Literatura científica selecionada sobre o tema "Société professionnelle et artistique"
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Artigos de revistas sobre o assunto "Société professionnelle et artistique"
Leteurtre, Richard. "Artiste avant tout". Sociographe N° hors série 16, n.º 4 (6 de novembro de 2023): 151–64. http://dx.doi.org/10.3917/graph1.hs016.0151.
Texto completo da fonteRobineau, Anne. "L’art actuel au Québec vu de la francophonie canadienne. Réseaux et influences1". Globe 17, n.º 1 (12 de fevereiro de 2015): 59–83. http://dx.doi.org/10.7202/1028633ar.
Texto completo da fonteLaguarda, Alice. "Art et Politique". Emulations - Revue de sciences sociales, n.º 9 (10 de setembro de 2018): 57–68. http://dx.doi.org/10.14428/emulations.009.004.
Texto completo da fonteCaillard, Marc. "L’éveil artistique et culturel du très jeune enfant : un rêve ou un devoir d’agir des adultes pour l’avenir des générations futures ?" Spirale N° 105, n.º 1 (13 de julho de 2023): 91–97. http://dx.doi.org/10.3917/spi.105.0091.
Texto completo da fonteDardy, Claudine. "De quelques usages sociologiques des récits en édition numérique". Sociologie et sociétés 48, n.º 2 (24 de outubro de 2016): 261–83. http://dx.doi.org/10.7202/1037724ar.
Texto completo da fonteCarraud, Françoise. "Expérimentation artistique et expérience professionnelle". Recherche & formation, n.º 86 (31 de dezembro de 2017): 13–25. http://dx.doi.org/10.4000/rechercheformation.2934.
Texto completo da fonteRIOUX, Marcel. "Sociologie critique et création artistique". Sociologie et sociétés 17, n.º 2 (30 de setembro de 2002): 5–12. http://dx.doi.org/10.7202/001637ar.
Texto completo da fonteBoivineau, Pauline, e Nathalie Schieb-Bienfait. "Les laboratoires de recherche artistique, par le prisme du travail en train de se faire". Annales des Mines - Gérer & comprendre N° 155, n.º 1 (7 de junho de 2024): 3–15. http://dx.doi.org/10.3917/geco1.155.0003.
Texto completo da fonteKraszewska, Agata. "Les professeurs ont leur propre destinée (scientifique, professionnelle, artistique)". Humanities and Cultural Studies 3, n.º 4 (23 de fevereiro de 2023): 9–16. http://dx.doi.org/10.55225/hcs.479.
Texto completo da fonteSaaidia, Salem, e Faten El Meddah. "L’apprentissage des notions mathématiques chez des élèves ayant une déficience intellectuelle légère entre une approche pédagogique traditionnelle et la médiation artistique". ITM Web of Conferences 39 (2021): 01003. http://dx.doi.org/10.1051/itmconf/20213901003.
Texto completo da fonteTeses / dissertações sobre o assunto "Société professionnelle et artistique"
Seveau, Vincent. "Mouvements et enjeux de la reconnaissance artistique et professionnelle : une typologie des modes d'engagement en bande dessinée". Phd thesis, Université Paul Valéry - Montpellier III, 2013. http://tel.archives-ouvertes.fr/tel-00958812.
Texto completo da fonteLefranc-Cervo, Lena. "La Société des architectes modernes (1922-1946) : stratégies professionnelles et postures intellectuelles d'un réseau d'architectes". Electronic Thesis or Diss., Rennes 2, 2024. http://www.theses.fr/2024REN20023.
Texto completo da fonteThe thesis focuses on an original professional society of the French architectural scene of the interwar period, the Society of Modern Architects. Born in 1922 as the Group of Modern Architects (GAM), the SAM was founded by innovative architects of the turn of the 19th and 20th centuries such as Hector Guimard, Henri Sauvage, Frantz Jourdain. Throughout its existence, it brought together a wide variety of personnalities such as Auguste Bluysen, Adolphe Dervaux, Albert Laprade and Robert Mallet-Stevens. It will have more than 250 members throughout its existence. The thesis postulates the idea of both professional and intellectual coherence within this gathering of architects. The thesis studies the formation of the founding networks of the GAM at the end of the 19th century, the reasons for their convergence in the 1910s and the preparation of the 1925 International Exhibition of Modern Decorative and Industrial Arts, which served as the setting for the birth of the Group. It is interested in the positioning and professional recognition strategies of SAM architects by studying in particular its actions at the end of the International Exhibition as well as the type of reticular training and the effectiveness of the network set up by the Society. It is interested in the intellectual posture of the SAM by trying to identify a common thought among its members and confronts it with that of the rest of the architectural scene of the interwar period. It notably highlights the emergence of the figure of the modern architect and studies the way in which this figure is envisaged by the Society
Hamel, Johanne. "Création artistique et identité professionnelle: une étude heuristique". Thèse, Université de Sherbrooke, 2011. http://hdl.handle.net/11143/8290.
