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Livros sobre o tema "Self-realization in women – Poetry"

Autor: Grafiati

Publicado: 26 de julho de 2024

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1

Sones, Sonya. The hunchback of Neiman Marcus: A novel about marriage, motherhood, and mayhem. Harper Paperbacks, 2011.

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2

Sones, Sonya. The hunchback of Neiman Marcus: A novel about marriage, motherhood, and mayhem. Harper Paperbacks, 2011.

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3

Self and Simulacra. Alice James Books, 2001.

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4

Waldner, Liz. Self and Simulacra. Alice James Books, 2001.

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5

The hunchback of Neiman Marcus: A novel about marriage, motherhood, and mayhem. Harper Paperbacks, 2011.

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6

ed, Wayant Patricia. Ideals for women to live by: Words of wisdom to inspire meaning and purpose in the daily lives of women. Blue Mountain Press, 2006.

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7

Kumar, Virendra. Sylvia Plath, the poetry of self. Radha Publications, 1988.

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8

Cook, Denise ChinaEyes. Full Circle: Balance in Life: A Collection of Poetry and Prose Chronicling Self-Love and Self-Awareness. Back To One Publications, 2005.

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9

Muske-Dukes, Carol. Women and poetry: Truth, autobiography, and the shape of the self. University of Michigan Press, 1997.

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10

Barbara, Garlick, ed. Tradition and the poetics of self in nineteenth-century women's poetry. Rodopi, 2002.

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11

Finch, Annie. The body of poetry: Essays on women, form, and the poetic self. University of Michigan Press, 2005.

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12

Boyle, Haberstroh Patricia, ed. My self, my muse: Irish women poets reflect on life and art. Syracuse University Press, 2001.

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13

Finch, Annie. The body of poetry: Essays on women, form, and the poetic self. University of Michigan Press, 2004.

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14

Adams, Barbara Block. The enemy self: Poetry and criticism of Laura Riding. UMI Research Press, 1990.

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15

Rivarola, Susana Reisz de. Voces sexuadas: Género y poesía en Hispanoamérica. Asociación Española de Estudios Literarios Hispanoamericanos, 1996.

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16

Bhattacharya, Arnab. Writing the body: Studies in the self-images of women in Indian English poetry. Common Ground, 2013.

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17

Fat Girl. Sibling Rivalry Press, 2011.

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18

Caffyn, Kelley, ed. Forbidden subjects: Self-portraits by lesbian artists. Gallerie Publications, 1992.

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19

Asociación Española de Estudios Literarios Hispanoamericanos., ed. Voces sexuadas: Género y poesia en HispanoAmerica. Universitat de Lleida, 1996.

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20

Dissanayake, Wimal. Buddhist confessional poetry: Narratives of self-conversion : a reading of the Therigatha. Sarasavi Publishers, 2013.

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21

Inventing black women: African American women poets and self-representation, 1877-2000. University of Tennessee Press, 2008.

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22

Sylvia Plath: Confessing the fictive self. Peter Lang, 1992.

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23

D, Esselman Mary, and Velez Elizabeth Ash, eds. Kiss off: Poems to set you free. Warner Books, 2003.

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24

Kaba, Mariame. No selves to defend: A legacy of criminalizing women of color for self-defense. Chicago Alliance to Free Marissa Alexander, 2013.

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25

Marianne Moore, Elizabeth Bishop, and May Swenson: The feminist poetics of self-restraint. University of Michigan Press, 2002.

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26

Workshops, Women's Writing, ed. Writing the self: An anthology of new writing from Women's Writing Workshops. Women's Writing Workshops, 2008.

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27

Ann, Depas-Orange, and Evans Robert C, eds. The birthday of my self: Martha Moulsworth, Renaissance poet. Critical Matrix, 1996.

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28

Led by language: The poetry and poetics of Susan Howe. University of Alabama Press, 2002.

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29

Maria, Mootry, and Smith Gary 1949-, eds. A Life distilled: Gwendolyn Brooks, her poetry and fiction. University of Illinois Press, 1989.

