Literatura científica selecionada sobre o tema "Spectator’s place"
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Artigos de revistas sobre o assunto "Spectator’s place"
Christoffersen, Erik Exe. "Intermedial Performance and the vertical perspective". Peripeti 14, S6 (1 de janeiro de 2017): 23–30. http://dx.doi.org/10.7146/peri.v14is6.110658.
Texto completo da fonteShmatova, G. A. "“Open space”: The spectator’s place in contemporary theatre communications". Shagi / Steps 3, n.º 3 (2017): 97–107. http://dx.doi.org/10.22394/2412-9410-2017-3-3-97-107.
Texto completo da fonteKlobukova (Golubinskaya), N. F. "At the Crossroads of Cultures: A Story of Two Performances". Russian Japanology Review 5, n.º 2 (24 de janeiro de 2023): 95–115. http://dx.doi.org/10.55105/2658-6444-2022-2-95-115.
Texto completo da fonteStańczyk, Marta. "Liberté, égalité, sororité. Kobiece gatunki cielesne i francuskie „ekstremistki”". Literatura i Kultura Popularna 24 (18 de abril de 2019): 97–112. http://dx.doi.org/10.19195/0867-7441.24.8.
Texto completo da fonteStaniškytė, Jurgita. "Reinstalling the Fourth Wall: Digital Performance and Spectatorship in (Post-)Pandemic Era". Art History & Criticism 19, n.º 1 (30 de novembro de 2023): 31–38. http://dx.doi.org/10.2478/mik-2023-0003.
Texto completo da fonteDavydova, Olga S., e Larisa E. Muravieva. "The spectator’s anxiety in film narrative: Notes on films by Bertrand Bonello". Media Linguistics 9, n.º 1 (2022): 64–76. http://dx.doi.org/10.21638/spbu22.2022.105.
Texto completo da fonteYeung, Lorraine. "The Nature of Horror Reconsidered". International Philosophical Quarterly 58, n.º 2 (2018): 125–38. http://dx.doi.org/10.5840/ipq2018326104.
Texto completo da fonteSofer, Andrew. "Catastrophe Practices and the Ontological Gambit: Nicholas Mosley’s Plays for Not Acting". Theatre Journal 75, n.º 4 (dezembro de 2023): 455–67. http://dx.doi.org/10.1353/tj.2023.a922216.
Texto completo da fonteSilva, Carlos Nogueira da. "O objecto estético como mundo, na phénoménologie de l’expérience esthétique i, de mikel dufrenne". Phainomenon 3, n.º 1 (1 de outubro de 2001): 57–66. http://dx.doi.org/10.2478/phainomenon-2001-0010.
Texto completo da fonteBoczkowska, Kornelia. "The Homely Sublime in Space Science Documentary Films: Domesticating the Feeling of Homelessness in Carl Sagan’s Cosmos and its Sequel". Kultura Popularna 4, n.º 54 (7 de maio de 2018): 24–35. http://dx.doi.org/10.5604/01.3001.0011.6717.
Texto completo da fonteTeses / dissertações sobre o assunto "Spectator’s place"
Lauraire, Héloïse. "Parcours scéniques : un genre de dispositif esthétique spécifique dans l'art contemporain occidental des années 2005-2012 : étude d’une sélection d’œuvres de Christoph Büchel, Mike Nelson, Jonah Freeman & Justin Lowe". Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080034.
Texto completo da fonteBetween the early 2000s and the early 2010s, four contemporary Western artists Christoph Büchel, Mike Nelson, Jonah Freeman and Justin Lowe built gigantic and enigmatic multi-room installations in Europe and the United States. Our initial hypothesis was that there were relationships between the labyrinthine super-productions of these artists, both in terms of their conceptions and their receptions.Our study describes and analyzes the specificities (construction, visitors reception, themes and references ...) and the issues (exploration, elaboration of a story, visitors’ endangerment and risk-taking...) of the aesthetic experiences offered by these works of art, nowadays invisible. The gathering and assessment of unpublished archives concerning ten of these artistic devices and their geneses as well as a field survey carried out among their spectators have enabled us to reconstruct mental images of these works. The plans and ekphrases, illustrated fictions, presented in this thesis reveal the spatial and temporal dimensions of these aesthetic walkthroughs and bring to light a set of similar set ups, materials, and themes. Based upon the scenographic strategies of the artists and the feelings of the spectators, our analysis leads us to consider these works as emotional installations and as dystopian narrative spaces. Walking across these, as if journeying through a voyage of initiation, sparks the spectator’s imagination and makes him fully conscious of his individuality and ability to take action
CATALANO, ANA ROSA SARAIVA. "THE PLACE OF THE PARTICIPATING SPECTATOR IN LYGIA CLARK S AND HÉLIO OITICICA S WORK". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6409@1.
