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Livros sobre o tema "Sublime in politic"

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Autor: Grafiati

Publicado: 22 de junho de 2024

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1

J, Silverman Hugh, ed. Lyotard: Philosophy, politics, and the sublime. New York: Routledge, 2002.

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2

Richir, Marc. Du sublime en politique. Paris: Payot, 1991.

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3

Valero, José A. Contagio sublime: Manuel José Quintana y el Republicanismo Clásico. Madrid: Ediciones del Orto, 2013.

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4

Gibbons, Luke. Edmund Burke and Ireland: Aesthetics, politics and the colonial sublime. Cambridge, UK: Cambridge University Press, 2003.

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5

Pirraku, Muhamet. Hasan Prishtina: Vlerë sublime e kombit. Prishtinë: Shoqata e të Burgosurve Politikë e Kosovës, 2013.

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6

Wang, Ban. The sublime figure of history: Aesthetics and politics in twentieth-century China. Stanford, Calif: Stanford University Press, 1997.

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7

Amorós, Miguel. 1968, el año sublime de la acracia. [Bilbao]: Muturreko Burutazioak, 2014.

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8

Goșu, Armand. La Troisième coalition antinapoléonienne et la Sublime porte, 1805. Istanbul: Isis, 2003.

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9

Banti, Alberto Mario. Sublime madre nostra: La nazione italiana dal Risorgimento al fascismo. Roma: Laterza, 2011.

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10

Fjelkestam, Kristina. Det sublimas politik: Emancipatorisk estetik i 1800-talets konstnärsromaner. Göteborg: Makadam, 2010.

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11

Cheney, Patrick Gerard. Marlowe's republican authorship: Lucan, liberty, and the sublime. NewYork: Palgrave Macmillan, 2009.

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12

Cheney, Patrick Gerard. Marlowe's republican authorship: Lucan, liberty, and the sublime. NewYork: Palgrave Macmillan, 2009.

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13

Mineo, Nicolò. Vincenzo Monti: La ricerca del sublime e il tempo della rivoluzione. [Pisa]: Giardini editori e stampatori in Pisa, 1992.

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14

Mineo, Nicolò. Vincenzo Monti: La ricerca del sublime e il tempo della rivoluzione. Pisa: Giardini editori e stampatori, 1992.

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15

Noggle, James. The skeptical sublime: Aesthetic ideology in Pope and the Tory satirists. Oxford: Oxford University Press, 2001.

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16

Peperstraten, Frans van. Sublieme mimesis: Kunst en politiek tussen nabootsing en gebeurtenis : Lacoue-Labarthe, Heidegger, Lyotard. Budel: Damon, 2005.

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17

Peperstraten, Frans van. Sublieme mimesis: Kunst en politiek tussen nabootsing en gebeurtenis: Lacoue-Labarthe, Heidegger, Lyotard. Budel: Damon, 2005.

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18

Weinroth, Michelle. Reclaiming William Morris: Englishness, sublimity, and the rhetoric of dissent. Montreal: McGill-Queen's University Press, 1996.

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19

Vienna, Austria) Beethoven-Konferenz (2017. Utopische Visionen und visionäre Kunst: Beethovens "Geistiges Reich" revisited = Utopian visions and visionary art : Beethoven's "Empire of the mind"--revisited. Wien: Verlag Der Apfel, 2017.

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20

Janowitz, Anne F. England's ruins: Poetic purpose and the national landscape. Cambridge, Mass: B. Blackwell, 1990.

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21

Gill, S. S. Gandhi: A Sublime Failure. Rupa & Co, 2002.

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22

Shapiro, Michael J. Political Sublime. Duke University Press, 2018.

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23

Silverman, Hugh J. Lyotard: Philosophy, Politics and the Sublime. Taylor & Francis Group, 2016.

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24

Silverman, Hugh J. Lyotard: Philosophy, Politics and the Sublime. Taylor & Francis Group, 2016.

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25

Silverman, Hugh J. Lyotard: Philosophy, Politics and the Sublime. Routledge, 2002.

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26

Silverman, Hugh J. Lyotard: Philosophy, Politics and the Sublime. Taylor & Francis Group, 2016.

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27

Silverman, Hugh J. Lyotard: Philosophy, Politics and the Sublime. Taylor & Francis Group, 2016.

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28

Zepke, Stephen. Sublime Art. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748669998.001.0001.

