Teses / dissertações sobre o tema "Société de neurologie de Paris"
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Dequidt, Marie-Agnès. "Temps et société : les horlogers parisiens (1750-1850)". Thesis, Paris Est, 2010. http://www.theses.fr/2010PEST0014.
Texto completo da fonteBetween 1750 and 1850, Paris was a recognised international watch and clock-makingcentre. In a dynamic world, at a time of changing mentalities, the making of clocks and watchesoffers a snapshot of an activity transitioning from craft to industry. Watchmakers themselvesworked in the fields of mechanics and technical precision, the areas advancing Europedevelopment ahead of other continents. Studying time and watchmakers offers an important lensto understand the history of the late modern and early contemporary eras.The first part of the study introduces the men and women involved in the art ofwatchmaking. The 18th century hierarchy in the corporation foreshadows the difference betweenearly 19th-century owners and workers. Between the Old Regime and the July Monarchy,watchmakers’ organisations evolved but watchmakers perpetuate their actual precision work,although, as the quantities of clocks made in Paris decreased, clockmakers increasinglyparticipated in retailing. Through this close study, watchmakers’ role as businessmen, with theirsuccesses and failures, in their local and international business networks, is revealed.In the second part, emphasis is on the objects themselves, not just for their material orintrinsic value, but for what they reveal about their owners, across three themes: luxury watchesand clocks as social markers and export items; high accuracy clocks, connected to innovations;common watches and clocks and the widening range of buyers from all classes. The objects thenhelp us understand the importance of time measurement in the society and the perception of timeby clock owners from kings to popular classes
Michel, Marie-José. "La société janséniste parisienne (1640-1730)". Paris 1, 1996. http://www.theses.fr/1996PA010587.
Texto completo da fonteThe approach is based on an attempt to understand how french society was progressively "jansenisee" during the "ancien regime". The geographical framework is paris and its surroundings. 1640 and 1730 mark the beginning and the end of the study : from the influence of Saint-Cyran and jansen in France to the demise of the movement made inevitable by an accumulation of official condemnations. The importance and duration of this movement have been assessed using parochial archives, memoires, political pamphlets, satirical drawings and lists of "appelants". The jansenists at that time showed a new path to God, based on an individual "conversion" implying a spiritual development based on suspicion of the world and a quest for the absolute nature of god. This work gave rise to various passions and polemics, the defence of the jansenists themselves, the cutting criticism of the jesuits, then to the various reactions of philosophers, writers and the church over a long period. Jansenism in paris and france only became the subject of historical studies in the 1930s. "jansenisation" in paris spread over two distinct stages : the first from 1640 to 1709 springing from some outstanding individuals such as Saint-Cyran, Mother Angélique Arnauld, and the major spiritual leaders of the movement. With means adapted to the society of the time they understook a widereaching "jansenisation" of the disappointed elite. The movement reaches a peak between 1709 and 1730 based on a great number of jansenized clergy who knuckled down to the task of working at the parish level on adults and children : around 1730 two thirds of the population were "jansenized". This sucess was due to the quality of the mission which was adapted to the fears of the times and more inspiring than absolute monarchism
Lebel, Hélène. "Le théâtre à Paris (1880-1914) : reflet d'une société?" Paris 1, 1997. http://www.theses.fr/1997PA010586.
Texto completo da fonteThe study of the plays given in Paris between 1880 and 1914 and selected from l'illustration, its theatre supplement and the revue des deux mondes, shows that many foreign plays appear on the parisian stage : British plays in the 1880's, Scandinavian drama in the 1890's and Italian, German and Slavonic plays in the early twentieth century. Besides, French drama gives a reflection of reality through middle class eyes. In term of numbers the first social group on the stage, the middle classes, are also represented in a favourable light. The other social groups (nobility, peasants, the working class and artists) looked at from the middle class point of view, are laughed at, despised or hated. Finally the mains reasons for middle class fears appear on the stage : social problems, religious preoccupations, questions about the emancipation of women and children from male authority, the legalization of divorce and specially patriotic fears in a period which is more and more characterized by international tensions between France and Germany in the immediate pre-first-world war period
Dejerine, Jules. "Recherches sur les lésions du système nerveux dans la paralysie ascendante aiguë thèse pour le doctorat en médecine présentée et soutenue le 22 février 1879, Faculté de médecine de Paris /". Paris : BIUM, 2003. http://www.bium.univ-paris5.fr/histmed/medica/cote?TPAR1879x081.
Texto completo da fonteDelaye, Jean Baptiste. "Considérations sur une espèce de paralysie qui affecte particulièrement les aliénés thèse présentée et soutenue à la Faculté de Médecine de Paris, le 20 novembre 1824, pour obtenir le grade de Docteur en médecine /". Paris : BIUM, 2003. http://www.bium.univ-paris5.fr/histmed/medica/cote?epo1109.
Texto completo da fonteRoussel, Diane. "Paris en ordres et désordres : justice, violence et société dans la ville capitale au XVIe siècle". Paris 13, 2008. http://www.theses.fr/2008PA131027.
Texto completo da fonteDoes Paris in the early modern period deserve the fiendish reputation of the ‘crime capital’, as the monarchic propaganda would have us to believe in order to glorify the Lieutenance générale de Police, created in 1667 ? Does the French capital in the 16th century produces crime or is it, on the contrary, a matrix of civilization? While the Crown widens its guardianship in police, the figures of the professional thief and murderer, as well as the delinquent vagabond, mobilize the efforts of reform as they invade the imagination of the Parisian chroniclers. The sources of the judicial practice (letters of remission, criminal instructions of the Paris’ Parliament and the seigniorial court of Saint-Germain-des-Prés) show on the other hand the omnipresence of common violence. The study of its forms and circumstances as well as the sociology of criminals allows distinguishing specific patterns in the Parisian violence. Whereas the craze for sword duel shapes the urban homicide, the records of small crime present numerous hints of the slow pacification of townsmen’s behaviours. Justice, but also the professional group and the neighbours’ community exert a narrow social control over the youth with rival but mostly complementary modalities. However, the traumatizing event of Henri IV assassination, in 1610, reveals the end of this traditional community system of disorder regulation, weakened by the new challenges of the population increase, the impoverishment and the raising sociocultural gap, and shows the population’s request for State protection
Simon, Patrick. "La Société partagée : relations interethniques et interclasses dans un quartier en rénovation : Belleville, Paris 20e". Paris, EHESS, 1994. http://www.theses.fr/1994EHES0088.
