Literatura científica selecionada sobre o tema "Science fiction – history and criticism – theory, etc"
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Artigos de revistas sobre o assunto "Science fiction – history and criticism – theory, etc"
Roberts, R. "American Science Fiction and Contemporary Criticism". American Literary History 22, n.º 1 (20 de novembro de 2009): 207–17. http://dx.doi.org/10.1093/alh/ajp048.
Texto completo da fonteZhang, Zhehui. "A Post-Colonial Approach to The Man Who Ended History: A Documentary". English Language and Literature Studies 10, n.º 2 (16 de abril de 2020): 53. http://dx.doi.org/10.5539/ells.v10n2p53.
Texto completo da fonteLähteenmäki, Ilkka. "Possible Worlds of History". Journal of the Philosophy of History 12, n.º 1 (22 de março de 2018): 164–82. http://dx.doi.org/10.1163/18722636-12341354.
Texto completo da fonteCollinge, James T. "‘With envious eyes’: Rabbit-poaching and class conflict in H. G. Wells’s The Time Machine and The Island of Doctor Moreau". Literature & History 26, n.º 1 (maio de 2017): 39–55. http://dx.doi.org/10.1177/0306197317695082.
Texto completo da fonteGómez-de-Tejada, Jesús. "Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo". Studia Romanica Posnaniensia 47, n.º 1 (15 de março de 2020): 5–17. http://dx.doi.org/10.14746/strop.2020.471.001.
Texto completo da fonteEmma Liggins. "Victorian Sensation Fiction: A Reader's Guide to Essential Criticism (review)". Victorian Periodicals Review 43, n.º 1 (2010): 83–84. http://dx.doi.org/10.1353/vpr.0.0110.
Texto completo da fonteALAND, BARBARA. "Welche Rolle spielen Textkritik und Textgeschichte für das Verständnis des Neuen Testaments? Frühe Leserperspektiven". New Testament Studies 52, n.º 3 (julho de 2006): 303–18. http://dx.doi.org/10.1017/s0028688506000166.
Texto completo da fonteGómez López, Susana. "Enthusiasm and Platonic furor in the Origins of Cartesian Science: The Olympian Dreams". Early Science and Medicine 25, n.º 5 (25 de novembro de 2020): 507–35. http://dx.doi.org/10.1163/15733823-00255p04.
Texto completo da fonteBasu, M. "A Matter of Light and Shade: Fiction and Criticism in R. K. Narayan's Malgudi". boundary 2 40, n.º 2 (1 de junho de 2013): 215–38. http://dx.doi.org/10.1215/01903659-2151857.
Texto completo da fonteFresán, Rodrigo. "The Sebald Case". boundary 2 47, n.º 3 (1 de agosto de 2020): 169–75. http://dx.doi.org/10.1215/01903659-8524479.
Texto completo da fonteTeses / dissertações sobre o assunto "Science fiction – history and criticism – theory, etc"
Floerke, Jennifer Jodelle. "A queer look at feminist science fiction: Examing Sally Miller Gearhart's The Kanshou". CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2889.
Texto completo da fonteSelling, Kim Liv. "Nature, reason and the legacy of romanticism : constructing genre fantasy". Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/2565.
Texto completo da fontePayne, Christopher Neil. "Terminus intractable and the literary subject : deconstructing the endgame in Chinese avant-garde fiction". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29518.
Texto completo da fonteMackinnon, Jeremy E. "Speaking the unspeakable : war trauma in six contemporary novels". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm15821.pdf.
Texto completo da fonteKelly, Michelle. "Library encounters: textuality and the institution". Thesis, The University of Sydney, 2012. http://hdl.handle.net/2123/14380.
Texto completo da fonteDedman, Stephen. "Techronomicon (novel) ; and The weapon shop : the relationship between American science fiction and the US military (dissertation)". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0093.
Texto completo da fonteBlake, Greyory. "Good Game". VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5377.
Texto completo da fonteTAYLOR, SHAWN. "SPEED AND RESOLUTION IN THE AGE OF TECHNOLOGICAL REPRODUCIBILITY". VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3888.
Texto completo da fonteMackinnon, Jeremy E. "Speaking the unspeakable : war trauma in six contemporary novels / Jeremy E. Mackinnon". Thesis, 2001. http://hdl.handle.net/2440/19791.
Texto completo da fonte258 leaves ; 30 cm.
Presents readings of six novels which depict something of the nature of war trauma. Collectively, the novels suggest that the attempt to narrativise war trauma is inherently problematic. Traces the disjunctions between narrative and war trauma which ensure that war trauma remains an elusive and private phenomonen; the gulf between private experience and public discourse haunts each of the novels.
Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2001
Cruddas, Leora Anne. "Labyrinths, legends, legions: an allergory of reading". Thesis, 1996. https://hdl.handle.net/10539/24311.