Texto completo da fonteLambert, Jean. "La Médecine de l'âme : musique et musiciens dans la société citadine à San'a' (République du Yémen)". Paris, EHESS, 1990. http://www.theses.fr/1990EHES0040.
Texto completo da fonteMy thesis is a attempt to sketch the relations between the value of music in yemeni culture, and the position of the musicians in society. In the first part, i state the contrast between prestige and suspicion which are both attached to music in yemen (chapter 1). This point leads me to examine the concept of the "functions" of the musical genres (chap 2). The second part is a case study, the "classical" singing of sanaa, historic capital of yemen. I describe the ceremonial context of the concert, which makes music the "medicine of the soul" (chap 3) : i then describe the poetic and musical repertory, as well as some of its symbolic aspects (chap 4). The third part examines more deeply this peculiar tension between musical practice and social values (chap 5). I then describe several aspects of the social status of the musicians in sanaa and its surroundings, and some of the musical and non-musical reasons of this hierarchy (chap 6). At last, i show a few strategies by which music lovers and musicians succeed in juxtaposing social values and the practice of their hobby (chap 7). The epilogue shows a few tendancies in the recent evolution of this dilemna. Appendexes provide : an attempt of undestanding the value of music in islamic culture (appendix 1), a full description of the yemeni magyal ceremonial (app 2), a few mythical tales about music (app 3)
Bouvier, Hélène. "Les Arts du temps et du spectacle dans la société madouraise (Madura-Est, Indonésie)". Paris, EHESS, 1990. http://www.theses.fr/1990EHES0049.
Texto completo da fonteFieldwork was carried out from september 1985 to february 1987, in the eastern part of the island of madura (indonesia). Participant observation through residence in a village, interviews with specialists, amateurs and audiences, audio and video recordings and their transcriptions, musical notations, systematic surveys conducted near the end of the fieldwork on the artistic tastes and practices of 37 families, and direct observation of 160 performances were the methods enabling the constitution of the corpus of study, addressing the need for ethnographic and thematic study. Chapter i presents the inevitable musical support for these practices. In chapter ii, the author classifies the varied corpus of the region's living artistic genres, offering guidelines concerning performance structure and repertoire, identifies regional differentiation and provides a chronological frame. Chapter iv is devoted to spatial, temporal, economic and human conditions necessary for learning, practice and for reception by an audience, and to the most recent developments. Grounded in daily life, these artistic practices constitute attempted solutions and responses to problemes and aspirations that are both individual and collective, and may be seen as strategies for survival, prestige, or for economic or political power
Ponthus, Anne-Françoise. "Autour de la "Société Nouvelle" : un réseau artistique et amical à Paris au début du vingtième siècle (1900-1914)". Paris 1, 2006. http://www.theses.fr/2006PA010563.
Texto completo da fonteCardot, Jean-pierre. "Formateurs d'enseignants et éducation à la santé : analyse des représentations et identité professionnelle". Phd thesis, Université Blaise Pascal - Clermont-Ferrand II, 2011. http://tel.archives-ouvertes.fr/tel-00751865.
Texto completo da fonteBertrand-Dorléac, Laurence. "Art, culture et société : l'exemple des arts plastiques à Paris entre 1940 et 1944". Paris, Institut d'études politiques, 1990. http://www.theses.fr/1990IEPP0015.
