifting linguistic norms in Flanders.
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van der Molen, Juliette H. Walma, e Brad J. Bushman. "Children's Direct Fright and Worry Reactions to Violence in Fiction and News Television Programs". Journal of Pediatrics 153, n.º 3 (setembro de 2008): 420–24. http://dx.doi.org/10.1016/j.jpeds.2008.03.036.

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Matei, Alexandru, e Annemarie Sorescu- Marinković. "The exceptionalism of Romanian socialist television and its implications". Panoptikum, n.º 20 (17 de dezembro de 2018): 168–92. http://dx.doi.org/10.26881/pan.2018.20.11.

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During recent years, the study of European televisions has rediscovered socialist television, and we have witnessed a rapid rise in scholarly interest in a new field of research: socialist television studies. On the whole, this recent body of literaturę presents two main new insights as compared to previous studies in the field of the history of Western television: on the one hand, it shows that European television during the Cold War was less heterogeneous than one may imagine when considering the political, economic and ideological split created by the Iron Curtain; on the other hand, it turns to and capitalizes on archives, mostly video, which have been inaccessible to the public. The interactions between Western and socialist mass culture are highlighted mainly with respect to the most popular TV programs: fiction and entertainment. The authors give us an extraordinary landscape of the Romanian socialist television. Unique in the Eastern part of Europe is the period of the early 1990s. Upon the fall of the communist regime, after almost 15 years of freezing, TVR found itself unable to move forward.
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Teses / dissertações sobre o assunto "Television programs – Juvenile fiction"

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McRae, Leanne. "Aliens, bodies and conspiracies: Regimes of truth in The X-files". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1247.

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The X-Files is a television program that first screened on Australian television in 1993. This thesis will investigate the role of The X-Files as a cultural text. The X-Files is a significant program, and has contributed to a shift in the way in which television texts represent ideas about society, knowledge and truth. This thesis argues that The X-Files presents ‘knowledge’ in particular ways, and makes it possible to think about the relationship between the body, knowledge, and society in ways which have not previously been so visible.
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Baird, David. "Zeitgeist incarnate : a theological interpretation of postapocalyptic zombie fiction". Thesis, University of St Andrews, 2019. http://hdl.handle.net/10023/16978.

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This thesis attempts to take seriously the claims made by many postapocalyptic zombie narratives to represent the world as it truly is, analyzing and then assessing the theological value of their depictions of the human predicament. The approach is both formal and what Gary Wolfe calls transmedial, examining the recurring narrative structures and themes of texts across several media and eras as part of 'a popular aesthetic movement and not just a body of works of fiction on similar themes', with special attention given to the films and television of the new millennium. The aim is twofold: to extend the relevance of postapocalyptic zombie fictions beyond the relatively narrow vogue of a cultural moment, and to prompt a richer appreciation of the significance of the Christian faith within contemporary society. To this end, Chapter One contextualizes the complexity of these texts' relationship to Christianity by examining first the most prominent obstacles and then the implicit promise of these texts for theological reflection. It places special emphasis on the interior tension in many of these fictions between, on the one hand, aggressively emphasizing the apparent absence of the supernatural, while on the other, frequently claiming to disclose a dimension of human experience in excess of what can be ordinarily perceived by the senses. Chapters Two and Three extend this analysis to the complex content of what these stories depict. Chapter Two considers the multilayered symbolism of decline in their conspicuous spectacles of disaster, disintegration, and death. Chapter Three examines the countervailing symbolic motifs of residual integrity and regeneration that are exhibited most prominently by characters who attempt to live genuinely human lives in spite of these circumstances. The first half of the thesis concludes by proposing a composite postapocalyptic view of the human predicament, which represents the world as ambiguous, dramatic and quite possibly, although not certainly, absurd. Chapter Four begins the theological reflection upon this kind of postapocalyptic perspective, proposing how such depictions might be illuminated by Christian theological descriptions, particularly the absurd existential circumstances brought about by the original sin. Chapter Five, reciprocally, suggests some of the ways the dramatic images of these texts might enrich theological reflection by eliciting fresh insights into the significance of the central mysteries of Christianity, especially the paradoxical already-and-not-yet of eschatological expectation. The thesis concludes by offering a final evaluation of whether, all told, the world can be truly considered postapocalyptic from a Christian perspective, arguing that although there are significant differences, postapocalyptic fictions and Christianity put forward strikingly similar pictures of the deeply self-conflicted circumstances of the common human predicament.
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Hauser, Brian Russell. "Haunted Detectives: The Mysteries of American Trauma". Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1227020699.