Texto completo da fonteThe successful cohabitation of socially and ethnically differentiated groups within a delimited area requires highly sophisticated strategies in spatial distribution and the management of social relations. Such strategies were observed in belleville, in an historical context marked by the completion of an urban renewal scheme. These strategies have resulted in quite a novel form of regulation of social ethnic differences, through the development of what one may call a "myth of origins", where by each group is ascribed a specific place (both spatial and social) in what has become the local social order and the collective identity
Bertrand-Dorléac, Laurence. "Art, culture et société : l'exemple des arts plastiques à Paris entre 1940 et 1944". Paris, Institut d'études politiques, 1990. http://www.theses.fr/1990IEPP0015.
Texto completo da fonteIn France, the humanistic values crisis culminated during the German occupation and the Vichy regime. During this period , art inherited much of the pre-war situation. But disruptions, both in intensity and nature modified the artistical scene. Art, as an expression of patriotic pride was is considered as a reflection of modern decadence : the lack of ideal, individualism, and democracy. Under the "national revolution" art became an instrument of development and revival after a return to order and tradition. In many respects, the "Secretariat general des beaux-arts" thought of a widely approved art policy magnifying the tradition, the fine craft, the monumentalism and the edifying subjects. The artistic world, by nature reluctant to state dirigism, resisted against the governmental positions concerning corporatism and exclusion policy. Besides, few artists accepted to serve the "service artistique du Marechal" which was attached to his person. If some artists entered the French resistance movement, some created subversive works while the majority of them staid aside and bred on its production the fancy of the many people visiting various art places. The German regime, on its side, proceeded with its own exhibitions, being encouraged by French ultras as Rebatet, and being comforted by the German journey of some famous artists : Vlaminck, Derain, Despiau, etc. Meanwhile the nazi authorities spent most of their time on their exclusion policy towards jewish and mason artists. Censorship was discontinued against the exhibition of works considered as "degenerated". Art was a stake for an authoritarian power aiming at controlling society, and an outlet for a population looking forward to returning back to normality
Letourmy-Bordier, Georgina. "La feuille d'éventail : expression de l'art et de la société urbaine, Paris 1670-1790". Paris 1, 2006. http://www.theses.fr/2006PA010620.
Texto completo da fonteConnally, Michael. "Les "bonnes femmes" de Paris : des communautés religieuses dans une société urbaine du bas Moyen âge". Lyon 2, 2003. http://theses.univ-lyon2.fr/documents/lyon2/2003/connaly_m.
Texto completo da fonteDiverse sources of the twelfth through the fourteenth centuries show that the term "good woman" designated a person whose moral qualities led her to assume a certain spiritual authority in the eyes of her neighbors. At least eleven communities of "good women" were founded in Paris from the late 12th to the mid-14th century. Rather than following a rule sanctioned by Rome, the "good women", normally widows, were bound to each other simply by an ethic of mutual aide, or came together in hospitals, giving themselves to the group for life in exchange for lodging, board and the obligation to care for their sisters. A prosographical study of the community founded by Etienne Haudry, a rich parisian draper, demonstrates that the "good women" and their benefactors were bound to each other by family, neighborhood and profession. By way of these ties, the "good women" commemorated their deceased benefactors through collective prayer, just as monks did
Level, Brigitte. "À travers deux siècles, 1726-1939 : le Caveau, société bachique et chantante". Paris 4, 1986. http://www.theses.fr/1986PA040414.
Texto completo da fonteThis thesis tells the history of the Caveau, a society of poet-song writers and singers, founded in 1729, Saint-Germain des Prés, Paris; by Piron, Colle, Gallet, Pannard and the two Crébillon. This society existed with a few interruptions until the beginning of the Second World War through different periods and under diverse avatars. The exceptional longevity ty of the Caveau is explained by the fact that these reunions satisfied three French traits: the love of song, food and wine, and companionship. The Caveau also played an important role in the creation of collective literature. On one side, its members often collaborated collectively in the creation of different works (operas, parodies, comedies, vaudevilles, novels, etc. ). On the other side, each member by constructive and sincere criticisms, helped improve the works of the others in collective readings. Amongst the most notorious members Piron, Pannard, Colle, Crébillon, Helvetius Rameau, Boucher, Marmontel, Laujon, Segur, Desaugiers, Beranger, Charles Nodier, Jules Janin, Gustave Nadaud, Pierre Dupont, Xavier Privas. More than twelve thousand songs were sung at the Caveau over its two centuries of existence and their written music are conserved in the "Clé du Caveau"
KANG, ZHENG. "Lieu de savoir social : la société de statistique de Paris au XIXe siècle : 1860-1910". Paris, EHESS, 1989. http://www.theses.fr/1989EHES0027.
Texto completo da fonteHistorically, many ambiguities may be found in what concerns statistics as social knowledge in its vocation, its scope and its instruments. But, in these very ambiguities lies an extraordinary fertility for historical research. The investigation into the origine of statistical society of paris is treated for several aspects : as a semiofficial learned institution, as the mirror of the social ideas, as a laboratory of the statistical instruments. The professional, ideological as well as scientific environment of this institution, are treated with a historically comprehensive background of the statistical movement in 19e century. By analyzing the papers published in the journal of statistical society of paris as well as various documents about the socio-professional statues of the fellows, the study tries to bring out the sociological characteristics of the parisian institution in comparison with its french predecessors in the 1820s and with the similar institutions in the other countries. During a period when the autonomization of social science is just appearing, the french statisticians choose an alternative way to develop their knowledge about the society and to maintain their own epistemological conception. The dominance of the fellows issued of administration gives the society her radiant influence as well as the limites to her tendance towards nomothe tique abstraction. The society contributes to social legislation by her deep involvement in the goveernmental milieu
Sajaloli, Cécile. "Le Théâtre-Italien et la société parisienne (1838-1879)". Paris 1, 1988. http://www.theses.fr/1988PA010524.
