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Livros sobre o tema "Smithsonian Institution. Archives of American Art"

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Autor: Grafiati

Publicado: 25 de julho de 2024

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1

Twachtman, John Henry. Twachtman in Gloucester: His last years, 1900-1902 : essays by John Douglass Hale, Richard J. Boyle, and William H. Gerdts : a loan exhibition for the benefit of the Archives of American Art (Smithsonian Institution), 12 May-13 June 1987, Ira Spanierman Gallery. New York: Universe/Ira Spanierman Gallery, 1987.

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2

), National Museum of American Art (U S. America's art, Smithsonian American Art Museum. New York: Abrams, 2006.

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3

Art, Archives of American. Smithsonian Archives of American Art: Celebrating 50 years, the Archives of American Art, 1954-2004. Washington, D.C: Archives of American Art, Smithsonian Institution, 1999.

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4

Gartenhaus, Alan. Start exploring masterpieces of American art from the National Museum of American Art, Smithsonian Institution. Philadelphia: Running Press, 1990.

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5

National Museum of the American Indian (U.S.). Treasures of the National Museum of the American Indian, Smithsonian Institution. 2^a ed. New York: Abbeville Press, 2005.

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6

Gallery, Renwick. Skilled work: American craft in the Renwick Gallery, National Museum of American Art, Smithsonian Institution. Washington, D.C: Smithsonian Institution Press, 1998.

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7

Freer Gallery of Art. Library. Dictionary catalog of the Library of the Freer Gallery of Art, Smithsonian Institution. 2^a ed. Boston: G.K. Hall Micropublications, 1991.

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8

Esterman, M. M. A fish that's a box: Folk art from the National Museum of American Art, Smithsonian Institution. Arlington, Va: Great Ocean Publishers, 1990.

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9

National Museum of the American Indian (U.S.). Treasures of the National Museum of the American Indian: Smithsonian Institution. New York: Abbeville Press, 1996.

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10

National Museum of American Art (U.S.). American beauties: Women in art and literature : paintings, sculptures, drawings, photographs, and other works of art from the National Museum of American Art, Smithsonian Institution. New York: H.N. Abrams, 1993.

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11

National Museum of American Art (U.S.). American beauties: Women in art and literature : paintings, sculptures, drawings, photographs, and other works of art from the National Museum of American Art, Smithsonian Institution. New York: H.N. Abrams, 1993.

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12

P, Smith Joshua, e National Museum of American Art (U.S.), eds. The Photography of invention: American pictures of the 1980s, National Museum of American Art, Smithsonian Institution, Washington, D.C. Cambridge, Mass: MIT Press, 1989.

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13

Kirwin, Liza. More than words: Artists' illustrated letters from the Smithsonian's Archives of American Art. [Washington, DC]: Smithsonian Institution, Archives of American Art, 2005.

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14

National Museum of American Art (U.S.). American artists in photographic portraits: From the Peter A. Juley & Son collection, National Museum of American Art, Smithsonian Institution. New York: National Museum of American Art, Smithsonian Institution in association with Dover Publications, 1995.

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15

National Academy of Design (U.S.). Nature observed, nature interpreted: Nineteenth-century American landscape drawings & watercolors from the National Academy of Design and Cooper-Hewitt, National Design Museum, Smithsonian Institution. New York: National Academy of Design with Cooper-Hewitt, National Design Museum, Smithsonian Institution, 1995.

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16

National Museum of American Art (U.S.). The Peter A. Juley and Son collection: A photographic resource of the National Museum of American Art, Smithsonian Institution. Washington, D.C: The Museum, 1985.

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17

Association of North American Graduate Programs in Conservation. Conference. Student papers from the 26th conference, Association of North American Graduate Programs in Conservation: 27-29 April 2000, Smithsonian Institution, Washington DC. Washington, DC: Smithsonian Center for Materials Research and Education, 2002.

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18

National Portrait Gallery (Smithsonian Institution). Permanent collection illustrated checklist. Washington: The Gallery in association with the Institution, 1987.

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19

National Museum of American Art (U.S.). Between home and heaven: Contemporary American landscape photography from the Consolidated Natural Gas Company Collection of the National Museum of American Art, Smithsonian Institution. Washington, D.C: National Museum of American Art, Smithsonian Institution in association with the University of New Mexico Press, Albuquerque, N.M., 1992.

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20

Hoesen, Beth Van, e John Johnston. Beth Van Hoesen: Catalogue raisonné of limited-edition prints, books, and portfolios. Seattle [Wash.]: Marquand Books, 2011.

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21

Miles, Ellen Gross. Saint-Mémin and the neoclassical profile portrait in America. [Washington D.C.]: National Portrait Gallery, 1994.

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22

National Museum of the American Indian (U. S.). Creation's Journey: Native American Identity and Belief. Washington, D.C: Smithsonian Institution Press in association with the National Museum of the American Indian, 1994.

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23

1943-, Hurtado Larry W., ed. The Freer biblical manuscripts: Fresh studies of an American treasure trove. Atlanta, GA: Society of Biblical Literature, 2006.

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24

National Portrait Gallery (Smithsonian Institution). A brush with history: Paintings from the National Portrait Gallery. Washington, D.C: The Gallery, 2001.