Texto completo da fonteThis dissertation grapples With the activity of critical production. It answers not to an interpretation which would constitute the writer within the institutionalised category of effect and object of knowledge, but rather to an explosion, a proliferation of critical paths at the limit of the doxa: a veritable labyrinth. The terms of my title open up a methodological field within which I enact the play of associations, contiguities, relations among four texts: The Name of the Rose, lost. in the Funhouse, The Naked Lunch and 'The library of Babel'. The terms themselves disseminate across the text argument in citations, references, echoes. The labyrinth is used throughout as a trope which deconstructs its own performance within the text. Legends are myths, inscriptions on maps, legenda or "things for reading" (through an etymological supplement), "lesser libraries." Barthes cites the biblical words of the man possessed by demons: "My name is Legion for we are many" and demonstrates how the demonlacal plural brings with it fundamental changes in reading strategies. The notion of the demoniacal plural is used to problernatlse the debates around subjectivity. The belief in unitary, rational selfhood is debunked and the subject is Seen to be plural, irreducible, heterogenous. Subjectivity is further problernatlsed by demonstrating the slippage among the labyrinthine multiplicity of discursive positions occupied by readers: the monoloqlcal models of meaning developed from each reading position constantly shift. The discursive position recuperated and sanctioned by the Law or the institution is impossible to maintain as Subjects are seduced by language into confrontation with other positions through their continuous renarnings of each other. Subjectivity and discursive positioning form .their own labyrinthine intentionality. The argument then moves towards an exploration of the current calculation of the subject for the writer. (Distinctions between author and critic begin to collapse here since meaning is shown to be governed by neither). The reading\writing subject strolls in a vast labyrinth of text - a postmodern flaneur who frustrates the work of exegesis by enacting the play of the signifier. The line traced by this hypothetical traveller does not engender a definitive theoretical or discursive map of the domain but rather a contingent and highly provisional, backward turning path. The demoniacal plural is also used to problematise notions of an original and innovative critical voice which "speaks" the dissertation. The logic regulating the argument is the already-written, The dissertation plavs with each text (both critical texts and fictions) looking for a practice which reproduces them but in another place. My imagined (ideal?) reader wmtreat the argument as that Which. lt was not simply meant to be,will. follow.the argument and be seduced by it: an echoing. structure with dead ends, wrong turns, false entrances fictitious exits; misleading threads and deceptive lines,
AC 2018
Livros sobre o assunto "Science fiction – history and criticism – theory, etc"
Saint, Tarun K. Witnessing partition: Memory, history, fiction. New Delhi: Routledge, 2010.
Encontre o texto completo da fonte1948-, Penley Constance, ed. Close encounters: Film, feminism, and science fiction. Minneapolis: University of Minnesota Press, 1991.
Encontre o texto completo da fonteJameson, Fredric. Archaeologies of the future: The desire called utopia and other science fictions. New York: Verso, 2005.
Encontre o texto completo da fonteRuss, Joanna. To write like a woman: Essays in feminism and science fiction. Bloomington: Indiana University Press, 1995.
Encontre o texto completo da fonteJameson, Fredric. Archaeologies of the future: The desire called utopia and other science fictions. London: Verso, 2005.
Encontre o texto completo da fonteInternational Conference on the Fantastic in the Arts (11th 1990 Fort Lauderdale, Fla.). State of the fantastic: Studies in the theory and practice of fantastic literature and film : selected essays from the Eleventh International Conference on the Fantastic in the Arts, 1990. Westport, Conn: Greenwood Press, 1992.
Encontre o texto completo da fonteFreedman, Carl Howard. Critical theory and science fiction. Hanover: Wesleyan University Press, 2000.
Encontre o texto completo da fonteVint, Sherryl. Science fiction and cultural theory: A reader. Milton Park, Abingdon, Oxon: Routledge, 2016.
Encontre o texto completo da fonteAnnette, Kuhn, ed. Alien zone: Cultural theory and contemporary science fiction cinema. London: Verso, 1990.
Encontre o texto completo da fonteJoyce, Michael. Othermindedness: The emergence of network culture. Ann Arbor: University of Michigan Press, 2001.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Science fiction – history and criticism – theory, etc"
Rieder, John. "On defining sf, or not: Genre theory, sf, and history". In Science Fiction Criticism. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781474248655.0013.
Texto completo da fonteGumerova, Anna L. "The Necessary Commentary on Fantasy". In Commentary: Theory and Practice, 561–81. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0618-5-561-581.
Texto completo da fonteFish, Stanley. "Milton’s Career and The Career Of Theory". In There’s No Such Thing As Free Speech and It’s A Good Thing, Too, 257–66. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195080186.003.0016.
Texto completo da fonte