Texto completo da fonteKuczynski, Liliane. "Chemins d’Europe : les marabouts africains à Paris". Paris 10, 1995. http://www.theses.fr/1995PA100159.
Texto completo da fonteThis research results from a fieldwork carried out in Paris and the suburbs with marabous from west-Africa and their clients. In the two first parts, the different roles played by these people in Maghreb and in west-Africa are being studied with a conceptual and diachronically prospective. It is demonstrated that there is not a single pattern of a marabou; this approach entails that the Parisian marabous cannot be leveled with it. The third part considers the coming into France of marabous in the context of the west-African immigration. Describing the permanent features and the diversity of individual itineraries, the study focusses on the location of marabous in the Parisian space, on the legal framework of migration and activities and on the attempts to "professionalization". The forth part deals with the marabous’ knowledge and know-how. Emphasizing the diversity of the pathways followed by marabous and the various and enriching opportunities given by the Parisian environment as well as the multiple individual adjustments which derive from it, the study examines current practice and how they are experienced by clients : divinatory techniques in order to identify the origins of the problems, the "work" properly speaking (the making of peace’s of writing or lotions given to clients, repeated prayers said by the marabou, sacrificial practices). The fifth part is centered on the relationship between marabous and their clients, from all sorts of background and origin. It analyses the different roles played by marabous in Paris and the way they try to construct their legitimacy
Cellier, Alexis. "Rendements intrajournaliers et flux informationnel : une étude sur Euronext Paris". Perpignan, 2003. http://www.theses.fr/2003PERP0520.
Texto completo da fonteThe volatility bursts in financial markets obviously questions their link to information. This study empirically highlights the relation between the information and the exchange process. We tackle this question under two complementary views. We initially compare several proxies of the information flow. Then, we analyze the relationships between various components of the exchange process (transactions and order book). The comparison of various information proxies suggests that the bests are in descending order: - the number of transactions; - the volume of transactions; - the number of orders; - the volume of orders. The progressiveness of these studies on the French market enables to compare the results of various methodologies. We observe that the data aggregation within intervals and the underestimation of the informational set led to a partial and skewed vision of the relationships. The organization of the Parisian market (centralized order driven market) confers a central role to the order book. It arises that agents can limit themselves to this observation since the trade features (volume, duration) do not have any more a significant influence when the effects of variables from the order book are included. The relationships highlighted between the variables stress that the main force is the liquidity supply. The periods of strong (weak) activity seem associated with the absence (the presence) of informed traders
Louhichi, Wael. "Le rôle informationnel des annonces : une étude intrajournalière sur Euronext Paris". Perpignan, 2004. http://www.theses.fr/2004PERP0534.
Texto completo da fonteThis study is included in the field of market microstructure. The goal of this work is to examine market behavior around the times of public information made in the paris bourse. In the first chapter, we propose to study intraday speed of adjustement of stock prices to new information. The aim of the second chapter is to examine asymmetric information around earnings announcements. In the third chapter, we study investors' bahavior around public information. The last chapter deals with intraday relation between information flow and market activity
Mouleux, Guillaume. "La formation de la "meilleure des générations" : propagande et société aux Etats-Unis durant la Deuxième Guerre mondiale". Thesis, Sorbonne Paris Cité, 2018. https://theses.md.univ-paris-diderot.fr/MOULEUX_Guillaume_depot_2_20180921.zip.
Texto completo da fonteThis PhD dissertation analyses how the homefront propaganda the United States population was subjected to during the Second World War was important in shaping the evolutions the American society went through during the second half of the twentieth century. As the generations which had grown up in the US during the Great Depression then participated in a way or another to the national effort during World War II led the country through some of its most important historical milestones in the latter half of the century, prompting the “Greatest Generation” nickname, analyzing the influence of the messages these populations were subjected to during the war as well as considering the historical and cultural roots of these messages appear particularly both interesting and important, especially as this war was, more than any other was before, a war of images.This study develops three main angles. First, the way other populations (enemies, allies but also the civilian victims of the war) were represented to the American people, as constructing such images was all the more important in a context where isolationism still played an important role. Then, the way an imagery linking the soldiers “over there” at the front to the home front was built, and how both themes coexisted in many messages. Finally, the way propaganda messages of the time were linked not only with the then-present sacrifices but also with hints at a new society in the post-war period – provided of course the war was won
Soman, Alfred. "Sorcellerie, justice criminelle et société en France à l'époque moderne". Paris 4, 1993. http://www.theses.fr/1993PA040081.
Texto completo da fonteThe rediscovery of the prison records of the Conciergerie du Palais (at the archives of the prefecture of police) led to the first major piece of serial research in the criminal archives of the parliament of Paris, from 1565 to 1670. The original field of study was extended by samples to include the whole of the early-modern period (1540-1789). By focusing attention on the most serious crimes it was possible to replace the notorious witchcraft trials in their historical context, stripped of the legends which have surrounded them for more than three centuries. Certain key developments in criminal jurisprudence have also become clear, for example, the establishment of a system of automatic appeal long before it appeared for the first time in royal legislation in 1670. Likewise, it can be seen that torture lost its central role in judicial procedure as early as the beginning of the sixteenth century. We are therefore able to understand the evolution of a centralized administration of criminal justice: one of the most successful institutions of Ancien Regime France
Brejon, de Lavergnée Matthieu. "La société de Saint-Vincent-de-Paul à Paris au XIXe siècle (1833-1871) : prosopographie d’une élite catholique fervente". Paris 4, 2006. http://www.theses.fr/2007PA040106.