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Kohaly, Dawn Felicity. "The Nollybook phenomenon". Diss., 2015. http://hdl.handle.net/10500/19843.

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Livros sobre o assunto "Television programs – Juvenile fiction"

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Nathan-Turner, John. Doctor Who: The companions. London: Piccadilly Press, 1986.

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Nathan-Turner, John. Doctor Who: The tardis inside out. New York: Random House, 1985.

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Lewis, Siân. Stiwdio erch. Llandysul: Gwasg Gomer, 1999.

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4

Lewis, Siân. Stiúideo eagla. Indreabhán, Conamara: Cló Iar-Chonnachta, 2004.

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Hapka, Cathy. Star bright. New York: Aladdin Paperbacks, 2005.

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Staples, (Production) Marc, e Jon Richards (Tull Tree Ltd.), eds. Star Wars - The Clone Wars: Planets In Peril. New York, USA: DK Publishing (Dorling Kindersley), 2010.

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O'Connor, Jim. Slime time. New York: Random House, 1990.

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Flavio, Morais, ed. El señor Don Nicanor. Pontevedra: Faktoría K de Libros, 2011.

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Conrad, Lauren. Éblouie par la célébrité. Varennes, Québec, Canada: AdA éditions, 2014.

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Greene, Kimberly. I'm SO not a pop star. London: Usborne, 2008.

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Capítulos de livros sobre o assunto "Television programs – Juvenile fiction"

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Ruano-López, Soledad, e M. Rosario Fernández-Falero. "Design and Procedure of a Method for Audience Research in the Digital Context". In Cases on Developing Effective Research Plans for Communications and Information Science, 77–95. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-4523-5.ch005.

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Social networks host numerous comments on television programs. Two-screen viewing, where the viewer follows their favorite programs from the television screen, the screen of their computer, tablet, or mobile phone, allows the use of social networks to know the responses of viewers in real time, creating a communication channel (backchannel). Regarding the methodology, the analysis carried out in this work is based on the use of indicators. The main objective of this work is to show the methodology of evaluation by indicators in social networks of Spanish fiction series broadcast by general channels. In addition, a case study is included: series, programmed in prime time, on generalist television. In conclusion, the authors see that it is becoming more common for viewers to change their habits when consuming television programs. Once again it has been revealed in the analyzed series where the exclusive profiles of the series generate a greater linear audience.
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Rouleau, Brian. "Epilogue". In Empire's Nursery, 225–32. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479804474.003.0008.

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By the middle of the twentieth century, television had replaced literature as the principal means by which American children were acculturated. Juvenile fiction, meanwhile, became less avowedly imperial. “Empire’s nursery” partially collapsed under the weight of testimonials penned by nonwhite peoples unwilling to remain silent about the crimes committed against them in the name of US imperialism. Children’s literature increasingly avoided the subject of foreign relations as America’s global image became tarnished following the disaster in Vietnam.
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Robinson, Michael G. "These are the Voyages?" In Fighting for the Future, 81–102. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621761.003.0006.

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The main thing noticeably absent from Star Trek’s half-century anniversary was a network television series. By 2016, the primary output of the Trek franchise was a set of commercially successful feature films that had retconned a substantial portion of the early series history and consequently left later spin-off television series adrift in continuity limbo. One year later, or perhaps one year too late, three programs emerged to take up the mantle of Trek: Star Trek: Discovery (2017-), The Orville (2017-present) and the “U.S.S Callister” episode of Black Mirror (2017). This chapter investigates how these series make a claim to and justify deviations from, a familiar science fiction formula legendary for diverse themes and progressive ideologies with particular attention invocation of Gene Roddenberry’s vision for Star Trek.
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Glick, Joshua. "Hard Lessons in Hollywood Civics". In Los Angeles Documentary and the Production of Public History, 1958-1977. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520293700.003.0005.