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The book analyses recent philosophical discussions of Kant’s theory of the sublime, and the artistic examples these give or provoke, in order to construct a diagram of sublime contemporary art. This diagram will have the immediate aim of producing a new genealogy of post-war art that avoids the modern/postmodern rupture, in favour of a sublime art that can utilise both traditional and new media and has the production of the future as its political goal. The book will draw on both philosophical discourse and art history and theory in making its argument. The introduction will give an account of the historical emergence of the sublime, concentrating on Kant. The following five chapters will each discuss a contemporary philosopher’s reading of Kant’s sublime (Lyotard, Derrida, Deleuze and Guattari, Rancière, Jameson), and also consider their artistic examples. From this will be drawn a diagram of sublime art that incorporates the most useful aspects of each thinker, and also outlines a new genealogy of post-war art. The sixth chapter will then use this diagram, and its artistic genealogy, to offer a theory of contemporary artistic practices as an aesthetic politics (ie., a biopolitics) that overcomes the current (postmodern) impasse between art and life. The conclusion will project this new diagram into the future.

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29

Shapiro, Michael J. The political sublime. 2018.

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30

Frank, Jason. The Democratic Sublime. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190658151.001.0001.

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The transition from royal to popular sovereignty during the age of democratic revolutions—from 1776 to 1848—entailed not only the reorganization of institutions of governance and norms of political legitimacy, but also a dramatic transformation in the iconography and symbolism of political power. The representational difficulties posed by the replacement of the personal and external rule of the king, whose body was the tangible locus of authority, with the impersonal and immanent self-rule of the people, whose power could not be incontestably embodied, went beyond questions of institutionalization and law into the aesthetic realm of visualization, composition, and form. How to make the people’s sovereign will tangible to popular judgment was—and is—a crucial problem of democratic political aesthetics. This book explores how the revolutionary proliferation of popular assemblies—crowds, demonstrations, gatherings of the “people out of doors”—mediated and gave tangibility to the people manifesting itself as a collective actor capable of enacting dramatic political reforms and change. During the age of democratic revolutions, popular assemblies became privileged sites of democratic representation because they at once claim to represent the people while also signaling the material plenitude beyond any representational claim. They retain this power in part because popular assemblies make manifest that which escapes representational capture; they rend a tear in the established representational space of appearance and draw their power from tarrying with the ineffability and resistant materiality of the people’s will. During the age of democratic revolutions, popular assemblies became the locus of the democratic sublime.

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31

Potolsky, Matthew. National Security Sublime. Taylor & Francis Group, 2020.

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32

Silverman, Hugh. Lyotard: Philosophy, Politics and the Sublime (Continental Philosophy). Routledge, 2002.

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33

Mendoza, Marcos Alexander. Patagonian Sublime: The Green Economy and Post-Neoliberal Politics. Rutgers University Press, 2018.

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34

Mendoza, Marcos. Patagonian Sublime: The Green Economy and Post-Neoliberal Politics. Rutgers University Press, 2018.

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35

Mendoza, Marcos. The Patagonian Sublime: The Green Economy and Post-Neoliberal Politics. Rutgers University Press, 2018.

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36

Gibbons, Luke. Edmund Burke and Ireland: Aesthetics, Politics and the Colonial Sublime. Cambridge University Press, 2009.

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37

Lloyd, Genevieve. Reclaiming Wonder: After the Sublime. Edinburgh University Press, 2018.

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38

Lloyd, Genevieve. Reclaiming Wonder: After the Sublime. Edinburgh University Press, 2018.

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39

Frank, Jason. Democratic Sublime: On Aesthetics and Popular Assembly. Oxford University Press, Incorporated, 2021.

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40

Frank, Jason. Democratic Sublime: On Aesthetics and Popular Assembly. Oxford University Press, Incorporated, 2021.

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41

Mosco, Vincent. Digital Sublime: Myth, Power, and Cyberspace. MIT Press, 2005.

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42

Mosco, Vincent. Digital Sublime: Myth, Power, and Cyberspace. MIT Press, 2015.

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43

The Humble Sublime Library of Modern Religion. I.B.Tauris & Co Ltd, 2013.

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44

Mosco, Vincent. The Digital Sublime: Myth, Power, and Cyberspace. The MIT Press, 2004.

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45

Mosco, Vincent. The Digital Sublime: Myth, Power, and Cyberspace. The MIT Press, 2005.

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46

Potolsky, Matthew. National Security Sublime: On the Aesthetics of Government Secrecy. Taylor & Francis Group, 2019.

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47

Potolsky, Matthew. National Security Sublime: On the Aesthetics of Government Secrecy. Taylor & Francis Group, 2019.

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48

Walker, Gavin. Sublime Perversion of Capital: Marxist Theory and the Politics of History in Modern Japan. Duke University Press, 2016.

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49

Potolsky, Matthew. National Security Sublime: On the Aesthetics of Government Secrecy. Taylor & Francis Group, 2019.

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50

Potolsky, Matthew. National Security Sublime: On the Aesthetics of Government Secrecy. Taylor & Francis Group, 2019.

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