Texto completo da fonteThe Saint Vincent de Paul Society was born in Paris in 1833. Her founders were a group of catholic students, which among them Frédéric Ozanam is the best known, anxious to uphold their faith and to help the poors. This thesis’s methods come from those of religious and social history ; this work tries to understand the shapes and reasons of the fast developpement of a charitable work in the first middle of the nine’teenth century. It takes an interest in the urban geography of its implatation in France. It studies also the paterns of its organization and government inside the institution ; the speeches and observances of its members, between charity and philanthropy, read in the light of an anthropology of the gift. It takes an interest as well into the most significant of its charitable work, housecall visits and patronage, without neglecting their own financing. At the local and parish scale, Paris is a special place for the observation, in order to lighten the charitable networks of the french capital. To end with, a prosopography of the members ables us to draw the fellow members profile, the modle of the charitable man in the first social catholicism
Kawachi, Akiko. "Les artistes japonais à Paris durant les années 1920 : à travers le Salon de la Société des Artistes Français, le Salon de la Société Nationale des Beaux-Arts, le Salon d’Automne, le Salon de la Société des Artistes Indépendants et le Salon des Tuileries". Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040188.
Texto completo da fonteDuring the end of the 19th century and the beginning of the 20th century, not many Japanese artists settled in Paris. However, after the First World War, starting from 1920, a large number of Japanese artists arrived in France. In total two hundred and eight Japanese artists appeared in Parisian Salons during the decade between 1920 and 1929. Most of these artists choose Montparnasse district as their residence. In Paris those days, amongst artists who worked on oil painting called « yô-ga » we can distinguish three movements. The first circulated around Fujita Tsuguharu, a renowned artist who associated the Western painting and the traditional Japanese art. The second gathered a certain number of young artists, such as Saeki Yuzo, who were attracted by the Western painting and the modern painting of Montparnasse. The third movement was of an academic nature: as Kuroda Seiki did, artists were following the teaching of Paris Academies. Other artists choose the route of a more independent art, following the examples of Tanaka Yasushi, Hasegawa Kiyoshi or Oka Shikanosuke, but the number of these artists remains limited, same as those who practiced the technique of Japanese painting, i.e. « Nihon-ga », and also those who practiced sculpture, engraving, lacquer painting, and hangings. The result of going through the data of the documentation centres and photography funds in Japan and in France proves the importance of the presence of Japanese artists on the artistic scenes in Paris during the 1920’s and allows us to comprehend the motives and creations of these artists
Dégez, Camille. "Une société carcérale : la prison de la Conciergerie (fin XVIe-milieu XVIIe siècles)". Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040156.
Texto completo da fonteThe prison of the Conciergerie occupied a special place in the Paris prison landscape of the seventeenth century. It hosted many prisoners for debt, prisoners tried in first instance by one of the courts sitting in the Palais de Justice, which occupied the buildings, but also and above all the prisoners appealed to the parliament of Paris. From the analysis of individual pathways both of prisoners and staff of the Conciergerie (dynasties of chief jailers Regnoust and Dumont) and reconstituted from criminal and notarial archives, the thesis focuses on social relationships and behavior within the prison. After a first part dedicated to an overview of the Conciergerie in the early seventeenth century, the second part highlights the peculiarities of this prison society: less separated from the outside world that the current prison, it played small-scale Parisian society. Rather than on a rigorous distinction between men and women and between criminal groups, the organization was based on social status and wealth. Prisoners regulated their own conflicts, often without involving staff. As for the socio-professional world of guards, it resembled that of the Parisian business relations, involving both solidarity and hierarchy between the jailers. The third part focuses on "the adventure of escape", revealing the importance of social and cultural context in the decision, preparation and execution of such an undertaking
Dégez, Camille. "Une société carcérale : la prison de la Conciergerie (fin XVIe-milieu XVIIe siècles)". Electronic Thesis or Diss., Paris 4, 2013. http://www.theses.fr/2013PA040156.
Texto completo da fonteThe prison of the Conciergerie occupied a special place in the Paris prison landscape of the seventeenth century. It hosted many prisoners for debt, prisoners tried in first instance by one of the courts sitting in the Palais de Justice, which occupied the buildings, but also and above all the prisoners appealed to the parliament of Paris. From the analysis of individual pathways both of prisoners and staff of the Conciergerie (dynasties of chief jailers Regnoust and Dumont) and reconstituted from criminal and notarial archives, the thesis focuses on social relationships and behavior within the prison. After a first part dedicated to an overview of the Conciergerie in the early seventeenth century, the second part highlights the peculiarities of this prison society: less separated from the outside world that the current prison, it played small-scale Parisian society. Rather than on a rigorous distinction between men and women and between criminal groups, the organization was based on social status and wealth. Prisoners regulated their own conflicts, often without involving staff. As for the socio-professional world of guards, it resembled that of the Parisian business relations, involving both solidarity and hierarchy between the jailers. The third part focuses on "the adventure of escape", revealing the importance of social and cultural context in the decision, preparation and execution of such an undertaking
Jusseaume, Anne. "Soin et société dans le Paris du XIXe siècle : les congrégations religieuses féminines et le souci des pauvres". Thesis, Paris, Institut d'études politiques, 2016. http://www.theses.fr/2016IEPP0060.