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As Wolper Productions continued to make documentaries and experiment with fiction, the studio provided a professional entry point for promising talent and off-and-on employment for filmmakers involved with New Hollywood features. This chapter investigates Wolper Productions’s output during a period in which the film and television industries faced a precarious financial situation. The studio helped create a political imaginary for Lyndon B. Johnson’s Great Society. Additionally, Wolper Productions’s forays into programs with Jacques-Yves Cousteau charted a fresh path for nonfiction. Packaging American history or capturing recent events, however, soon proved to be a troublesome venture. Wolper Productions’s prospective adaptation of William Styron’s novel The Confessions of Nat Turner (1967) was one of the earliest attempts by a major studio to make a commercial film about black power themes and figures. The opposition to the film, however, resulted in a public relations disaster for Wolper Productions. Wolper and his circle came to understand the importance of having community support from the minority group the studio sought to represent.
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Barnwell, Ashley. "The Crisis of ‘Non-Representation’". In Critical Affect, 83–107. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451321.003.0004.

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Influenced by the arguments discussed in the previous chapter, as well as Brian Massumi’s ‘The Autonomy of Affect’ (1995, 2002, 2015), critics such as Nigel Thrift (2007) and John Law (2004) argue that creative genres of representation, such as fiction and performance, are more affective and can thus access the visceral truth of experience better than scientific and critical methods. Analysing the proposals of Thrift, Law, and fictocriticism, this chapter explores why certain methods are deemed to be more creative than others, and therefore, more in touch with embodied experience. Highlighting some of the persistent tensions in these method proposals, I argue that we should reconsider the social purchase of critical attention and what Paul Ricoeur called ‘the hermeneutics of suspicion’. To do this, the chapter locates an intriguing parallel between a public fascination with conspiracy culture and secrecy and affect theory’s concerns about unseen agencies and atmospheres. Indeed, the bestselling novels and most watched television programs of our times present popular representations of ‘the hermeneutics of suspicion’. Read in social context, the divisions between critical and creative or common forms of attention become less resolute. Critique can be seen as socially impelled, rather than socially redundant.
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Deamer, David W. "Prospects for Life on Other Planets". In Assembling Life. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190646387.003.0017.

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This book describes a hypothetical process in which populations of protocells can spontaneously assemble and begin to grow and proliferate by energy- dependent polymerization. This might seem to be just an academic question pursued by a few dozen researchers as a matter of curiosity, but in the past three decades advances in engineering have reached a point where both NASA and the European Space Agency (ESA) routinely send spacecraft to other planetary objects in our solar system. A major question being pursued is whether life has emerged elsewhere than on Earth. The limited funds available to support such missions require decisions to be made about target priorities that are guided by judgment calls. These in turn depend on plausible scenarios related to the origin of life on habitable planetary surfaces. We know that other planetary bodies in our solar system have had or do have conditions that would permit microbial life to exist and perhaps even to begin. By a remarkable coincidence, the two most promising objects for extraterrestrial life happen to represent the two alternative scenarios described in this book: An origin of life in conditions of hydrothermal vents or an origin in hydrothermal fields. This final chapter will explore how these alternative views can guide our judgment about where to send future space missions designed as life-detection missions. Questions to be addressed: What is meant by habitability? Which planetary bodies are plausible sites for the origin of life? How do the hypotheses described in this book relate to those sites? There is healthy public interest in how life begins and whether it exists elsewhere in our solar system or on the myriad exoplanets now known to orbit other stars. This has fueled a series of films, television programs, and science fiction novels. Most of these feature extrapolations to intelligent life but a few, such as The Andromeda Strain, explore what might happen if a pathogenic organism from space began to spread to the human population. There is a serious and sustained scientific effort—SETI, or Search for Extraterrestrial Intelligence—devoted to finding an answer to this question.
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