Texto completo da fonteIn France, the humanistic values crisis culminated during the German occupation and the Vichy regime. During this period , art inherited much of the pre-war situation. But disruptions, both in intensity and nature modified the artistical scene. Art, as an expression of patriotic pride was is considered as a reflection of modern decadence : the lack of ideal, individualism, and democracy. Under the "national revolution" art became an instrument of development and revival after a return to order and tradition. In many respects, the "Secretariat general des beaux-arts" thought of a widely approved art policy magnifying the tradition, the fine craft, the monumentalism and the edifying subjects. The artistic world, by nature reluctant to state dirigism, resisted against the governmental positions concerning corporatism and exclusion policy. Besides, few artists accepted to serve the "service artistique du Marechal" which was attached to his person. If some artists entered the French resistance movement, some created subversive works while the majority of them staid aside and bred on its production the fancy of the many people visiting various art places. The German regime, on its side, proceeded with its own exhibitions, being encouraged by French ultras as Rebatet, and being comforted by the German journey of some famous artists : Vlaminck, Derain, Despiau, etc. Meanwhile the nazi authorities spent most of their time on their exclusion policy towards jewish and mason artists. Censorship was discontinued against the exhibition of works considered as "degenerated". Art was a stake for an authoritarian power aiming at controlling society, and an outlet for a population looking forward to returning back to normality
Nemedeu, Robert. "Le contrôle des dirigeants de la société anonyme". Université Robert Schuman (Strasbourg) (1971-2008), 2000. http://www.theses.fr/2000STR30024.
Texto completo da fonteThe control of the companies directors of the corporation in positive law has revealed its limit in the recent business context. One can justify its inefficiency two manners : on the one hand, it does not take sufficiently in consideration the real functioning of the corporation; on the other hand, it proves in some of its increasingly formalistic aspects, maladjusted, suspicious, perhaps exceeded. Indeed, this control aimed the thirds and shareholder protection against the all power of company director. Nevertheless, these interest are if general that this legal control obeys more a public order of direction. The pursuit of the citizen mission it has been the opposition of shareholders interest. The corporate governance fact recover rights of shareholders to the detriment of these of company director. The corporation has to be managed in the exclusive interest of these last. Recommendations of this movement are transported by funds of pension, recent actors of the stock market and speakers of companies directors. Their strong presence in the French capitalism obliges companies directors to manage in the interest of shareholders. The recession of the institutionnalisme to the profit of the contractualisme in shareholder reports-leaders makes the unanimity. Taking shareholder interest proprietors into consideration of the corporation by the company director has to be a constant. It can translate into a regular collaboration between the company director, shareholders and the commissioner to accounts, by the development of the technical debate within the council. Furthermore, one has to facilitate the profitability of the investment of the individual shareholder that is concerned only by the return on its investment. Because the finality is no longer left the alone company director master on board of the ship, but to assist it so as to get a good management of the corporation that translated into the creation of the shareholder's value
Dubois, Sylvie. "Métiers et société : artistes et artisans d'art à Dijon durant le second XVIIIe siècle". Dijon, 2009. http://www.theses.fr/2009DIJOL013.
Texto completo da fonteDijon in the late eighteenth century was hoisted to the rank of real artistic provincial capital through an embellishment of its space, accompanied by new connoisseurs. This world revolves around two main figures: the customer and the artists and craftsmen gathered in corporations. This study examines the functioning of corporation’s arts and crafts reserving a large spot in the trail of individuals within the traditional framework. This world is evoked in turn by its regulatory, educational, economic, commercial and social aspects, evoking a provincial city that shines in the heart of the "Age of Enlightenment. "
Livros sobre o assunto "Société professionnelle et artistique"
Ontario. Esquisse de cours 12e année: Exploration et création artistique aea4o cours ouvert. Vanier, Ont: CFORP, 2002.
Encontre o texto completo da fonte1935-, Goulet Olive, e Dallaire Clémence 1953-, eds. Soins infirmiers et société. Montréal, Qué: Morin, 1999.
Encontre o texto completo da fonteP, Dickinson John. Science et chercheurs scientifiques dans la société moderne. Paris: UNESCO, 1988.
Encontre o texto completo da fonte1944-, Bernier Léon, e Rioux Marcel, eds. Hommage à Marcel Rioux: Sociologie critique, création artistique et société contemporaine. Montréal: Éditions Saint-Martin, 1992.
Encontre o texto completo da fonteClaude, Laflamme, Alaluf M e Université de Sherbrooke. Faculté d'éducation., eds. La Formation et l'insertion professionnelle, enjeux dominants dans la société postindustrielle. [Sherbrooke] Québec: Éditions du CRP, 1993.