Texto completo da fonteIn the nineteenth century, sisters of charity were at the core of the Parisian health system. This thesis analyses the identity and the social activities of these women who shared a religious commitment and a caring apostolate towards the poor of Paris. Vocation, which resulted from a choice by young women and the religious institution, was a way for these women to find a place in public space and in the workplace. It enabled them to assert themselves as individuals, undermining paternal authority and legitimating the expression of a desire. Cornerstones of the public health system and figures of charity, the nuns accompanied the growth of both. Their care of the poor and their devotion justified their claim to be recognised as socially useful in a context where French society was confronted by the new problem of widespread poverty and by the countervailing effects of dechristianization. Paradoxically, republican secularization would confirm their presence in the capital’s caring and charitable system. The sisters undertook training to new medical standards at the same times as they tried to maintain a ‘Christian singularity’ in the world. The care that the sisters provided played a role in the medicalization of society but nonetheless remained part of a strategy of religious reconquest. Their apostolate would reveal that society’s health and religious needs rested on a ‘care of the self’ and a need for attention. This ’care of the self’ was also a way for the nuns to reconcile the lay and religious aspects of their mission. Thus, sisters of charity could adapt themselves to modernity by articulating worldly preoccupations with a spiritual imperative
Gaumy, Tiphaine. "Le chapeau à Paris. Couvre-chefs, économie et société, des guerres de Religion au Grand Siècle (1550-1660)". Thesis, Paris, Ecole nationale des chartes, 2015. http://www.theses.fr/2015ENCP0001/document.
Texto completo da fonteIn the first half of the early modern period, time of political and religious troubles, and of great geographical discoveries that opened new trade opportunities, we approached the subject of hat and headdresses history in their technical, commercial (in the capital, the Court, the kingdom and abroad), esthetical (evolutions of forms, embroideries, feathers, hat badges) and social ways (manners and signification of wearing them). In the peculiar Parisian context of this period, this trade, changed by the apparition of beaver and the social obligation to have everybody’s head covered, has a deep impact not only on the evolution of the Parisian hatters’ wealth but also on Parisians’ and Courtiers’ wardrobes themselves. Without headdresses preserved, details about them are scattered in documentary sources: for example, we can find them in the writings of authors and moralizing people, in engravings of French people like Abraham Bosse, in works of Flemish painters like Jan Miense Molenaer, but also in criminal archives where they can be sometimes even motives of murder! Far from just being clothing accessories, headdresses in the early modern period are essential to socialize and characterize human beings: through them, we can grasp national identity, age, wealth, profession, social status and knowledge of civility rules (especially to raisesomebody’s cap to someone, a tradition established from medieval times). Also, at that time, their importance is reconsidered because of the challenge by the Protestants about their social significance and by the discovery of new societies with other relation to clothes, which put the traditional and European approach into perspective
Cazes, Laurent. "L'Europe des arts : la participation des peintres étrangers au Salon, Paris 1852-1900". Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010548.
Texto completo da fonteFrom the origin of World Fairs until the creation of the European secessions, the Paris Salon played a fairly significant role in the careers of hundreds of foreign painters. Avoiding aesthetic biases, the corpus of works, artists and texts studied traces the presence and the reception of foreign painting in the Paris Salon, from 1852 to 1900. The political and administrative history of the institution reveals the evolution of foreign painter status: from almost nonexistent at the beginning of the Second Empire, to a major issue at the end of the century, linked to the creation of the Société Nationale des beaux-arts. Risky and competitive, the Salon experience was a considerable challenge for all artists, both symbolic and commercial. Parisian careers of foreign painters, from their training studio to their exposition in the Salon, are less interpretable than for their French counterparts as an opposition between official and independent sphere; Fine Art system appears as wide open to the world and to the whole artistic field. The international dimension of Paris exhibitions had a profound impact on the evolution and the definition of French art who quickly built a hegemonic pattern on it. Unlike the nationalist partitioning of world fairs, the melting of the Salon is an image of the unity and diversity of European creative forces. The national expression is part of a community of approaches and expressions, and Arts of Europe cannot be categorized into national schools nor the style categories of the modernist tradition
Guigo, Michèle. "L'autre Louvre : la société du Louvre (1855-1939)". Electronic Thesis or Diss., Sorbonne université, 2019. http://www.theses.fr/2019SORUL145.
Texto completo da fonteThe Grands Magasins du Louvre was born in 1855 in the shadow of the Grand Hôtel du Louvre, in an expanding area following the works of Haussmann, only two years after the creation of the Bon Marché. Their creation is strongly linked to the project and the network of the Pereire brothers who wish to develop trade and luxury tourism in Paris. Louvre shops are quickly becoming one of the leading department stores, and even the most important by turnover in the 1870s and 1880s, as well as occupied space. Indeed, at first locked by the hotel, the store led by its two managers Chauchard and Hériot will engulf all the surrounding shops, as well as the hotel in 1879. They adopt the slogan of "the largest stores in the world". This first foot in the hotel industry will encourage its leaders to continue their expansion in this area by operating three additional hotels, the Terminus Saint-Lazare, the hotel d'Orsay and Crillon. The Grands Magasins du Louvre will therefore be the only department store to have invested in a sector other than commerce to diversify its activities. At the end of the nineteenth century, the store seems to know its heyday extending its influence on the national territory and abroad and sourcing goods from around the world. But the First World War and especially the economic crisis of the 1930s brought him a hard blow which he will not recover. In 1939 it first filed the balance sheet, before the closure was interrupted by the war. It will continue to survive after the Second World War, before finally disappearing in 1974
Ponthus, Anne-Françoise. "Autour de la "Société Nouvelle" : un réseau artistique et amical à Paris au début du vingtième siècle (1900-1914)". Paris 1, 2006. http://www.theses.fr/2006PA010563.
Texto completo da fonteKarakostaki, Charitini. "Les fêtes nouvelles. Enquête sur les idéaux de la société ouverte et leur mise en scène : Paris 1981-2014". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH030.
Texto completo da fonteThe present thesis examines the installation of new festive events in France, and more particularly in Paris, since the 80s. These celebrations mark a shift in regard to "traditional" celebrations which mostly revolve around the concepts of the sacred and the nation. Nourished by an ethnographic observation of several years, this work highlights a variety of aspects: the process of their invention and their creation and by the public authorities; the supervision of the events by cultural managers or associations and collectives; the invention of new ritual forms and the adaptation of older ones; the design of the urban scenery and the use of distinctive codes; the appropriation of these events fro, the society and the various debates to which they gave rise. Each part of the thesis deals with a celebration in an independent way. The Fête de la musique, the Gay Pride and the Nuit blanche are analyzed here in priority. However, next to them parade also other events, entirely new and ambitious, such as the European Capital of Culture and the Allumées of Nantes which offer a better insight into changes that took place on a European level. Finally, based on Durkheim's classic thesis, this work proposes to consider these festive events as an entry point into a greater inquiry about the ideals of the open society. The asserted intention of the organizers to put in place a new conception of living together and the social bond is in many ways the occasion to celebrate a French and European society, that is peaceful, reconciled and tolerant
Larné, Aurélien. "Pache, maire de Paris (1793 - 1794) : la mise en place d’un projet de société fondé sur les droits naturels". Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100031.