Texto completo da fonteThe goal of this dissertation is to analyse the existing relationship between the art work, the artist and the spectator within the context of Lygia Clark s e Hélio Oiticica s work. These two artists were chosen as the object of this study because both were committed to proposing new issues regarding the inclusion of the spectator as a direct agent in the modification and even creation of the art work. They stood out in the artistic world by proposing innovating issues, searching to occupy the real space and free themselves from the bidimensionality of the canvas and the easel. The research is based on the premise that both are current references in the history of Brazilian art and investigates the span of their trajectory, from their participation in the Neoconcrete group up to their last pieces, stressing the problematics involved in each one s work and, specially, to what point they were able to establish a direct dialogue with the public.
Besson, Roger. "Les lieux de l'interaction : fréquentation du stade et intégration sociale à Neuchâtel". Thesis, Besançon, 2012. http://www.theses.fr/2012BESA1017.
Texto completo da fonteIn February 2007, Neuchâtel celebrates the inauguration of a brand new soccer stadium. For the club of Neuchâtel Xamax, which has been facing economical difficulties since a long time, this infrastructure represents a promising bright future. Everyone praises without restraint the comfort of the new arena, which is described as a friendly place, convenient to encounters, able to attract bigger crowds of people for long festive afternoons dedicated to the soccer entertainment. The analysis of the real social impact of the modernisation of this type of infrastructure is nonetheless very tricky. It implies not only a critical reflection on the attributes that can be considered as “socially virtuous” for the community, but also requires deciphering how the place works in its whole complexity. Following that, the research first requires the construction of a theoretical and methodological tool, which allows the study of the “integration potential” of this kind of space. Within the framework of the soccer stadium analysis, the use of this tool shows us that, in the case of Neuchâtel, this place plays a quite important social role. Based on various sources (questionnaire surveys, statistics relative to affluences, discourse analysis on a forum, etc.), the comparison of the situations that characterize the old and new infrastructure leads nevertheless to a nuanced assessment of the process of modernisation
Wang, Gang. "CORRELATIONS RELATIVE TO THE REACTION PLANE AT THE RELATIVISTIC HEAVY ION COLLIDER BASED ON TRANSVERSE DEFLECTION OF SPECTATOR NEUTRONS". Kent State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=kent1144770985.
Texto completo da fonte"The place of the participating spectator in lygia clarks and hélio oiticicas work". Tese, MAXWELL, 2004. http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/db2www/PRG_0991.D2W/SHOW?Cont=6409:pt&Mat=&Sys=&Nr=&Fun=&CdLinPrg=pt.
Texto completo da fonteLivros sobre o assunto "Spectator’s place"
Canter, David V. Football in its place: An environmental psychology of football grounds. London: Routledge, 1989.
Encontre o texto completo da fonteSen, Amartya. Our Obligation to Future Generations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198825067.003.0007.
Texto completo da fonteHarris, Joanne. Place in the Sun/Al and Christine's World of Leather/the Spectator (Storycuts). Transworld Publishers Limited, 2011.
Encontre o texto completo da fonteDoane, Mary Ann. Bigger Than Life. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021780.
Texto completo da fonteBontemps, Arna. Recreation and Sports. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037696.003.0021.
Texto completo da fonteSchliesser, Eric. Philosophy of Science. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690120.003.0011.
Texto completo da fonteSlocum, Karla. Black Towns, Black Futures. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469653976.001.0001.
Texto completo da fonteBailey, Doug. Cutting Skin. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190611873.003.0002.
Texto completo da fonteKoehlinger, Amy. History of Sport and Religion in the United States and Britain. Editado por Robert Edelman e Wayne Wilson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199858910.013.34.