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30

Felton, Jamila Zahra. Les Fleurs. The Beat of Blossoms, 2013.

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31

Felton, Jamila Zahra. How I Felt. Jamila Zahra Felton, 2015.

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32

Pascoe, Judith. Romantic theatricality: Gender, poetry, and spectatorship. Cornell University Press, 1997.

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33

Birkle, Carmen. Women's stories of the looking glass: Autobiographical reflections and self-representations in the poetry of Sylvia Plath, Adrienne Rich, and Audre Lorde. W. Fink, 1996.

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34

Masks outrageous and austere: Culture, psyche, and persona in modern women poets. Indiana University Press, 1991.

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35

Subjectivity and women's poetry in early modern England: Why on the ridge should she desire to go? Ashgate, 2002.

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36

Allotey, Nii Adotey. Ode to freedom and joy: Mystic songs of self-realization. Association of West African Young Writers, 1993.

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37

Walker, Cheryl. Masks outrageous and austere: Culture, psyche, and persona in modern women poets. Indiana University Press, 1991.

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38

Upadesa undiyar of Bhagavan Sri Ramana: Facsimile of the original Tamil text in Sri Bhagavan's own handwriting. Sri Ramana Kshetra, 1986.

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39

Dvivedī, Kapiladeva. Ātma-vijñānam: Viṃśati-sargātamakam Brahmasvarūpa-varṇānanvitaṃ mahākāvyam = The science of soul. Viśvabhāratī Anusandhāna Pariṣad, 1994.

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40

Workshop, Women's Studio, and Press Collection (Library of Congress), eds. Treasure. Women's Studio Workshop, 2008.

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41

E, Scholes Robert, ed. Elements of literature: Poetry, fiction, drama. 3rd ed. Oxford University Press, 2004.

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42

Knight, Mykel. Women Prevail: Poetry for Prevailing Women. Creative Book Writers, 2021.

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43

Sones, Sonya. Hunchback of Neiman Marcus: A Novel about Marriage, Motherhood, and Mayhem. HarperCollins Publishers, 2011.

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44

ed, Wayant Patricia. Ideals for Women to Live By: Words of Wisdom to Inspire Meaning and Purpose in the Daily Lives of Women. Blue Mountain Press, 2006.

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45

The Self Unstable. Black Ocean, 2013.

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46

Varty, Anne. Women, Poetry and the Voice of a Nation. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474489843.001.0001.

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Resumo:

This book explores how poetry by women acquired the public authority necessary to take on a role in the cultural leadership of the United Kingdom and Ireland. By scrutinising the careers of four poets, Gillian Clarke, Carol Ann Duffy, Liz Lochhead and Paula Meehan, it assesses how each one was elected to Poet Laureate or National Poet roles and what changed as a result of their concurrent tenures in these public offices during 2013-2016. It presents historic rifts between women, poetry and nation which prevailed before and during the twentieth century and which contributed to the marginalisation of women’s voices. It looks at how the careers of these poets accommodated campaigns for inclusive and diverse poetic voices and subject matters which overturned a 400 year exclusion of women from the UK laureate role. The book explores how poetry by Clarke, Duffy, Lochhead and Meehan intervenes in questions of contemporary geopolitics and national self-understanding, particularly in light of the 2014 referendum on Scottish independence, and the 2016 referendum on Brexit. The authority of their poetry extends to the prescribed study of their works on school curricula, and this book examines the often fraught relationship between these poets’ work, and the way it has been placed on the school syllabus. It considers how their pioneering careers help to shape the articulation of national belonging in four-nations Britain and Ireland, and cultural landscapes of the future.

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47

Self-evidence: A selection of verse, 1977-1997. TriQuarterly Books, 1998.

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48

Muske, Carol. Women and Poetry: Truth, Autobiography, and the Shape of the Self (Poets on Poetry). University of Michigan Press, 1997.

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49

Muske, Carol. Women and Poetry: Truth, Autobiography, and the Shape of the Self (Poets on Poetry). University of Michigan Press, 1997.

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50

She Book. Andrews McMeel Publishing, 2019.

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