Texto completo da fonteThe policy conducted by Pache, the mayor of the Paris Commune from 14 February 1793 to 10 May 1794 (21 Floreal Year II), aimed to guarantee the natural rights of man and of the citizen. These rights were formulated by the people at the general assemblies of the Parisian sections, and then theorised by members of the Mountain (Montagnard) faction. Following the insurrection of 31 May -2 June 1793, which resulted in the expulsion of the « unfaithful » Girondin deputies who were considered to have betrayed the people, the National Convention announced and implemented legislation to enact these rights. The communes were entrusted with enforcing this legislation, with Pache and the Paris Commune working hard to ensure its success
Gangnat, Émilie. "Une histoire de la photographie missionnaire à travers les archives de la Société des missions évangéliques de Paris (1880-1971)". Paris 1, 2011. https://tel.archives-ouvertes.fr/tel-01581647.
Texto completo da fonteGuigo, Michèle. "L'autre Louvre : la société du Louvre (1855-1939)". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL145.
Texto completo da fonteThe Grands Magasins du Louvre was born in 1855 in the shadow of the Grand Hôtel du Louvre, in an expanding area following the works of Haussmann, only two years after the creation of the Bon Marché. Their creation is strongly linked to the project and the network of the Pereire brothers who wish to develop trade and luxury tourism in Paris. Louvre shops are quickly becoming one of the leading department stores, and even the most important by turnover in the 1870s and 1880s, as well as occupied space. Indeed, at first locked by the hotel, the store led by its two managers Chauchard and Hériot will engulf all the surrounding shops, as well as the hotel in 1879. They adopt the slogan of "the largest stores in the world". This first foot in the hotel industry will encourage its leaders to continue their expansion in this area by operating three additional hotels, the Terminus Saint-Lazare, the hotel d'Orsay and Crillon. The Grands Magasins du Louvre will therefore be the only department store to have invested in a sector other than commerce to diversify its activities. At the end of the nineteenth century, the store seems to know its heyday extending its influence on the national territory and abroad and sourcing goods from around the world. But the First World War and especially the economic crisis of the 1930s brought him a hard blow which he will not recover. In 1939 it first filed the balance sheet, before the closure was interrupted by the war. It will continue to survive after the Second World War, before finally disappearing in 1974
Chomette, Anne. "La société parisienne dans les romans du Monde réel de Louis Aragon". Paris 3, 1991. http://www.theses.fr/1992PA030136.
Texto completo da fonteARAGON PERCEIVED THE WRITING OF HIS MONDE REEL (THE REAL WORLD) AS THE LAST STAGE, IN A WAY, OF A CONVERGENCE BETWEEN HIS ADHERENCE TO SOCIALIST REALISM AND HIS "WILL TO NOVEL". THE PROMINENT POSITION GIVEN TO SUCH A CONNECTION APPEARED TO REQUIRE A STUDY OF THE INTRICATE LINKS BETWEEN THE NOVELISTIC FICTION AND ITS IDEOLOGICAL INTERFERENCES. STARTING FROM THE IDEA OF A DOUBLE-FEATURED RELATIONSHIP BETWEEN THE WORLD CREATED BY THE NOVELIST AND THE POLITICAL DISCOURSE OF THE MILITANT, WE HAVE TRIED TO SHOW TO WHAT EXTENT THE BORROWINGS FROM THE WORLD OF MEMORY OR THE WORLD OF IMAGINATION REFERRED TO THE PRESENT REALITY AND TO AN IDEOLOGY WHICH EXPLAINS AND JUSTIFIES THEIR PRESENCE IN THE NOVELS. THSE CONSIDERATIONS LED US TO SEE IN THE MONDE REEL THE EXPRESSION OF ARAGON'S CONTINUAL ENDEAVOURS TO TELL ALL THE TRUTH ABOUT THE SOCIETY THAT PARIS PUT ON SHOW FOR HIM, WITHOUT EVER LOSING SIGHT OF THE REQUIREMENTS AND PRINCIPLES OF SOCIALIST REALISM. With THIS IN MIND WE WERE ABLE TO ESTABLISH, FOR INSTANCE, THAT THE NOVELIST LIKES TO RECALL PAST TIMES IN ORDER TO SUGGEST CONTEMPORARY OCCURRENCES AND SO PLANT IN THE READER'S MIND THE ESSENTIAL QUESTION : WHAT STRUCTURE IS TO BE GIVEN TO FUTURE SOCIETY?
Sevil, Borbely Ayça. "Images de Paris chez trois écrivains contemporains turcs : Demir Özlü, Nedim Gürsel, Enis Batur". Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00874447.
Texto completo da fonteJacotot, Sophie. "Entre deux guerres, entre deux rives, entre deux corps : imaginaires et appropiations des danses de société des Amériques à Paris (1919-1939)". Paris 1, 2008. http://www.theses.fr/2008PA010641.
Texto completo da fonteEspinosa, Laurence. "Anthropologie d'une rencontre - Les Sotho dans les écrits des pionniers de la Société des Missions Evangéliques de Paris au XIXe siècle (1830-1880)". Thesis, Pau, 2014. http://www.theses.fr/2014PAUU1004/document.
