Bibliografias temáticas / Short stories, Canadian – 21st century

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Literatura científica selecionada sobre o tema "Short stories, Canadian – 21st century"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Short stories, Canadian – 21st century"

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Gohar Aageen e Dr. Shazia Razzaq. "Abnormal Characters In Urdu Short Stories Of 21st Century". Dareecha-e-Tahqeeq 3, n.º 3 (16 de janeiro de 2023): 36–54. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i3.51.

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Abnormality and disability have become particularly prominent issues today. Now it is not a flaw or defect, but it is a matter of global attention. Efforts are being made to solve the issues related to the lives of such people at the global level and bring them to the fore. In Urdu fiction, such characters have also been presented. The fiction writer of the 21st century describes the problems associated with the lives of these people in diverse ways and closes their impact on society, so that the Practical and ideological changes in society can be covered .This article is based on all those stories which are about the lives of abnormal and disable people and it also have the comparative study of male and female characters to Annelise who are suffering more in society
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Kravchenko, Y. "GENRE-STYLE PARADIGM OF THE MODERN UKRAINIAN MYSTICAL STORY OF THE 21ST CENTURY". Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, n.º 1(99) (12 de abril de 2023): 27–38. http://dx.doi.org/10.35433/philology.1(99).2023.27-38.

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The article presents an overview of the peculiarities of the modern Ukrainian mystical story as a literary genre. It also analyzes the problem of a clear definition of the term "mystical story", since there is no differentiation of this genre in modern literature, which would allow us to talk about its differences from other types of stories. The specifics of the interpretation of the mysticism in philosophical, religious and literary contexts are studied on the basis of the works of Ukrainian and foreign scientists. The genre attribution of the mystical story is outlined in comparison with the above mentioned genre categories (magical realism and whimsical prose). The article emphasizes the fact that the varieties of the short story as a genre of short prose have practically not been studied in the field of literature: for the most part, short stories have been considered only in comparison with other prose genres, while there are almost no attempts to classify the varieties of short stories. The paradigm of traditional images, characteristic of the Ukrainian mystical tradition and folklore (Blud, chort, domovyk) is considered. Stories from the collection "Ukrainian mysticism" are compared in order to analyze the categories of "mystical" and supernatural images embedded in them, attention is drawn to the peculiarities of the interpretation of elements characteristic of Ukrainian oral folk art. Subtypes of other genres present in mystical stories, such as detective and horror, are also distinguished, and the leading motives of such stories are determined (the motive of transformation, the motive of entering the other world, the religious motive, the motive of contrasting the ordinary and the other worlds). In addition, the paper presents the author's classification of mystical stories by genre and thematic characteristics.
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Hall, Leila, Ronit Frenkel e Andy Carolin. "Intersectional (In)visibility in the 21st-Century South African Queer-Themed Short Story". Research in African Literatures 54, n.º 3 (setembro de 2024): 20–39. http://dx.doi.org/10.2979/ral.00014.

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ABSTRACT: Through a comparative reading of four queer-themed South African short stories published in the 2010s, this article argues that recent South African short fiction brings new subtleties and nuances to the straightforward and often-unproblematized valorization of queer "visibility." The article contends that the stories foreground the intersectionality of queer visibility in post-apartheid South Africa—pointing to some of the ways in which the contemporary South African moment continues to be defined by hetero-patriarchal norms, class disparities, and racialized divisions. The article further examines how the stories create textured queer visibilities that humanize queer subjectivities and subvert dominant racialized and gendered discourses in the post-apartheid present.
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A, Anitha. "Feminist Virtues in Jayakanthan Short Stories". International Research Journal of Tamil 4, S-14 (28 de novembro de 2022): 62–66. http://dx.doi.org/10.34256/irjt224s1410.