Texto completo da fonteHolt, Robin. Unhomeliness. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199671458.003.0008.
Texto completo da fonteCapítulos de livros sobre o assunto "Spectator’s place"
Canter, David, Miriam Comber e David L. Uzzell. "Spectators' Views". In Football in its Place, 22–56. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003482574-2.
Texto completo da fonteHill, Shonagh. "Feeling Out of Place: The ‘Affective Dissonance’ of the Feminist Spectator in The Boys of Foley Street". In Performance, Feminism and Affect in Neoliberal Times, 269–81. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59810-3_21.
Texto completo da fonteLo, Dennis. "Translocalities of Sadness". In The Authorship of Place, 145–64. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528516.003.0007.
Texto completo da fonteParker, Fred. "Addison’s Modesty, or the Essayist as Spectator". In Joseph Addison, 164–81. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198814030.003.0009.
Texto completo da fonteLie, Sulgi. "On Enunciation without an Enunciator: Suture". In Towards a Political Aesthetics of Cinema. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462983632_ch02.
Texto completo da fonteStrukov, Vlad. "A Plea for the Dead (Self): Renata Litvinova’s Goddess: How I Fell in Love (2004)". In Contemporary Russian Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474407649.003.0007.
Texto completo da fonteBudick, Sanford. "‘Conversion’ of the ‘Nothing’ by the Instrumentality of The Merchant of Venice". In Hazarding All, 33–54. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474493154.003.0002.
Texto completo da fonteRedmon, Allen H. "Adaptation". In Rewatching on the Point of the Cinematic Index, 142–84. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841810.003.0005.
Texto completo da fonteŞahbaz, Ramazan Pars, e Ali Turan Bayram. "The Role of Movies/TV Series in Building Country/City/Destination Brands". In Brand Culture and Identity, 1204–17. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7116-2.ch064.
Texto completo da fonteŞahbaz, Ramazan Pars, e Ali Turan Bayram. "The Role of Movies/TV Series in Building Country/City/Destination Brands". In Strategic Place Branding Methodologies and Theory for Tourist Attraction, 269–82. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0579-2.ch013.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Spectator’s place"
Giurescu, Adina. "The aesthetic experience of the contemporary theater audience". In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.21.
Texto completo da fonteOlarewaju, Oluseyi, Athanasios V. Kokkinakis, Simon Demediuk, Justus Roberstson, Isabelle Nölle, Sagarika Patra, Daniel Slawson et al. "Automatic Generation of Text for Match Recaps using Esport Caster Commentaries". In 6th International Conference on Computer Science, Engineering And Applications (CSEA 2020). AIRCC Publishing Corporation, 2020. http://dx.doi.org/10.5121/csit.2020.101810.
Texto completo da fonteCONDURACHE, Dumitriana. "A Diverse Beauty: Amore, by Pippo Delbono". In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0015.
Texto completo da fonteStanković, Emilija. "ULOGA TRANSPORTA U SNABDEVANjU RIMA". In XV Majsko savetovanje: Sloboda pružanja usluga i pravna sigurnost. University of Kragujevac, Faculty of Law, 2019. http://dx.doi.org/10.46793/xvmajsko.103s.
Texto completo da fonteThurston, Leanne. "How Staged Head-On Collisions Changed Public Perception of Railroads". In 2019 Joint Rail Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/jrc2019-1329.
Texto completo da fonteMyers, Marie J. "BRIDGING LANGUAGE GAPS OF L2 (SECOND LANGUAGE) TEACHERS BY OPTIMIZING THEIR SELF-AWARENESS". In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end112.
Texto completo da fonteMonteiro, Caique Cahon. "Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition". In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.
Texto completo da fonteBlidar, Crina-Rozalia. "Traditions and customs in the country of Codru, Maramureş". In Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.04.
Texto completo da fonteRelatórios de organizações sobre o assunto "Spectator’s place"
Commonwealth Bank - Spectators in Martin Place at the opening of the new Head Office - 22 August 1916 (plate 645). Reserve Bank of Australia, março de 2021. http://dx.doi.org/10.47688/rba_archives_pn-000850.
Texto completo da fonte