Texto completo da fonteThis anthropological study is an interrogation about a possible talks between Sotho of Southern Africa and missionaries of the French 'Société des missions évangéliques de Paris' during the 19th century. It is an exercise of transcription from renewed analysis of write-ups published in journals of evangelical missions. Three major preconceptions have guided this analysis so far. First of all, if meetings took place, what was the occurrence of such events? The first trail questions the modalities of the contacts with the Sotho together, the Sotho woman or with the chief Moshoeshoe. Then, if God has led clergymen to the Africans, omnipresent God is not only overhanging. The second point deals with the materiality of God so as to touch him and eventually reach the meeting. Finally the Sotho, hosts of the missionaries, became the hostages of the storytellers. Are the Sotho's opponents, the other Africans who were met by the evangelists, the ones whose absence may lead to reconsidering the idea of meeting?
Pravdenko, Inna. "Artistic migration from Latin America to Paris : stories of nine exhibitors at the Société Nationale des Beaux-Arts and some of their paintings". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3027.
Texto completo da fonteIn the nineteenth century Latin American painters were going to Europe in search of artistic perfection. Paris as the centre of modern art was one of the main destinations for intercontinental artistic migration. The artists from Latin American countries went to Paris to study in famous art schools and to participate in the Salon in order to prove their professional status and to begin their careers in the international arena. Many of them stayed in Europe, but they were usually ignored by French criticism and later, by modernist historiographies. These painters were pushed back to the periphery to which they belonged regardless of their geographical choices. The dissertation explores the trajectories of Latin American painters in Paris who participated in the Salons of the Société Nationale des Beaux-arts from 1890 to 1899 and revisits their position in the modern canon. The research starts with the general overview of the art system on both sides of the Atlantic Ocean and goes from the investigation of artists’ places in national historiographies to the interpretation of their paintings. The multiple factors that shape the reception of the art from periphery are brought to light in order to see the painters erased from history and to find the ways to resist the domination of the master narrative in art history
Huang, Hui. "Un paysage culturel dynamique : géographie historique et économique des musées parisiens". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010627/document.
Texto completo da fonteParis has an exceptional cultural landscape, in which museums play an important role. This PhD thesis insists that this landscape has never ceased to change and is still changing. As for the museums themselves, far from being institutions opposed to change and to a modern economy, we have shown that they participate in the productive economy, specifically in the symbolic production, and that they manage to adapt to the public demand, to adjust their statutes, to rethink their links with other institutions and so on. Finally, we claim that museum activities are characterized by their similarities with other forms of symbolic consumption, and their spatial proximity with the areas of symbolic consumption
Caron, Jean-Claude. "La jeunesse des écoles à Paris, 1815-1848 : étude statistique, sociale et politique". Paris 1, 1989. http://www.theses.fr/1989PA010516.
Texto completo da fonteChatzimpiros, Petros, e Petros Chatzimpiros. "Les empreintes environnementales de l'approvisionnement alimentaire : Paris, ses viandes et lait, XIXe-XXIe siècles". Phd thesis, Université Paris-Est, 2011. http://pastel.archives-ouvertes.fr/pastel-00834837.
Texto completo da fonteChehilita, Émilie. "La critique de la « société du Spectacle » à l’essai sur les scènes théâtrales de Berlin, Londres et Paris dans les années 2000 : spectacle dans le spectacle, la société spectaculaire et marchande au prisme du spectacle vivant". Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100076.
Texto completo da fonteThis thesis tackles the critic of the “Society of the Spectacle” (concept brought by the Guy Debord’s eponymous essay) performed in experimental theater works and the performance scenes during the 2000s in Berlin, London and Paris. The studied theater pieces borrow cultural references to the mass media, often considered as machines to alienate the public. The corpus includes authors as well as stage directors and collectives: Martin Crimp, David Alaya, Joël Jouanneau, Falk Richter, René Pollesch, Tom Khünel, Katie Mitchell, the Collective MxM (Cyril Teste), Forced Entertainment (Tim Etchells), Gob Squad and Superamas.The multidisciplinary approach deals with both the dramaturgy aspects and the sociological patterns of representation. One the one hand, this work studies the network structure in which the artists meet each others and collaborate. On the other hand, we investigate the various stage elements, among which cameras and screens take an major part, as well as the actors’ corporeality as well as the spectators’ ways of perception, among others, by the mean of a survey. By trans-contextualizing their sources, the artists create a gap and increase the distance with them using several techniques: literal incorporation, quotation, parody and pastiche, but also irony and cool fun tone.The critical dimension of these works is not straight forward, and often not even claimed. Far from rejecting it as a whole, the authors and actors are fond of the mass media culture’s objects. In order to set in motion their critical function, they place themselves at the heart of the “Society of the Spectacle” and the Zeitgeist. Thus, such a critic has moved from an external point of view to an internal one. Their approach, mixing seriousness and fun, indicates a will not to separate themselves from the spectators to whom they want to set on equal footing in order to make the dialogue and sometimes the interaction possible
Archondoulis-Jaccard, Nelly. "La représentation des élites (bourgeoisie et aristocratie) dans les salons de peinture parisiens entre 1880 et 1914 (Exposition nationale des Beaux-Arts, Société des Artistes français, Société nationale des Beaux-Arts) : analyse d'un goût social". Paris 1, 2000. http://www.theses.fr/2000PA010577.
Texto completo da fonteHiet-Guihur, Évelyne. "Le voyage dans la formation des missionnaires de la Société des Missions Étrangères : 1660-1791". Lorient, 2011. http://www.theses.fr/2011LORIL226.