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Introduction the various stages of development Took place in the 20th century extended to the field of literature. Literary scholars have been instrumental in over coming notion of superiority, inferiority and gender in equality conventional ideas were rejected and new ideas began go emerge. Among them ideas about feminism have gained much popularity and development in the 21st century. Jayakanthan is also notable for his desire for women's emancipation from the perspective of society, politics, economy and religion free from such conditions. He as created works with the aim of librating women from the bondage imposed by the society conclusion feminism can be seen us a way for women to break free from slavery, in marriage, both the man and woman are disappointment if they have expectations and it is clear that life will be better if they give up on each other and live without expectations. In the story, he points out that the solution is to potray the child marriage as nonexistent the world can see that it is wrong to say that the practice of chastity as a tradition that can be traced back to the speciality of Tamils, chastity is only for women and that chastity requires restraint. It is certain that his thoughts and repercussions, no matter how many times pass are events of another period.
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Kustec, Aleksander. "Unravelling the mystery of reality : typical Canadian elements in the short stories of Alice Munro". Acta Neophilologica 31 (1 de dezembro de 1998): 105–14. http://dx.doi.org/10.4312/an.31.0.105-114.

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The contemporary Canadian short story has a specific place among literary genres in Canadian literature. It culminated in the sixties of this century, when the Canadians looked to their literature with greater interest. Canadian short story writers started to write in a different tone, and showed special interest for new themes. After 1960 authors, such as Henry Kreisel, Norman Levine, Anne Hebert, Mavis Gallant, Ethel Wilson, Joyce Marshall, Hugh Hood, Hugh Garner, Margaret Laurence, Audrey Callahan Thomas, Mordecai Richler, and Alice Munro, refused to use the traditional plot, and showed more interest for characterisation. By using a typical Canadian setting, their stories began to reflect social events of their time. A new awareness of identity stepped forward, and above all their stories became a reflection of the diversity of life in all Canadian provinces. The contemporary Canadian short story writers began to overstep the boundaries of their imagination.
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Kustec, Aleksander. "Unravelling the mystery of reality : typical Canadian elements in the short stories of Alice Munro". Acta Neophilologica 31 (1 de dezembro de 1998): 105–14. http://dx.doi.org/10.4312/an.31.1.105-114.

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The contemporary Canadian short story has a specific place among literary genres in Canadian literature. It culminated in the sixties of this century, when the Canadians looked to their literature with greater interest. Canadian short story writers started to write in a different tone, and showed special interest for new themes. After 1960 authors, such as Henry Kreisel, Norman Levine, Anne Hebert, Mavis Gallant, Ethel Wilson, Joyce Marshall, Hugh Hood, Hugh Garner, Margaret Laurence, Audrey Callahan Thomas, Mordecai Richler, and Alice Munro, refused to use the traditional plot, and showed more interest for characterisation. By using a typical Canadian setting, their stories began to reflect social events of their time. A new awareness of identity stepped forward, and above all their stories became a reflection of the diversity of life in all Canadian provinces. The contemporary Canadian short story writers began to overstep the boundaries of their imagination.
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Hillary Owino, Omondi, Colomba Kaburi Muriung e Mukasa Antony. "EPOCHAL RELEVANCE OF SELECTED POST MILLENNIAL SHORT STORIES IN EAST AFRICA". International Journal of Language, Linguistics, Literature, and Culture 02, n.º 04 (2023): 52–67. http://dx.doi.org/10.59009/ijlllc.2023.0033.

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Literary writers in Africa have used different genres of art to reflect and critique actions in the society at different points of history. Apart from entertaining and preserving culture, works of art have a role in creating awareness among the audience and proposing action in the society. The pre-colonial, colonial and pre-millennium texts have received significant literary attention with reference to their concerns. Most studies in Africa for example tend to focus on canonical writers and their contributions to the political and economic developments in the society. However, many post millennial short stories have received minimal critical attention. This paper, therefore, examines the socio-cultural and economic resurgence in selected post millennium short stories in East Africa in order to find out the kind of society that upcoming writers are yearning for, thus revealing the major concerns of short stories written in the 21st century. Post-colonial theory guides the analysis done in this paper and helps in demonstrating how the Millennium Development Goals influenced the thematic concerns in the five (5) short stories under discussion, which are all written by emerging post-millennial writers. The paper argues that 21st Century writers are sensitive to issues affecting their society and they, in the process of writing, attempt to propose ways of societal transformation through literature. The paper gives variety and contributes to the existing reservoir of literary analysis in East Africa.
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Sarguzina, Irina A. "Unabridged Short Stories by 21st-Century Spanish-Speaking Authors in Teaching Spanish as a Foreign Language". Integration of Education 25, n.º 4 (30 de dezembro de 2021): 700–714. http://dx.doi.org/10.15507/1991-9468.105.025.202104.700-714.