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25

Smithsonian Institution American Folk Art. Zebra Publishing, 2007.

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26

Smithsonian American Art Museum. e Theresa J. Slowik. America's Art: Masterpieces (Smithsonian Only) from the Smithsonian American Art ... Abrams Books for Young Readers, 2006.

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27

American Glass: Masters of the Art (Smithsonian Institution Traveling Exhibition Service). University of Washington Press, 1999.

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28

Diamond, Debra. Buddhist Art. Giles Limited, D., 2017.

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29

National Museum of American Art (U. S.). National Museum of American Art, Smithsonian Institution/Paperback Book and Cd Rom. Smithsonian Inst Natl Museum of, 1996.

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30

Snead, James E. Relic Hunters. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198736271.001.0001.

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Relic Hunters is a study of the complex relationship between the people of 19th century America with the material antiquities of North America's indigenous past. As scholars struggled to explain their existence, farmers in Ohio were plowing up arrowheads, building their houses atop burial mounds, and developing their own ideas about antiquity. They experienced the new country as a "place with history" reflected in material traces that became important touch points for scientific knowledge, but for American cultural identity as well. Relic Hunters traces the encounter with American antiquities from 1812 to 1879. This encompasses the period when archaeology took root in the United States: it also spans the "deep settlement" of the Midwest and sectional strife both before and after the Civil War. At the center of the story is the first iconic find of American archaeology, known as "the Kentucky Mummy." Discovered deep in a cavern, this dessicated burial became the subject of scholarly competition, traveling exhibitions, and even poetry. The book uses the theme of the Kentucky Mummy to structure the broader story of the public and American antiquities, a tour that leads through rural museums, mound excavations, lecture tours, shady deals, and ultimately into the famous attic of the Smithsonian Institution. Ultimately, Relic Hunters is a story of the American landscape, and of the role of archaeology in shaping that place. Derived from letters, memoranda, and reports found in more than a dozen archives, this is a unique account of a critical encounter that shaped local and national identity in ways that are only now being explored.

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31

(JOHNSON, WILLIAM H. ). THE PAINTINGS OF WILLIAM H. JOHNSON: NATIONAL MUSEUM OF AMERICAN ART SMITHSONIAN INSTITUTION PRINT PORTFOLIO. Pomegranate Publications, 1991.

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32

Kirwin, Liza, e Marc Leverton. More Than Words: Illustrated Letters from the Smithsonian's Archives of American Art. Princeton Architectural Press, 2015.

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33

Kirwin, Liza. More Than Words: Illustrated Letters From The Smithsonian's Archive of American Art. Princeton Architectural Press, 2007.

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34

Ideals of beauty: Asian and American art in the Freer and Sackler galleries. London: Thames and Hudson ; Washington, D.C., 2010.

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35

Ideals of beauty: Asian and American art in the Freer and Sackler galleries. London: Thames and Hudson ; Washington, D.C., 2010.

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36

Ideals of beauty: Asian and American art in the Freer and Sackler galleries. London: Thames and Hudson, 2010.

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37

Scherer, Joanna Cohan, e Jean Burton Walker. Indians: The Great Photographs That Reveal North American Indian Life, 1847-1929, From the Unique Collection of the Smithsonian Institution. Random House Value Publishing, 1985.

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38

National Portrait Gallery (Smithsonian Institution). Portrait of a nation. 2015.

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39

Temple of invention: History of a national landmark. Washington, DC: Scala for the Smithsonian American Art Museum and the National Portrait Gallery, 2006.

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40

Gallery, National Portrait. America's Presidents: National Portrait Gallery. Smithsonian Books, 2018.

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41

Hurtado, Larry W. The Freer Biblical Manuscripts: Fresh Studies of an American Treasure Trove (Sbl - Text-Critical Studies). Brill Academic Publishers, 2007.

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42

Carr, Carolyn Kinder, e Ellen G. Miles. A Brush with History : Paintings from the National Portrait Gallery. National Portrait Gallery, 2001.

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43

Carr, Carolyn Kinder, e Ellen G. Miles. A Brush with History : Paintings from the National Portrait Gallery. National Portrait Gallery, 2001.

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44

Hurtado, Larry W. The Freer Biblical Manuscripts: Fresh Studies of an American Treasure Trove (Text-Critical Studies) (Archaeology and Biblical Studies). Society of Biblical Literature, 2006.

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45

Blaustein, George. Pictures from an Institution. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190209209.003.0004.

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The founding Americanist institution in postwar Europe took place in a baroque, bomb-damaged castle and had only the tenuous approval of the US military government in Austria. Leopoldskron Castle had been owned by the theater impresario Max Reinhardt before the Nazis expropriated it. The Salzburg Seminar in American Civilization, a transnational collaboration of student organizations and Christian relief agencies, repurposed the castle in 1947 to bring American thought and art to occupied Europe. Scholars, novelists, and poets carried the American word abroad and, in turn, were shaped by their encounters in the ruins. This chapter is the story of that institution’s early years, perched between the imaginary geography of Mitteleuropa and the political geography of the Cold War. The Seminar preceded the Marshall Plan, and its previously unexplored archives yield dramas of denazification, displacement, and the bifurcation of Europe.

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