Texto completo da fonteThe Foreign Missions Society is officially established in 1663 by the four vicars apostolic that had just appointed Alexandre VII: François de Laval Montmorency for Québec, François Pallu, Lambert de La Motte and Ignace Cotolendi for the Far East. In its missions in Asia, the new organisation with an exclusively missionary purpose aims at forming the clergy of this emerging Church. The Society is immediately confronted with difficulties in dealing with the distance between the place of the missionary activity and the Paris seminary, where most of its members have no field experience. There are communication difficulties that become visible quite rapidly and generate strong tensions between the actors. The voyage seems to be the decisive element of this situation. It allows the missionaries to gradually adapt to their new living conditions. On the contrary, it is a missing element for the directors, who do not understand the constraints specifically related to each mission place. The uncertainty and the slowness of exchanges which result from the transport conditions of the age deepen the physical and mental gap between the members of the Society. Getting a grasp of the functioning of the Foreign Missions Society between 1660 and 1791 includes the study of voyage as an apprenticeship period for the mission
Fabre, Frédéric. "L'évolution du discours de la mission protestante française face à la décolonisation (1945-1960)". Aix-Marseille 1, 1997. http://www.theses.fr/1997AIX10030.
Texto completo da fonteIt's belatedly with the fisrt world war that the french protestants were integrated to the french nation, thanks to the "union sacree". The missionaries oversers adherated in the same time to the idea of a french colonial empire; they occupied after 1919 missionary stations formerly held by german missionaries in togo and cameroon and were represented at the colonial exposition of vincennes in 1931. The second warld war was a terrible shock because of the defeat of 1940 and because the nazism "pagan" appeared in europe. Nevertheless after 1945 a lot of missionaries wanted to continue their action as if nothing had happened since 1939; the metropolition protestant authorities on the other hand pushed the missionaries in granting autonomy to the local churches in reply to nationalists claims deeply rooted in colonial peoples (this awareness was hastened by therats and attempts against missionaries committed by africans). The missionaries leaned on native christians and african elites torule the new independant countries so the missionaries started to cinsider these young countries as the real christian countries, starving because of the selfishness and materialism of western countries; first faworable to colonization in the o's, the missionaries had become supporters of the third-world
Guyot-Becker, Thérèse. "La servitude pour dette au Campa du sud au XVIIIe siècle : Étude des archives légales du "Panduranga-Campa" de la Société Asiatique de Paris". Paris, EPHE, 2014. http://www.theses.fr/2014EPHE4003.
Texto completo da fonteThis doctoral work focuses on debt bondage in Southern Campa (Champa)--a territory then known as the Panduranga, and corresponding to the provinces currently known as Ninh-Thuận and Bình-Thuận in Southern Vietnam. The corpus of documents consulted is housed within the Société Asiatique, Paris. Known as the Royal Archives of Panduranga, legal and administrative documentation examined dated from the 18th Century and was handwritten in Cam and Han-Nôm characters. Favoring a legal approach and close examination of archived sales contracts, loans, donations, and complaints and petitions related to debt, the research intends to define forms of bondage and some of the circumstances from which it arose. These legal documents provide an additional angle from which to interpret the conditions of bonded people, i. E. The Halun, their status and rights, and offers clarification on the difference between ‘slaves’ and ‘servants’. This thesis is divided into five chapters. The first chapter presents the corpus of documents, its foundations and limitations. The second chapter attempts to identify the various types of contracts related to the sale of persons--and as these sales are often closely related to debt, the third chapter provides analysis in this regard. Lastly, repayment of loans and the status of bonded people are themes addressed within the last two chapters of this work
Pigeard-Micault, Natalie. "Charles Adolphe Wurtz, doyen de l'École de médecine de Paris (1866-1875)". Phd thesis, Université de Nanterre - Paris X, 2007. http://tel.archives-ouvertes.fr/tel-00910297.
Texto completo da fonteCisse, Abdoul. "Le transfert de marché de cotation sur NYSE Euronext Paris : motivations et conséquences pour l'entreprise et ses actionnaires". Phd thesis, Université de Grenoble, 2011. http://tel.archives-ouvertes.fr/tel-00662092.
Texto completo da fonteBenveniste, Henriette. "Stratégies judiciaires et rapports sociaux d'après les plaidoiries devant la Chambre criminelle du Parlement de Paris : vers 1345-vers 1454". Paris 1, 1986. http://www.theses.fr/1986PA010605.
Texto completo da fonteThe object of this study is the relations between classes or social groups, their attitudes towards the judicial machinery, as well as the problems of violence and justice as they appear through the pleadings before the criminal court of the parliament of paris in the end of the middle ages. The first part is dealing with the contemporaries, conceptions about law and their ideas of a king as a dispenser of justice or about the competence of the professionnals of law, as well as the references lawyers make to the different sources of law and their arguments on criminality. The second part concerns the relations of the parliament with the inferior courts and the personnel that serves royal justice, the problems that officers' behavior night create, the jurisdiction conflits and the contradictions of royal pardon. Pleading can also be considered as a "particular system of bringing evidence" and as a reflaxion of a cultural model; through the lawyers' rhetoric we can appreciate their arguments and the social values they illustrate, the importance and the meaning of the penalties mentioned. In the third part we examine certain crimes as they appear in the pleadings. Treason is revealing a political doctrine and pleadings on private wars demonstrate the modalities and the representations of medieval violence. Murders, theft, and plundery complete the image of this violence and allows to understand what differentiates medieval violence from every other type of violence, to show its role in the conceptual world of the pledges and its treatement by the parliament. By acts or by the expressin of an ideology the parliament participates in the process of the construction of a state
Koning, Martin. "Essais sur la congestion dans les transports à Paris". Phd thesis, Université Panthéon-Sorbonne - Paris I, 2011. http://tel.archives-ouvertes.fr/tel-00717656.
Texto completo da fonteArigne, Viviane. "Les noms discrets collectifs. Essai de typologie et problèmes de classification (Volume 3 du dossier Subjectivité et référence. Questions de sémantique, dossier soumis pour l'Habilitation à diriger des recherches, Université Paris-Sorbonne (Paris 4))". Habilitation à diriger des recherches, Université Paris-Sorbonne - Paris IV, 2010. http://tel.archives-ouvertes.fr/tel-01022791.
Texto completo da fonteTironi, Martin. "La ville comme expérimentation : le cas du Vélib' à Paris". Phd thesis, Ecole Nationale Supérieure des Mines de Paris, 2013. http://pastel.archives-ouvertes.fr/pastel-00946789.
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