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Introduction. The need to include authentic works of fiction in the foreign language teaching process is obvious, but the selection of texts of the appropriate level at the elementary and intermediate stages of Spanish teaching remains a challenge. Since this phenomenon has not been sufficiently explored, the aim of this article is to present a list of unabridged short stories that correspond to the intermediate level (B1 PCIC) and the results of the study on the benefits of using these stories as a means of stimulating communication skills in the Spanish class. Materials and Methods. To study the problem, a Likert scale questionnaire, oral interviews, and a check of the final work were carried out. The study involved 54 students from three Russian universities and one school where Spanish and English are studied in depth. The collected data were processed by methods of mathematical statistics in Microsoft Office Excel. For the study, 36 short stories by contemporary Hispanic authors were selected and pre and post-reading questions were developed to introduce the topic and stimulate oral speech. Results. Based on the results of the study, it was revealed that the selected stories correspond to the B1 level of the Cervantes Instituteʼs curriculum, and the topics presented in the stories stimulate communication in the class, pushing the fear of making a mistake into the background. Many Spanish teachers introduce unabridged fiction starting at B2 level. This experiment demonstrates the successful use of short stories at an intermediate level of language proficiency. Discussion and Conclusion. The results of the study contribute to the development and improvement of the methodology of teaching Spanish with the use of authentic fiction texts. The materials of the article will be useful for practicing teachers and methodologists of the Spanish language.
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Cahyaningtyas, Andarini Permata, Pundani Eki Pratiwi, Aldina Eka Andriani e Indra Simanungkalit. "Training in writing creative literary works to improve 21st century skills for elementary school teachers". Community Empowerment 8, n.º 12 (30 de dezembro de 2023): 2040–49. http://dx.doi.org/10.31603/ce.10243.

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This community service activity is prompted by teachers' demand for competence in writing literary works, particularly poetry and short stories. Therefore, the objective of this community service is to enhance the writing abilities of teachers at SDN Genuksari 01 in Semarang City, focusing on poetry and short story composition. The activity is divided into two stages: preparation and implementation. These stages include delivering materials, engaging in question and answer sessions, providing assistance in literary work composition, and conducting outreach on self-publication. The positive reception of this activity is evident due to the numerous benefits it brings to participants. These include an increase in knowledge and competence in composing poetry and short stories based on their observations and experiences. Participants also learn to create poetry using simple words. The aspiration is that this knowledge won't be confined to teachers alone but will also be passed on to students, fostering a greater appreciation for engaging in literary work.
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Anténe, Petr. "“The most famous Jew outside the Old Testament”: Recontextualizing Shakespeare in Clive Sinclair’s Shylock Must Die". Iudaica Russica, n.º 1(8) (21 de junho de 2022): 1–13. http://dx.doi.org/10.31261/ir.2022.08.09.

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The posthumously published short story collection Shylock Must Die (2018) by the British Jewish writer Clive Sinclair works with Shakespeare’s play The Merchant of Venice in a variety of creative ways. The short stories borrow from The Merchant of Venice especially the theme of antisemitism and Shylock as the main Jewish character but are usually set in the 20th or 21st century rather than in the Renaissance. Some stories react to notable productions of the play across the globe, e.g. in Stockholm in 1944, London in 2012 or in Venice in 2016, the year of the quincentennial commemorations of the foundation of the Venetian ghetto. The stories also include tragicomic elements as typical features of Jewish literature.
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Teses / dissertações sobre o assunto "Short stories, Canadian – 21st century"

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Dougherty, Mary Ann. "Betrayal : Short Stories". PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2233.