Encontre o texto completo da fonteculture, Commission européenne Direction générale de l'éducation et de la. Intégration de tous les jeunes dans la société par l'éducation et la formation. Luxembourg: Office des publications officielles des Communautés européennes, 2000.
Encontre o texto completo da fonteSaint-Louis, Facultés universitaires, e Université de Savoie. Laboratoire Langages, littératures, sociétés, eds. Mythe et création 2: L'œuvre, l'imaginaire, la société. Chambéry: Université de Savoie, 2007.
Encontre o texto completo da fonteHollinger, Véronique. Le "système dual": L'exception allemande de la formation professionnelle initiale : débats de société d'hier et d'aujourd'hui. Bern: Lang, 2002.
Encontre o texto completo da fonteOntario. Le curriculum de l'Ontario 9e et 10e année: Éducation artistique. Toronto, Ont: Imprimeur de la Reine, 1999.
Encontre o texto completo da fonteFeld, Altay Manço Serge. L'INTÉGRATION DES JEUNES D'ORIGINE ÉTRANGÈRE DANS UNE SOCIÉTÉ EN MUTATION - L'insertion scolaire, socioculturelle et professionnelle en Belgique Francophone. Paris: Editions L'Harmattan, 2000.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Société professionnelle et artistique"
Bellagamba, Ugo. "Isabot 2050, ou l’histoire de l’avocat augmenté qui comptait trop sur son IA". In Transhumanisme : de nouveaux droits ?, 127–35. Aix-en-Provznce: DICE Éditions, 2024. http://dx.doi.org/10.4000/11zb1.
Texto completo da fonteDELTORN, Jean-Marc. "L’artiste et l’automate". In Algorithmes et Société, 129–38. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.4549.
Texto completo da fonte"L'Éducation Artistique et la Société Postindustrielle". In La Culture comme refus de l'économisme, 235–45. Les Presses de l’Université de Montréal, 2000. http://dx.doi.org/10.1515/9782760626560-013.
Texto completo da fonteLeduc, Claude. "La création artistique à l’ère de l’intelligence artificielle". In Intelligence artificielle et société, 135–54. Presses de l'Université du Québec, 2024. http://dx.doi.org/10.2307/jj.12348157.10.
Texto completo da fonteLeduc, Claude. "CHAPITRE 5 La création artistique à l’ère de l’intelligence artificielle". In Intelligence artificielle et société, 135–54. Presses de l'Université du Québec, 2024. http://dx.doi.org/10.1515/9782760559387-008.
Texto completo da fonte"La création littéraire et artistique à la cour de René d’Anjou". In Culture et société médiévales, 19–39. Turnhout: Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.csm-eb.4.00094.
Texto completo da fonteRoulleau-Berger, Laurence. "Chapitre 9 : Les jeunes à l'épreuve de la société du risque". In Sphères privée et professionnelle, 239–50. De Boeck Supérieur, 2004. http://dx.doi.org/10.3917/dbu.istac.2004.01.0239.
Texto completo da fonteSantelli, Emmanuelle. "Accès au marché du travail : l'inégale insertion professionnelle des descendants d'immigrés". In Migrations et mutations de la société française, 167–76. La Découverte, 2014. http://dx.doi.org/10.3917/dec.poins.2014.01.0167.
Texto completo da fonteLattard, Alain. "Selbstverwaltung der deutschen Wirtschaft : la formation professionnelle allemande entre État, marché et société". In La société civile organisée aux xixe et xxe siècles : perspectives allemandes et françaises, 135–46. Presses universitaires du Septentrion, 2010. http://dx.doi.org/10.4000/books.septentrion.44985.
Texto completo da fontePoucet, Bruno. "Militance et affirmation d’une nouvelle identité professionnelle dans l’enseignement privé sous contrat (1958-1986)". In Les enseignants dans la société française du xxe siècle, 133–46. Éditions de la Sorbonne, 2004. http://dx.doi.org/10.4000/books.psorbonne.59899.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Société professionnelle et artistique"
Rojas, Luc. "Le Bulletin de la Société de l’industrie minérale ou la participation d’une revue à l’émergence de la figure de l’ingénieur civil (1855-1914)". In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/sfpf2587.
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