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This collection of short stories, titled Betrayal, is my thesis project to meet the requirements for a Master of Fine Arts in Creative Writing/Fiction. In each story, of course, there is betrayal, of sister, daughter, wife, husband or lover. The settings of the stories are various, the Midwest, the Great Lakes, the Allegheny Mountains and Louisiana bayou country. Northeastern Ohio and Lake Erie, especially, have informed description and metaphor in the stories, and their atmosphere is influenced by Gothic literature.
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Householder, Aaron J. "The shadow line : short stories". Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1365516.

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The Shadow Line is a collection of six short stories featuring characters whose lives take them near, and often across, the metaphorical Line that separates light from dark. Some of these characters indeed straddle that Line, living lives of apparent uprightness while harboring the seeds of inescapable menace. Some hover on the outside of some social structure and yearn to cross over, to leave the shadows of their lives outside for the apparent radiance within. And some live in worlds of brightness and comfort, only to find themselves confronting sudden moments of inexplicable terror. Told from various points of view, these stories invite the reader to listen to the characters — to explore the secrets they keep, the fears and doubts and dangers they face as they confront the darkness — and to inhabit with them, for a short time, the menacing world on either side of the Shadow Line.
A story to tell -- Grass grows greener -- Salvation -- Places -- The delivery -- The ivory tower.
Department of English
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Myers, Nathan C. "A veritable press : short stories". Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1365520.

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A Veritable Press is a collection of six short stories, focusing on the troubled relationships of its characters, exhibited both internally and externally. While the characters in these stories experience the effects of their own decisions, they are generally more affected by forces outside their control, whether those are the choices of others, or the inexplicability of nature. Most characters seek redemption, though they are denied the means to deliver themselves as they move towards an end that seems inevitable. This feeling of inevitability represents the arbitrary and seemingly unsystematic nature of circumstance. Through the use of distinct voices, multiple narratives, and metafiction, each piece works to exhibit an entirely realistic portrait of its places and characters, endeavoring to force its reader to face what is most unpleasant and appalling, in order to understand it.
You and I -- Violet in blue, swimming -- Mole hunt -- We three make up a solitude -- Savages -- Other books.
Department of English
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Hoffman, Christopher M. "A fantastic chaos : snapshots of a life, past and present". Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337195.

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This creative project is a collection of five pieces of short fiction revolving around the life and times of one central character, a young man named Jared Yando. The perspective of each individual piece is centered at different points within approximately one calendar year, and chronicles the protagonist's life within that very transitional period. The focus holds mainly on Jared's relationships, from the latest one with his girlfriend Claudia to the oldest ones with his shattered but healing family. Throughout, these relationship partners take unexpected actions that result in unexpected consequences spanning both ends of the emotional spectrum. Jared finds himself repeatedly involved in that most human of predicaments as he is forced to sort out the actions of those close to him and determine what they have meant, and will mean, to the construction of his own character.
Department of English
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Kuit, Henali. "Dear space dad and other stories". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017774.

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My stories are set around the themes of family, animals and outer space -- which leads to other themes like religion, loneliness, romance, eating animals, growing up and longing for the past. Most of the stories have non-linear structures. Some use gradual shiftings of narrator voice; in others the narrative is flat, lacking plot. I favour repetition over plot-based climaxes to create coherency and narrative flow. I also favour free indirect discourse over dialogue or description as a means to characterize.
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Madingwane, June. "Kaffirmeid and other stories". Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015659.

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Musavengana, Shelter K. "Before before & after after". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017775.

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The stories in this collection explore the fantastical, the power of memory, and the human capacity to love. Moving between the surreal, the absurd, the allegorical, and the metafictional, they elaborate on life's ordinary madness and the mysteries of the spirit. By challenging the either/or boundaries of the binary of realism and fantasy, the stories provoke the reader to engage actively with the text. Influenced by experimental US author Stacey Levine, the mid‐century British novelist Barbara Comyns, and the adventurous Chinese writer Can Xue, in most cases, they create a playful, experimental world that exists at a slight angle to the world as we know it.
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Majola, Fundile Lawrence. "Good-Gooder-Goodest". Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015657.

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My stories are set in the townships, and move with the vigorous rhythms and jagged structures of township life. Some of them are written in English and others in isiXhosa. Some of the dialogue is township slang, a mixture of languages; and pure isiXhosa. The stories follow no particular pattern and are arranged according to any form of chronology, and different voices, at times as a man/boy and in others as a girl. The characters are not related each story perfectly stands for itself. Some of the stories hark back to the days of apartheid and are seen through the eyes of a child confused by the humiliations of his elders.
Amabali am asekelwe ezilokishini yaye ahambelana neemeko ezimaxongo zokuphila zasezilokishini apho yaye amanye asukela kwixesha lengcinezelo yesizwe esimnyama. Imiba echatshazelwa kula mabali iquka intlupheko, intiyo kwakunye nokuphilisana koluntu ezilokishini, phantsi kwezo meko. Amabali la ndizame ukuwenza alandele indlela yokubalisa yhenkwenkwana enguSkhumba, ethi ibone iqwalasele iimeko zokuphila zabantu bohlanga lwayo. Ingqokelela esisiqendu sokuqala yona ibhalwe ze yangeniswa ngesiNgesi.
This thesis is presented in two parts: English and isiXhosa.
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Reed, Graham Conan. "The talisman". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001817.

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The Talisman is an adventure story set in a future where much of today's cultural memory and technology has been lost. Following a hunting accident, a young man named Forest survives a life-threatening wound and embarks on a quest for knowledge. Rising sea levels, bands of marauders, wild animals and the perils of survival in the broken world are not the only problems facing the survivors. The nature of the collapse of the society, what triggered it and its subsequent unfolding, bequeaths an existential quandary upon them that only Forest, and a rare text as old as the earth itself, can unravel
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Rawlins, Isabel Bethan. "Counting planes". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001816.

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This collection of prose-poems and flash fiction, together with a few short stories, shows how romantic relationships colour our perspectives on the world. The collection has echoes throughout of speakers' voices, theme, imagery and tone. There is a narrative logic too, but working on a subtle level of echo and resonance
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Livros sobre o assunto "Short stories, Canadian – 21st century"

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King, Stephen. Best American Short Stories 2007. Editado por Heidi Pitlor e Stephen King. Boston, USA: Houghton Mifflin Company, 2007.

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1954-, Williford Lex, e Martone Michael, eds. The Scribner anthology of contemporary short fiction: Fifty North American stories since 1970. New York: Scribner Paperback Fiction, 1999.

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1954-, Williford Lex, e Martone Michael, eds. The Scribner anthology of contemporary short fiction: 50 North American stories since 1970. 2a ed. New York: Simon & Schuster, 2007.

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Jackie, Gay, e Bell Julia 1971-, eds. England calling: 24 stories for the 21st century. London: Weidenfeld & Nicolson, 2001.

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1932-, Mitcham Allison, e Quigley Theresia, eds. Maritime voices: Twentieth century stories by women. Saint John, N.B: DreamCatcher Pub., 2000.

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Christoph, Kranich, ed. Liebe Leben: Homosexualität und die Vielfalt der Lebensformen in Zeiten der Individualisierung. Flensburg: Flensburger Hefte Verlag, 2000.

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J, Casey George, e Miller Elizabeth Russell, eds. Tempered days: A century of Newfoundland short fiction. St. John's, Nfld: Killick Press, 1996.

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Ontario, Theatre, ed. Ontario playwrights: Eight short plays. Toronto: Playwrights Canada Press, 2008.

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Salman, Rushdie, e Pitlor Heidi, eds. The best American short stories 2008. Boston: Houghton Mifflin Co., 2008.

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Richard, Thomas, ed. Vox 'n' roll: Fiction for the 21st century. London: Serpent's Tail, 2000.

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Capítulos de livros sobre o assunto "Short stories, Canadian – 21st century"

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Kornienko, Natalya V. "Folklore and Sholokhov (For the Publication of the Article by I. Kravchenko)". In Creative Heritage of M.A. Sholokhov at the Beginning of the 21st Century, 371–451. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0650-5-371-451.

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The paper analyses the campaign for art’s national character (which took place in the Soviet Union during the 1930s) so as to present one of the most profound and prolific specialists in folklore, I.I. Kravchenko, who is known as the author of the article Sholokhov and Folklore, a classical philological work dedicated to the writer’s short stories and novels. The article’s text (which was initially published in the “Literary Critic” magazine in 1940) is provided here in its original version: without the lengthy abridgements and corrections made by the editors, but with the improvements inserted by I.I. Kravchenko in his manuscript.
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Stouck, David. "Ross, (James) Sinclair (1908–1996)". In Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2010-1.

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Sinclair Ross was a founding figure of Canadian literature. His novel, As For Me and My House, and short stories, including ‘The Lamp at Noon’ and ‘The Painted Door’, have been widely recognised as defining accounts of life in early- to mid-twentieth century Western Canada. Ross’s work both evokes a modernist context through its focus on the ambiguities of first-person narration, and initiates a nationalist discourse through its depiction of small-town Canadian landscapes and communities. As For Me and My House has been described by Margaret Atwood as ‘archetypally’ Canadian, while fellow Western writer Margaret Laurence credits Ross with showing her that ‘novels could be written here’.
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Cullen, Lauren. "Animal–Human Entanglements in the Canadian Wild Animal Stories of Charles G. D. Roberts". In Beastly Modernisms, editado por Saskia McCracken e Alex Goody, 181–97. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474498029.003.0011.

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One of the most inventive and distinctive formal and generic interventions into modern writings about animals was the advent of the realistic wild animal story at the turn-of-the-century. As Adrian Hunter has pointed out, it was in the 1890s that ‘a three-way alignment between realism, the short story, and various forms of cultural radicalism and avant-gardism came into being,’ signalling the advent of a new modernist moment. The wild animal story, resultantly, demonstrates the current renegotiation of modernist literary and cultural contours with its formal and thematic preoccupations. Pioneered by Canadian writers Sir Charles G.D. Roberts and Ernest Thompson Seton, this unique genre interwove fiction with accounts of animal behaviour based on developments in animal psychology, cognitive ethology, and Darwinian theory. This chapter analyses how these authors use established narrative strategies such as naming, perspective, and narration, as well as more porous and prolific techniques such as identification and relationality. Roberts’s positioning of this genre as a means of reaching an ‘enlightened’ and ‘spiritual’ understanding of the ‘world of wonder’ opened by animal psychology, however, also raises political, cultural, and ethical questions about settler-colonialism. This chapter throws open the geographical, temporal, and aesthetic boundaries of these late nineteenth into twentieth century works to interrogate the unique contribution that the wild animal story provides to broader discussions of nonhuman animals in modernity.
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Seifert, Elena I. "Prose of the Russian Germans in the Second Half of the 20th and the Beginning of the 21st Century". In Russia – Germany: Literary Encounters (after 1945), 343–62. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0683-3-343-362.

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This article examines novels and short stories written by the Russian Germans of the second half of the 20th and the beginning of the 21th century, such as V. Klein, G. Belger, I. Gergenroeder, G. Wormsbacher, O. Kling, N. Kosco, E. Hummel and other authors. The prose of the Russian Germans expresses a complex attitude that occurs due to elaborating the themes of deportation, labor army, war, emigration. Most of the novels were written in the period from 1957 till the present time, as writing such prose, especially of large and medium size, was difficult during the war and post-war period. Despite its adventurous history, the literature of the Russian Germans has now returned to its natural course and is actively restoring itself, moving from purely national problems to universal ones.
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Armie, Madalina. "Deconstructing Stereotypes in the Discourse of the Irish Republic". In Advances in Linguistics and Communication Studies, 262–84. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6458-5.ch013.

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Recent decades have witnessed in Ireland the advancement and integration of women in the socio-cultural and public spheres. Nonetheless, what does it mean to be Irish and a woman in today's Irish Republic? This period has seen a notable emergence of a generation of new feminine voices that have marked a change in the image offered of the Irish woman until this present moment, an image provided previously almost only by male writers and constructed mainly in terms of religiosity, passivity and motherhood. The short stories written by women at the turn of the 21st century highlight the change in both the perception and position of the Irish woman within her society; however, the Celtic Tiger and Post Celtic Tiger short stories frequently look back into Ireland's past to explore the present to challenge and understand former and contemporary dominant narratives, discourses and stereotypes. This is also the major objective of this chapter.
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Dasgupta, Ranita Chakraborty. "Bangla Translations of Latin American Poetry: A Critical Study". In Contemporary Translation Studies, 47–108. CSMFL Publications, 2021. http://dx.doi.org/10.46679/978819484830103.

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The aim of this study is to map the reception of Latin American Poetry within the corpus of the Bangla world of letters for three decades, from 1980 to 2010. In the 1970s and the 1980s, the influence and reception of Latin American Literatures in Bangla was reflected primarily in the introductions to translations, preludes, and conclusions of translations. During the late 1960s and the early 1970s Latin American poets like Pablo Neruda, Victoria Ocampo, Octavio Paz, and Jorge Luis Borges had caught the attention of eminent Bangla poets like Bishnu Dey, Shakti Chattopadhyay, and Shankha Ghosh who started taking interest in their works. This interest soon got reflected in the form of translations being produced in Bangla from the English versions available. The next two decades saw the corpus of Latin American Literatures make a widespread entry into the world of academic essays, journals, and articles published in little magazines along with translations of novels, short stories and poetry collections by leading Bangla publication houses like Dey’s Publishing, Radical Impressions, etc. This period was marked by a proliferation of scholarship in Bangla on Latin American Literatures. By the 21st century, critical thinking in Latin American Literatures had established itself in the Bangla world of letters. This chapter in particular studies the translations of Latin American poetry by Bengali poets like Shakti Chattopadhyay, Subhas Mukhopadhyay, Bishnu Dey, Buddhadeb Bhattacharya, Shankha Ghosh, Biplab Majhi among many others. The analysis relates to issues they focus on including themes like self, modernity, extension of time and space, political and poetic resonances, and untranslatability. Through a step by step research of the various stages of translation activities in Bengal and Bangla, it traces how translations of Latin American Literatures begin to take place on literary grounds that had already become sites of engagement with these issues. The chapter further explores the ways in which all these poet-translators situate their translations in relation to the issues of concern. In addition, it also addresses the question of what they hence contribute to Bangla literature at large. I first chose to explore the ways in which these issues are framed in the reflections and debates on translation in India and Bengal in the 20th century. Thereon I have tried to show how these translations of Latin American poetry developed their own thrust in relation to these issues and concerns.
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"When screenwriter, novelist, and director Guillermo Arriaga was 10 years old, he practiced giving acceptance speeches with a Coke bottle. The reason, he explained to his parents, was because he was convinced he would win an Oscar, a Nobel Prize, or an award at the Cannes Film Festival. He’s already achieved one of those goals—he was honored at Cannes with Best Screenplay for The Three Burials of Melquiades Estrada (2005), which also won Best Actor for director Tommy Lee Jones—and he’s been nominated for the Academy Award for Best Original Screenplay for Babel (2006). Born in Mexico City, Arriaga is at the forefront of Mexican artists who have brought his country’s cinema to the attention of worldwide audiences in the 21st century. With director Alejandro González Iñárritu, he wrote the screenplays for Amores Perros (2000), 21 Grams (2003), and Babel, films that were praised for their unflinching view of humanity’s darkness while at the same time offering hope in the form of community and individual compassion. Arriaga directed his first feature in 2008: The Burning Plain—which starred Charlize Theron, Kim Basinger, and Jennifer Lawrence— and continued his passion for nonlinear stories and complicated, compelling characters. Throughout his work, Arriaga has explored how different languages, cultures, and borders can divide people—but as well how those divisions can be broken down in unexpectedly moving or terrifying ways. A celebrated short-story writer and sports enthusiast, he is also the author of the novels The Night Buffalo and A Sweet Scent of Death." In FilmCraft: Screenwriting, 25–27. Routledge, 2013. http://dx.doi.org/10.4324/9780240824857-6.

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